SKU: CA.1633000

ISBN 9790007113469. Language: all languages.

The texts of the French author Anne-Marie Albiach have long been the point of departure for my works. Following the viola concerto << monstrueuse vecut dans le cadre >> la memoire, which is based on her << H II >> lineaires, the three texts entitled << une geometrie >> have generated a new cycle. As in the other two works of the cycle, << vertical et blanc >> is predicated on two different readings of the text: on the one hand a (private) reading by Anne-Marie Albiach in which time is measured out; while on the other hand the graphic text is measured millimeter by millimeter. The latter serves as the basis - the genetic code - for the temporal, horizontal structures of the ensemble part, whereas the reading of the author appears late in the melodic lines of the solo alto flute, which force the ensemble to play an accompaniment in flat surfaces. In << vertical et blanc >> one clearly recognizable element is repeated: a ninth chord, the basic element in the works of Claude Debussy, the composer who I admire wholeheartedly. For the generation of tone materials this chord is compressed and stretched within the ranges (frames) of tones which are derived from the horizontal positions of the text fragments: lower, borderline tones on the left margin, and higher borderline tones on the right margin. Thus the disposition on the page, essential for Anne-Marie Albiach (and first introduced in poetry by Mallarme in Un coup de des jamais n'abolira le hasard), is rendered in sound. Naturally each element of the text serves to mould structure and dynamics, to include the typography: fragments within quotation marks, in italics, etc., yield different sonorities and movements. Whereas the ensemble articulates rhythmically each character of the text, the rhythms of the solo flute articulate only its syllables and words. Each word of the author's reading of the text is instrumentated differently, which is important for the entire cycle. Thus a compact network of instrumental combinations is created in which, word for word, the text is made audible.

SKU: HL.49015218

ISBN 9783795727659. German.

In diesem Werk legt der Autor die Summe eines kunstlerischen Lebens, des Umgangs mit Musik und dem Flotenspiel vor. Es ist das Resultat jahrzehntelanger Erfahrungen, Forschungen, Erkenntnisse und einer langen kunstlerisch-padagogische n Tatigkeit.Gustav Scheck, dessen Name seit Jahrzehnten mit den Fragen und Interpretationen der Auffuhrungspraxis Alter Musik verknupft ist und der als Mitbegrunder des Kammermusikkreises Scheck-Wenzinger bekannt ist, zieht hier das Fazit seiner kunstlerischen Tatigkeit. Schon seit 1934 als Lehrer, seit 1942 als Professor an der Berliner Musikhochschule an hervorragender Stelle tatig, entwickelte er nach dem Krieg die Initiative zur Grundung der Musikhochschule Freiburg i.B., die er 18 Jahre lang leitete. Eine entsprechend grosse Zahl bekannter Flotisten zahlen zu seinen Schulern. Aus diesem Wirken heraus sind Zielsetzung, Stil und Methode des Buches entstanden.Es ist aber nicht nur die Alte Musik, um die es Gustav Scheck geht: auch seine intensive Beschaftigung mit den Problemen der Moderne (es sei an der Freundschaft mit Paul Hindemith sowie an die kompositorische Nachkriegssituation und die Zusammenarbeit mit Wolfgang Fortner erinnert) schlagt sich in seinem Buch ausserst fruchtbar nieder und bezeugt den weiten geistig-kunstlerischen Horizont seiner Arbeitsweise und Personlichkeit. Diese schlechthin universale Betrachtungs- und Darstellungsweise des Themas Die Flote und ihre Musik verleiht dem Buch seine einmalige, umfassende Bedeutung.Ein Blick auf die Inhaltsubersicht lasst erkennen, dass hier nahezu alle Aspekte des Instruments und seiner Musik bis ins Detail behandelt, dabei auf knappstem Raum komprimiert sind: die akustischen Phanomene, die Geschichte der Block- und Querfloten, Physiologie der Blastechnik, Tonbildungsmethoden, Artikulationspraktiken, Haltung und Fingertechnik sowie Fragen der Interpretation. Ganz besonderen Wert besitzen die hier vielleicht erst- und einmalig gegebenen Analysen der wichtigsten Flotenkompositionen von Bach bis Berio, die durch Marginalien bedeutender zeitgenossischer Werke komplettiert werden. Die 49 hochinteressanten bildlichen Darstellungen und 196 Notenbeispiele erhohen optimal den Informationswert des Textes, ebenso wie das umfangreiche Auswahlverzeichnis der so uberreich vorhandenen Literatur.Wer heute das Studium der Flote und ihrer Musik betreibt, wird auf dieses lebendig geschriebene Standardwerk nicht verzichten konnen, seien es Solisten, Padagogen, Studierende, Musikologen, Komponisten, Dirigenten o.a., so wie es der Autor formuliert: Die Idee des Buches, das seine kritischen und padagogischen Tendenzen nicht verleugnet, wird deutlich: den Flotenspielern ein umfassendes Werk zu bieten, Monographie des Instruments zugleich und Lehrbuch des Musizierens.

SKU: GI.G-017140

UPC: 641151172996.

Broth er Mickey McGrath illustrates this book for young people (of all ages!) containing inspiration from Pope Francis in the form of quotations and tweets. Colorful and sometimes whimsical art helps illustrate Francis' vision for making the kingdom of God real in our world. Brother Mickey also adds his own writings to include his encounters in daily life where he meets the marginalized, the sick, the poor, and those in desperate need of a better life. Mickey's years as an educator give him a unique insight into the minds of those eager to grow and learn. This unforgettable book will bring joy and inspiration to all ages!

SKU: BT.EMBZ14893

The concerto was inspired by István Várdai's play and is dedicated to him. The triple movement structure and the character of the movements follow the patterns of classical concertos, while the thematic connections spanning the movements rather reflect the structural principles of Romantic symphonies. In the first movement, which resembles the form of a sonata, the characters of the themes are spectacularly separated. The motif of the main theme, constructed with glissandos, is supplemented by a theme the composer refers to as a motif of fate, and the two together form a significant contrast with the minor theme with its lyrical tone and the playful, ending themeresembling a children's song. The contrasts between depth and height, as well as darkness and light, have a significant role in all three movements. The music of the first movement gradually rises to increasingly bright and higher regions, the gloomy atmosphere of the marginal parts in the second movement is offset by the tune's transcendental light in its central part, while the rondo theme of the third movement with its 6/8 metre dance-like character is supplemented with motifs of a contrasting nature from the earlier movements.

SKU: LM.JJ08392

ISBN 9790230808392.

SKU: HL.50603687

ISBN 9781705128282. UPC: 840126953848. 9.0x12.0x0.05 inches.

The vast musical production by Darius Milhaud (Marseille, 4 September 1892-Geneva, 22 June 1974) is made up of more than 450 titles, including theatrical works, ballets, stage and choral music, vocal and instrumental compositions, as well as chamber and piano music. The guitar, on the other hand, occupies only a marginal place, with one short composition, written in 1957, entitled Segoviana. The Andalusian guitarist Andrés Segovia (1893-1987) was not only its dedicatee but its protagonist, seeing that the piece was conceived in his image. The present edition, edited by Frédéric Zigante, differs from the first one of 1959 for a layout that makes reading easier and the addition of fingering indications.

SKU: GI.G-017152

UPC: 641151172996.

A Holy Mosaic illustrates selected inspirational messages from Pope Francis on love, diversity, and the family, accompanied by colorful visual impressions. Those familar with the striking style of Brother Mickey McGrath's art are captivated by the energy and vitality on each page, making these quotations memorable in the hearts and minds of the reader. Mickey adds his own introduction to each of the three chapters in the book. He writes from personal experiences that helped form and shape his life. The words of Pope Francis.inspire each piece of art and each page can be a meditation to kindle an outlook of love toward all people, with their differences forming a beautiful mosaic of humankind. A Holy Mosaic inspires readers to look at the world through the eyes of compassion to meet those who are marginalized, and to rediscover the joy of life found in everyday moments. It is sure to be a favorite of everyone at any age who picks it up.

SKU: ST.B764

ISBN 9780852497647.

The second volume of the series includes Henry Baker, Albert Bayly, James Montgomery and John Newton.

Hymn lovers will wish to congratulate Bernard Braley on his successful production of Hymnwriters 2, the second volume of biographical material of distinguished authors of hymns. The dust jacket tells us that this book is first of all just to be enjoyed for the reading of it and without doubt much enjoyment is offered to the reader. The author has amassed a remarkable amount of detail concerning four hymnwriters, and, as in Hymnwriters 1, there is a main narrative section on each page with marginal columns and separate boxes for interesting references and quotations. (The Hymn Society Bulletin).

SKU: BP.DF1022

6.88 x 10.5 inches.

From the composer: Written as a statement of support for, and allyship with, our Black brothers and sisters (as well as all people of color). Too often, in any aspect of life, we explain away other people’s experiences instead of seeking to understand experiences that differ from our own; we’re so busy talking about our own viewpoints that we fail to listen to the voices we most need to hear. I asked Tony Silvestri to write a text that could function as a personal statement from me to people I need to listen to—especially to my friends of color. This the text that resulted—words that speak powerfully for any situation where we need to listen to those who have been marginalized or mistreated, not heard or believed. For SATB or SSAA choir with piano and optional guitar.

SKU: BP.DF1023

6.88 x 10.5 inches.

From the composer: Written as a statement of support for, and allyship with, our Black brothers and sisters (as well as all people of color). Too often, in any aspect of life, we explain away other people’s experiences instead of seeking to understand experiences that differ from our own; we’re so busy talking about our own viewpoints that we fail to listen to the voices we most need to hear. I asked Tony Silvestri to write a text that could function as a personal statement from me to people I need to listen to—especially to my friends of color. This the text that resulted—words that speak powerfully for any situation where we need to listen to those who have been marginalized or mistreated, not heard or believed. For SATB or SSAA choir with piano and optional guitar.

SKU: BT.PB258

French.

A l'aube du 5e jour - Chi Mai - Il était une fois dans l'ouest - Il était une fois la révolution - La Califa - Le Marginal - Le Vent, le cri - Marche en La - Mon nom est personne - Ricordo Rosa - Sylvie - Valse de l'ambassade.

SKU: GI.G-001703

You will never celebrate the Mass the same way after an encounter with the powerful essays featured in this book. A Holy Cross priest, Father Raab has real experience with diverse populations including the homeless, poor, and many marginalized by society. Bonus reflection questions are included to assist in applying his insights to your own ministry.

SKU: HL.215377

UPC: 876964011501. 5.5x7.5x0.575 inches.

Danny Says is a documentary on the life and times of Danny Fields. Since 1966, Danny Fields has played a pivotal role in music and culture of the 20th century: working for The Doors, Lou Reed, Nico, Judy Collins and managing groundbreaking artists like The Stooges, the MC5 and The Ramones. Danny Says follows Fields from Harvard Law dropout, to the Warhol Silver Factory, to Director of Publicity at Elekra Records, to “punk pioneer” and beyond. Danny's taste and opinion, once deemed defiant and radical, has turned out to have been prescient. Danny Says is a story of marginal turning mainstream, avant-garde turning prophetic, as Fields looks to the next generation. Including archival footage and interviews featuring: Danny Fields, Alice Cooper, Iggy Pop, Tommy Ramone, Jonathan Richman, Jac Holzman, Judy Collins, and John Cameron Mitchell. Written and directed by Brendan Toller.