(174 Favorite Piano Pieces by 44 Composers). Composed by Various. For Piano Solo. Misc. 326 pages. Published by Hal Leonard

By Robert Schultz And Tina Faigen. For Piano. Robert Schultz Piano Library. Works include: Pachelbel's Canon in D; Elgar's Pomp and Circumstance, and the Wedding March from Mendelssohn, among others. Level: Elementary - Intermediate. Book. Published by The FJH Music Company Inc.

Organ

SKU: CA.5014200

Composed by Josef Gabriel Rheinberger. Edited by Martin Weyer. This edition: Paperbound. Free organ music. Free organ music. Full score. Composed 1885. Op. 142. 24 pages. Duration 28 minutes. Carus Verlag #CV 50.142/00. Published by Carus Verlag (CA.5014200).

ISBN 9790007140816. Key: B flat minor. Language: all languages.

Josef Gabriel Rheinberger dedicated his 9th Organ Sonata (composed in May 1885) to Alexandre Guilmant, the indefatigable concertizing virtuoso who had already given the first Paris performance of Rheinberger's 1st Organ Concerto (in F major, op. 137). With opulent harmonies, conspicuously frequent tempo changes, and chords which are a true delight when played on a Cavaille-Coll organ, the rhapsodic Fantasie at the beginning of the 3rd movement certainly lives up to its name. The separate edition is taken from the Rheinberger Complete Edition.

Organ - Method or Collection. Dover Edition. Masterwork. Book. Published by Dover Publications.

By ABRSM. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

By Josef Gabriel Rheinberger. Edited by Weyer, Martin. Organ Music; Complete editions. Complete edition. 256 pages. Published by Carus Verlag (German import).

(str=1.1.0.1.1,solo organ)

SKU: TM.00834SET

Composed by Wolfgang Amadeus Mozart. Set Type: M. Set of parts. Published by Lucks Music Library (TM.00834SET).

(str=1.1.0.1.1,solo organ)

SKU: TM.00834SC

Composed by Wolfgang Amadeus Mozart. Score. Published by Lucks Music Library (TM.00834SC).

Violin and Piano (Violin/Piano)

SKU: HL.132063

Composed by Grazyna Bacewicz. PWM. Classical. Book Only. Polskie Wydawnictwo Muzyczne #380020. Published by Polskie Wydawnictwo Muzyczne (HL.132063).

UPC: 196288094050. 9.0x12.0x0.148 inches.

Violin and Piano (Violin/Piano)

SKU: HL.132064

Composed by Grazyna Bacewicz. PWM. Classical. Book Only. 48 pages. Polskie Wydawnictwo Muzyczne #5597050. Published by Polskie Wydawnictwo Muzyczne (HL.132064).

UPC: 840126969108. 9.0x12.0x0.136 inches.

By Gabrielli, Domenico (1651-1690). Two trumpets and piano. Published by International Music Co.

The World's Great Classical Music. By Various. Piano Solo Mixed Folio (Intermediate to advanced piano arrangements with no lyrics). Size 9x12 inches. 232 pages. Published by Hal Leonard.

Arranged by Bish Diane. Gentry Publications. Size 9.3x12 inches. 80 pages. Published by Gentry Publications.

Organ

SKU: BR.EB-32105

Composed by Ulrich Rasche. Solo instruments; stapled. Edition Breitkopf. Sonata; Music post-1945; New music (post-2000). Score. Composed 2011. 44 pages. Breitkopf and Haertel #EB 32105. Published by Breitkopf and Haertel (BR.EB-32105).

ISBN 9790004186732. 9 x 12 inches.

Ulrich Rasches erste Orgelsonate entstand im Mai und Juni des Jahres 2011. Es ist ein Zufall, dass die acht Buchstaben des Namens ,,Schadach vollstandig in Noten umsetzbar sind. Diese Tonfolge beherrscht alle drei Satze der Sonate: Das Prelude, als erster Satz, ist formal in Sonatenhauptsatzform gestaltet. Das Achttonmotiv leitet den Satz quasi leitmotivisch ein. Ein toccatenhafter Ubergang fuhrt zum zweiten Thema, das als Ruhepol bitonal daherkommt. Immer wieder wird die Toccata-Uberleitung eingeschoben und entwickelt sich beinahe zu einem dritten Thema, das den Satz virtuos abschliesst. Die Canzone ist ein ruhiger und entspannter Satz, der als Achttonmotiv in Form von funf Variationen verandert wird. Dem Satz wohnt eine durchaus schmerzliche Gefuhlswelt (doloroso) inne, wird dann jedoch lyrischer und endet in spharischer Verklarung. Dieser Satz erfahrt vielfaltige Stimmungen, die vom Organisten sehr farbenreich registriert werden sollten. Die abschliessende Toccata ist hochvirtuos und von feurigem Charakter. Ein sehr leidenschaftlicher Mittelteil gipfelt in einen hochdramatischen Exkurs. Es folgt erneut der erste Teil, der in eine Stretta-Coda mundet, und den Satz fulminant beschliesst.

(E-Z Play Today Volume 166). Composed by Ludwig van Beethoven (1770-1827). For Organ, Piano/Keyboard, Electronic Keyboard. E-Z Play Today. Softcover. 48 pages. Published by Hal Leonard

50 Favorites by 26 Composers. Arranged by Joseph Harris. Creative Concepts Publishing. Guitar tablature. 168 pages. Published by Creative Concepts.

Tenor Saxophone & Piano (Organ) or CD Play Back / Play Along - Grade 4

SKU: MA.EMR-57313

Composed by Antonio Vivaldi. Arranged by John G. Mortimer. Score and parts. Duration 9'35. Editions Marc Reift #EMR 57313. Published by Editions Marc Reift (MA.EMR-57313).

E Minor.

Organ

SKU: UT.HS-335

Edited by Iain Quinn. Classical. Score. Ut Orpheus #HS 335. Published by Ut Orpheus (UT.HS-335).

ISBN 9790215328532. 9 x 12 inches.

Walte r Battison Haynes (1859-1900): Sonata in D minor
Hugh Blair (1864-1932): Short Sonata in G major

The organ sonatas of Walter Battison Haynes and Hugh Blair demonstrate a notable peak in the development of the English organ sonata as a work that is musically cohesive. As discussed in The Genesis and Development of an English Organ Sonata (2017), the portfolio approach towards compositions under one title, a sonata, that included sometimes significantly contrasting movements of varying technical difficulty was common during the second half of the nineteenth century not least as a published example of the compositional skill of composers. Whereas these two sonatas join the tradition of works that could be convincingly played on both medium and large instruments and allow for creativity in registration they are also cohesive pieces that could serve in a concert programme. These works join the legacy of English organ sonatas that had an important pedagogical role jointly inherited from Mendelssohn’s very practical and popular approach to the instrument and the continued European legacy of the lesson-sonata tradition whereby in learning a piece you also learned the instrument and vice versa. They are both idiomatically written and musically rewarding pieces that are imbued with the undeniably English harmonic language of the era that was to remain popular for several decades to come.

Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, Hn1, Hn2 , Hn3(chrom.), Hn4(chrom.), 3Trp, 3trombone, timpani, Tr-Gr, Tri, Be, Org, piano-4ms, 2 Violin, Viola, Cello, Double Bass) - Level 5

SKU: BA.BA10303-01

Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: Edition of selected works, Urtext edition. Linen. Saint-Saens, Camille. Oevres instrumentales completes I/3. Edition of selected works, Score. Opus 78. Duration 39 minutes. Baerenreiter Verlag #BA10303_01. Published by Baerenreiter Verlag (BA.BA10303-01).

ISBN 9790006559503. 33 x 26 cm inches. Key: C minor. Preface: Michael Stegemann.

The third symphony by Camille Saint-Saens, known as the Organ Symphony, is the first publication in a complete historical-critical edition of the French composer's instrumental works.

I gave everything I was able to give in this work. [...] What I have done here I will never be able to do again.Camille Saint-Saens was rightly proud of his third Symphony in C minor Op.78, dedicated to the memory of Franz Liszt. Called theOrgan Symphonybecause of its novel scoring, the work was a commission from the Philharmonic Society in London, as was Beethoven's Ninth, and was premiered there on 19 May 1886. The first performance in Paris followed on 9 January 1887 and confirmed the composer's reputation asprobably the most significant, and certainly the most independent French symphonistof his time, as Ludwig Finscher wrote in MGG. In fact the work remains the only one in the history of that genre in France to the present day, composed a good half century after the Symphonie fantastique by Hector Berlioz and a good half century before Olivier Messiaen's Turangalila Symphonie.

You would think that such a famous, much-performed and much recorded opus could not hold any more secrets, but far from it: in the first historical-critical edition of the Symphony, numerous inconsistencies and mistakes in the Durand edition in general use until now, have been uncovered and corrected. An examination and evaluation of the sources ranged from two early sketches, now preserved in Paris and Washington (in which the Symphony was still in B minor!) via the autograph manuscript and a set of proofs corrected by Saint-Saens himself, to the first and subsequent editions of the full score and parts. The versions for piano duet (by Leon Roques) and for two pianos (by the composer himself) were also consulted. Further crucial information was finally found in his extensive correspondence, encompassing thousands of previously unpublished letters. The discoveries made in producing this edition include the fact that at its London premiere, the Symphony probably looked quite different from its present appearance ...

No less exciting than the work itself is the history of its composition and reception, which are described in an extensive foreword. With his Symphony, Saint-Saens entered right into the dispute which divided French musical life into pro and contra Wagner in the 1880s and 1890s. At the same time, the work succeeded in preserving the balance between tradition and modernism in masterly fashion, as a contemporary critic stated:The C minor Symphony by Saint-Saens creates a bridge from the past into the future, from immortal richness to progress, from ideas to their implementation.

On 19 March 1886 Saint-Saens wrote to the London Philharmonic Society, which commissioned the work:

Work on the symphony is in full swing. But I warn you, it will be terrible. Here is the precise instrumentation: 3 flutes / 2 oboes / 1 cor anglais / 2 clarinets / 1 bass clarinet / 2 bassoons / 1 contrabassoon / 2 natural horns / [3 trumpets / Saint-Saens had forgotten these in his listing.] 2 chromatic horns / 3 trombones / 1 tuba / 3 timpani / organ / 1 piano duet and the strings, of course. Fortunately, there are no harps. Unfortunately it will be difficult. I am doing what I can to mitigate the difficulties.

As in my 4th Concerto [for piano] and my [1st] Violin Sonata [in D minor Op.75] at first glance there appear to be just two parts: the first Allegro and the Adagio, the Scherzo and the Finale, each attacca. This fiendish symphony has crept up by a semitone; it did not want to stay in B minor, and is now in C minor.

It would be a pleasure for me to conduct this symphony. Whether it would be a pleasure for others to hear it? That is the question. It is you who wanted it, I wash my hands of it. I will bring the orchestral parts carefully corrected with me, and if anyone wants to give me a nice rehearsal for the symphony after the full rehearsal, everything will be fine.

When Saint-Saens hit upon the idea of adding an organ and a piano to the usual orchestral scoring is not known. The idea of adding an organ part to a secular orchestral work intended for the concert hall was thoroughly novel - and not without controversy. On the other hand, Franz Liszt, whose music Saint-Saens' Symphony is so close to, had already demonstrated that the organ could easily be an orchestral instrument in his symphonic poem Hunnenschlacht (1856/57). There was also a model for the piano duet part which Saint-Saens knew and may possibly have used quite consciously as an exemplar: theFantaisie sur la Tempetefrom the lyrical monodrama Lelio, ou le retour a la Vie op. 14bis (1831) by Berlioz. The name of the organist at the premiere ist unknown, as, incidentally, was also the case with many of the later performances; the organ part is indeed not soloistic, but should be understood as part of the orchestral texture.

In fact the subsequent success of the symphony seems to have represented a kind of breakthrough for the composer, who was then over 50 years of age.My dear composer of a famous symphony, wrote Saint-Saens' friend and pupil Gabriel Faure:You will never be able to imagine what a pleasure I had last Sunday [at the second performance on 16 January 1887]! And I had the score and did not miss a single note of this Symphony, which will endure much longer than we two, even if we were to join together our two lifespans!

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Organ. Arranged by Bish Diane. Gentry Publications. Size 9.3x12 inches. Published by Gentry Publications.

Edited by Iain Quinn. Saddle stitching. Classical. Ut Orpheus #HS 300. Published by Ut Orpheus

By Josef Gabriel Rheinberger. For Organ. Masterworks; Organ Solo; Solo. Kalmus Edition. Form: Sonata. Masterwork; Romantic. Sheet. 28 pages

Edited by Iain Quinn. Saddle stitching. Classical. Ut Orpheus #HS 299. Published by Ut Orpheus

F Horn & Piano (Organ) or CD Play Back / Play Along - Grade 4

SKU: MA.EMR-57316

Composed by Antonio Vivaldi. Arranged by John G. Mortimer. Score and parts. Duration 9'35. Editions Marc Reift #EMR 57316. Published by Editions Marc Reift (MA.EMR-57316).

E Minor.

Trombone & Piano (Organ) or CD Play Back / Play Along - Grade 4

SKU: MA.EMR-57317

Composed by Antonio Vivaldi. Arranged by John G. Mortimer. Score and parts. Duration 9'35. Editions Marc Reift #EMR 57317. Published by Editions Marc Reift (MA.EMR-57317).

E Minor.

Euphonium & Piano (Organ) or CD Play Back / Play Along - Grade 4

SKU: MA.EMR-57318

Composed by Antonio Vivaldi. Arranged by John G. Mortimer. Score and parts. Duration 9'35. Editions Marc Reift #EMR 57318. Published by Editions Marc Reift (MA.EMR-57318).

E Minor.

Flute & Piano (Organ) or CD Play Back / Play Along - Grade 4

SKU: MA.EMR-57308

Composed by Antonio Vivaldi. Arranged by John G. Mortimer. Score and parts. Duration 9'35. Editions Marc Reift #EMR 57308. Published by Editions Marc Reift (MA.EMR-57308).

E Minor.

Tuba & Piano (Organ) or CD Play Back / Play Along - Grade 4

SKU: MA.EMR-57322

Composed by Antonio Vivaldi. Arranged by John G. Mortimer. Score and parts. Duration 9'35. Editions Marc Reift #EMR 57322. Published by Editions Marc Reift (MA.EMR-57322).

E Minor.

Viola & Piano (Organ) or CD Play Back / Play Along - Grade 4

SKU: MA.EMR-57324

Composed by Antonio Vivaldi. Arranged by John G. Mortimer. Score and parts. Duration 9'35. Editions Marc Reift #EMR 57324. Published by Editions Marc Reift (MA.EMR-57324).

E Minor.