Transcriptions from Buckley's Banjo Guide of 1868. Par TWISS TIM. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. This modern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, more refined plucking technique. James Buckley (1803 â' 1872), sometimes referred to as the 'Father of the Classical Banjo,â? was one of the most prolific transcribers of early banjo music. His compositions and arrangements were performed on the minstrel stage, andhis scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for the concert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even todayâ'all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo in a lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. Thismodern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, morerefined plucking technique. James Buckley (1803 and ndash - 1872), sometimes referred to as the and ldquo - Father of the Classical Banjo, and rdquo - was one of the most prolific transcribers of early banjo music. His compositions andarrangements were performed on the minstrel stage, and his scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for theconcert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even today and ndash - all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo ina lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. / Niveau : Intermédiaire à Avancé / Musique traditionnelle d'Amérique du Nord / Date parution : 2018-05-04/ Recueil / 5-String Banjo

During the visit to Brive-la-Gaillarde in 1940, Poulenc sketched a little piece for the children of his cousins: Sophie, Sylvie, Benoit, Florence and Delphine Périer, Yvan, Alain, Marie-Christine and Marguerite-Marie Villotte, and their two friends Marthe Bosredon and André Lecoeur. This took the form of a musical background to Jean de Brunhoff's popular illustrated children's story about Babar, a baby elephant whose mother is killed by a huntsman. Fortunately Babar meets a kind elderly lady who dresses him in a fine suit and gives him an impressive motor-car.However, Babar feels homesick for his forests, and is pleased when his cousins, Arthur and Celeste, find him and needs no persuasion to go home with them. Back in the forest, where the King of the Elephants has eaten a poisonous mushroom, Babar is elected to succeed as King. He marries Celeste, and the last we hear of him is thinking of a rosy future as he dreamily looks up at a marvellously star-filled sky.Poulenc's score, to which he returned and completed in 1945, is for a narrator and a Piano, so written that the individual sections offer the pianist a number of self-contained descriptive pieces, such as a Lullaby, a Reverie, a Galop, a Nocturne and so on. Indeed, some of Poulenc's finest Piano music is found in these charming pages.In 1962, Jean Françaix made an orchestral version, and Barbar has been enjoyed by children of all ages all over the world. An English translation of the text was made by Nelly Rieu.This particular edition is arranged for Narrator and Piano duet (1 Piano, 4 hands) and a separate insert with English translation is included. / Piano 4 Mains

Soixante-dix standard populaire, folk, salon de coiffure, Noël, chansons de Gilbert et Sullivan arrangé pour cordes de jouer et de chant - plus de guitare. / Piano / 80 pages / Partition

CD d'accompagnement mp3 pour BOE7624 gefällt mir piano!. Livré avec une pleine et jouer en même version de chaque chanson dans le livre. Les versions complètes sont le piano, basse et batterie. Jouez version supprime le piano. / Piano

50 hits films et carte du ciel de Adele à Crépuscule des arrangements pour piano facile de HG Heumann. Le CD contient les versions complètes des chansons et des pistes d'accompagnement sans le piano. / Piano

Une nouvelle édition de la populaire série, pour tous les fans de Télé bigarrée. Enregistré avec la ligne mélodique, les paroles et accords de guitare et avec reliure spirale pratique dans un format A5 très pratique! / Ukulélé

Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternative à la pléthore de volumes mal conçues, illisibles, inexacts, mal edited qui abondent sur le marché aujourd'hui. Le livre Vocal réelle est extrêmement précis, soignée et vise, avant tout, pour un usage pratique. Tous les efforts réalisés pour le rendre agréable à effectuer. La sélection de musiques pour ce volume met en évidence les principaux compositeurs jazz du passé des années 60, avec une attention particulière pour les années 1960 et 1970. Un certain nombre de chansons par Rogers