Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans music text faithful to the sources and reflecting the current status of Bach research developed for musical practice through the cooperation of scholars and performers contains all of Bach's keyboard works that require an independent pedal manual contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty features comprehensive introductions, extensive source descriptions and text-critical notes features supplementary material illustrated synoptically on CD-ROM (in printable quality) brochure, in large format (32 x 25 cm) and compact music engraving, clear, easy to read, with convenient page turns 'The Breitkopf edition is obviously preferable if you're buying new copies. The series so far has been most impressive.' (Clifford Bartlett, Early Music Review) Subscription Conditions A subscription is only possible for the complete collection. The subscription price of the volumes is 20% lower than the final sales price. A subscription can begin at any time. The subscription obliges the subscriber to purchase the entire collection. The New Edition of Bach's Complete Organ Works With repertoire works, musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the organ works of Johann Sebastian Bach, which are available today in various editions. Among them is that of Heinz Lohmann, which Breitkopf and Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status, historically informed, edited with performers in mind: More than 40 years later, the demands made on a new Urtext edition of Bach's organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources, aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study, teaching and concert performance are, in addition to the above-mentioned demands, such external criteria as format, paper, convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition, beginning in 2010, also contains all keyboard works with pedal and the 'dubious works' that are hardly dubious anymore The edition of Johann Sebastian Bach's organ works which Breitkopf and Härtel is beginning to publish in fall 2010 wants to do justice to these demands. Next to the core contents of the repertoire, it will also feature all of the master's 'clavier' works which require an independent pedal. Moreover, it will include all authentic early versions as well as the fragmentarily transmitted works. As to the dubious works, it will contain those which can be attributed to Bach today with considerable certainty. It offers incerta, early, and alternative versions on CD-ROM In this work group, the new edition uses for the first time the modern forms of editorial technique with which the synoptical depiction of various versions is made possible on CD-ROM. Thanks to the collaboration with the EDIROM project, which is a leader in the field of digital scientific editorial technique, the edition offers new types of solutions. Incerta, early, and alternative versions that cannot be included in the printed volumes for reasons of size or problems of authenticity, are published on CD-ROM, supplied with comments, and depicted synoptically. Thus, after comparing the versions, the player can decide upon a different version than the one printed in the volume, and can make a high-quality print-out of it. The texts and comments customary to the 'Breitkopf Urtext' editions comprehensive introductions, extensive source descriptions and text-critical observations can be found in the printed version of the volumes. Edited by a competent team: With Werner Breig (Erlangen), Pieter Dirksen (Culemborg/Netherlands) and Reinmar Emans (Bochum), a.o. we have brought together a team that guarantees the highest expertise in various domains. Further Bach experts such as Sven Hiemke (Hamburg), David Schulenberg (Boston) and Jean-Claude Zehnder (Basel) were also enlisted for the edition of single volumes. Werner Breig (* 1932) studied Evangelical church music in Berlin as well as musicology in Erlangen and Hamburg. He obtained his doctorate in 1962 and completed his habilitation (postdoctoral lecturing qualification) in 1973. He then devoted himself to musicology at the Universities of Freiburg i. Br, Karlsruhe, Wuppertal and Bochum. Since his retirement in 1997 he has been living in Erlangen. Between 1997 and 2007 Breig was appointed General Editor of the complete edition of Richard Wagners letters. He is the author of many publications and editions, particularly of early clavier and organ music by Heinrich Schütz and Johann Sebastian Bach, but also of Richard Wagner and Arnold Schoenberg. Furthermore he is the author of the Bach article in the dictionary Die Musik in Geschichte und Gegenwart (MGG, 2nd edition). Pieter Dirksen (* 1961) studied organ, harpsichord and musicology. His 1996 doctoral thesis on Sweelinck's keyboard music was awarded the Praemium Erasmianum. Dirksen has since published many studies on, and editions of, several masters of the 17th century (Sweelinck, Bull, Cornet, Scheidt, Scheidemann, Buxtehude, Luebeck, Johann Christoph Bach) as well as Johann Sebastian Bach. In collaboration with Harald Vogel, he edited Sweelinck's Complete Works for Keyboard Instrument (4 volumes, Breitkopf and Härtel). Dirksen is a member of the academic board of the Bach-Jahrbuch as well as a sought-after harpsichordist, organist and continuo player in international ensembles. Dirksen issued a number of much-acclaimed solo recordings (Sweelinck, Scheidemann, Boehm, Louis Couperin, Bach-Vivaldi, Bachs Art of Fugue and Goldberg Variations). Edison Winner 2003. Reinmar Emans (* 1953) studied musicology in Bonn and wrote his doctoral thesis on the cantatas and canzonettas of Giovanni Legrenzi in 1982. From 1983 to 2008 he was an academic staff member of the Johann-Sebastian-Bach-Institut Göttingen, and temporarily deputy of the managing director. He has taught in Bochum, Marburg, Detmold, Cologne and Hamburg, and has been a freelance contributor to various music periodicals. In 2000 he was responsible for the conception and direction of the Thuringian state exhibition 'Der junge Bach: Weil er nicht aufzuhalten' in Erfurt. He has conducted research and produced publications on opera and the cantata in 17th-century Italy, on stylistic development in the music of Johann Sebastian Bach, and on editorial philology./ Répertoire / Orgue

Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano

Du ragtime, blues sauvage fumé, l'Not Just Another série Jazz Book a tout. Les arrangements soigneusement classés sont parfaits pour des concerts, des fêtes et des récitals, ou ils peuvent être utilisés simplement pour le plaisir. Les livres sont vraiment uniques car ils contiennent accompagnant CD qui disposent des parties de basse et de batterie pour créer le sentiment de jouer dans un trio de jazz. Pianistes pouvez jouer avec les CD à la fois pratique et tempos de performance. Livre 1 dispose sélections au niveau intermédiaire au début. / Piano

Featuring 16 classic James Bond theme songs, this edition of Really Easy Piano covers over 50 years of timeless and iconic cinema songs. Arranged for Easy Piano, with background notes, playing hints and tips, this is the best Bond songbook for beginners.From Shirley Bassey's powerful Goldfinger to Sam Smith's modern-classic Writing's On The Wall for 2015's 'Spectre', Really Easy Piano features a selection of the best Bond hits in simplified arrangements.Each of the 16 songs has lyrics, fingering guidance, performance hints as well as fascinating background notes, making this a useful James Bond sheet music collection for beginners and young players.Other songs include the classic themes from Live And Let Die, The World Is Not Enough, Diamonds Are Forever, as well as Nobody Does It Better, Adele's brilliant Skyfall and the instantly-recognisable James Bond Theme.Really Easy Piano James Bond lets beginner pianists learn to play some of the greatest film themes ever composed. / Piano

for Cello and Piano. Par WILLIAMS JOHN. Performance time - ca. 4:00 John Williams ' Theme from Schindler's List for Cello and Piano. Performance time - ca. 4:00./ Recueil / Violoncelle et Piano

Votre musique préférée feuille vient à la vie avec les novateurs Piano Play-Along! Avec ces collections de livres / CD, joueurs de piano et le clavier peut pratiquer et de jouer avec qualité professionnelle accompagnements. Repas avec de la crème de chansons-la campagne agricole, les livres fonction de nouvelles gravures, avec un personnel distinct vocal, guitare, plus les cadres, afin que les joueurs et leurs amis peuvent chanter ou gratter le long. Le CD comprendra deux pistes pour chaque morceau: une performance pleine d'écoute, et une piste d'accompagnement distinct qui permet aux joueurs de prendre la tête sur le clavier. La haute qualité, accompagnements sonores semblables correspondre exactement à la musique imprimée. / Piano/Vocal/Guitare (PVG) / 48 pages / Partition

Par JOEL BILLY. This songbook features 16 of your favorite Billy Joel songs arranged at an easy level with background notes and performance tips to help you learn each piece. Lyrics are also included for full playing enjoyment! / Niveau : Facile / Date parution : 2022-07-20/ Recueil / Piano

Les mots et les cordes pour vingt-quatre de Stereophonics meilleures chansons et grands succès. Vous pouvez maintenant chanter et jouer tous vos favoris Stereophonics à la guitare en aucun temps... avec une poignée de cordes simples et faciles pour chaque chanson ! Toutes les chansons de Performance et de Cocktails plus d'une sélection du mot obtient entier. Paroles complètes, boîtes de corde et guide de jeu. / Chant Et Guitare / 56 pages / Partition

French Folk Tunes for Accordion is a collection of arrangements for solo accordion, of traditional tunes including a range of styles such as Polkas, Waltzes, Bourrées and more. Experienced accordionist Murray Grainger provides notes on all of the styles, as well as general advice on interpretation and performance. The volume is accompanied by a CD with a recording of all tunes performed by Murray. German and French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for players of grades 3-8. / Accordéon

A book of 15 fun and easy piano duets, supplementing the other books in Level 1 of this definitive beginner method by leading piano educator H-G Heumann. This illustrated duet book is ideal for getting pupils together to learn the valuable skill of ensemble playing. Visit www.piano-junior.com to find out more.What is Piano Junior?Piano Junior is a superb piano course for beginners. It's creative, it's interactive, it's colourful, it has its own website with additional online material - and most importantly, it really works! Its characters, PJ the friendly robot and his sidekick Mozart the dog, motivate and encourage children throughout each level. The course is available as core Lesson Books, along with supplementary Theory, Duet and Performance Books at each stage.Who is Piano Junior for?Suitable for children from around the age of 6, Piano Junior takes young students on their first steps and prepares them with a solid foundation for early grades.A method for the digital ageTeachers, parents and students can visit www.piano-junior.com for demonstration videos and recordings, along with a host of other free downloadable resources which really bring practice sessions at home to life! / Piano Duet

All of the ultimate secret agent's greatest theme tunes, arranged for intermediate Flute. Includes the themes and songs from 20 Bond films, as well as the classic 'James Bond Theme'. The pieces may either be performed as solos with the CD of recorded accompaniments, or as an ensemble with the other members of this set. / Niveau : Intermédiaire / Rép International / Recueil / Flûte Traversière