Par SCHAARS PETER KLEINE. Né dans les années 1960, le funk est un style musical très rythmé. Le chanteur américain James Brown et un groupe de la Nouvelle-Orléans, The Meters, sont considérés comme les fondateurs de ce genre. Le funk se caractérise par une ligne de basse indépendante qui souligne le premier temps de la mesure, ainsi que par une combinaison rythmique de mélodies syncopées et d’accompagnements chargés d’adjonctions harmoniques. Adoptant pleinement ce style, la composition de Peter Kleine Shaars est l’heureuse fusion des ingrédients harmoniques, mais aussi des difficultés de la musique funk. D'une part, les cellules rythmiques 9, 10, 14, 15 et 16 font de New Orleans Funk un exercice pédagogique : d’autre part, cette pièce apportera une belle ambiance funky à vos répétitions et vos concerts !/ Répertoire / Concert Band/Harmonie/Fanfare

Teach yourself how to play Guitar with these easy funk and R&B lessons for beginners.The Progressive Funk And R&B Guitar Method covers the important techniques required to learn to play Guitar in thefunk and R&B style including hammer-ons pull-offs slides bends slight bends release bends vibrato staccato muting and trail-offs.This book includes 149 funk and R&B Guitar exercises with easy to read musicfeaturing chords and tab.In full colour throughout with photos and diagrams the Progressive Funk And R&B Guitar Method also comes with a CD containing audio demonstrating all examples.Basicknowledge of how to read music and play the Guitar is recommended to teach yourself using this book which is suitable for all ages and all types of Guitar.

Eb Instruments. Par WENIGER PETER. This CD (including music booklet) has not especially been worked out for the use in musical education. It is, on the contrary, an audio CD which has been recorded for sale as a trio CD under my name. Mixing the recordings at the studio, however, gave us the idea to offer this CD Legal Paradizer also as a play along CD. For this reason I have never taken a pedagogic approach to the musical conception of the pieces performed, which, in my opinion, is exactly what makes these recordings so unique. The structure of none of the pieces is, for instance, as simple as that of the tunes on some other play along CDs. Therefore, I have taken the liberty of adding a short explanationand/or comment on every piece meant to make it easier for you to follow the road map of the tunes. Additionally I have explained some stylistic features to help you interprete the individual pieces. Working with my students has shown me how much fun it can be to also offer groove and funk oriented music on a CD to play along. In most of the pieces you do not necessarily have to follow the changes; you should rather develop simple ideas in time. A real strong emphasis is here placed on the term groove./ Recueil / Instruments Mélodiques In Sib ou Saxophone Alto ou

Premier tambour livre de Rick Latham Advanced Studies de Funk, est l'un des livres définitifs pour le batteur contemporain. Maintenant à nouveau disponible, dans une nouvelle édition qui inclut un coffret de deux CD, cette norme dans le domaine est une compilation de toutes les techniques de tambours utilisé dans la musique de la Fusion et de Funk. Le livre comprend des transcriptions par l'auteur des extraits de nombreux enregistrements célèbres par batteurs comme Steve Gladd, David Garibaldi, Harvey Mason, Peter Erskine et beaucoup d'autres, ainsi que spécialement construit solos par l'auteur. L'ensemble de deux CD contient des enregistrements de tous les patrons - transcriptions et les solos effectuée par l'auteur, Rick Latham. Il s'agit d'un livre qui appartient à la bibliothèque de chaque batteur contemporaine. / Percussions

Wie bereits in seiner Jazz-Partita über Lobe den Herren (Schott, ED 21913) kombiniert Peter Wittrich auch in dieser Komposition wieder Jazz-Elemente mit traditioneller Orgelschreibweise. Nun danket all ist mit seinem gemäßigten Schwierigkeitsgrad gleichermaßen für das Konzert und für den liturgischen Einsatz geeignet. Das Rock-Prélude und die Toccata in ?Funk', als erster und letzter Satz, sind typische Eingangs- bzw. Auszugssätze, mit denen ein feierlicher Rahmen gesetzt werden kann. Kontrastierend und eher meditativ in ihrer Grundstimmung verhalten sich der 2. Satz mit typischem Walking-Bass und Blues-Elementen sowie der 4. Satz, im typischen Groove des Jazz-Waltz auf einem Orgelpunkt über g. / Orgue

Par PICKOW PETER. Une méthode complète pour apprendre les styles rock, country blues, jazz, funk, new wave et rockabilly. Des informations sur l'accordage, la tenue de l'instrument, les techniques de main gauche et main droite, la lecture musicale en notation standard et tablature, les relations tonique/quinte, les fills, les étouffements, les accords, les gammes... / Méthode en français / Méthode / Guitare Basse

Complete Instruction from Beginner to Advanced-This complete edition of the bestselling classic method by Peter Magadini includes all of Books 1 and 2 as well as access to online audio and video tracks for download or streaming.This book starts the beginning Drummer on the entire Drumset. Some of the topics covered include: Four and five piece Drum setups; Illustrations of grips and how to use the sticks; Staff time values double strokes and counting; Many patterns such as '50s rock Motown blues disco beat funk urban beat jazz swing shuffle Nashville and more; How to play a Drum fill a double stroke roll the closed roll and the buzz roll.As the player advances they'll alsolearn: Playing time; Developing beats with the open and closed hi-hat; Bass Drum control and independence; Fusion Afro-Cuban and Brazilian rhythms; Basic brush technique; Basic polyrhythms; Reading and Drum chart “choreography”.The price of this book includes access to audio and video files online. The files are accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+ a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right.

This method is designed for both the bassists and drummers and its purpose is to help them play together in almost all major musical styles: Rock Blues Funk Rhythm and Blues Disco/Dance Reggae Latin music etc... The many grooves presented here even if they can be practised alone are intended to be played in a band or at least by a bass/drum duo either on stage or in a studio or simply among friends. Each example displays the bass line along with its tab and the drum score just below allowing to situate each instrument in relation to the other. In this way the grooves can easily be read and analysed from both perspectives. For each style you will begin practisingone bar then two bar patterns... before tackling longer and more complex grooves. To put this into application all you will have to do is use your own chord changes or those you like as well as play the patterns you find interesting over these chords. On the CD the bass examples are played on the left channel and the drums examples on the right channel. With a centred sound balance you will be able to hear both instruments! This method is designed for both the bassists and drummers and its purpose is to help them play together in almost all major musical styles: Rock Blues Funk Rhythm and Blues Disco/Dance Reggae Latin music etc... The many grooves presented here even if they can be practised alone are intended to be played in a band or at least by a bass/drum duo either on stage or in a studio or simply among friends.Each example displays the bass line along with its tab and the drum score just below allowing to situate each instrument in relation to the other. In this way the grooves can easily be read and analysed from both perspectives. For each style you will beginpractising one bar then two bar patterns... before tackling longer and more complex grooves. To put this into application all you will have to do is use your own chord changes or those you like as well as play the patterns you find interesting over these chords.On the CD the bass examples are played on the left channel and the drums examples on the right channel. With a centred sound balance you will be able to hear both instruments!

Par O\'MARA PETER / SCALES PATRICK. Langue: English(UK)/Deutsch/Français/Nederlands / Méthode / Méthode / Guitare Basse