Description
The melody line and lyrics to all the Stones' songs composed from 1963-1981. Easy-to-read melody line, lyrics and chord arrangements. Separate lyric section and discography, with photos throughout.
Songlist
100 Years Ago
19th Nervous Breakdown
2000 Light Years From Home
2000 Man
2120 South Michigan Avenue
All About You
All Down The Line
All Sold Out
Angie
As Tears Go By
Back Street Girl
Beasts Of Burden
Before They Make Me Run
Bitch
Black Limousine
Blue Turns To Grey
Brown Sugar
Can You Hear The Music
Can't You Hear Me Knocking
Casino Boogie
Child Of The Moon
Citadel
Cocksucker Blues
Coming Down Again
Complicated
Congratulations
Connection
Cool Calm And Collected
Country Honk
Crazy Mama
Dance
Dance Little Sister
Dancing With Mr D
Dandelion
Dead Flowers
Dear Doctor
Don'cha Bother Me
Don't Lie To Me
Doo Doo Doo Doo Heartbreaker
Down In The Hole
Downtown Suzie
Each And Every Day Of The Year
Emotional Rescue
Empty Heart
Everything Is Turning To Gold
Factory Girl
Family
Faraway Eyes
Finger Print File
Flight 505
Fool To Cry
Get Off My Cloud
Get Off Of My Cloud
Gimme Shelter
Goin' Home
Gomper
Good Time Bad Time
Gotta Get Away
Grown Up Wrong
Hand Of Fate
Hang Fire
Happy
Have You Seen Your Mother Baby
Heart Of Stone
Heaven
Hey Negrita
Hide Your Love
High And Dry
Honky Tonk Woman
Hot Stuff
I Am Waiting
I Can't Get No Satisfaction
I Got The Blues
If I Were A Dancer (Dance Part 2)
If You Can't Rock Me
If You Let Me
If You Really Want To Be My Friend
I'm All Right
I'm Free
I'm Going Down
In Another Land
Indian Girl
It's Not Easy
It's Only Rock 'N' Roll
Jigsaw Puzzle
Jivin' Sister Fanny
Jumpin' Jack Flash
Just Want To See His Face
Lady Jane
Lantern
Let It Bleed
Let It Loose
Let Me Go
Lets Spend The Night Together
Lies
Little By Little
Little T Anda
Live With Me
Long Long While
Love In Vain
Loving Cup
Luxury
Melody
Memo From Turner
Memory Motel
Midnight Rambler
Miss Amanda Jones
Miss You
Monkey Man
Moonlight Mile
Mothers Little Helper
My Obsession
Neighbours
No Expectations
No Use In Crying
Now I've Got A Witness
Off The Hook
On With The Show
One More Try
Out Of Time
Paint It Black
Parachute Woman
Play With Fire
Please Go Home
Repectable
Ride On Baby
Rip This Joint
Rocks Off
Ruby Tuesday
Sad Day
Salt Of The Earth
Send It To Me
Shattered
She Smiled Sweetly
She's A Rainbow
She's So Cold
Shine A Light
Short And Curlies
Silver Train
Sing This Altogether (See What Happens)
Singer Not The Song
Sister Morphine
Sittin' On A Fence
Slave
Some Girls
Some Things Just Stick In Your Mind
Something Happened To Me Yesterday
Soul Survivor
Spider And The Fly
Star Star
Start Me Up
Stoned
Stop Breaking Down
Stray Cat Blues
Street Fighting Man
Stupid Girl
Summer Romance
Sway
Sweet Black Angel
Sweet Virginia
Sympathy For The Devil
Take It Or Leave It
Tell Me (You're Coming Back)
The Last Time
Think
Through The Lonely Nights
Till The Next Goodbye
Time Waits For No One
Tops
Torn And Frayed
Try A Little Harder
Tumbling Dice
Turd On The Run
Under Assistant West Coast Promotion Man
Under My Thumb
Ventilator Blues
Waiting On A Friend
Walking Thru The Sleepy City
We Love You
We're Wasting Time
What A Shame
What To Do
When The Whip Comes Down
Where The Boys Go
Who's Been Sleeping Here
Who's Driving Your Plane
Wild Horses
Winter
Worried About You
Yesterday's Papers
You Can't Always Get What You Want
You Got The Silver
You Gotta Move
You'd Be Surprised / Partitions variété - pop - rock / Variété internationale / Paroles&accords / MUSIC SALES

?He alone has the secret of making me smile and touching me to the bottom of my soul ? said Mozart about ?Papa? Haydn and his music. The ?Surprise? Symphony (No.94) incidentally written during the final year of Mozart?s short life has become one of Haydn?s most memorable works.Since this symphony was written during the zenith of the Classical period Timothy Johnson?s skillful arrangement gives you a perfect opportunity to teach your young band ?lightness? and control as essentials of Classical style playing. You can introduce the concept of making the staccato notes ?separated? instead of just ?short? in order to best approximate the sound of the times. It?s a naturalselection for your next festival or concert! Why not give your young band a chance to meet ?Papa? Haydn through this charming arrangement?

Par BEATLES THE. This surprisingly compact pocket-sized book boasts a massive 195 songs by the Liverpudlian heroes, all arranged with full lyrics and guitar chords. From She Loves You to The Long And Winding Road , this collectable edition features all the Beatles tunes you could ever want to play, and each song is complete with a handy chord reference sheet. An ideal addition to your guitar case, ensuring that you will never again be stuck for a crowd-pleasing favourite that everyone will know and love. / Niveau : Assez Facile / Rép International / Recueil / Chant et Guitare

Les 14 morceaux de l'album M!ssundaztood, succès surprise de la diva de la pop Pink et son tube international Get The Party Started. Arrangé au niveau intermédiaire pour piano et voix avec paroles complètes et accords. / Variétés Internationale / Partition /

Joseph Haydn
Symphonie en Sol majeur Hob. I:94 (La Surprise)
Robert v. Zahn (Editeur)
Friederike Mühle (Préface)
Les douze «Symphonies londoniennes» forment le sublime accord final de l’œuvre symphonique de Haydn. Elles ont été conçues pour l’imprésario londonien Johann Peter Salomon, et Haydn lui-même en dirigea les créations, lorsqu’il se rendit, en 1791/1792 et 1794/1795, pour quelque temps dans la métropole anglaise. La Symphonie en Sol majeur exécutée pour la première fois en mars 1792 fait aujourd’hui toujours partie des œuvres les plus populaires de Haydn. Son surnom anglais de «Surprise» lui vient de l’étonnant accord de tutti de l’Andante, auquel le public ne s’attendait certes pas. Haydn avait introduit cet effet consciemment après coup - et se tenait d’ailleurs volontiers prêt à autoriser le surnom donné, après l’effet de surprise, par un musicien londonien. Cette œuvre populaire se répandit rapidement également dans les pays germanophones, où elle occupe une place solide dans le répertoire - sous le nom de «Symphonie au coup de timbale» (Paukenschlag).
L’Édition d’étude reprend le texte musical de l’Édition intégrale des œuvres de Haydn et garantit ainsi la plus haute qualité scientifique de publication. Une préface informative et un bref commentaire critique font de cette partition maniable l’accompagnateur idéal de tous les fans de Haydn, comme de ceux qui souhaitent le devenir. / Partitions classique / Ensemble et orchestre / Conducteur / HENLE VERLAG

Gareth Malone: Voices is Malone 's latest and most personal album, embodying his vision of the future for Choral music. After searching the UK for the most talented young voices in the country he formed a genre-breaking new group. Gareth Malone: Voices features the main tracks from the album, including one by Paul Mealor, selected and arranged for SATB Chorus - including full lyrics. / Choeur Mixte Satb

Anyone who loves the very best in love songs will fall in love with this piece by the smouldering soulful singer who is one of the all time greatest and surprisingly one of the music industries best-kept secrets Randy Crawford. The haunting and passionate beauty of the original song is perfectly captured in this brass band arrangement. More recently the song was also featured in the movie Moulin Rouge performed by Nicole Kidman.

One Magic Christmas there'll be a world united in peace and love that lasts all year long! This warm and entertaining feature medley celebrates Christmases past present and future. All the great Christmas favorites are here with even a surprise or two! Enjoy the warm nostalgia of An Old-Fashioned Christmas the light-hearted humor of A Rock 'n' Roll Christmas and the holiday wishes of Home at Christmas. Available: SATB Singer's Edition SAB Score SAB Singer's Edition 2-Part Score 2-Part Singer's Edition ShowTrax CD. Performance Time: Approx. 30:00.

Mark Foster Ithaca College Series-Full of imagery--fluttering of autumn leaves blown about by a gust of wind aleatory and dramatic choral writing this is a tour de force for advanced choirs. Moving between keys frequently and with ease singers will enjoy this challenge and audiences will be jolted about as the sounds arrive as one surprise after another.

With this volume the reader is pleasantly surprised with two books in one- Section One by Alec Slater and Section Two by Lisa Schmitz. Alec's portion is intended as a guide for the clawhammer or frailing banjo player with someprevious experience in this style. He stresses the fact that this style of music can be fully learned only from within the oral tradition in which it grew. The instruction included here is meant to provide a review and not totake the place of qualified teacher. Alec recommends that '...anyone wanting to get this playing right should find someone in your area who plays and have him/her teach you. Listen to it watch it and make it your own.' InSection Two Lisa Schmits presents an extensive collection of 163 jigs reels polkas hornpipes strathspeys waltzes and songs from Ireland Scotland the Shetland Islands Cape Breton New England and Southern Appalachia forbanjo solo. The national origin of each tune is indicated. Lisa offers personal authoritative settings of a great variety of tunes at an intermediate level. Written in tablature only.

Andrea Ramsey Choral Series-Introducing Four Shape Note singing to your young singers this arrangement from the Sacred Harp is full of energy. Young singers will relate to the positive message and they will be surprised that 19th century music can be so much fun to sing.

Composer's Notes:The last few years I have become increasingly involved in some peculiar mathematical formulas called 'fractals'. These formulas used in the fast growing field of 'Chaos theory' are relatively simple but they generate fascinating and surprisingly 'organic' patterns when shown graphically on a computer screen or played as music. One should think that such a mathematical approach would lead to sterile and 'theoretical'music. The sound world of Stonewave however is not one you would associate with math books. The steady insistent pulse and the use of sequences put squarely up against each other or divided by long rests suggest aninvisible ritual. A ritual for what?Well then let it be a ritual for the exorcism of some 'evil spirits' which now ride our part of the world under the name of Liberalism making people the servants of the Market Forcesinstead of vice versa. Stonewave is therefore an incantation as it seems that only divine forces can save European culture from a political system that proclaims the Jungle Law as the guiding principle in social andcultural life. Rolf Wallin