Cette élégante gaillarde de Pierre Attaignant (1494-1552) convient comme ouverture si vous recherchez une certaine originalité ou encore comme interlude pour faire le lien entre les différentes œuvres de votre programme. Fin connaisseur du répertoire de la Renaissance Manu Mellaerts a arrangé cette œuvre courte et gracieuse en respectant l?effectif original d?un orchestre de la Renaissance.

Galliarde by Pierre Attaignant (1494-1552) is an elegant opening item for those looking for something a little different. It can also be used as a filler or to link two works in a programme.Manu Mellaerts is an authority on the repertoire of this period and has arranged this short stylish piece while keeping the original renaissance spirit in mind.

Cette élégante gaillarde de Pierre Attaignant (1494-1552) convient comme ouverture si vous recherchez une certaine originalité ou encore comme interlude pour faire le lien entre les différentes œuvres de votre programme. Fin connaisseur du répertoire de la Renaissance Manu Mellaerts a arrangé cette œuvre courte et gracieuse en respectant l?effectif original d?un orchestre de la Renaissance.

Les pièces à trois voix mixtes sont proposées pour soprano, alto et basse, certaines d'entre elles peuvent être chantées par une voix de femme et deux voix d'homme. De même, la plupart des pièces à quatre voix mixtes (SATB) peuvent être exécutées par trois voix de femme et une voix d'homme. Contenu : 3 VOIX MIXTES: J'ay espéré (chanson de la Renaissance publiée par Pierre Attaingnant) - Hélas ! Que c'est ung grant remort (chanson de la Renaissance (publiée par Pierre Attaingnant) - 0 Felice nocchiero (Canzonette de Orazio Vecchi) - L'ultima volta ch'io (Canzonette de Orazio Vecchi - Lasso no é cor mio ( Villanella de Luca Marenzio) - Se il dolce sguardo (Villanella de Luca Marenzio) - Quando sperai (Canzonette de Claudio Monteverdi) - Son questi i crespi (Canzonette de Claudio Monteverdi) - Your shining eyes (Madrigal de Thomas Bateson) - 0 Felix anima (Motet de Giacomo Carissimi) - Due pupille (Nocturne de Wolfgang A. Mozart) - Psaumes 31 et 69 (Joseph Haydn) - Mich zieht es nach dem Dârfchen (Schumann) - Wesley's Challenge (Tom Johnson) - 4 VOIX MIXTES: 0 bone Jesu (Marco Antonio Ingenieri) - 0 Salutaris hostia (Giovanni Francesco Anerio) - Panis angelicus (Claudio Casciolini) - Ach, Gott, wie manches Herzelied (Choral de J.S. Bach) - Ach wie flüchtig, ach wie nichtig (Choral de J.S. Bach) - Erlaube mir, feins Mädchen (J. Brahms) - Somebody loves me (Gershwin) - Margie, Barber shop song (arrangement de Jacques Petit) - Every time I feel the Spirit (Spiritual arrangé par Marc Meyer) - Wesley 's Challenge (Tom Johnson) Compositeur/Auteur : CORNU Françoise
Discipline/Instrument : choeur Support : Partition
Style/Genre : méthode - études
Date de parution : sept.-03

Edition : Paris, Attaingnant, 1531.Présentation par Marcel Degrutère : - utilisation - sommaire - - principes de natation - remarques sur la partition. / Orgue, Epinette (Ou Clavecin) Et Manicordion / 124 pages / niveau : 1 / Fac-Similés - Format: 12 X 17

Playing and Learning Soprano Recorder – Volume 1 by Michel Sanvoisin is the first book of an anthology of classical pieces. Written for beginners this method in English German and French will enable them to acquire the seventeen notes most commonly played on the recorder. The additional notes are covered in a second book that also includes some revision work. It features pieces inspired by G. Gastoldi Le Clerc Pierre Attaingnant William Byrd John Dowland and G. P. Telemann among others. It is a great way to learn while playing nice pieces instead of just working on basic exercises. In addition to thismethod Michel Sanvoisin also wrote one for Alto Recorder.

This is a complete edition in seven volumes of the collections of dances for instrumental ensemble published by Pierre Attaingnant of Paris between 1529 and 1557. Our edition of this series, which we originally published in the 1970s, has now been extensively revised, and a detailed commentary provided for each volume. All pieces are playable on recorders (ATTB or SATB), viols (TrTTB), violin family (VnVaVaVc), shawms, cornett and trombones, and other instrumental combinations. All titles published as playing scores only CLAUDE GERVAISE, Troisieme Livre de Danceries (1557) for four instruments (a few pieces in five parts). Contains 42 dances (pavanes, galliards, branles, allemandes, etc

This is a complete edition in seven volumes of the collections of dances for instrumental ensemble published by Pierre Attaingnant of Paris between 1529 and 1557. Our edition of this series, which we originally published in the 1970s, has now been extensively revised, and a detailed commentary provided for each volume. All pieces are playable on recorders (ATTB or SATB), viols (TrTTB), violin family (VnVaVaVc), shawms, cornett and trombones, and other instrumental combinations. All titles published as playing scores only Quart Livre de Danceries (1550) for four instruments. This volume is distinguished by a number of particularly elegant pavanes based on chansons of the period

This is a complete edition in seven volumes of the collections of dances for instrumental ensemble published by Pierre Attaingnant of Paris between 1529 and 1557. Our edition of this series, which we originally published in the 1970s, has now been extensively revised, and a detailed commentary provided for each volume. All pieces are playable on recorders (ATTB or SATB), viols (TrTTB), violin family (VnVaVaVc), shawms, cornett and trombones, and other instrumental combinations. All titles published as playing scores only Cinquiesme Livre de Danceries (1550) for four instruments. This volume consists of a large number of branles of many different varieties, all very lively pieces

7 Pieces for Descant (Soprano) Recorder and Basso Continuo-1-4 Tielman Susato (c.1500-1561(4)): 'Mohrentanz'5-8 from 'Witzwillian Virginal book': 'Alman'9-12 from 'Witzwillian Virginal book': 'Corranto'13-16 from 'Witzwillian Virginal book': 'Dance'17-20 P. Attaignant (1494-1551(2)): 'Tourdion'21-24 J. Paix (1556-1623): 'Ungarescha'25-28 Traditional: 'Schiarazula'

Tablature pour le jeu dorgues Espinettes et Manicordions sur le plain-chant de Cunctipotens et Kyrie fonsEdition : - Paris, 1531.Présentation de Marcel Degrutère : Principes de notation - remarques sur la partition - sommaire - utilisation - documents annexes : plain-chant.La première messe pour orgue avec alternance de plain-chant, publiée en France, qui nous soit parvenue. / Orgue / 132 pages / niveau : 1 / Fac-Similés - Format: 12.5 X 17.5