| Chanticleer Silver Jubilee Anthology [Partition] Hinshaw Music Inc.
Edited by Joseph Jennings and Matthew Oltman. Chanticleer. Secular. 120 pages. D...(+)
Edited by Joseph Jennings
and Matthew Oltman.
Chanticleer. Secular. 120
pages. Duration 53 min.
Published by Hinshaw
Music Inc.
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Trio in B Flat Major (Mozart) and Medieval Suite Violon, Clarinette, Piano (trio) Subito Music
Clarinet, Violin & Piano SKU: SU.46200010 For Clarinet, Violin & Piano...(+)
Clarinet, Violin & Piano
SKU: SU.46200010
For Clarinet, Violin &
Piano. Composed by
James Niblock. Chamber
Music, Piano Trio,
Woodwinds, Clarinet.
Score & Parts. Subito
Music Corporation
#46200010. Published by
Subito Music Corporation
(SU.46200010).
Clarinet,
Violin & Piano Duration:
25 ' Composed: 1984
Published by: Verdehr
Trio This publication
contains two separate
worksMedieval Suite
composed by James
NiblockTrio in B-flat
transcribed by James
Niblock Medieval Suite
uses material from a
variety of thirteenth
through fifteenth-century
sources. The second
movement is a fantasy for
clarinet solo based on a
Gregorian Chant melody
from the Liber Usualis.
Trio in Bb Major, K358 is
a transcription on one of
four piano sonatas that
Mozart composed for four
hands. The objective of
this transcription was to
capture, as accurately as
possible, Mozart’s
intent had he scored this
sonata of the trio.
Michigan State University
Press. $95.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Medieval Christmas Ensemble de cuivres - Intermédiaire Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-324-030 Composed by Philip Sparke. Anglo...(+)
Brass Band - Grade 3
SKU:
BT.AMP-324-030
Composed by Philip
Sparke. Anglo Music
Midway Series. Set (Score
& Parts). Composed 2011.
Anglo Music Press #AMP
324-030. Published by
Anglo Music Press
(BT.AMP-324-030). 9x12
inches.
English-German-French-Dut
ch. Christmas is
full of customs and
traditions, both old and
new. This is especially
evident in Christmas
songs, some of which have
been part of Christian
worship for centuries.
A Medieval
Christmas combines
three ancient melodies
that are stillpopular
around the world today.
Philip Sparke chose
Gaudete, a song of
praise from the middle
ages, Coventry
Carol, an English
song from the 14th
century, and In dulci
jubilo, which can
also be traced back to
the 14th century, toform
this joyous
suite.
Kerst is
een feest van tradities
en gebruiken. Dit komt
vooral naar voren uit de
kerstliederen die al
eeuwenlang een centrale
plaats innemen binnen de
christelijke cultuur. In
A Medieval
Christmas staan drie
oude melodieën
centraal diewereldwijd
nog steeds populair zijn.
Het zijn het middeleeuwse
loflied Gaudete,
het Engelse Coventry
Carol en het bekende
In dulci
jubilo.
Weihna
chten ist auch ein Fest
des Brauchtums und der
Tradition. Dies zeigt
sich ganz besonders in
den Weihnachtsliedern,
die oft schon seit
Jahrhunderten einen
zentralen Platz in der
christlichen Kultur
einnehmen. A Medieval
Christmasverwendet
drei dieser alten
Melodien, die sich heute
noch weltweit
größter Beliebtheit
erfreuen: das
mittelalterliche Loblied
Gaudete, das
englische Coventry
Carol aus dem 14.
Jahrhundert und das
bekannte In dulci
jubilo, dasebenfalls
auf das 14. Jahrhundert
zurückgeht.
Dan
s de nombreux pays,
Noël est un moment
privilégié,
célébré par de
nombreux chants et
mélodies dont beaucoup
constituent un
élément central du
culte chrétien. Le
fait que ces chants
anciens subsistent depuis
si longtemps témoigne
de leur attraitimmuable,
formant un lien tangible
avec les festivités de
Noël qui se
déroulaient il y a des
centaines d'années.
A Medieval
Christmas emprunte
trois de ces ancestrales
mélodies, demeurées
populaires dans le monde
entier :
Gaudete,Coventry
Carol, et In Dulci
Jubilo.
Il
Natale é la festa
delle tradizioni e ciò
si riscontra facilmente
nei canti natalizi che da
secoli occupano un posto
di primo piano nella
tradizione cristiana.
A Medieval
Christmas propone tre
antiche melodie, ancora
oggi moltoattuali: il
canto di lode Gaudete,
Coventry Carol e
In Dulci Jubilo,
entrambe del XIV
secolo. $95.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Medieval Christmas Fanfare - Intermédiaire Anglo Music
Fanfare Band - Grade 3 SKU: BT.AMP-324-020 Composed by Philip Sparke. Ang...(+)
Fanfare Band - Grade 3
SKU:
BT.AMP-324-020
Composed by Philip
Sparke. Anglo Music
Midway Series. Set (Score
& Parts). Composed 2011.
Anglo Music Press #AMP
324-020. Published by
Anglo Music Press
(BT.AMP-324-020). 9x12
inches.
English-German-French-Dut
ch. Christmas is
full of customs and
traditions, both old and
new. This is especially
evident in Christmas
songs, some of which have
been part of Christian
worship for centuries.
A Medieval
Christmas combines
three ancient melodies
that are stillpopular
around the world today.
Philip Sparke chose
Gaudete, a song of
praise from the middle
ages, Coventry
Carol, an English
song from the 14th
century, and In dulci
jubilo, which can
also be traced back to
the 14th century, toform
this joyous
suite.
Kerst is
een feest van tradities
en gebruiken. Dit komt
vooral naar voren uit de
kerstliederen die al
eeuwenlang een centrale
plaats innemen binnen de
christelijke cultuur. In
A Medieval
Christmas staan drie
oude melodieën
centraal diewereldwijd
nog steeds populair zijn.
Het zijn het middeleeuwse
loflied Gaudete,
het Engelse Coventry
Carol en het bekende
In dulci
jubilo.
Weihna
chten ist auch ein Fest
des Brauchtums und der
Tradition. Dies zeigt
sich ganz besonders in
den Weihnachtsliedern,
die oft schon seit
Jahrhunderten einen
zentralen Platz in der
christlichen Kultur
einnehmen. A Medieval
Christmasverwendet
drei dieser alten
Melodien, die sich heute
noch weltweit
größter Beliebtheit
erfreuen: das
mittelalterliche Loblied
Gaudete, das
englische Coventry
Carol aus dem 14.
Jahrhundert und das
bekannte In dulci
jubilo, dasebenfalls
auf das 14. Jahrhundert
zurückgeht.
Dan
s de nombreux pays,
Noël est un moment
privilégié,
célébré par de
nombreux chants et
mélodies dont beaucoup
constituent un
élément central du
culte chrétien. Le
fait que ces chants
anciens subsistent depuis
si longtemps témoigne
de leur attraitimmuable,
formant un lien tangible
avec les festivités de
Noël qui se
déroulaient il y a des
centaines d'années.
A Medieval
Christmas emprunte
trois de ces ancestrales
mélodies, demeurées
populaires dans le monde
entier :
Gaudete,Coventry
Carol, et In Dulci
Jubilo.
Il
Natale é la festa
delle tradizioni e ciò
si riscontra facilmente
nei canti natalizi che da
secoli occupano un posto
di primo piano nella
tradizione cristiana.
A Medieval
Christmas propone tre
antiche melodie, ancora
oggi moltoattuali: il
canto di lode Gaudete,
Coventry Carol e
In Dulci Jubilo,
entrambe del XIV
secolo. $140.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Medieval Christmas Orchestre d'harmonie - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-324-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.AMP-324-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Festive
and Solemn Music. Score
Only. Composed 2011. 32
pages. Anglo Music Press
#AMP 324-140. Published
by Anglo Music Press
(BT.AMP-324-140). 9x12
inches.
English-German-French-Dut
ch. Christmas is
full of customs and
traditions, both old and
new. This is especially
evident in Christmas
songs, some of which have
been part of Christian
worship for centuries. A
Medieval Christmas
combines three ancient
melodies that are still
popular around the world
today. Philip Sparke
chose Gaudete, a song of
praise from the middle
ages, Coventry Carol, an
English song from the
14th century, and In
dulci jubilo, which can
also be traced back to
the 14th century, to form
this joyous
suite.
Kerst is
een feest van tradities
en gebruiken. Dit komt
vooral naar voren uit de
kerstliederen die al
eeuwenlang een centrale
plaats innemen binnen de
christelijke cultuur. In
A Medieval Christmas
staan drie oude
melodieën centraaldie
wereldwijd nog steeds
populair zijn. Het zijn
het middeleeuwse loflied
Gaudete, het Engelse
Coventry Carol en het
bekende In dulci
jubilo.
Weihnachte
n ist auch ein Fest des
Brauchtums und der
Tradition. Dies zeigt
sich ganz besonders in
den Weihnachtsliedern,
die oft schon seit
Jahrhunderten einen
zentralen Platz in der
christlichen Kultur
einnehmen. A Medieval
Christmas verwendet
drei dieser alten
Melodien, die sich heute
noch weltweit
größter Beliebtheit
erfreuen: das
mittelalterliche Loblied
Gaudete, das
englische Coventry
Carol aus dem 14.
Jahrhundert und das
bekannte In dulci
jubilo, das ebenfalls
auf das 14. Jahrhundert
zurückgeht.
Dan
s de nombreux pays,
Noël est un moment
privilégié,
célébré par de
nombreux chants et
mélodies dont beaucoup
constituent un
élément central du
culte chrétien. Le
fait que ces chants
anciens subsistent depuis
si longtemps témoigne
de leur attrait immuable,
formant un lien tangible
avec les festivités de
Noël qui se
déroulaient il y a des
centaines
d’années. A
Medieval Christmas
emprunte trois de ces
ancestrales mélodies,
demeurées populaires
dans le monde entier :
Gaudete, Coventry Carol,
et In Dulci
Jubilo.
Il Natale
è la festa delle
tradizioni e ciò si
riscontra facilmente nei
canti natalizi che da
secoli occupano un posto
di primo piano nella
tradizione cristiana. A
Medieval Christmas
propone tre antiche
melodie, ancora oggi
molto attuali: il canto
di lode Gaudete, Coventry
Carol e In Dulci Jubilo,
entrambe del XIV
secolo. $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Medieval Christmas Orchestre d'harmonie - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-324-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.AMP-324-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Set (Score
& Parts). Composed 2011.
Anglo Music Press #AMP
324-010. Published by
Anglo Music Press
(BT.AMP-324-010). 9x12
inches.
English-German-French-Dut
ch. Christmas is
full of customs and
traditions, both old and
new. This is especially
evident in Christmas
songs, some of which have
been part of Christian
worship for centuries.
A Medieval
Christmas combines
three ancient melodies
that are stillpopular
around the world today.
Philip Sparke chose
Gaudete, a song of
praise from the middle
ages, Coventry
Carol, an English
song from the 14th
century, and In dulci
jubilo, which can
also be traced back to
the 14th century, toform
this joyous
suite.
Kerst is
een feest van tradities
en gebruiken. Dit komt
vooral naar voren uit de
kerstliederen die al
eeuwenlang een centrale
plaats innemen binnen de
christelijke cultuur. In
A Medieval
Christmas staan drie
oude melodieën
centraal diewereldwijd
nog steeds populair zijn.
Het zijn het middeleeuwse
loflied Gaudete,
het Engelse Coventry
Carol en het bekende
In dulci
jubilo.
Weihna
chten ist auch ein Fest
des Brauchtums und der
Tradition. Dies zeigt
sich ganz besonders in
den Weihnachtsliedern,
die oft schon seit
Jahrhunderten einen
zentralen Platz in der
christlichen Kultur
einnehmen. A Medieval
Christmasverwendet
drei dieser alten
Melodien, die sich heute
noch weltweit
größter Beliebtheit
erfreuen: das
mittelalterliche Loblied
Gaudete, das
englische Coventry
Carol aus dem 14.
Jahrhundert und das
bekannte In dulci
jubilo, dasebenfalls
auf das 14. Jahrhundert
zurückgeht.
Dan
s de nombreux pays,
Noël est un moment
privilégié,
célébré par de
nombreux chants et
mélodies dont beaucoup
constituent un
élément central du
culte chrétien. Le
fait que ces chants
anciens subsistent depuis
si longtemps témoigne
de leur attraitimmuable,
formant un lien tangible
avec les festivités de
Noël qui se
déroulaient il y a des
centaines d'années.
A Medieval
Christmas emprunte
trois de ces ancestrales
mélodies, demeurées
populaires dans le monde
entier :
Gaudete,Coventry
Carol, et In Dulci
Jubilo.
Il
Natale é la festa
delle tradizioni e ciò
si riscontra facilmente
nei canti natalizi che da
secoli occupano un posto
di primo piano nella
tradizione cristiana.
A Medieval
Christmas propone tre
antiche melodie, ancora
oggi moltoattuali: il
canto di lode Gaudete,
Coventry Carol e
In Dulci Jubilo,
entrambe del XIV
secolo. $140.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Medieval Fanfare and Chant Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Belwin
Arranged by Michael Story and Michael Story. Concert Band. Concert Band; Part(s)...(+)
Arranged by Michael Story
and Michael Story.
Concert Band. Concert
Band; Part(s); Score.
Belwin Concert Band.
Grade 3. 208 pages.
Published by Belwin Music
$60.00 $57 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jumalisten joucko Chorale SSAATTBB [Octavo] Highgate Press
By Stephen Chatman. For SSAATBB choir, optional percussion (drum). Christmas. Oc...(+)
By Stephen Chatman. For
SSAATBB choir, optional
percussion (drum).
Christmas. Octavo. 12
pages. Published by
Highgate Press . Octavo.
Christmas.
$2.65 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Of Times Medieval Orchestre d'harmonie Alfred Publishing
Concert Band SKU: AP.23300 Composed by Jared Spears. Concert Band; Perfor...(+)
Concert Band SKU:
AP.23300 Composed by
Jared Spears. Concert
Band; Performance Music
Ensemble; Single Titles.
Young Symphonic.
Programmatic. Score and
Part(s). 284 pages.
Alfred Music #00-23300.
Published by Alfred Music
(AP.23300). UPC:
038081233406.
English. Based on
the chant Veni Creator
Spiritus, Of Times
Medieval takes your
audience on a journey
through Medieval Europe.
Your audience will
experience an ancient
monastery, a celebration
in the streets, and a
clash of swords and
shields. This bold and
expressive piece is a
must for any program. $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Favorite Recorder Tunes - Medieval Gems Flûte à Bec [Partition + Accès audio] - Débutant Mel Bay
Woodwinds - Beginning SKU: MB.31002 Composed by Robert Bancalari. Saddle-...(+)
Woodwinds - Beginning
SKU: MB.31002
Composed by Robert
Bancalari.
Saddle-stitched.
Recorder. Book and online
audio. 16 pages. Mel Bay
Publications, Inc #31002.
Published by Mel Bay
Publications, Inc
(MB.31002). ISBN
9781513474588. 8.75x11.77
inches. This volume
focuses on the medieval
period from approximately
the sixth to fifteenth
centuries. The music of
this era was
traditionally performed
as plainchant (sacred) or
monophony (secular), that
is, as a vocal melody,
here reserved for the
soprano recorder. Seeking
to emulate medieval
performance practice, the
20 tunes in this
collection are
accompanied by a single,
drone-like power or
5-chord to be played on a
modern-day stringed
instrument such as
guitar, mandolin or
banjo. These simple
troubadour songs are
ideal for beginners and
experienced players
alike, who want to be
transported back in time,
immersed in a bygone era
of music. . $9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Iberian Refractions 2 Violons (duo) Edition HH
Two violins SKU: HH.HH440-FSP Composed by Litha Efthymiou. Two Violins. T...(+)
Two violins SKU:
HH.HH440-FSP Composed
by Litha Efthymiou. Two
Violins. Two playing
scores. Edition HH Music
Publishers #HH440-FSP.
Published by Edition HH
Music Publishers
(HH.HH440-FSP). ISBN
9790708146452. Iber
ian Refractions was
written in response to a
piece of Old Hispanic
medieval chant, which
gradually works its way
into the music movement
by movement. The chant
melody infiltrates all
aspects of the
work’s foreground
melodic structure, its
harmonic backbone and its
core inner detail,
intensifying as the piece
unfolds. $23.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Three Choruses from the play Czar Feodor Ioannovich Chorale SATB SATB divisi Musica Russica
By Georgi Vasilievich Sviridov. For chorus. (SATB (DIV), SOLI). Russian Title: ...(+)
By Georgi Vasilievich
Sviridov. For chorus.
(SATB (DIV), SOLI).
Russian Title: Tri hora
iz tragedii A. K.
Tolstogo "Tsar' Feodor
Ivanovich". Published by
Musica Russica. (CMR
001)
$3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Pipings for Flute and Organ Flûte traversière, Orgue (duo) [Partition + CD] Augsburg Fortress
By Various. For flute and organ. Sacred. Spiral-bound collection and listening C...(+)
By Various. For flute and
organ. Sacred.
Spiral-bound collection
and listening CD. 152
pages. Published by
Augsburg Fortress
$40.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| O Come, O Come, Emmanuel Chorale 2 parties SA [Octavo] Paraclete Press
By C. Griffith Bratt. For SA choir, organ. Parish. Choral, Advent, Chant, Hymn. ...(+)
By C. Griffith Bratt. For
SA choir, organ. Parish.
Choral, Advent, Chant,
Hymn. Easy. Choral
octavo. Published by
Paraclete Press
$1.60 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rainbow to Heaven. Hymns, Songs & Chants Chorale SATB Hildegard
Mixed choir SKU: ST.B890 Composed by June Boyce-Tillman. Hymns & Relgious...(+)
Mixed choir SKU:
ST.B890 Composed by
June Boyce-Tillman. Hymns
& Relgious Drama. Choral
Score. Stainer & Bell
Ltd. #B890. Published by
Stainer & Bell Ltd.
(ST.B890). ISBN
9780852498903. Stai
ner & Bell are
pleased to announce the
publication of A
Rainbow to Heaven,
which brings together in
one volume many of the
musical settings and
texts which are the fruit
of June Boyce-Tillman's
commitment to the
empowerment of women.
Her role as
composer, performer,
writer, teacher and
theologian is faithfully
reflected in 167 items,
which draw on a diversity
of traditional and modern
sources to create a
unique and inspiring
collection.
There is material here
that relates to the
themes of dance, healing,
ecology, the medieval
abbess Hildegard of
Bingen, women saints, the
Wisdom tradition, peace
and justice, ecumenism
and inter-faith dialogue,
inclusive language and
many other topics of
contemporary
interest. A
fascinating introduction
places the hymns, songs
and chants in the context
of June's evolving
thought about the nature
of music, worship,
spirituality and the role
of women. $23.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Alchemist's Touch - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Brake Drum, Clarinet, Crash Cymba...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Brake Drum, Clarinet,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Marimba,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Suspended Cymbal,
Tam-tam, Tambourine and
more. - Grade 1 SKU:
CF.BPS143 Composed by
Gene Milford. Bps. Set of
Score and Parts.
8+2+8+2+5+2+2+8+3+6+2+3+3
+1+4+12+16 pages.
Duration 2 minutes, 37
seconds. Carl Fischer
Music #BPS143. Published
by Carl Fischer Music
(CF.BPS143). ISBN
9781491161241. UPC:
680160919833. Alche
my is usually defined as
the Medieval search for
the means of transmuting
base metals, such as lead
into gold and silver. The
alchemist hoped to find
the mysterious
combination of words or
elements to attain the
goal. Our scene begins
with a dramatic
invocation to the spirits
of the metals, followed
by a chant to empower the
energy necessary for the
change. A procession of
the alchemist's
apprentices is heard as
they add their presence
to the effort and a final
surge as the
transformation is
realized. Or is it?
Careful execution of the
dynamic variations within
the work is essential to
realize the desired
effect. A metal plate can
be substituted for the
break drum. The tap on
stands instruction in mm.
46 - 52 should be
performed with a metallic
beater on a metal stand.
Experiment with
mechanical pencils, small
screwdrivers, portions of
coat hangers, etc.
Additional metallic
percussion instruments
could be added to enhance
the effect or in place of
the music stands. Volume
is not as important as
timbre. Alchemy is
usually defined as the
Medieval search for the
means of transmuting base
metals, such as lead into
gold and silver. The
alchemist hoped to find
the mysterious
combination of words or
elements to attain the
goal. Our scene begins
with a dramatic
invocation to the spirits
of the metals, followed
by a chant to empower the
energy necessary for the
change. A procession of
the alchemist’s
apprentices is heard as
they add their presence
to the effort and a final
surge as the
transformation is
realized. Or is
it?Careful execution of
the dynamic variations
within the work is
essential to realize the
desired effect. A metal
plate can be substituted
for the break drum. The
“tap on
stands†instruction
in mm. 46 – 52
should be performed with
a metallic beater on a
metal stand. Experiment
with mechanical pencils,
small screwdrivers,
portions of coat hangers,
etc. Additional metallic
percussion instruments
could be added to enhance
the effect or in place of
the music stands. Volume
is not as important as
timbre. $53.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Alchemist's Touch - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Brake Drum, Clarinet, Crash Cymba...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Brake Drum, Clarinet,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Marimba,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Suspended Cymbal,
Tam-tam, Tambourine and
more. - Grade 1 SKU:
CF.BPS143F Composed
by Gene Milford. Bps.
Full score. 16 pages.
Duration 2 minutes, 37
seconds. Carl Fischer
Music #BPS143F. Published
by Carl Fischer Music
(CF.BPS143F). ISBN
9781491161623. UPC:
680160920303. Alche
my is usually defined as
the Medieval search for
the means of transmuting
base metals, such as lead
into gold and silver. The
alchemist hoped to find
the mysterious
combination of words or
elements to attain the
goal. Our scene begins
with a dramatic
invocation to the spirits
of the metals, followed
by a chant to impower the
energy necessary for the
change. A procession of
the alchemist's
apprentices is heard as
they add their presence
to the effort and a final
surge as the
transformation is
realized. Or is it?
Careful execution of the
dynamic variations within
the work is essential to
realize the desired
effect. A metal plate can
be substituted for the
break drum. The tap on
stands instruction in mm.
46 - 52 should be
performed with a metallic
beater on a metal stand.
Experiment with
mechanical pencils, small
screwdrivers, portions of
coat hangers, etc.
Additional metallic
percussion instruments
could be added to enhance
the effect or in place of
the music stands. Volume
is not as important as
timbre. Alchemy is
usually defined as the
Medieval search for the
means of transmuting base
metals, such as lead into
gold and silver. The
alchemist hoped to find
the mysterious
combination of words or
elements to attain the
goal. Our scene begins
with a dramatic
invocation to the spirits
of the metals, followed
by a chant to impower the
energy necessary for the
change. A procession of
the alchemist’s
apprentices is heard as
they add their presence
to the effort and a final
surge as the
transformation is
realized. Or is
it?Careful execution of
the dynamic variations
within the work is
essential to realize the
desired effect. A metal
plate can be substituted
for the break drum. The
“tap on
stands†instruction
in mm. 46 – 52
should be performed with
a metallic beater on a
metal stand. Experiment
with mechanical pencils,
small screwdrivers,
portions of coat hangers,
etc. Additional metallic
percussion instruments
could be added to enhance
the effect or in place of
the music stands. Volume
is not as important as
timbre. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Friendly Beasts Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Suspended Cymbal,
Tam-tam, Tambourine,
Timpani, Triangle and
more. SKU:
CF.FPS163F A
Medieval Carol.
Composed by French carol.
Arranged by Gene Milford.
Full score. 16 pages.
Carl Fischer Music
#FPS163F. Published by
Carl Fischer Music
(CF.FPS163F). ISBN
9781491163894. UPC:
680160922680. The
melody of The Friendly
Beasts (“Orientis
Partibusâ€)
originated in
twelfth-century France
and has been attributed
to Pierre de Corbeil,
Bishop of Sens. The song
migrated to England by
the thirteenth century,
where its popularity grew
and in the early
twentieth century the
familiar English words
were added. The melody
has been set in both
quadruple and triple
meter and is presented in
both meters here. Ralph
Vaughan Williams
(1872–1958)
included the carol in his
English Hymnal (1906).The
words in both the
original Latin and modern
English versions pay
homage to the place of
animals in the Christmas
story. The carol has also
been known as The Donkey
Carol and The Animal
Carol.This setting is
intended to reflect the
Medieval origins of the
melody. Some freedom of
tempo would be
appropriate during the
“chantâ€
version of the melody
(mm. 6–18). Adding
poco ritardando at m. 28,
at the discretion of the
director, should lead to
a stricter tempo in mm.
31–53, in the
manner of a medieval
round dance. A gentle
approach to the
performance is
appropriate. Finger
cymbals could be added to
or replace all or part of
the triangle part, again
at the director’s
discretion. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Friendly Beasts - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Suspended Cymbal,
Tam-tam, Tambourine,
Timpani, Triangle and
more. - Grade 1.5 SKU:
CF.FPS163 A
Medieval Carol.
Composed by French carol.
Arranged by Gene Milford.
Set of Score and Parts.
Carl Fischer Music
#FPS163. Published by
Carl Fischer Music
(CF.FPS163). ISBN
9781491163498. UPC:
680160922284. The
melody of The Friendly
Beasts (“Orientis
Partibusâ€)
originated in
twelfth-century France
and has been attributed
to Pierre de Corbeil,
Bishop of Sens. The song
migrated to England by
the thirteenth century,
where its popularity grew
and in the early
twentieth century the
familiar English words
were added. The melody
has been set in both
quadruple and triple
meter and is presented in
both meters here. Ralph
Vaughan Williams
(1872–1958)
included the carol in his
English Hymnal (1906).The
words in both the
original Latin and modern
English versions pay
homage to the place of
animals in the Christmas
story. The carol has also
been known as The Donkey
Carol and The Animal
Carol.This setting is
intended to reflect the
Medieval origins of the
melody. Some freedom of
tempo would be
appropriate during the
“chantâ€
version of the melody
(mm. 6–18). Adding
poco ritardando at m. 28,
at the discretion of the
director, should lead to
a stricter tempo in mm.
31–53, in the
manner of a medieval
round dance. A gentle
approach to the
performance is
appropriate. Finger
cymbals could be added to
or replace all or part of
the triangle part, again
at the director’s
discretion. $58.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Regina Celi. (Four Votive Antiphons, No. 4) Stainer and Bell
Mezzo Soprano voice, Three Tenor voices and Baritone voice SKU: ST.Y210 C...(+)
Mezzo Soprano voice,
Three Tenor voices and
Baritone voice SKU:
ST.Y210 Composed by
Bayan Northcott.
Mezzo-soprano, three
tenors and baritone..
Choral. Octavo. Stainer &
Bell Ltd. #Y210.
Published by Stainer &
Bell Ltd. (ST.Y210).
ISBN
9790220221125. The
publication of Regina
Celi completes the
cycle of four votive
antiphons based on the
traditional chants of
compline, in which the
composer Bayan Northcott
has imaginatively
recreated many of the
techniques of medieval
and Renaissance music in
the context of a
contemporary vocal
ensemble. Two earlier
settings from the
sequence, Salve
Regina and Alma
Redemptoris Mater,
have recently been
recorded to great acclaim
by the Choir of Gonville
& Caius College,
Cambridge, on Signum
SIGCD070. Whether
performed by mezzo
soprano, three tenors and
baritone or full choir
(the score may be used
for either version) the
cumulative effect is of a
powerful distillation of
the chant, as choral
writing of increasing
complexity brings the
work - and the cycle - to
a serene conclusion in F
major. $4.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Tower Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Molenaar Edition
Concert Band; Limited band - Grade 2 SKU: ML.013748060 Composed by Alexan...(+)
Concert Band; Limited
band - Grade 2 SKU:
ML.013748060 Composed
by Alexandre Carlin. Full
set. Molenaar Edition
#013748060. Published by
Molenaar Edition
(ML.013748060).
The Tower was
commisioned by the
concert band of Auneau
(France), for their 190th
anniversary. The composer
was inspired by a
medieval tower standing
in the city and decided
to transcribe in music
the life in the middle
ages, the gregorian chant
of the monks, a village
festival, the building of
the tower, step by step,
and then the evocation of
the battle of Auneau, one
of the famous religious
battles of the middle
ages in France. The work
ends with the regained
calm, and the monks
singing their gregorian
chant at the end of the
day.
The Tower
werd geschreven in
opdracht van het harmonie
orkest van Auneau
(Frankrijk), voor hun
190-jarig bestaan. De
componist werd
geïnspireerd door een
middeleeuwse toren die in
de stad staat en besloot
het leven in de
middeleeuwen, het
gregoriaans van de
monniken, een dorpsfeest,
de bouw van de toren,
stap voor stap in muziek
om te zetten, en dan de
evocatie van de slag bij
Auneau, een van de
beroemde religieuze
veldslagen uit de
middeleeuwen in
Frankrijk. Het werk
eindigt met de hervonden
rust en de monniken die
aan het eind van de dag
hun gregoriaanse gezang
zingen.
The Tower
a été commandée
par lâharmonie
dâAuneau (France)
à lâoccasion de
son 190ème
anniversaire. Le
compositeur a été
inspiré par une tour
médiévale et a
transcrit la vie de
lâépoque, le
chant grégorien des
moines, une fête
villageoise, la
construction de la tour,
étage par étage,
puis lâévocation
de la bataille
dâAuneau, lâune
des célèbres
guerres de religion de la
France médiévale.
LâÅuvre
sâachève avec le
calme retrouvé et le
chant grégorien a
nouveau
interprété.
The Tower wurde von der
Konzertkapelle von Auneau
(Frankreich) für ihr
190-jähriges
Jubiläum in Auftrag
gegeben. Der Komponist
lieà sich von einem
mittelalterlichen Turm in
der Stadt inspirieren und
beschloss, das Leben im
Mittelalter, den
gregorianischen Gesang
der Mönche, ein
Dorffest, den Bau des
Turms und schlieÃlich
die Schlacht von Auneau,
eine der berühmtesten
religiösen Schlachten
des Mittelalters in
Frankreich, in Musik zu
übertragen. Das Werk
endet mit der
wiedergewonnenen Ruhe und
dem Singen des
gregorianischen Gesangs
der Mönche am Ende des
Tages. $139.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| From Ancient Times Orchestre d'harmonie De Haske Publications
Concert Band (Score & Parts) - Grade 6 SKU: HL.44010846 Composed by Jan V...(+)
Concert Band (Score &
Parts) - Grade 6 SKU:
HL.44010846 Composed
by Jan Van der Roost. De
Haske Concert Band.
Concert Piece. Set (Score
& Parts). Composed 2010.
De Haske Publications
#1094715010. Published by
De Haske Publications
(HL.44010846). UPC:
884088561376. 9x12
inches.
English-German-French-Dut
ch. From Ancient
Times is a major work
for brass band, inspired
largely by the music of
the Franco-Flemish School
of the Renaissance. Hints
of Gregorian chant and
middle age dances pay
tribute to music from
even earlier times. The
foundation of this
spectacular work rests on
truly 'ancient times'
while the tonal language
is of a much more modern
nature!
From
Ancient Times is een
mijlpaal in het oeuvre
van Jan Van der Roost.
Doorgaans vinden zijn
werken hun oorsprong
veelal in de Vlaamse
vocaalpolyfonie uit de
renaissancetijd. Maar met
gregoriaans gezang en
middeleeuwse dansen
grijpthij nu terug naar
nog eerdere tijden. De
basis voor dit grootse
werk mag dan in 'ancient
times' liggen, de
toonspraak is dat zeer
zeker
niet..!
From
Ancient Times ist ein
Meilenstein in Jan Van
der Roosts Oeuvre, das
vor allem von der Musik
aus der Zeit der
flamischen
Vokalpolyphonie
inspiriert ist. Mit
gregorianischen
Reminiszenzen und einem
mittelalterlichen Tanz
wird jedoch auch auf noch
altere Musik
zuruckgegriffen:
Grundlage dieses
grossartigen Werkes sind
wahrlich alte Zeiten
(ancient times), die
Tonsprache hingegen ist
vorwiegend modern.
From Ancient
Times est une oeuvre de
grande envergure, qui
puise dans la musique
franco-flamande de la
Renaissance. La trame
s'appuie sur quelques
principes et techniques
d'ecriture
caracteristiques de cette
ecole qui a profondement
transforme la musique
occidentale. On y trouve
egalement des
reminiscences
gregoriennes et une danse
medievale, mais le
langage sonore reste
essentiellement moderne.
From Ancient Times est un
sublime hommage aux
maitres des temps
anciens.
From
Ancient Times e un brano
di grande impatto che
attinge nella musica
rinascimentale
franco-fiamminga. La
trama si appoggia su
principi e tecniche di
scrittura caratteristici
di questa scuola che ha
profondamente trasformato
la musica occidentale. Si
colgono anche
reminescenze gregoriane e
una danza medioevale, ma
il linguaggio sonoro
resta moderno. From
Ancient Times e un
omaggio ai grandi maestri
dei tempi antichi. $368.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| From heaven on high the angels sing Chorale SATB Stainer and Bell
SATB choir & Piano or Organ SKU: ST.CN7P Composed by Peter Foggitt. Chora...(+)
SATB choir & Piano or
Organ SKU: ST.CN7P
Composed by Peter
Foggitt. ChoralNow. This
PRINTED version is
available to purchase as
a regular sheet music
title for delivery by
post. Octavo. Stainer &
Bell Ltd. #CN7P.
Published by Stainer &
Bell Ltd. (ST.CN7P).
ISBN
9790220224645. A
tour de force of choral
energy and expertise in
rhythmic precision, this
is aerial music, fleet
and vibrant as voices
proclaim Martin Luther's
vision of universal peace
above a torrent of
cascading organ scales.
The brightness of the
Lydian mode matches this
joyful proclamation,
intoned chant-like in
bold, clear intervals
recalling the sounds both
of medieval music and its
refraction through the
ears of modern masters
like Stravinsky and
Tavener. Cunningly
constructed too, on a
four-bar ostinato, the
music reverses its
opening scale figure for
a quieter section before
building again to an
extrovert ending that
repeats the chant against
new organ figures in a
clinching 'alleluia'. $5.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Stabat Mater Op. 53 PWM (Polskie Wydawnictwo Muzyczne)
Vocal, Mixed Choir and Orchestra SKU: BT.PWM5447 For Soprano, Alto, Ba...(+)
Vocal, Mixed Choir and
Orchestra SKU:
BT.PWM5447 For
Soprano, Alto, Baritone,
Mixed Choir and
Orchestra. Composed
by Karol Szymanowski.
Classical. Book Only.
Composed 2000. 68 pages.
Polskie Wydawnictwo
Muzyczne #PWM5447.
Published by Polskie
Wydawnictwo Muzyczne
(BT.PWM5447).
''Stabat
Mater'' by Karol
Szymanowski for solo
voices, chorus and
orchestra, Op. 53, is one
of the most famous and,
at the same time, most
personal works of the
composer, making its
appeal to the audience
through the depth of its
expression and sheer
artistry. The first
sketches of the work were
made in the spring of
1925, while work on the
full score occupied the
composer from 20 January
to 2 March 1926. Józef
Jankowskis Polish
translation of the
medieval sequence formed
the basis of the
composition. This text,
which was simple in a
folk-like way, devoid of
pathos but full of
religious zeal,
harmonized perfectly from
the poetic point of view
with the composers
creative design. In an
interview for the monthly
Muzyka Szymanowski
stated: ''in its Polish
vestments that eternal,
naive hymn was filled for
me with its own immediate
expressive content; it
became something painted
in colours which were
recognisable and
comprehensible as
distinct from the black
and white of the archaic
original'' (''A Footnote
to Stabat Mater'', Muzyka
1926, Nos. 11/12). In the
score, the Latin text is
given beside the Polish
text, making it possible
for the work to be
performed more easily by
foreign performers. In
this work, the universal
tradition of the
Christian church was
fused with the Polish
religious tradition. The
composer creates the
religious folk-like
climate primarily through
the character of the
melodies which are akin
to to the plainchant
melodies to the text of
Stabat Mater (the
sequence, and especially
the hymn) and their
paraphrases in Polish
religious songs (e.g. Sta
a Matka Bole ciwa [The
Dolorous Mother was
standing]) as well as
motifs from Polish Lenten
songs and Gorzkie ale
(Bitter Laments).
Szymanowski did not
introduce them as
quotations, but
intersperses the melodic
lines, which are more
fully developed and
frequently highly
chromatic, with diatonic
phrases, based on modal
scales. They appear in
all the movements of the
work determining its
cohesion. In dividing the
twenty-stanza text into
separate segments,
Szymanowski created a
six- movement cantata. He
took care to distinguish
between the emotional
shades of the various
movements, varying his
selection of solo voices
(soprano, contralto,
baritone), the voices of
the chorus (female or
mixed) and the orchestral
forces. In the first and
third movements the
lyrical idiom prevails;
the first movement,
portraying the Mother of
God at the foot of the
cross, has a narrative
character, whereas the
third is a kind of prayer
from a man who
sympathizes with, and who
wishes to be associated
with Mater Dolorosas
pain. In these movements
only the female voices
are used (soprano,
contralto and female
chorus), while the
orchestra is employed in
a chamber style,
sometimes drawing on solo
accompanying parts (e.g.
the beginning of the
third movement). The
fourth movement, which
continues the mood of
prayerful contemplation,
is designed for soprano
and contralto solo as
well as unaccompanied
chorus. On the other
hand, the second and
fifth movements,
involving the
participation of solo
baritone and the full
chorus and orchestra, are
similar with regard to
forces and their dramatic
character, which is
austere in expression,
harsh in tone, and
markedly dissonant. Here
grand climaxes appear
with powerful orchestral
tutti. The sixth movement
crowns the whole. The
lyrical, soft melody of
the solo soprano at the
beginning is gradually
strengthened by the
addition of the female
chorus and the solo
contralto, and in the
final section, the solo
baritone as well as the
tutti of chorus and
orchestra. The
conclusion, subdued and
full of concentration,
suggests the introvert
character of the
experience as opposed to
its dramatic pathos.
Stabat Mater by
Szymanowski is part of a
long tradition of
compositions based on the
text of the medieval
sequence - ranging from
polyphonic works by
Josquin des Prés and
Palestrina to the
romantic Stabat by
Giuseppe Verdi and Anton
n Dvo ák. And it was
perhaps because of his
consciousness of this
tradition that
Szymanowski used
stylizing devices in the
spirit of early music.
The archaization
manifests itself not only
in the character of the
melodies and their modal
framework, but also in
the harmonies (with their
predominance of triads,
open fourths and fifths
chords and doubled
thirds), the simple
rhythms as well as the
texture of the choruses
(esp. the fourth
movement). The composer
does not, however,
imitate the style of any
specific historical
epoch, but combines
resources taken from
early music with modern
tonal and harmonic
techniques. Archaization
in Stabat Mater serves,
moreover, a symbolic
function; in evoking the
many-centuries old
tradition of church
music, it emphasizes the
universal nature of the
idea contained in the
text of the sequence,
while the re-reading of
the text by the composer
gives the work its
individual features.
[Zofia Helman, translated
by Ewa Cholewka]. $28.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Then I Saw the Lucent Sky Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
Composed by Todd Stalter. Concert Band. Concert Band. Young Symphonic. Grade 2. ...(+)
Composed by Todd Stalter.
Concert Band. Concert
Band. Young Symphonic.
Grade 2. Conductor Score
and Parts. Published by
Alfred Music
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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