Par RIPMASTER TERENCE M.. Depuis plus d'un demi-siècle, John Pizzarelli ' Bucky ' a été une partie de la Fraternité de musiciens qui ont conservé mainstream et vivante de jazz traditionnel. Les listes des big bands et chanteurs avec lesquels les Bucky a joué et enregistré se lit comme un véritable qui est qui de Jazz. Cet ouvrage de 208 page offre une brève histoire de la guitare jazz, une généreuse dose d'informations biographiques sur Bucky, plus courts sketches de dizaines d'autres étoiles jazz de son époque. Des concerts dans son adolescent et ses débuts professionnels avec l'orchestre de Monroe Vaughn pour son travail dans les bandes de studio, spectacles de commande à la maison blanche et au-delà - Bucky de vie histoire est racontée ici en grande partie grâce aux yeux de ses nombreux associates illustres. La discographie complète fournie en annexe sera accueillie par tous les fans de Pizzarelli. En plus de la performance et les photos de la publicité, ce livre est encore amélioré par plusieurs snapshots occasionnels de Bucky et amis ainsi que des photos noir et blancs de peintures à l'huile de Bucky quelques... / Jazz - Biography / Recueil / Guitare

'for the National Youth Choirs of Great Britain'for junior-upper voice SSSA Choir and Double SATB Choir a cappella (Score)Commissioned by the National Youth Choirs of Great BritainText is by Arthur W. E. O'Shaughnessy, adapted by Jessica Duchen.Composer's NoteWhen the National Youth Choirs of Great Britain requested a short piece for their gala concert at Birmingham's Symphony Hall, I was particularly excited about the prospect of writing for 300 singers. A recent research trip to Estonia resulted in somewhat of a revelation: having heard and seen their world-renowned choirs in action (literally!) has resulted in We are the Music-Makers having the less mainstream 'surround-sound' of upper voices/junior choir at the back and sides of the audience and a further stereophonic double-choir on stage.This poem was sent to me by Tim Williams (my ex Head of English at school), and immediately seemed to fit this occasion. This text has already been set magnificently by Elgar, so partly to avoid any kind of comparison and also to bring its timeless message up to date, I asked my poet friend Jessica Duchen to give it a sligtly more contemporary feel.A poem about global music-making (which ties in with the NYCGB's recent World-Music CD), it speaks about humankind, nation to nation, and the mention of Babel inspiring a 'speakng of tongues' effect by using as many different international words for 'music' as possible as an accompaniment (not an easy task, as many of them are similar to our own word!). These are: French (Musique), Romanian (Muzica), Swahili (Mahewa), Polish (Muzka), Estonian (Muusika), German (Muzik), Japanese (Ongaku), and Spanish (Música). / Choeur Mixte (SSAATTBB) A Cappella

Bob Marley is perhaps the most important voice of Reggae music, crossing-over and achieving an iconic status in the mainstream pop industry. His songs of protest, freedom, liberation, love and equality have become some of the best-loved songs of the era, poignantly evoking the struggles, hardships and injustices of a troubled time. This special addition to the Chord Songbook series presents all 124 Bob Marley songs as featured on such albums as African Herbsman and Catch A Fire, right up to Uprising and Confrontation, including extra songs from later compilations. All the songs have been arranged with a full chord guide and complete lyrics.

Par LAKEMAN SETH. The fourth studio album from the award-winning folk cross-over king Seth Lakeman. This album is more mainstream and promises to win new audiences with it's rip-roaring fiddle playing, gutsy vocals and a full band giving the music a rockier vibe. All eleven tracks are carefully arranged for Guitar Tab and Standard notation with full lyrics./ Tablatures / Guitare Tablatures

Par DOBSON SIMON. Commandé pour comme l'éprouvette set pour la Section B du championnat 2007 EuAvailableean Brass Band, ce travail s'inspire de nombreuses formes de musique, mais surtout de Drum ' ne Bass - bien qu'il ne cite pas directement ou ne sonore comme ce médium lui-même. J'ai été récemment présenté à ce milieu grâce à des amis du compositeur, qui étaient des DJs et découvert que cette forme d'art est complexe, passionné (dans ses formes les plus souterrains ou none-mainstream) et intimement composée comme toute autre forme de musique. Les travaux commencent avec le tourner sur une platine comme peut être entendu dans le gauchissement de la partie de trombone près de son départ. Le compositeur a tenté d'éviter une forme plus régulière en faveur d'un mélange de styles, de la même façon que DJ serait mélanger des enregistrements de différents styles pour créer le son et l'atmosphère qu'ils recherchaient nad également essayé de reproduire certaines des techniques utilisées par un spécialiste de la table tournante comme à s'effacer un style, pouls ou brai dans la prochaine comme oppos.../ Répertoire / Brass Band

The multi-million selling pop superstar Robbie Williams takes a break from the mainstream with this album, presenting a collection including some of the greatest swing and big band hits, performed in Robbie\'s own charismatic style.This volume contains a well-arranged score for violin for all of the tracks on the album and includes a CD with the backing tracks, perfect for practising at home or performing live.

'Smash' by name and smash by nature. This is the album that broke The Offspring into the mainstream charts alongside other neo-punk bands such as Green Day and Rancid. The album was released in April 1994 and sold over 11 million copies world wide. This songbook contains all the songs from the album transcribed for guitar. Includes tablature, standard notations, chords and lyrics.

Les joueurs de clavier, faites attention! Pour suivre le volume de fondation ROCK PIANO 1 (ED 7029), ce volume va plus en détail. Morceaux dans une grande variété de styles vous mettre en contact avec un large éventail de méthodes utilisées en jouant du rock, avec des études en solo pour étendre vos capacités d'improvisation. Exercices rythmiques et harmoniques vous aideront à développer des parties de clavier suppression de séquences d'accords simples, afin que vous puissiez vous distinguer lors de la lecture avec d'autres musiciens ainsi. Toutes les pièces et les solos (improvisations) dans le livre également sur ??le CD d'accompagnement, joué par l'auteur.ROCK PIANO 2 est conçu de telle sorte que, en travaillant à travers des compositions qui sont écrits en toutes lettres que vous apprendrez à développer votre propre style et d'adopter une approche créative de la matière en face de vous. / Piano

Par DECKER EDDIE. Bucky 'Pizzarelli est un des joueurs plus connus 7-chaîne vivantes. Pour plus d'un demi-siècle, ' Bucky, 'comme il l'appelle affectueusement, a été une partie de la Fraternité de musiciens qui ont conservé mainstream et jazz traditionnel vivant. Bucky est bien connu pour ses travaux en groupes, ainsi que ses sorties solos. Cette importante collection offre un regard sur la marque célèbre du Bucky de solos de guitare cordal et des mélodies de la corde. Ses 31 mélodies comprennent ' Darn que Dream '' Sweet Lorraine,' ' un matin en mai, 'et autres grands standards, certains arrangés pour guitare 6 cordes, mais la plupart pour 7-chaîne. A ' doit avoir ' pour toute bibliothèque de jazz. Notation standard et tablature. / Niveau : Intermédiaire / Jazz - Solos / Tablatures / Guitare Tablatures

Hip Licks for Saxophone is designed to help saxophonists develop fluency in the jazz language by providing mainstream jazz vocabulary (swing/bop/post-bop) that nails the changes and lays great on the horn.Think of Hip Licks for Saxophone as a musical reference book, like a dictionary of great licks in all twelve keys, available when you need it. You can open the book to any page and just start playing.Need something that will help you sound like a total pro while playing over the most challenging keys, like: C#, F# or B' Hip Licks for Saxophone is an indispensable resource that can immediately show you how a professional player would approach those tough keys and chord progressions.Special Features of Hip Licks for Saxophone by Greg Fishman:' 168 Hip Licks ' Each lick is unique and customized for each key, based on the best timbre, register and playability on the horn. The C7 lick is different than the B7 lick, which is different than the Bb7 lick, etc.' Idiomatic Construction ' Alto and Tenor read the same written part, while the rhythm section is recorded in two different keys, ensuring that each lick lays perfectly on all saxophones.' Slow Tempo and Fast Tempo Play-Along CDs are included for both Alto and Tenor ' 4 CDs included:2 Alto CDs and 2 Tenor CDs, providing over four hours of play-along tracks.' Hip Licks Nail the Most Popular Chord Progressions:- Major 7th, Dominant 7th, Dominant 7b9, Minor 7th, Minor 7b5, and Diminished 7th and Augmented 7th Chords- ii-7 / V7 / I Major (two and four-measure phrases)- ii-7b5 / V7b9 / i Minor (two and four-measure phrases)- Parallel Major to Minor Progressions- ii- ii-Maj7 / ii-7 V7 / I Maj7 (ii-7 / V7 / I Maj7 with moving 7ths)' Modular Design ' The licks are self-contained, easily taken out of the book to be used in a wide variety of songs.' Interactive Call and Response Format, perfect for ear-training and developing your musical memory. Each lick is played twice in a row on the Play-Along CDs, so you can hear the lick and then immediately play along.' Twelve Key Approach ' Every CD track takes you through all twelve keys.' Rhythm-Section-Only Tracks let you experiment with your own variations on the licks and improvise over a wide variety of harmonic settings. These tracks are also excellent backgrounds for practicing all of your chords and scales.' Technique Builder ' Use Hip Licks for Saxophone as part of your daily practice routine to dramatically increase your technical command of the saxophone.

Beginning intermediate LevelJazz Phrasing for Saxophone features ten melodic pieces which are easy to play, yet convey the essence of mainstream (Swing/Bebop/Bossa) jazz vocabulary. The pieces are catchy and melodic, demonstrating the use of sequence and voice-leading to make a musical statement.The book includes two play-along CDs (one for alto and one for tenor) featuring a world-class rhythm section, plus Greg Fishman demonstrating each piece. In addition, there are play-along tracks with just the rhythm section, so students have the option of playing along with Greg Fishman or with just the rhythm section.Jazz Phrasing for Saxophone is the prequel to Greg Fishman's more advanced books, Jazz Saxophone Etudes and Jazz Saxophone Duets, and will provide valuable insights into a melodic approach to jazz improvisation. This book is recommended for saxophonists of all levels who wish to improve their tone, articulation, phrasing, and understanding of thematic development.

Beginning intermediate LevelJazz Phrasing for Saxophone features ten melodic pieces which are easy to play, yet convey the essence of mainstream (Swing/Bebop/Bossa) jazz vocabulary. The pieces are catchy and melodic, demonstrating the use of sequence and voice-leading to make a musical statement.The book includes two play-along CDs (one for alto and one for tenor) featuring a world-class rhythm section, plus Greg Fishman demonstrating each piece. In addition, there are play-along tracks with just the rhythm section, so students have the option of playing along with Greg Fishman or with just the rhythm section.Jazz Phrasing for Saxophone is the prequel to Greg Fishman's more advanced books, Jazz Saxophone Etudes and Jazz Saxophone Duets, and will provide valuable insights into a melodic approach to jazz improvisation. This book is recommended for saxophonists of all levels who wish to improve their tone, articulation, phrasing, and understanding of thematic development.