Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.

(for Trombone). By Various. For Trombone. Instrumental Solo. Softcover. 114 pages. Published by Hal Leonard

(Trombone). Arranged by Various. For Trombone. Book; CD; Instrumental Series; Play-Along. Top Hits Instrumental Solos. Broadway; Movie; TV. Grade 2; Grade 3. 76 pages. Published by Alfred Music

By Claude Thornhill. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For jazz big band (2 alto saxophones (double clarinet), 2 tenor saxophones, baritone saxophone, clarinet (optional), 4 trumpets (4th alternate for horn 1), 2 horns in F, 3 trombones (3rd alternate for horn 2), guitar, piano, bass, drums, 2 trombones). Swing. Difficult. Score and parts. Published by Jazz Lines Publications

By Bette Midler. Edited by Myles Collins. Jazz Vocal. Even 2-Beat. Full score and parts. Published by Lush Life (JL.LL-2216).

By Von Siebenthal. For bass trombone and piano. Swiss import. Level: 4+. Score and parts. Published by Editions Marc Reift. (EMR 2033)

645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway. Softcover. 696 pages. Published by Hal Leonard

645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway, Musicals. Softcover. 696 pages. Published by Hal Leonard

(A Medley of Spirituals). By Mark Hayes. For SATB choir and piano (with optional Solo, 3 trumpets, 3 trombones, rhythm). Christ the King, Eastertide, General, Lent, Reformation, Sacred. Sacred Anthem

Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet 1-5, Trombone 1-3, Bass Trombone 4, Piano/Guitar, Bass, Drums) - intermediate to advanced

SKU: M7.SMP-648

Swing. Composed by Ray Wetzel and Stanley Newcomb Kenton. Sheet music. Swing. Score and parts. Handelsware #SMP 648. Published by Handelsware (M7.SMP-648).

English.

This is the original version of the tune recorded in 1946, and also included in the Milestones LP. This was transcribed by Bob Curnow for Gunther Schuller's Smithsonian Jazz Orchestra concerts. Tenor and alto saxophone solos. 5-5-4-4 (note only 4 trombones).

By Various. Piano/Vocal/Guitar Songbook. Softcover. 394 pages. Published by Hal Leonard

By Mike Hannickel. (Score and Parts). Curnow Concert Band Full Set. Published by Curnow Music.

(Cello). Arranged by Various. For Cello. Book; CD; Play-Along; String Series. Top Hits Instrumental Solos. Broadway; Movie; TV. Grade 2; Grade 3. 76 pages. Published by Alfred Music

(Violin). Arranged by Various. For Violin. Book; CD; Play-Along; String Series. Top Hits Instrumental Solos. Broadway; Movie; TV. Grade 2; Grade 3. 76 pages. Published by Alfred Music

(Viola). Arranged by Various. For Viola. Book; CD; Play-Along; String Series. Top Hits Instrumental Solos. Broadway; Movie; TV. Grade 2; Grade 3. 76 pages. Published by Alfred Music

(Alto Sax). Arranged by Various. For Alto Sax. Book; CD; Instrumental Series; Play-Along. Top Hits Instrumental Solos. Broadway; Movie; TV. Grade 2; Grade 3. 76 pages. Published by Alfred Music

(Horn in F). Arranged by Various. For Horn in F. Book; CD; Instrumental Series; Play-Along. Top Hits Instrumental Solos. Broadway; Movie; TV. Grade 2; Grade 3. 76 pages. Published by Alfred Music

(Flute). Arranged by Various. For Flute. Book; CD; Instrumental Series; Play-Along. Top Hits Instrumental Solos. Broadway; Movie; TV. Grade 2; Grade 3. 76 pages. Published by Alfred Music

(Tenor Sax). Arranged by Various. For Tenor Sax. Book; CD; Instrumental Series; Play-Along. Top Hits Instrumental Solos. Broadway; Movie; TV. Grade 2; Grade 3. 76 pages. Published by Alfred Music

(Trumpet). Arranged by Various. For Trumpet. Book; CD; Instrumental Series; Play-Along. Top Hits Instrumental Solos. Broadway; Movie; TV. Grade 2; Grade 3. 76 pages. Published by Alfred Music

Trombone & Piano

SKU: SU.32040021

For Trombone & Piano. Composed by Amy Riebs Mills. Brass, Trumpet. Accompanied by piano. Score & Parts. Subito Music Corporation #32040021. Published by Subito Music Corporation (SU.32040021).

Trombone & Piano Duration: 17' Composed: 2013 Published by: Amy Mills Music, LLC …the audience loved Red Dragonfly. Definitely a keeper in my repertoire! Dr. James Bicigo, Associate Professor of Trombone, University of Alaska, Anchorage Virtuoso piece, the dramatic first movement opens with a Bold statement followed by the beautiful love theme. It reaches up to the Cry of the Heart, then everything ruptures and crashes. Now the trombonist must rebuild and gain strength through dramatic cadenzas until reaching the recapitulation where the opening Bold melody is transformed into a majestic march in 3/4 time. The love theme returns, and the movement ends in triumph. The second movement is a setting of the famous Japanese folksong, Red Dragonfly. The trombonist and pianist play the lovely song amidst the sound of fluttering wings that appear and disappear like memories of the heart. Thank you to the Nihon Gakugeki Kyoukai Foundation for permission to use the melody in this trombone sonata. A solo glissando opens the third movement in American folk dance style with tongue in cheek and twinkle in both eyes. The subsequent variations include a perfect triple canon, a taste of New Orleans jazz, and a dramatic augmentation which spills into a flashback of the first movement’s love theme. This melts away and we recapture a glimpse of the Red Dragonfly melody, this time growing to the Triumphant restatement of the first movement’s main theme. And finally, the exuberant coda drives to a spectacular ending. Difficulty Level: Trombone 6 (Professional) Piano 5 (Advanced) See also Red Dragonfly, Concerto for Trombone and Band for the version with band accompaniment. See composer website for audio sample.

Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1 (Solo), Tenor Sax 2, Baritone Sax, Trumpet 1 (Guiro), Trumpet 2 (Claves), Trumpet 3 (Solo), Trumpet 4 (Maracas), Trumpet 5, Trombone 1-3, Bass Trombone 4-5, Piano, Bass, Drums) - difficult

SKU: M7.SMP-1135

Latin. Composed by Gene Roland and Stanley Newcomb Kenton. Arranged by Bob Curnow. Sheet music. Score and parts. Handelsware #SMP 1135. Published by Handelsware (M7.SMP-1135).

English.

As recorded by the Stan Kenton Orchestra on Viva-Kenton, this delightful Latin chart has solo space for tenor saxophone and features a very hip melody by Gene Roland. Gene wrote many, many hit records for the Kenton band, and this piece is sure to become a part of library of all Kenton lovers. 5-5-5-3.

Chamber Music Piano, soprano Saxophone

SKU: PR.114419290

Composed by Chen Yi. Edited by Chen Yi. Arranged by Wong Tak Chiu. Sws. Score and parts. 44 pages. Duration 20 minutes. Theodore Presser Company #114-41929. Published by Theodore Presser Company (PR.114419290).

ISBN 9781491135235. UPC: 680160676118. 9 x 12 inches.

Supported by a major commissioning award from the Serge Koussevitzky Music Foundation in the Library of Congress, my Chinese Folk Dance Suite is written for violin solo and orchestra, and premiered by The Women's Philharmonic with violin soloist Terrie Baune, conducted by Apo Hsu, on March 10, 2001, at Yerba Buena Center For the Arts Theater in San Francisco. Inspired by various Chinese traditional folk dances, I've composed three movements in the suite: 1) Lion Dance. Traditionally, people dance with richly decorated hand made lions, accompanied by percussion ensemble, to celebrate happy occasions and major festivals throughout the country. In the composition, I use Chinese drum and other percussion instruments in the background, to form a dynamic and rhythmic texture responding to the solo part, which imitates the tunes played on the suona (traditional Chinese trumpet). The pitch materials came from traditional Guangdong Music tune and Chaozhou Music tune ; 2) YangKo. Originated in northern China, it's a major folk dance form in mass performance popularized in the country. In YangKo performance, people always play rhythmic patterns on the drums hung around their waists while singing and dancing. In my second movement, I have imagined a warm scene of YangKo dancing in distance. The solo violin plays a sweet and gracious melodic line while all members in the orchestra sing the non-pitch syllables in different layers as the soft background, to imitate the percussion sound which produces the ever going pulse. 3) Muqam. It is a large scale traditional music and dance form from Uygur nationality in Xinjiang province, originated in the 15th century. In my third movement, I keep the meter of seven eight and the melodic style of Muqam music. The fiery dancing gesture cumulates the sustained climax section at the end of the work, after a colorful violin cadenza in both improvisational singing style and polyphonic writing with woven lines. Scored for 2 flutes (2nd doubling piccolo), 2 oboes, 2 clarinets in Bb, 2 bassoons, 4 French horns in F, 2 trumpets in Bb, 3 trombones, percussion 1 (3 congas, low tom-tom, temple block, paddle castanets), percussion 2 (snare drum, 6 small Beijing opera gong, 12 big Beijing opera gong, crotales, tambourine), percussion 3 (suspended cymbal, a pair of 6 Chinese cymbals, bass drum), solo violin, violins I, violins II, violas, cellos and double basses. Duration is about 16 minutes. The work is recorded on Bis [CD-1352] and released in 2003, performed by Cho-Liang Lin and the Singapore Symphony Orchestra, cond. by Lan Shui. Reduction for B-flat soprano saxophone and piano by Wong Tak Chiu (2017) and edited by Chen Yi (2018) The second movement YangKo is premiered by Dr. Wong and Korak Lerpibulchai at the Singapore Saxophone Symposium on 8/13/2017. The American premiere of the saxophone and piano reduction version of Chinese Folk Dance Suite is given by Chi Him Chik and Hao Yin at the Society for American Music National Conference in Kansas City, MO on 3/2/2018.