La partition 3 Miniatures de Schumann G. a été composée pour Trombone et plus particulièrement pour 4 Trombones. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / 4 Trombones / Parties

fur 2 Saxophone aus 44 Duos fur Violinen. Par BARTOK BELA. Gives the aspiring saxophonists practice in the kind of musical partnership required by chamber music Béla Bartók (1881-1945) composed his 44 Duos for Two Violins in 1931. These unique musical miniatures combine folk melodies from Eastern Europe with the musical language of the twentieth century in an exciting blend of tradition and modernity. For the present sheet music twenty of these duos for saxophones (of the same pitch) were arranged. The pieces allow players to share the pleasure of chamber music while exploring this fascinating sound world. On alto saxophones, most of the duets sound in the original keys (Nos. 1, 5, 6, 7, 8, 12, 13, 16, 17). For the other duets Marcin Langer selected a key based on the sound of the piece and its suitability for the saxophone. • These unique musical miniatures combine folk melodies from Eastern Europe with the musical language of the twentieth century/ Répertoire / 2 Saxophones

From '44 Duos For Two Violins'. Par BARTOK BELA. Béla Bartók (1881-1945) composed his 44 Duos for Two Violins in 1931. These unique musical miniatures combine folk melodies from Eastern Europe with the musical language of the twentieth century in an exciting blend of tradition and modernity. For the present edition Marcin Langer arranged twenty of these duos for Bb clarinets. The pieces allow players to share the pleasure of chamber music while exploring this fascinating sound world. All the duos sound at the original pitch and can thus be performed by a clarinet and violin. Most of the duets can also be played by a clarinet and alto saxophone combination (nos. 1, 5, 6, 7, 8, 12, 13, 16, 17). In such cases, the relevant duos from the edition for two violins (UE 10452A and UE 10452B) or for two alto saxophones (UE36991) should be used./ Répertoire / 2 Clarinettes

With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), works by three different composers are selected for each volume of the Urtext Primo series, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.Volume 4 combines works of the German Romanticism by Schumann, Brahms and Theodor Kirchner. Apart from well known pieces from Schumann's 'Album for the Youth' and the easiest waltzes from opus 39 (in the easier version) by Brahms, the selection contains the attractive set of variations from Schumann's first Youth Sonata Op. 118/1 and Brahms' Saraband in A minor WoO 5/1 as well as a number of pleasant pieces by Theodor Kirchner which continue the tonal air of Schumann and Brahms in easy playable pieces. / Piano

Schirmer Performance Editions. Par SCHUMANN ROBERT. Schumann consacre beaucoup de son début de carrière à l'écriture de pièces pour piano courts, caractéristiques, développer la miniature d'un morceau parfaitement autonome, souvent suggérant des significations extramusicales. Tout d'abord publié en 1838, Kinderscenen (scènes de l'enfance) est une collection de miniatures qui capturent des émotions juvénile et expériences à l'aide de lyrisme animé et titres poétiques. Les pièces sont courtes mais évocatrices, compact encore fascinant, qui offrent un banquet musical pour l'étudiant curieux. Les éditions Schirmer Performance sont conçues pour piano étudiants et les enseignants ainsi que les pianistes professionnels. Ces éditions offrent des suggestions d'interprétation perspicaces, doigté pertinente et les commentaires historiques et stylistiques de fournir une ressource précise pour les pianistes. / Niveau : Elémentaire / Rép Classique / Répertoire / Piano

Par VANDE GINSTE STEPHANE. On January 1st, 2016, Stephane Vande Ginste had an extraordinary intention: he planned to compose a 1-minute piece for piano every single day for the whole year. The result is an impressive collection of piano miniatures which - although contemporary - result in a variety of musical styles: apart from some experimental pieces, there are jazzy- and poppy pieces, more traditional 'etudes', polyphonic compositions and so on... The 366 pieces also tell various stories: from very emotional events like the terrorist attacks in Brussels over homages in honor of deceased artists (David Bowie,...) to birthdays and festive occasions,... . More than once, even poetry (Heinrich Heine,Anna Enquist, ..) or other pieces of art inspired Stephane to compose his daily one-minute piece. Every single composition originated from the 'here and now', and therefore capture the unfiltered feelings and emotions of that very unique moment in time: joy, enthusiasm, but also melancholy and sadness. On January 1st, 2016, Stephane Vande Ginste had an extraordinary intention: he planned to compose a 1-minute piece for piano every single day for the whole year. The result is an impressive collection of piano miniatures which - although contemporary - result in a variety of musical styles: apart from some experimental pieces, there are jazzy- and poppy pieces, more traditional 'etudes', polyphonic compositions and so on... The 366 pieces also tell various stories: from very emotional events like the terrorist attacks in Brussels over homages in honor of deceased artists (David Bowie,...) to birthdays and festive occasions,... . More than once, even poetry (Heinrich Heine,Anna Enquist, ..) or other pieces of art inspired Stephane to compose his daily one-minute piece. Every single composition originated from the 'here and now', and therefore capture the unfiltered feelings and emotions of that very unique moment in time: joy, enthusiasm, but also melancholy and sadness./ Etude / Piano

The Oxford Book of Organ Music by Women Composers presents a comprehensive survey of historical organ pieces by women composers alongside six newly commissioned works. The music is stylistically varied and encompasses secular and sacred repertoire from a range of periods. In addition to original organ repertoire, the collection also contains several organ transcriptions in new arrangements for the instrument. ? 42 pieces for manuals and pedals, in a variety of musical forms, suitable for use at church services or as recital repertoire ? Original music for the instrument, spanning the sixteenth century to the present day, including compositions by Amy Beach, Clementine de Bourges, Nadia Boulanger, Jeanne Demessieux, Cecilia McDowall, Clara Schumann, and Ethyl Smyth, plus commissions from Kristina Arakelyan, Miriam Carpinetti, Ghislaine Reece-Trapp, Isabelle Ryder, Amy Summers, and Rebecca Groom te Velde ? Standalone miniatures, movements from organ sonatas and symphonies, transcriptions of piano, harpsichord, and flute pieces, and an orchestral opera overture ? A variety of difficulty levels, from ABRSM Grades 2-3 through to Diploma standard, with a graded index provided

Contemporary String Quartet Repertoire For New and Developing Ensembles-The Discover series is part of three progressive collections of contemporary string quartet repertoire from leading composers to encourage and facilitate the development of ensemble playing. Compiled and edited by Liz Partridge each volume contains graded works commissioned especially for this series designed for quartets formed of players of similar ability. Featuring a mixture of musical styles and genres each piece contains different elements and techniques to consolidate and enhance the players’ skills as soloists and as ensemble members. An accompanying CD provides demonstration recordings of all included pieces. Minus-one tracks are availableto download online to allow for individual practice between rehearsals. Discover Series: Contemporary string quartet repertoire for new and developing ensembles. An introduction to quartet ensemble playing for string players of grade 1-3 standard. Familiar keys common rhythms and transparent musical forms ensure the short pieces and miniatures featured within Discover are accessible to all. Emphasis is firmly focussed on playing together as a unit.

Contemporary String Quartet Repertoire For New and Developing Ensembles-An introduction to quartet ensemble playing for string players of grade 1-3 standard. Familiar keys common rhythms and transparent musical forms ensure the short pieces and miniatures featured within Discover are accessible to all. Emphasis is firmly focussed on playing together as a unit.

A highly respected Cello teacher and performer Alfred Earnshaw counted among his peers such notable twentieth-century composers of music for young cellists as Adam Carse and W. H. Squire. His Tarantella for Cello and Piano features on Children's Cello the delightful collection of cello miniatures recorded by Steven Isserlis and pianist Stephen Hough on a recent BIS recording. Earnshaw commanded a fluent graceful idiom ideally suited to inspire beginners with real musical values and the piece combines open-string and first-position playing with the flair and character of an impressive recital item.