Add a large helping of glitz and glamour to you repertoire with this bumper selection of showtunes, all arranged for the solo Pianist! 45 show songs from the West End to Broadway have been specially chosen to create an anthology that will add spice, variety and endless entertainment to your recitals. With pieces ranging from the saucy Jazz of Chicago and Big Spender to the gentle intimacy of Memory and The Music Of The Night , you will never again be stuck for a guaranteed crowd-pleaser! / Piano

Arr. Masamicz Amano. Par SCHOENBERG CLAUDE-MICHEL. The Heat Is on in Saigon - Kim and Chris, Dance - If You Want to Die in Bed - Bui-Doi / SUITE FROM MISS SAIGON : Fruit de la collaboration entre le compositeur Claude-Michel Schönberg et le parolier Alain Boublil, Miss Saigon est une comédie musicale qui a fait le tour du monde. Elle fut donnée à 4264 reprises à Londres entre 1989 et 1999, et est restée à l’affiche à Broadway pour plus de 4000 représentations. Il s’agit d’une fresque mélodramatique qui dépeint les développements douleureux d’une histoire d’amour entre un G. I. de l’armée américaine et une Vietnamienne durant les derniers jours de la Guerre du Vietnam. Du grand spectacle ! / Niveau : 5 / Pop and rock / Date parution : 1905-07-02/ Recueil / Concert Band ou Harmonie

It's super easy! This series features accessible arrangements for piano, with simple right-hand melody, letter names inside each note, basic left-hand chord diagrams, and no page turns. This edition includes 60 Beatles favorites: Across the Universe - All You Need Is Love - Blackbird - Come Together - Eight Days a Week - Eleanor Rigby - Get Back - Good Day Sunshine - A Hard Day's Night - Help! - Here Comes the Sun - Hey Jude - I Saw Her Standing There - I Want to Hold Your Hand - If I Fell - Let It Be - Michelle - Nowhere Man - Penny Lane - Revolution - Something - Ticket to Ride - We Can Work It Out - Yesterday - and many more. / Piano

The best in contemporary jazz from Europe. 430 pages of new, intriguing sounds from virtually every country in Europe. Available in C, Bb and Eb versions. Accurate, composer-approved charts plus sample bass lines, sample chord voicings, horn harmony lines, drum appendix, lyrics, and more! Over 100 of Europe's best jazz writers, including Claus Ogerman, Enrico Pieranunzi, Didier Lockwood, Amina Figarova, Victor Feldman, Nguyen Le, George Robert, Rene Thomas, Michel Petrucciani, Tim Garland, John Taylor, Philip Catherine, Richard Galliano, David Linx, Jesse van Ruller, Lars Jansson, Kenny Wheeler, Hendrik Meurkens, Enrico Rava, NHOP, Rosario Giuliani, Florian Ross, Antonio Farao, Ulf Wakenius, Joe Zawinul, Django Reinhardt, Barbara Dennerlein, Allan Holdsworth, Christian Jacob, Valery Ponomarev, Stefan Karlsson, Jacob Karlzon, Toots Thielmans, Bill Bruford, Niels Lan Doky, George Shearing, Bobo Stenson, Michiel Borstlap, Larry Vuckovich. / Ensemble Music, Instrumental Music / Recueil / Instruments en Sib

SARDOU et nous L?HOMMAGE INÉDIT DE JEUNES TALENTS A UNE ICONE Ce sont les plus grandes chansons de Michel Sardou reprises par la jeune génération : Kids United, Lou, Nemo Schiffman, Angie Robba, Dylan, Ilyana and Thibaut? Pour chaque titre, 2 niveaux : une partition piano facile ET une partition avancée piano,guitare et chant. Avec de nombreuses illustrations et photos des KIDS UNITED.

Apprendre à jouer le meilleur de Broadway avec cette sélection spéciale des thèmes du monde de la musique de théâtre, tous pris des dispositions pour l'étudiant élémentaire de la clarinette. Cette superproduction de fonctionnalités dix fantastique album frappe de Cabaret, le fantôme de l'opéra, Showboat, du Pacifique Sud et plus encore ! Chaque chanson a été soigneusement adaptée pour être accessible aux interprètes au début, vous donnant l'occasion de maîtriser vos compétences et techniques en jouant de la musique que vous connaissez et l'amour. Vous trouverez même une section des conseils de rendement utiles pour guider votre apprentissage et informer votre pratique. Le CD qui l'accompagne a des spectacles professionnels de chaque parcelle, plus soutien pistes afin que vous pouvez jouer le long. Téléchargements internet gratuits sont également disponibles avec cette publication, avec des accompagnements piano et démos de pratique téléchargeables sur votre ordinateur avec 2 titres bonus ! / Flûte A Bec / 32 pages / Partition + Cd

Par GLOVER F. / STRATFORD R.. Le monde glamour de la comédie musicale a un appel unique et irrésistible.Ces formulaire 10 grands succès comprendre le meilleur de Broadway et West End de Londres hits from ' Me and My girl ', 'La moitié un Sixpence', 'oklahoma!', 'Fiddler on the Roof', ' Evita ' et ' petite musique de nuit '. Ces chansons connues par le plus beaux du monde montrent écrivains sont classés ici pour saxophone alto avec accompagnement au piano. / TV, Film, Comédie musicale / Recueil / Saxophone Alto et Piano

The glamorous world of the musical has a unique and irresistable appeal. These 10 great hits from the best of Broadway and London's West End include hits from 'Me and My Girl', 'Half a sixpence', 'Oklahoma!', 'Fiddler on the Roof', 'Evita' and 'A little Night Music'. These famous songs by the world's finest show writers are arranged here for trumpet with piano accompaniment.

100 Most Gorgeous Songs Ever contains some of the world's most beautiful ballads, including: All the Things You Are, Bridge over Troubled Water, Can't Help Falling in Love, Hallelujah, I Only Have Eyes for You, I'll Know, If, Just the Way You Are, Laura, Michelle, My Heart Will Go on (Love Theme from 'Titanic'), Night and Day, Over the Rainbow, She's Always a Woman, Summertime, Three Times a Lady, Time in a Bottle, Unchained Melody, Walking in Memphis, Your Song and more. / Piano/Vocal/Guitare (PVG)

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.