'Mozart is sunshine ' remarked Anton n Dvorák and most listeners would agree. This new compilation unites six of Mozart's most familiar inventive and melodious sonatas all displaying the balance of design lyricism and drama for which the composer is well known. Contents include: Sonata No. 8 in A minor (K310); Sonata No. 10 in C major (K330); Sonata No. 11 in A major (K331); Sonata No. 12 in F major (K332); Sonata No. 14 in C minor (K457); Sonata No. 16 in C major (K545). Authoritative editions.Dover Original.

The Library Of Classical Music is a wonderfully vast collection of the greatest pieces of music from the Classical period. Featuring a diverse range of compositions from the innovators and masters, each work is arranged for solo Piano in a conveniently spiral-bound volume.Among the many composers whose work is included are C.P.E. Bach, J.C. Bach, Beethoven, Clementi, Czerny, Gluck, Haydn, Hummel, Mozart and Weber. The sheer amount of incredible music featured within The Library Of Classical Music makes this an essential book to have on your bookshelf or music stand. The joy of playing this music will be in learning your favourite pieces or discovering new ones by unfamiliar names. The Classical period saw a broad reaction against the layered complexities of Baroque music and led to a simpler relationship between melody and harmony. It reflected the mid-18th century's wider enthusiasm for reviving the clean, well-ordered structures of Greek classicism across the arts. The orchestra expanded in size, woodwind became a self-contained section and the Harpsichord was increasingly displaced by the recently invented fortepiano. Instrumental music dominated, notably symphony and string quartet, with examples of both strands represented here in beautiful and accurate Piano arrangements that are perfect for seasoned players of Classical music, or those new to the period.The Library Of Classical Music sheet music songbook covers the rich musical period that followed Baroque and preceded Romantic. The Classical era saw some of Europe's greatest composers exploring new musical possibilities, spanning some 70 years starting in the mid-18th century. The spirit of Classicism would last until the new preoccupations of Romanticism defined the next major period of Western music. All of this makes The Library Of Classical Music a brilliant collection of Piano sheet music that works as well as an introduction to the period as it does as a comprehensive anthology of the greatest works of that era. / Piano

Some of the most beautiful and diverse pieces by some of the finest composers in recent history are included in this enormous Library Of Modern Piano Music. Such a comprehensive collection of brilliant works for solo Piano belies the rich quality and sheer amount of music being composed that just begs to be learned. Over 100 fantastic pieces are guaranteed to keep you learning from this truly classic selection until the next century!The Library Of Modern Piano Music boasts an unprecedented volume and variety of amazing compositions, some well-known, some more unfamiliar, some composed as standalone pieces and others as film scores, but the one thing uniting them all is their impeccable musicality and how enjoyable they are to play. Featuring the biggest names in contemporary classical music, composers like Einaudi lend their wonderful compositions (Primavera, Una Mattina), and all-round geniuses like Philip Glass are represented with a generous selection of their finest work (Metamorphosis Five, Opening Piece From Glassworks and more).The varied progression of Piano music through the 20th century to the present day has given rise to an exceptionally vast and diverse repertoire. The unbelievable depth of the composers included here means you'll rarely be stuck for something to play. Kaija Saariaho, Stravinsky, Francis Poulenc, Dustin O'Halloran, Nico Muhly and Witold Lutoslawski are genuinely just a fraction of the composers featured in The Library Of Modern Piano Music. Some great standalone compositions like Samuel Barber's incomparable Adagio For Strings sit aside excerpts from longer works like a portion of Edward Gregson's An Album For My Friends or Joby Talbot's Once Around The Sun.If you happen to be a fan of film and television scores, a taste of Michael Nyman's distinguished score for The Piano is included, a section from Crouching Tiger, Hidden Dragon, as well as parts of Richard Rodney Bennett's score for the now rarely-seen but superb 1980s miniseries of Tender Is The Night. Many established composers are included in this collection who are widely-recognised as masters. However, The Library Of Modern Piano Music also includes many young virtuosos who have not yet achieved that status but are certainly well on their way.These original compositions span standalone pieces, albums, suites and arrangements from diverse talents, making The Library Of Modern Piano Music a collection that is certain to be seen by future generations as a perfect collection of the best of contemporary classical music. / Piano

Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

111 short and very easy original classical piano pieces Piano Piccolo has been designed as a beginner's introduction to the successful collection Für Elise (ED 20044) in the Pianissimo series. This collection of 111 very easy original classical piano pieces includes popular repertoire pieces as well as many rarer finds that are not widely known. Works by over sixty composers from the Baroque, Classical, Romantic and Modern eras here offer a rich treasure trove for and are a valuable addition to imaginative and varied tuition for beginners. Piano Piccolo offers excellent opportunities for introducing beginners, returning students and amateur musicians to classical music with pieces suitable for auditions at music schools and playing to family and friends. Piano Piccolo has been designed as a beginner's introduction to the successful collection Für Elise (ED 20044) in the Pianissimo series. This collection of 111 very easy original classical piano pieces includes popular repertoire pieces as well as many rarer finds that are not widely known. Works by over sixty composers from the Baroque, Classical, Romantic and Modern eras here offer a rich treasure trove for and are a valuable addition to imaginative and varied tuition for beginners. Piano Piccolo offers excellent opportunities for introducing beginners, returning students and amateur musicians to classical music with pieces suitable for auditions at music schools and playing to family and friends. Contenu - M. Praetorius: Old German Dance C major- J. Krieger: Minuet A minor - J. Krieger: Bourrée A minor - H. Purcell: Air D minor - G. Böhm: Minuet G major - C. Graupner: Bourrée E minor GWV 827 - J.S. Bach: Aria D minor BWV 515 - G.F. Händel: Minuet G major - G.F. Händel: Passepied C major HWV 559 - Anon.: Minuet F major No. 2 - Anon.: Minuet F major No. 6 - L. Mozart: Minuet D minor - J. Haydn: German Dance D major Hob.IX:22/2 - J. Haydn: German Dance G major Hob.IX:22/3 - W. Duncombe: Minuet C major - W. Duncombe: Gavot C major - S. Arnold: Gavot C major S. Arnold: Giga C major - J. Hook: Minuet D major - J. Hook: Gavotta D major - J.W. Häßler: Poco Allegro, op. 38/3 - J.W. Häßler: Tempo di Minuetto, op. 38/4 - J.W. Häßler: Moderato, op. 38/12 - D.G. Türk: Carefree Jack - D.G. Türk: Lullaby - D.G. Türk: I feel so sick and faint - D.G. Türk: Arioso - J.G. Witthauer: Dance C major - J.G. Witthauer: Allegretto F major - J.G. Witthauer: Gavotte A minor - M. Clementi: Arietta C major, op. 42/5 - A. Reinagle: Allegro, op. 1/4 - A. Reinagle: Allegretto, op. 1/5 - A. Reinagle: Allegretto, op. 1/9 - A. Reinagle: Allegretto op. 1/11 - W.A. Mozart: Allegro KV 1b - W.A. Mozart: Allegro DV 1c - N.-J. Hüllmandel: Minuetto, op. 5/1 - N.-J. Hüllmandel: Allegro, op. 5/5 - C.H. Wilton: Little Sonata C major - J.J. Ryba: Two Little Inventions No. 1 C major, No. 2 A minor - D.G. Steibelt: Adagio A minor - A.E. Müller: Andantino, Handstück No. 5 - A.E. Müller: Andante, Handstück No. 9 - L.v. Beethoven: German Dance WoO 8/1 - L.v. Beethoven: Russian Folk Song, op. 107/3 - A. Diabelli: Allegretto, op. 125/3 - A. Diabelli: Vivace, op. 125/7 - C.M.v. Weber: Allemande, op. 4/2 - M. Szymanowska: Mazurka - C. Czerny: Allegro, op. 777/3 - C. Czerny: Allegretto, op. 823/7 - C.T. Brunner: Andante, op. 487/38 - C.T. Brunner: Andantino, op. 487/41 - H. Wohlfahrt: Moderato A minor - F. Schubert: Ländler B-flat major D 378/2 - R. Schumann: Little Piece, op. 68/5 - F.de Couppey: Melody No. 14 - F. de Couppey: Arabian Air - F. Spindler: Song without Words - L. Kühler: Piano Piece, op. 190/27 - L. Köhler: Piano Piece, op. 190/30 - L. Köhler: Piano Piece, op. 190/31 - C. Gurlitt: Going to School, op. 117/14 - C. Gurlitt: Consolation, op. 179/12 - C. Gurlitt: Waltz, op. 179/17 - C. Gurlitt: Gavotte, op. 210/9 - I. Bartalus: Two Hungarian Melodies No. 1 and No. 2 - H. Henkel: Piano Piece No. 13 - C. Reinecke: Scherzino, op. 136/1 - C. Reinecke: Elegy E minor op. 183/2 - E. Breslaur: Cuckoo, op. 46/21 - E. Breslaur: Waltz, op. 46/25 - O. Bolck: Sonatine C major op. 30/4, 1st movement - F. Scotson Clark: Tarantella - M.W. Vogel: Brave Knight - M.W. Vogel: Waltz - R. Fuchs: Proud Horseman, op. 47/2 - R. Fuchs: Sad at Heart, op. 47/5 - A. Sartorio: On Tip-Toe, op. 783/8 - A. Gretchaninoff: Farewell, op. 98/4 - A. Gretchaninoff: Elephant's Dance - E. Satie: Menus propos enfantins No. 2 - E. Satie: Enfantillages pittoresques No. 2- E. Satie: Peccadilles importunes No. 3 - C. Scott: Teddy-bear's Headache - I. Strawinsky: Andantino - G.F. Humbert: The Chocolate Automat - G.F. Humbert: Tarantella - G.F. Humbert: The Music Box - G.F. Humbert: Sad Song - G.F. Humbert: Walzer - P. Hindemith: Song - C. Orff: Two Pieces from the Piano Exercises No. 1 and No. 2 - D. Kabalevsky: Dance, op. 39/9 - D. Kabalevsky: Waltz, op. 39/13 - D. Shostakovich: March, op. 69/1 - D. Shostakovich: Waltz, op. 69/2 - H. Badings: Sarabande - H. Badings: Country Dance - G. Kretschmer: Little Waltz - G. Kretschmer: Little Minuet - G. Kretschmer: Little Prelude - B. Heller: The Melody in the Box - B. Heller: Waves - H.-G. Heumann: PreludeC major - H.-G. Heumann: Mazurka D minor - H.-G. Heumann: Minuet G major

Another wonderful collection of Keyboard music from the significant periods and composers all in easy arrangements. In all there are twenty-one pieces from Purcell and Telemann to Stanford and Goedicke each has been carefully edited for the ABRSM by Howard Ferguson. J S Bach's Bourrée is an alternative for ABRSM Piano Grade 3 2017-2018

Par . This unique collection contains 21 pieces from the ATCL repertoire list for Music Performance Diplomas in Piano from 2019. The most popular recital choices join lesser-known treasures, allowing performers to create diverse andcompelling programmes, whether preparing for a Trinity diploma or not. Detailed performance notes by Steven Osborne and John Paul Ekins offer valuable insights and suggestions for every piece. Showcasing repertoire spanning overfour centuries to the present day and in a wide range of genres, this is a rich compendium that all classical pianists will enjoy. 'This anthology has gathered a wonderful collection of works, familiar and unfamiliar, covering agreat range of style and emotion. Dive in!' ' Steven Osborne / Date parution : 2021-11-25/ Recueil / Piano

Tout comme les Huitième et Neuvième Sonates, la Dixième Sonate de Scriabine vit le jour à l'hiver 1912/13. Elle fut probablement achevée au plus tard en juin 1913. D'après les souvenirs de Leonid Sabanejev, Scriabine joua des extraits de la Sonate à ses amis au printemps 1913 et dit alors 'qu'il avait là réussi à simplifier les harmonies sans détruire la complexité psychologique de l'oeuvre'. Voici ce que l'on peut lire dans un compte rendu écrit juste après la première exécution de l'oeuvre à Moscou: 'La Dixième Sonate figure parmi les oeuvres les plus inspirées de Scriabine [...] Elle est pour ainsi dire taillée dans le granit: impossible de retrancher ni d'ajouter quoi que ce soit, tellement le tout est logique et rigoureux.'? / Piano Solo / Chanson En Séparée

Classical Favorites For Adult Beginners. Piano Fun - Classical Favorites for Adult Beginners is a collection of lead sheets and arrangements for the beginning pianist who has learned to read music and wants to play easy arrangements of familiar melodies. The price of this book includes access to beautifully orchestrated accompaniments for every song and a separate track for the lead sheet and realized arrangement. These accompaniments are available for download or streaming using the unique code printed inside the book. / Niveau : Débutant / Recueil / Piano

A Recital Anthology - Piano Solo. This unique collection contains 21 pieces from the ATCL repertoire list for Music Performance Diplomas in Piano from 2019. The most popular recital choices join lesser-known treasures, allowing performers to create diverse and compelling programmes, whether preparing for a Trinity diploma or not. Detailed performance notes by Steven Osborne and John Paul Ekins offer valuable insights and suggestions for every piece. Showcasing repertoire spanning over four centuries to the present day and in a wide range of genres, this is a rich compendium that all classical pianists will enjoy. ?This anthology has gathered a wonderful collection of works, familiar and unfamiliar, covering a great range of style and emotion. Dive in!? ? Steven Osborne

Compilations regroupant les plus grands titres d'un genre musical spécialement regravées en piano, voix et diagrammes d'accord guitare ou en piano solo en format A4 spiralé afin qu'il reste 'plat' sur le support du piano.Titres : Miserere mei, Deus [Allegri] - Sarabande [Arnold, Malcolm] - Aria from Goldberg Variations [Bach, J.S.] - Badinerie (from Orchestral Suite #2 in B Minor) [Bach, J.S.] - Prelude #11 in F Major (from The Well-Tempered Clavier) [Bach, J.S.] - Solfeggietto in C Minor [Bach, C.P.E.] - Symphony #7 - II. Allegretto [Beethoven] - Two Turtle Doves (from Partridge Pie) [Bennett, R.R.] - Prelude #6 (from Six Preludes) [Berkeley, Lennox] - Prelude from L'Arlésienne [Bizet] - Polovtsian Dances (from Prince Igor) [Borodin] - Wiegenlied (Lullaby) [Brahms] - Violin Concerto #1 - II. Adagio [Bruch] - Piano Concerto #1 - II. Larghetto (Romance) [Chopin] - Prelude in C Minor, Op.28 #20 [Chopin] - Waltz in A-flat Major, Op.69 #1 [Chopin] - Les Baricades Mistérieuses [Couperin] - The Little Shepherd (from Children's Corner) [Debussy] - Sarabande [Einaudi, Ludovico] - Snow Prelude #2 [Einaudi, Ludovico] - Nimrod (Var IX from 'Enigma' Variations) [Elgar] - Homenaje (Le Tombeau de Claude Debussy) [de Falla] - Agnus Dei (from Requiem in D Minor, Op.48) [Fauré] - Sicilienne, Op.78 [Fauré] - The North Pole (from Frozen Planet) [Fenton, George] - Prelude #1 (from Three Preludes For Piano) [Gershwin, George] - Metamorphosis Five [Glass, Philip] - Opening Piece from Glassworks [Glass, Philip] - Piano Concerto, Op.16 - I. Allegro Moderato (opening) [Grieg] - Hornpipe (Alla Danza) (from Water Music) [Handel] - Symphony #94 'The Surprise' - II. Andante [Haydn] - Consolation #5 [Liszt] - Paganini Variations (excerpts) [Lutoslawski, Witold] - Hebrides Overture ('Fingal's Cave') [Mendelssohn] - Overture to The Marriage of Figaro [Mozart] - Piano Concerto #21 in C Major - II. Andante [Mozart] - Promenade (From Pictures At An Exhibition) [Mussorgsky] - Big My Secret (from The Piano) [Nyman, Michael] - Jerusalem [Parry] - Sonata For Flute - 2nd Movement [Poulenc] - Mouvements Perpétuels - #1 [Poulenc] - Nessun Dorma (from Turandot) [Puccini] - Rondeau (from Abdelazer) [Purcell] - Piano Concerto #2 - II. Adagio Sostenuto [Rachmaninoff] - Rhapsody on a Theme of Paganini - Var XI and XVIII [Rachmaninoff] - Vocalise (No.14 from Fourteen Songs, Op.34) [Rachmaninoff] - Pavane (from Mother Goose) [Ravel] - Written On The Sky [Richter, Max] - The Elephant (from The Carnival Of The Animals) [Saint-Saëns] - Sonata in E Major, L.23 K.380 [Scarlatti, Domenico] - Unfinished' Symphony - I. Allegro Moderato [Schubert] - Sicilienne (from Album For The Young) [Schumann] - Prelude, Op.11 #15 [D-flat major] [Scriabin] - Romance in D-flat (No.9 from 10 Pieces for Piano, Op.24) [Sibelius] - The Firebird Suite - Finale [Stravinsky, Igor] - The Lamb [Tavener, John] - 1812 Overture [Tchaikovsky] - Dance of the Sugar Plum Fairy (from The Nutcracker Suite) [Tchaikovsky] - Dies Irae (from Requiem) [Verdi] - Autumn (1st movt) (from The Four Seasons) [Vivaldi] - Ride of the Valkyries [Wagner] - Vltava (The Moldau) (from Má Vlast) [Smetena] / Piano/Vocal/Guitare (PVG)

The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano