| The Library Of Romantic
Music Piano seul [Partition] - Intermédiaire/avancé Amsco Wise Publications
The Library Of Romantic Music is a comprehensive collection of the greatest work...(+)
The Library Of Romantic Music is a comprehensive collection of the greatest works of the Romantic period. Featuring composers like Frédéric Chopin, Claude Debussy and Gabriel Fauré, the works represented here truly some of the most beautiful ever composed. Now they're all in one conveniently spiral-bound volume, arranged for solo Piano for your sheer playing pleasure.Like the Baroque and Classical periods before it, Romantic music existed within a broader artistic, intellectual and literary movement. Emerging in the early 19th century it reflected a time of preoccupation with things mystical, spiritual, legendary and supernatural. This collection comprises fantastic original Piano works and beautiful arrangements from all the greatest composers of this era, including: Albéniz, Berlioz, Bizet, Brahms, Chopin, Dvorák, Debussy, Elgar, Fauré, Grieg, Mahler, Liszt, Mendelssohn, Puccini, Ravel and so many more.Spanning the 19th century, the Romantic movement was a reaction to what had come before. Music proved to be a particularly rich medium of expression for a new Zeitgeist that prized individualism and spirituality. Drawing together composers whose background was as diverse as the music they created, the period proved to be a very broad church indeed. This makes The Library Of Romantic Music particularly exciting, because the extraordinarily rich and expressive music is collected here in a single volume that is durable, convenient and is sure to be a mainstay of your music stand.For a simply stunning compendium of some incredible pieces of music composed by the masters, The Library Of Romantic Music is essential. The greatest compositions from such a fantastically rich period have been collected in this single volume, perfect for pianists looking for beautiful additions to their repertoire. / Piano
33.52 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Maurice Duruflé: Ubi
Caritas (N. 1 Op. 10):
SATB: Vocal Score Chorale SATB [Vocal Score] Durand
From Quatre Motets Sur Des Themes Gregoriens-Duruflé grew up in Louviers in the...(+)
From Quatre Motets Sur Des Themes Gregoriens-Duruflé grew up in Louviers in the northern French region of Haute-Normandie (Upper Normandy) where as a boy he was a chorister and studied piano. At the age of 17 he moved to Paris to study organ with Charles Tournemire. A year later Duruflé wasadmitted to the Paris Conservatoire where he studied organ piano and composition and was awarded five first prizes in various subjects. Upon graduation Duruflé became musical assistant to Louis Vierne at Notre Dame but soon after this wasappointed organist at Saint Étienne-du-Mont in Paris where he would remain for the rest of his life. In 1943 he was appointed professor of harmony at the Conservatoire a position he maintained for 27 years. From 1926 until 1977 Duruflé published 14compositions including the Requiem Op. 9 (1947). Duruflé traveled extensively as a concert organist and was active as a recording artist. Later in life he and his second wife often performed as an organ duo. The composer suffered severe injuriesin an automobile accident in 1975 which left him nearly bed-ridden for the final decade of his life.Composed in 1960 Quatre Motets sur des thèmes grégoriens Op. 10 (Four Motets on Gregorian Themes) were dedicated to Auguste le Guennant director of the Gregorian Institute in Paris. Each of the four motets begins with an incipit of Gregorianchant which serves as melodic inspiration for the composition that follows. The four motets are (in order): ?Ubi caritas ? ?Tota pulchra es ? ?Tu es Petrus ? and ?Tantum ergo.? ?Ubi caritas? is an early Christian antiphon traditionally used in the Maundy Thursday service during the washing of the feet an act of Jesus from the Last Supper. The antiphon has become closely associated with the Eucharist and is sometimes alsoused at weddings. Duruflé sets only the first of the four stanzas of the text.
2.75 GBP - vendu par Musicroom GB Délais: En Stock | |
| Maurice Ravel: Pavane
Pour Une Infante Defunte:
Concert Band: Score and
Parts Orchestre d'harmonie [Conducteur et Parties séparées] Alfred Publishing
Pavane for a Dead Princess-Maurice Ravel was only 24 when his piano solo 'Pavane...(+)
Pavane for a Dead Princess-Maurice Ravel was only 24 when his piano solo 'Pavane Pour une Infante Defunte ' which translated means Pavane for a dead princess became the rage of the drawing rooms and salons of Paris in 1899 but the work already held the unmistakable stamp of his style. Ravel orchestrated the work in 1910. Jerry Brubaker presents this lovely work in a Concert band setting with all of the lush melodies and harmonies of the original work but with simplified ranges and a comfortable key. A marvelous choice for a truly beautiful piece of impressionistic literature!
66.95 GBP - vendu par Musicroom GB | |
| Forever Vienna - Piano
Solo Piano seul [Partition] - Intermédiaire/avancé Amsco Wise Publications
All the uplifting waltz music from the classical chart topping album arranged fo...(+)
All the uplifting waltz music from the classical chart topping album arranged for Piano solo, including The Blue Danube . With Forever Vienna , the Johann Strauss Orchestra has broken records to become the best selling orchestral album ever, topping the classical album charts from the time of its release for over three months. The album has also transcended its traditional market, reaching the number 2 spot on the pop charts. Much of this success is down to conductor André Rieu who has injected fun back into the waltz by not so much conducting as leading the orchestra with his Violin and a mixture of wit, humour and spontaneity rarely seen in the classical world. / Piano
25.63 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Historical Performance
Practice in Organ Playing Orgue [Partition] Carus Verlag
Modern and Contemporary Music. Par . Now finally in English too: The third part ...(+)
Modern and Contemporary Music. Par . Now finally in English too: The third part of the organ method Historical Performance Practice in Organ Playing follows on from part two with contributions by Guy Bovet (on Jehan Alain), Hans-Ola Ericsson, Anders Ekenberg, Markus Rupprecht (Olivier Messiaen), Hans Fagius (Maurice Duruflé), Jeremy Filsell (Marcel Dupré), Bernhard Haas (Arnold Schönberg, Ernst Krenek, John Cage, György Ligeti, and others, plus the latest developments) and Armin Schoof (neoclassicism). As in the first two parts of the organ method, here too a representative selection of composers is discussed. Alongside mainly personal recollections (e.g. from Hans Fagius) there are analytical essays (including by Jeremy Filsell). Bernhard Haas has organised one section of his text as an introduction to the playing techniques and aesthetics of new music, beginning with pieces which are easy to play. This English edition contains new chapters by Kevin Bowyer (The Development of New Organ Music in Britain / Contemporary Organ Music in North America). Laukvik?s organ method Historical Performance Practice in Organ Playing has now become established as a standard work. It is aimed at organists who want to incorporate the latest thinking on historical performance practice into their interpretations of works. The three volumes provide a practical introduction in a detailed, scholarly and comprehensible form, by giving organists as precise a picture of the interpretative traditions and aims of previous and modern/ contemporary eras as possible. The editions are aimed not only at organists, but also at organ teachers who are looking for a manual to use in their teaching. / Date parution : 2022-05-03/ Recueil / Orgue
107.10 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Pelléas Et
Mélisande Op. 80 Orchestre Barenreiter
Faure wrote Pelleas et Melisande in 1898 originally as incidental music to Mauri...(+)
Faure wrote Pelleas et Melisande in 1898 originally as incidental music to Maurice Maeterlinck's like-named play. After the premiere and subsequent performances, he set about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard. In December 1912, the four-movement version of Pelleas et Melisande was finally premiered. The additional movement, the Sicilienne, was taken from the third interlude of the incidental music. This delightful piece would later become one of Faure's most popular compositions and now exists in countless arrangements. / Orchestre
33.06 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| CLASSICAL CHILLOUT GOLD
EDITION SOLO PIANO
Piano seul [Partition] - Intermédiaire Chester
Relaxez-vous avec cette suite incroyable de notre meilleure vente "Classica...(+)
Relaxez-vous avec cette suite incroyable de notre meilleure vente "Classical Chillout", contenant 29 superbes morceaux légers au piano à jouer et à apprécier. / Classique / Partition /
24.50 EUR - vendu par Note4Piano Délais: 2-5 jours - En Stock Fournisseur | |
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