Guitar Edition. Par MC GANN JOHN. Ce livre présente des airs de violon standard en forme de base, puis vous montre comment, sur une base de phrase par phrase, les mélodies peuvent devenir des véhicules pour votre propre improvisations. Il est conçu pour ouvrir la porte à la création des variations spontanées ou improvisations, basées sur la structure mélodique unique à chaque morceau. Chaque morceau dans le livre présente tout d'abord dans sa forme de base, puis avec quatre variations. Les variations sont imprimées directement sous la mélodie avec les mesures correspondantes alignés, afin que vous pouvez comparer facilement les à la mélodie originale et les uns aux autres. Le CD d'accompagnement comprend la guitare et guitare rythmique sur les canaux distincts, vous pouvez désactiver le plomb et jouer avec le rythme, ou vice versa. / Niveau : Intermédiaire / Bluegrass and Country - Improvisation / Recueil / Guitare Flatpick et Plectre

On Fiddle Tunes Mandolin-This book presents standard Fiddle tunes in basic form then shows you how on a phrase-by-phrase basis the tunes can become vehicles for your own improvisations. It is designed to open the door to creating spontaneousvariations or improvisations based on the melodic structure unique to each tune. Each tune in the book is presented first in its basic form then with four variations. The variations are printed directly beneath the melody withthe corresponding measures aligned so that you can easily compare them to the original melody and to each other. The accompanying audio features Mandolin and rhythm Guitar on separate channels so you can turn off the lead andplay along with the rhythm or vice versa. Intermediate in difficulty.

?Buster B. Jones is an acoustic player a fingerpicker a country flavored soloist - and he?s one of the finest players we?ve heard in years... His technique is only a means to an end. His true gifts are his melodicsense innate musicianship unfailing human and brilliant improvisational powers. He can drive a tune with fluid rhythmic force or stroke it with sensuous loving touch... He?s a monster player with chops galore greatideas and an encyclopedic reservoir of guitaristic influences.? Guitar Player Magazine Buster B. Jones is a master of hot fingerpicking guitar solos. He has combined his love for the styles and techniques of ChetAtkins Jerry Reed and Merle Travis to create an original and exciting approach for fingerstyle guitar. In this series of lessons Buster presents and teaches guitar solos that he plays in the woodshed as well as onstage. Each instrumental has evolved from its basic form to a complex arrangement featuring melodic variations chromatic rolls rhythmic licks and lyrical runs. These instrumentals will challenge the talents of anyintermediate to advanced student.

A remarkable set of 40 variations derived from a single melody by Otaker Sevcik. Arranged for the Viola with Piano accompaniment the variations become progressively more complex and difficult throughout the work making this set ideal as a set of challenging exercises for the Viola student. As well as presenting a huge variety of technical goals much can be learned from this work about the nature of composition melody-building and the potential versatility of a single melodic idea. A superb and satisfyingly musical teaching aid.

Rooted in European music history due to his acquaintance with Chopin, Liszt, Berlioz and Schumann, Stephen Heller (1813-1888) is one of the most important representatives of the Romantic character piece. The Budapest-born pianist and piano teacher composed almost exclusively for his instrument. His overall oeuvre comprises more than 150 works, including sonatas, preludes, dances, variations, collections of studies, arrangements, numerous cycles and individual pieces. His rather simple, yet inventive and varied piano setting is typical of 19th-century moderately difficult, virtuoso salon music.In Melodic Studies Op. 45 Heller addresses various technical tasks in a melodious piano setting that is typical of him. Varied, charming idiomatic figurations appear in a harmonically simple and pleasing Romantic tonal language. The rather easy to moderately difficult studies are ideal for lessons and also suitable as performance pieces. Apart from character pieces, this collection also contains effective bravura studies.Contenu - Allegretto - Allegro vivace - Allegretto - Allegretto - Allegretto comodo - Allegretto con moto - Allegretto con moto - Allegretto - Andante quasi Allegretto - Moderato - Allegro - Con moto - Allegro scherzando - Poco maestoso - Poco maestoso - Andantino con tenerezza - Allegro vivace - Allegro - Allegretto grazioso - Allegro - Allegro vivace - Allegretto con moto - Allegro di molto - Allegro veloce - Allegro con brio

Based on a Welsh folk song this simple melody is tastefully scored to fit the familiar style of Holst and Vaughn Williams. After an introduction that builds on fragmentary melodic elements in 4/4 meter the main theme of the variations appears in 3/4. Scored to feature different instrumental textures throughout in addition to a full ensemble treatment. Very appropriate for contest.

Par . The Hal Leonard Tin Whistle Method is designed for anyone just learning to play the Irish penny whistle. This comprehensive and easy-to-use beginner's guide from acclaimed player Seán Gavin serves as an introduction to the instrument and its rich history. It includes access to online audio tracks with demonstrations of many of the examples in the book so you can confidently play at your next seisiún! Lessons include: articulation; scales; ornamentation; tune types; rhythmic feels; melodic variations; and more. The price of this book includes access to audio online, for download or streaming, using the unique code inside! Includes the multi-functional audio player PLAYBACK , available exclusively from Hal Leonard. / Date parution : 2022-04-05/ Méthode / Tin Whistle

Par CURNOW JAMES. A wonderful teaching piece and the ideal young band festival work, BACH VARIANTS (six melodic variations on the Bach chorale AWAKE MY HEART AND SING) should be a staple of every young band library. Chorale style playing does so much for the young band's intonation, tone quality and phrasing. Including this one in your next festival program is certain to reap great rewards by honing your group's ability to make quality sound. Even bands which normally play music of higher grade levels will find a valuable experience in James Curnow's BACH VARIANTS. Be sure to add this one to your repertoire. / Niveau : 2 / Répertoire / Concert Band ou Harmonie

A wonderful teaching piece and the ideal young band festival work BACH VARIANTS (six melodic variations on the Bach chorale AWAKE MY HEART AND SING) should be a staple of every young band library. Chorale style playing does so much for the young band's intonation tone quality and phrasing. Including this one in your next festival program is certain to reap great rewards by honing your group's ability to make quality sound. Even bands which normally play music of higher grade levels will find a valuable experience in James Curnow's BACH VARIANTS. Be sure to add this one to your repertoire.

Par CURNOW JAMES. A wonderful teaching piece and the ideal young band festival work, BACH VARIANTS (six melodic variations on the Bach chorale AWAKE MY HEART AND SING) should be a staple of every young band library. Chorale style playing does so much for the young band's intonation, tone quality and phrasing. Including this one in your next festival program is certain to reap great rewards by honing your group's ability to make quality sound. Even bands which normally play music of higher grade levels will find a valuable experience in James Curnow's BACH VARIANTS. Be sure to add this one to your repertoire. / Niveau : 2 / Hymnes et chorals / Répertoire / Concert Band ou Harmonie

An effervescent and challenging duet for Flute and Cello in three movements by Heitor Villa-Lobos with a soaring melodic line that pushes both instruments (and their players) to the limits!

A classic work for string orchestra festival and contest this newly printed edition brings the familiar style of melodic variation over a recurring harmonic pattern. This arrangement continues to be a favorite of directorseverywhere who seek high quality and artistic writing for their concert performances.

A hymn text that reflects the redemptive heart of God for His people is lovingly set to new music. Using words that have been celebrated even outside the sanctuary, this melodic variation is a compelling new way to present the promise found in the treasured lyric. Set in minor, the melody expresses a depth of emotion that makes the anthem ideal for communion or moments of reflection and repentance. The surprising turn of the theme to major mode paints a powerful sonic picture of salvation and assurance.

Book 2-Fluid Pentatonics for Guitar: 84 Melodic Studies for Rock Guitar is a comprehensive manual for developing blistering pentatonic motion that moves freely over the entire fretboard using position-shifting slides hammer-ons andpull-offs for speed and fluidity. Emphasis is on overcoming the restrictive nature of traditional pentatonic 'box' scale fingerings by developing pathways that continually shift between and connect the five pentatonic 'boxes'.Complete whole-neck control is developed through an extensive series of repeating melodic exercises and etudes. Section One presents 35 sequential whole-neck studies each of which spans the range of twelve frets thus unlockingvirtually every possible position shift. Section Two develops complete non-shifting control through a series of 15 interesting and useful sequential patterns applied to each of the five pentatonic 'boxes'. Section Three presents10 whole-neck/position-shifting studies that are non-sequential in design in order to develop unpredictable melodic flow. Then in Sections Four and Five two vital extensions/variations of the pentatonic scale are fullyexplored; the Hexatonic and Dominant Pentatonic scales. The result is a complete matrix of pentatonic moves and connections that allow the guitarist to float freely across the entire fretboard without being locked into anysingle particular pentatonic 'box'. The resulting sound is definitely NOT bluesy (very little string bending) but closer to a modern jazz-rock fusion style; fluid and unpredictable. Great for all guitarists in rock jazz fusion blues country and pop styles who want to unlock complete whole-neck freedom and develop a fast modern pentatonic sound. CD included. Presented in standard notation and tablature.