| J. Paul Williams Joseph
M. Martin: Joshua: 2-Part
Choir: Vocal Score Chorale 2 parties [Vocal Score] Fred Bock Music Company
A few years back Joe Martin teamed up with J. Paul Williams to produce one of th...(+)
A few years back Joe Martin teamed up with J. Paul Williams to produce one of the Houston Children's Chorus Series best-sellers “Goliath ” (now in 2-part and SATB). Well they've done it again with“Joshua.” The many other arrangements of this much-loved spiritual will have to step aside because the story and song have never been told this well. A new entry into the Houston Children's Chorus Choral Series thisone has a sizzling track and will knock down the walls wherever it is sung. Accompaniment CD Rehearsal CD and Rehearsal CD 10-Pak available.
27.50 GBP - vendu par Musicroom GB |
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| Natalie Sleeth: Weekday
Songbook: Unison or
2-Part Choir: Vocal Score Chorale 2 parties [Vocal Score] Hinshaw Music Inc.
Contents: 1. A Round Of Greeting.2. Sharing It With Me.3. Heres To America.4....(+)
Contents: 1. A Round Of Greeting.2. Sharing It With Me.3. Heres To America.4. Try Again.5. Keeping Christmas.6. A Valentine Wish.7. The Winters A Drag Rag (HMC433).8. You Never Stop Learning.9. One Day At A Time.10. Lets Make Music (HMC409).11. Two Roads.12. Were On Our Way.
9.99 GBP - vendu par Musicroom GB |
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| Burt Bacharach Hal David:
I'll Never Fall in Love
Again: Upper Voices a Chorale 3 parties SSA [Partition] Hal Leonard
This 1970 pop hit by Dionne Warwick is a great feature for SSA groups. With eas...(+)
This 1970 pop hit by Dionne Warwick is a great feature for SSA groups. With easy parts and lots of choreography options this Hal David and Burt Bacharach classic will leave your audience with a smile. Available for SSA and ShowTrax CD. Performance Time: 2:35.
11.25 GBP - vendu par Musicroom GB |
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| Longest Cocktail Party,
The Divers Alfred Publishing
Apple Records was a noble experiment created in the spirit of the 1960s by four ...(+)
Apple Records was a noble experiment created in the spirit of the 1960s by four musicians who came to represent everything that was best about those tumultuous, experimental, and liberating times. The Beatles started out with the greatest of intentions, but reality soon got in the way. Much has been written about this period in the history of The Beatles' evolution and dissolution---some of it true, some of it wildly exaggerated, but not much of it first-hand. The Longest Cocktail Party is a rare exception. Written by Richard DiLello, who served as Apple Record's 'House Hippie' from 1968 to 1970, this unusual first-hand glimpse into The Beatles' empire humorously chronicles the stranger-than-life stories that were to become legendary, including visits by the Hell's Angels and endless tales of celebrity antics. Alfred Music is proud to offer this latest edition, which features a new and insightful foreword by the author. Originally published by Playboy Press in 1972, The Longest Cocktail Party has proven itself a timeless chronicle of this most colorful period in pop history. / Divers
26.59 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Brandi Carlile Guitar
Songbook Guitare [Partition] Alfred Publishing
One of the best of the new generation of singer-songwriters, Brandi Carlile play...(+)
One of the best of the new generation of singer-songwriters, Brandi Carlile plays a unique blend of alt-rock and country-folk music. This songbook features all 35 songs from her three studio albums, Brandi Carlile,The Story, and Give Up the Ghost. All songs in this must-have collection are arranged as Brandi recorded them. Titles: Again Today * Before It Breaks * Cannonball * Caroline * Closer to You * Downpour * Dreams * Dying Day * Fall Apart Again * Follow * Gone * Happy * Have You Ever * I Will * If There Was No You * In My Own Eyes * Josephine * Late Morning Lullaby * Looking Out * Losing Heart * My Song * Oh Dear * Pride and Joy * Shadow on the Wall * Sixty Years On * Someday Never Comes * The Story * That Year * Throw It All Away * Touching the Ground * Tragedy * Turpentine * Until I Die * Wasted * What Can I Say. / Miscellaneous, Scores, Songbooks / Recueil / Guitare
26.59 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Peter Martin: Scottish
Dances: Fanfare Band:
Score & Parts Fanfare [Conducteur et Parties séparées] Gobelin Music Publications
Scottish Dances is based on three Scottish traditionals: Cock of the North The ...(+)
Scottish Dances is based on three Scottish traditionals: Cock of the North The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous it seems delicious liqueur and rallies to snowboard competitions. Furthermore is 'Cock O' the North ' a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary had a canary Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers. II. ' The Bonnie Bank's O'Loch Lomond ' is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding after the official ceremonies there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as 'Marie's Wedding '. Mid dance we go back to the church where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely on we go heel for heel and toe for toe Arm and arm and on we go all for Marie's wedding
132.99 GBP - vendu par Musicroom GB |
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| Peter Martin: Scottish
Dances: Concert Band:
Score & Parts Orchestre d'harmonie [Conducteur et Parties séparées] Gobelin Music Publications
Scottish Dances is based on three Scottish traditionals: Cock of the North The ...(+)
Scottish Dances is based on three Scottish traditionals: Cock of the North The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous it seems delicious liqueur and rallies to snowboard competitions. Furthermore is 'Cock O' the North ' a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary had a canary Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers. II. ' The Bonnie Bank's O'Loch Lomond ' is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding after the official ceremonies there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as 'Marie's Wedding '. Mid dance we go back to the church where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely on we go heel for heel and toe for toe Arm and arm and on we go all for Marie's wedding
132.99 GBP - vendu par Musicroom GB |
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| Peter Martin: Scottish
Dances: Brass Band: Score
& Parts Ensemble de cuivres Gobelin Music Publications
Scottish Dances is based on three Scottish traditionals: Cock of the North The ...(+)
Scottish Dances is based on three Scottish traditionals: Cock of the North The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous it seems delicious liqueur and rallies to snowboard competitions. Furthermore is 'Cock O' the North ' a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary had a canary Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers. II. ' The Bonnie Bank's O'Loch Lomond ' is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding after the official ceremonies there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as 'Marie's Wedding '. Mid dance we go back to the church where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely on we go heel for heel and toe for toe Arm and arm and on we go all for Marie's wedding
96.99 GBP - vendu par Musicroom GB |
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| Camille Saint-Saëns:
Symphony No.3 In C Minor
Op.78: Orchestra: Part Orchestre [Partie séparée] Barenreiter
“In this work I gave everything I had to give. […] What I did here ...(+)
“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
21.00 GBP - vendu par Musicroom GB |
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| Camille Saint-Saëns:
Symphony No.3 In C Minor
Op.78 - Organ: Orchestra:
Part Orchestre [Partie séparée] Barenreiter
“In this work I gave everything I had to give. […] What I did here ...(+)
“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
10.50 GBP - vendu par Musicroom GB |
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| Camille Saint-Saëns:
Symphony No. 3 C minor
Op. 78: Orchestra: Part Orchestre [Partie séparée] Barenreiter
?In this work I gave everything I had to give. [?] What I did here I will never ...(+)
?In this work I gave everything I had to give. [?] What I did here I will never do again?. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven?s Ninth this so-called ?Organ Symphony? was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886.In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected.The edition of Symphony No.3 marks the launch of a large-scale project: thepublication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series.First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns Complete Edition of the Instrumental WorksNow with separate parts for all windsOrchestral parts in a large format (25.5 cm x 32.5 cm)
31.50 GBP - vendu par Musicroom GB |
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| Camille Saint-Saëns:
Symphony No.3 In C Minor
Op.78: Orchestra: Part Orchestre [Partie séparée] Barenreiter
“In this work I gave everything I had to give. […] What I did here ...(+)
“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
42.00 GBP - vendu par Musicroom GB |
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| Camille Saint-Saëns:
Symphony No.3 In C Minor
Op.78: Orchestra: Part Orchestre [Partie séparée] Barenreiter
?In this work I gave everything I had to give. [?] What I did here I will never ...(+)
?In this work I gave everything I had to give. [?] What I did here I will never do again?. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven?s Ninth this so-called ?Organ Symphony? was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns ? Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
42.00 GBP - vendu par Musicroom GB |
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| Camille Saint-Saëns:
Symphony No.3 In C Minor
Op.78: Orchestra: Parts Orchestre [Set de Parties séparées] - Intermédiaire/avancé Barenreiter
“In this work I gave everything I had to give. […] What I did here ...(+)
“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
208.00 GBP - vendu par Musicroom GB |
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| Highlights from A Star Is
Born: Concert Band: Score
& Parts Orchestre d'harmonie [Conducteur et Parties séparées] Hal Leonard
Highlights from-Starring Lady Gaga and Bradley Cooper the latest movie version ...(+)
Highlights from-Starring Lady Gaga and Bradley Cooper the latest movie version of A Star Is Born brings this poignant story to life with dramatic and moving new songs. Includes: 'Shallow' 'Always Remember Us This Way' 'I'll Never Love Again' 'Maybe It's Time' and 'Is That Alright''
74.99 GBP - vendu par Musicroom GB |
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| String Quartet No. 4
(LERDAHL FRED) Quatuor à cordes: 2 violons,
alto, violoncelle [Conducteur et Parties séparées] Schott
Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissione...(+)
Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissioned by the Daedalus Quartet to celebrate its 15th anniversary. The commission was supported by New Music USA, made possible by annual program support and/or endowment gifts from Pennsylvania Council on the Arts, Helen F. Whitaker Fund, and Aaron Copland Fund for Music.
My music has a substantial history with Daedalus. I composed the Third String Quartet (2008) for them, and subsequently they performed my three string quartets on several occasions and recorded them brilliantly on Bridge Records (Bridge 9352: Music of Fred Lerdahl, vol. 3). Chaconne is in one movement lasting 19 minutes. It is effectively my fourth string quartet. Quartets 1-3 form a unified cycle lasting 70 minutes. When I finished the cycle, I thought I would never write again for the medium; yet I could not resist the opportunity of working again with Daedalus. The issue was how to compose another string quartet unrelated to the earlier cycle. The solution came from my solo cello piece There and Back Again (2010), which was based on a four-bar variation pattern from a 17th-century chaconne. Unlike the asymmetrical phrases and expanding variations of much of my music, the chaconne form requires symmetrical phrases and strictly periodic variations. I wished to work again with these symmetries but on a larger scale. Chaconne also differs in character and expression from the three-quartet cycle. The cycle is inward and intense, a kind of psychological excavation. Chaconne is, for the most part, transparent and playful. Many of its textures emerge from little canons, not completely unlike the rounds that children sing. Any composer who writes in chaconne form (one thinks above all of the last movement of Bach’s D minor violin partita and the finale of Brahms’s Fourth Symphony) is confronted with the challenge of how to create a larger form out of a constantly repeating pattern.
My Chaconne grows from paired antecedent-consequent phrases, each variation lasting eight bars. The 50 variations group into three large rotations, forming three arcs of tension and relaxation, with subtle parallel connections across the rotations. Notwithstanding my attraction to chaconne form, I purposefully disguised its symmetries and periodicities in order to build an overall dramatic shape. Fred Lerdahl/ Répertoire / Quatuor à Cordes
167.61 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Cant De Les Estrelles
(Sin Particellas De Coro) Formation musicale - Solfège Boileau
(Included with the score are the organ and the piano part (there's available a p...(+)
(Included with the score are the organ and the piano part (there's available a pack with 20 copies of the parts for the chorus). In case the work is to be performed by more than 20 singers it will be necessary to purchase additional copies of the chorus parts, wich are available in packs of 20 copies).On 11th March 1911, the great pianist and composer Enric Granados performed this piece as an absolute premiere at Barcelona's modernista concert hall Palau de la Música Catalana.In spite of the great success achieved on the day of the premiere by this ambitious work for piano, organ and three choirs whose words in Catalan were provided by an unknown writer, the piece was never again performed or published. Its manuscript was assumed to be lost for decades and it was even thought that it might have been burnt in a fire. Finally, the pianist and Granados specialist Douglas Riva recovered it and offered it to Boileau Editorial de Música for publication.El Cant de les estrelles was performed once again on 22nd March 2007, 96 years after its first performance, in New York's Ascension Church, with Douglas Riva himself at the piano and Dennis Keene conducting. / Choeur Et Piano
39.90 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Irish Pub Songs Piano, Voix et Guitare [Partition] Hal Leonard
Servez-vous une pinte et ce songbook pour une soirée de fun à l'irlandaise ! C...(+)
Servez-vous une pinte et ce songbook pour une soirée de fun à l'irlandaise ! Ce livre vous transportera en arrière avec 40 chansons tout arrangées le piano, le chant et la guitare. Parmi celles-ci retrouvez : All for Me Grog, Black Velvet Band, The Fields of Athenry, I Never Will Marry, I'm a Rover and Seldom Sober, The Irish Rover, Jug of Punch, Leaving of Liverpool, A Nation Once Again, The Rare Ould Times, Whiskey in the Jar, Whiskey, You're the Devil, et plus ! / Variétés Internationale / Partition /
16.50 EUR - vendu par Note4Piano Délais: 2-5 jours - En Stock Fournisseur |
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| Classic Rock Authentic
Transcriptions Piano, Voix et Guitare [Partition] Hal Leonard
Treize chansons rock classiques authentiquement transcrites à partir des enregi...(+)
Treize chansons rock classiques authentiquement transcrites à partir des enregistrements originaux. Maintenant vous pouvez jouer les parties de clavier, piano et l'orgue de toutes ces grandes chansons note pour note et égaler les performances des artistes originaux. Sont également inclus d'autres parties instrumentales, ainsi que des symboles d'accord et les paroles. La musique est clairement présenté avec une ligne supérieure vocale suivie par la partie du clavier principal. / Piano/Vocal/Guitare (PVG) / 114 pages / Partition
9.31 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Symphony No. 3 Op. 78
(SAINT-SAENS CAMILLE) Orchestre [Conducteur] - Intermédiaire/avancé Barenreiter
Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] ...(+)
Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth, this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London, where itreceived its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of “Camille Saint-Saëns - Complete Edition of the Instrumental Works”. This performing Urtext edition is based on volume BA 10303 from that series. - First scholarly-critical edition of this famous symphony based on “Camille Saint-Saëns – Complete Edition of the Instrumental Works”- Now with separate parts for all winds- Orchestral parts in a large format (25. 5 cm x 32. 5 cm) ; In this work I gave everything I had to give. [… ] What I did here I will never do again. Camille Saint-Saë ns was justifiably proud of his Symphony No. 3 in C minor Op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called ; Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marksthe launch of a large-scale project: the publication of Camille Saint-Saë ns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saë ns & Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25. 5 cm x 32. 5 cm) / Niveau : 5 / Répertoire / Orchestre
66.12 EUR - vendu par LMI-partitions Délais: Sur commande |
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| The European Real Book -
C Version: C Instruments:
Instrumental Album Instruments en Do [Fake Book] Sher Music Company
182 of the best European jazz tunes make The European Real Book a must have for ...(+)
182 of the best European jazz tunes make The European Real Book a must have for any jazz player.
This volume contains pieces by Michel Petrucciani, Florian Ross, George Shearing, Nguyen Le, Toots Thielemans, Philip Catherine, Bill Bruford, Tommy Smith, Enrico Rava, Django Reinhardt and almost 100 others.
As with all Sher Real books this book features:
100% accurate composer-approved charts
easy-to-read manuscript
A great selection of tunes
Many extra features like sample Bass lines, chord voicing, Rhythm section hits, harmony parts and an extensive Drum appendix.
An exclusive and exciting feature of The European Real Book is that streaming MP3 files of over 100 tunes in the book are available free of charge from Sher Music.
34.99 GBP - vendu par Musicroom GB |
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