The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY

Séquences rares des légendes du vieux temps musique mettant en vedette Tommy Jarrell, Clarence Ashley, Roscoe Holcomb, Doc Watson, Sam McGee, Pete Steele, Jean Ritchie et autres. Une brochure complète de 22 pages mettant en vedette materail biographique, photographies rares et des détails sur les airs effectués est également disponible au téléchargement avec ce produit. / Guitare / Dvd

Description Hank Williams Complete The complete Hank Williams for piano, voice and guitar. This book contains 128 songs including Cold, Cold Heart, Hey, Good Looking, I Can't Help It (If I'm Still In Love With You) and many more. Songlist A Home In Heaven A House Without Love A Mansion On The Hill A Picture From Life's Other Side A Stranger In The Night A Teardrop On A Rose Alone And Forsaken Angel Of Death Are You Lonely Too Are You Walkin' And A-talkin' For The Lord Baby, We're Really In Love Bayou Pon Pon Cajun Baby California Zephyr Calling You Cold, Cold Heart Countryfied Dear Brother Everything's Okay For Me There Is No Place Forever's A Long, Long Time Help Me Understand Hey, Good Lookin' Homesick Honey, Do You Love Me, Huh? Honky Tonk Blues Honky Tonkin' House Of Gold How Can You Refuse Him Now Howlin' At The Moon I Ain't Got Nothing But Time I Can't Escape From You I Can't Get You Off My Mind I Can't Help It I Could Never Be Ashamed Of You I Don't Care I Heard You Crying I Just Didn't Have The Heart I Just Don't Like This Kind Of Livin' I Lost The Only Love I Knew I Saw The Light I Wish You Didn't Love Me So Much I Won't Be Home No More I'd Still Want You If I Didn't Love You If You'll Be A Baby I'll Be A Bachelor Till I Die I'll Never Get Out I'm A Long Gone Daddy I'm Going Home I'm Gonna Sing I'm Just Crying I'm So Lonesome I'm So Tired Of It All I'm Sorry For You I'm Yvonne Is This Goodbye I've Been Down That Road Before Jambalaya Jesus Died For Me Jesus Is Calling Jesus Remembered Me Just Me And My Broken Heart Just Waitin' Kaw-liga Last Night I Dreamed Of Heaven Let's Turn Back The Years Little Bosephus Long Gone Lonesome Blues Lost On The River Low Down Blues May You Never Be Alone Me And My Broken Heart Men With Broken Hearts Message To My Mother Mind Your Own Business Minni-ha-cha Moanin' The Blues Mother Is Gone Move It On Over My Cold, Cold Heart Is Melted Now My Heart Won't Let Me Go My Heart Would Know My Love For You Has Turned To Hate My Son Calls Another Man Daddy My Sweet Love Ain't Around 'neath A Cold Grey Tomb Of Stone Never Again Never Been So Lonesome No, Not Now Nobody's Lonesome For Me On The Banks Of The Old Pontchartrain On The Evening Train Pan American Peace Will Come Please Make Up Your Mind Ramblin' Man Ready To Go Home Rockin' Chair Daddy Singing Waterfall Six More Miles Somebody's Lonesome The Alabama Waltz The Blues Come Around The Funeral The Little House We Built There's A Tear In My Beer There's Nothing As Sweet Wealth Won't Save Your Soul Wearin' Out Your Walkin' Shoes Weary Blues From Waiting We're Getting Closer To The Grave When God Comes And Gathers His Jewels When The Book Of Life Is Read When You're Tired Of Breaking Other Hearts Where Do I Go From Here Why Don't You Love Me Why Should I Cry Why Should We Try Anymore You Better Keep It On Your Mind You Broke Your Own Heart You Can't Take My Memories You Win Again Your Cheatin' Heart Your Turn To Cry You're Barking Up The Wrong Tree You're Gonna Change

Remarque pour note transcriptions de tous les 14 titres de plus classique 1995 la libération de Ben Harper, y compris: Another Lonely Day - Graver One Down - By My Side - Excusez-moi M. - Lutte pour votre esprit - Donnez à un homme un homme Accueil - Craignant Dieu - Or pour moi - Terrain en bas - Un chemin vers la liberté - oppression - Les personnes plomb - S'il vous plaît moi comme vous voulez - Puissance de l'Evangile. / Guitare

Avec Variantes, Exemples Et Conseils Pour Jouer Et Improviser Sur Tous Instruments. Par AUTEURS DIVERS. Anne Fuzeau Classique vous propose des ouvrages sur la musique en général.Le présent recueil propose un panorama de ces basses obstinées, chansons et danses de la Renaissance et du Baroque qui circulaient d'une publication ou d'un manuscrit à l'autre, de pays en pays et sur lesquelles, au fil des décades et même des siècles, les compositeurs n'avaient cesse de proposer des variations, les musiciens d'improviser.Se référant aux compilations de ' standards ' utilisés par les jazzmen, Pascale Boquet et Gérard Rebours présentent ici, sur une centaine de pages de musique, 50 pièces dans leur version de base, avec leurs transpositions, et un choix de 210 variantes et airs dérivés les plus significatifs - le tout ponctué d'explications, de commentaires, de références et de notes historiques, et précédé d'une généreuse analyse théorique et pratique de l'improvisation. Sans oublier le glossaire, la liste des sources et la bibliographie.Classées par ordre progressif, les pièces de ce recueil peuvent être utilisées à trois niveaux : - - - - - - Le débutant jouera les airs, souvent faciles, tels quels. - - - - - Le musicien un peu familiarisé avec le sujet pourra commencer à écrire quelques diminutions ou variations. - - - - - L'expérience aidant, il pourra ensuite se lancer dans l'improvisation, ' sans filet ', comme il se doit.De plus, tout instrument et groupe instrumental, ancien ou moderne, pourra aborder ce répertoire dans lequel : - - - - - - Les instruments mélodiques (flûtes, violons, violes, hautbois,...) auront la charge de - jouer et de varier ces airs et ces danses. - - - - - Les instruments polyphoniques (claviers, luths, guitares, harpes) pourront les accompagner de nombreuses façons à partir de la basse chiffrée, mais aussi en réaliser des versions autonomes en jouant et variant les deux parties ensemble. - - - - - Les instruments graves (basse de viole, basson, violoncelle,....) assureront la ligne de basse sans oublier d'y introduire eux aussi variations et diminutions.Enfin, ce sera l'occasion d'explorer une partie conséquente du répertoire de base des XVIe et XVIIe siècles, d'approfondir certains aspects harmoniques, mélodiques et stylistiques propres à chaque époque, chaque pays, voire chaque auteur, et d'élargir son approche de la musique ancienne en y introduisant cette dimension pas encore assez familière : l'improvisation.Sommaire : Avant-ProposGenèse'Standards'Principes éditoriauxImproviser (G.R.)Le geste improvisatoireDiminutions, fredons, passages, gloses, divisionsImproviser, selon les traitésUne leçon de diminutionsConseils pratiques pour improviser (P.B.)Analyse de deux grands standards : - - 1-La Passemezzo (P.B.) - - 2-Les folies (G.R.)50 standards Renaissance et BaroqueGlossaireSources : - - 1-Traités - - 2-Sources musicales - - 3-Compilations musicales manuscritesBibliographieLes auteursRemerciementsIndex des 50 StandardsIndex des compositeurs et des ouvrages / Niveau : Facile / Date parution : 2006-01-01/ Recueil / Traîté

A 20th century jazz prodigy with a supreme talent for improvisation, Louis Armstrong would become a successful popular entertainer in later years. He could still revisit the dazzling instrumental performances of his youth but in time 'Satchmo' became even more famous for his gravelly vocals and larger-than-life guest performances in TV shows and musical films. Scott Fitzgerald famously wrote that there were no second acts in American lives but Armstrong proved him wrong. With his reputation secure, the pioneering jazzman happily tackled the wide range of popular songs reflected in this excellent collection. In addition to self-penned jazz numbers like Back O' Town Blues and I Want A Butter And Egg Man , Armstrong recorded Thiele and Weiss's What A Wonderful World and John Barry and Hal David's wistful James Bond film song We Have All The Time In The World . Armstrong would sing anything. He never gave less than a heartfelt vocal performance and people loved him for it. This unique collection celebrates some of his best and most famous songs. The accompanying audio CD features a selection of Armstrong 's Storyville recordings made in Europe and offers a further insight into the range and versatility of this unique musician and performer. / Piano/Vocal/Guitare (PVG)

The early music specialist and flautist, Annabel Knight, presents the second in a series of four volumes dedicated to flute music from the Baroque period. Featuring a variety of interesting pieces scored for flute and keyboard accompaniment, this collection includes works by well-known figures as well as lesser known and rarely available pieces from a range of other composers.Suitable for students of ca. 4-5 years' of playing experience, this book includes composer biographies and teaching notes on each piece, together with a CD recording of all works performed by Annabel Knight and Robin Bigwood. / Flûte

Nowhere else will you find gathered together into one priceless treasury so many of your favourite American folk songs, patriotic anthems and marches, heart songs, sea chanteys, colonial songs, civil war songs, hymns, gospel songs, spirituals, Christmas carols, memorial songs, and sacred classics. This comprehensive volume includes over 175 full Piano arrangements with complete lyrics and chord symbols, and is illustrated with woodcuts, engravings and drawings throughout. / Rép International / Recueil / Piano

La quatrième version majeure de ces rockers canadiennes, mettant en vedette tous les quatre singles récentes. / Rép International / Tablatures / Guitare Tablatures

300 chants sacrés en faux livre format, ligne de mélodie avec des paroles et des symboles de la corde. / Piano/Vocal/Guitare (PVG)

L'oeuvre complète de Hank Williams pour piano, voix et guitare. Ce livre contient 128 chansons, dont Cold, Cold Heart, Hey, Good Looking, I Can't Help It (If I'm Still In Love With You) et bien d'autres encore, toutes arrangées pour piano et voix, avec grilles d'accord de guitare. / Piano/Vocal/Guitare (PVG) / Partition