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Purity Ring
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Couverture
Cantus in Memory of Benjamin Britten (PART ARVO)
23.40
Cantus in Memory of Benjamin Britten (PART ARVO)
Orchestre à Cordes
[Partition]
Universal Edition
Par PART ARVO. This piece is Pärt's tribute to Benjamin Britten who died in 197...
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Par PART ARVO. This piece is Pärt's tribute to Benjamin Britten who died in 1976. Arvo Pärt: In the past years we have had many losses in the world of music to mourn. Why did the date of Benjamin Britten's death - 4 December 1976 - touch such a chord in me? During this time I was obviously at the point where I could recognize the magnitude of such a loss. Inexplicable feelings of guilt, more than that even, arose in me. I had just discovered Britten for myself. Just before his death I began to appreciate the unusual purity of his music - I had had the impression of the same kind of purity in the ballads of Guillaume de Machaut. And besides, for a long time I had wanted to meet Britten personally - and now it would not come to that. 'The last chord of Cantus is seemingly never-ending. It just stands there, neither growing nor decaying. Something has been achieved and it shouldn't be given up. The content of the whole work leads up to this point.' Nora Pärt/ Répertoire / Orchestre à Cordes et Cloche
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Couverture
Holst: The Planets
21.19
Holst: The Planets
Piano seul
[Partition]
Chester
This is the first time that a version of Gustav Holst's The Planets for solo Pia...
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This is the first time that a version of Gustav Holst's The Planets for solo Piano has been published. In this glorious publication, the emotional rollercoaster that is this seven-movement orchestral suite can be played on a single Piano, with those crashing chords and textural melodies sounding just fantastic on the solo keys.Originally scored for two pianos and four hands, this epic orchestral work continues to astound and astonish audiences around the world, even a century after Holst begun work on the first movement, Mars, the Bringer of War. This volume allows the solo pianist to emulate those glorious melodies, wonderful harmonies and dynamic rhythms, bringing the wonder of The Planets to the keys.This unique arrangement of The Planets reduces the entire orchestra to just a solo Piano, with some fingering hints throughout. The lovely engraving is an absolute pleasure to read from, and the sound of those thunderous rhythms and sweet melodies sounds absolutely brilliant coming from the purity and clarity of a solo Piano. With all seven movements included in this The Planets sheet music, you'll be able to learn Mars, Venus, Mercury, Jupiter, Saturn, Uranus and Neptune, in the entire work that's sometimes thunderous, occasionally calm, often bombastic but always beautiful.With the full-colour astrophotography of the cover, the detailed, accurate and clear engraving and the inherent uniqueness of such an arrangement befits the timeless and enduring achievement of a work like this. The compositional history and musical qualities of The Planets are fascinating, and the lengthy introduction details the rhythms, the harmonies and the personality that Holst injected into his work, so you can learn about this glorious work before delving into the stunning arrangement of each of the seven movements.For the first time, the epic and vast work of art that is Gustav Holst's The Planets has been arranged for solo Piano, so you can play the entirety of these seven movements as a single pianist, incorporating all of the atmospheric dynamics and universal themes into the keys. / Piano
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Steffen Wick: Piano Particles - Sheets I
32.60
Steffen Wick: Piano Particles - Sheets I
Piano seul
Bosworth
The Piano Particles project by pianist Steffen Wick and his artistic partner Sim...
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The Piano Particles project by pianist Steffen Wick and his artistic partner Simon Detel combines classical and contemporary musical elements. This songbook features 20 selections of the last album of the project as well as some new songs, arranged for solo Piano.Influenced by pop, electro and film music, all of the compositions combine these elements to create a modern musical language that's interesting and highly enjoyable to play. Compared to the opulent live performances which combine electronics, vocals, strings, light and video installations, these solo Piano songs reveal the purity of the original compositions. / Piano
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Fishman G. - Tasting Harmony Bb + Cd
28.90
Fishman G. - Tasting Harmony Bb + Cd
Jazz Studio
Tasting Harmony is designed to teach your ear to focus on the sound of each indi...
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Tasting Harmony is designed to teach your ear to focus on the sound of each individual chord tone while simultaneously hearing the full chord. This is a new approach to ear-training, utilizing the concept of synesthesia; the mixing of the senses. Tasting Harmony taps into the ability we all possess to discern the different flavors of food items and uses that ability to establish an emotional connection to your note choices by providing you with a harmonic menu of eighty-one different sounds played in all twelve keys... that's nine hundred and seventy-two chords you'll hear and taste with each listening to the play-along CD. The chord progression of every song represents a harmonic recipe created by the composer. Tasting Harmony allows you to fully stock your ear with the ingredients needed for each recipe, so you don't have to substitute water for cream when it's time to put those ingredients together to bake your harmonic creation. Tasting Harmony was developed to provide a fun approach for all musicians who want to get involved with harmony on a deeper level in a direct and non-theoretical way. Sing and play along with vocalist Petra van Nuis and pianist Jeremy Kahn as they take you through a full menu of ear-enriching harmonic flavors. The girl on the cover? That's Chicago based vocalist Petra van Nuis! She sings all of the tracks on the Tasting Harmony play-along CD and also announces the names of the chords. I heard Petra singing in a club in Chicago and knew that the beauty and purity of her voice would be just perfect for Tasting Harmony. 64 Pages + 1 Play-along CD with 81 tracks. Available in C, Bb and Eb Editions.
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Scènes d'enfant op. 28 (GUILLOU JEAN)
30.30
Scènes d'enfant op. 28 (GUILLOU JEAN)
Orgue
Schott
d'après The Turn of the Screw d'Henry James. Par GUILLOU JEAN. Though the work ...
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d'après The Turn of the Screw d'Henry James. Par GUILLOU JEAN. Though the work bearing this title is a portrait of childhood, it is a childhood quite different from the purely gameplaying and dreamlike childhood that is customarily represented. The childhood described here is carrying the seed, in all its purity, of all positive and negative qualities to be found the fully-grown men: a childhood both angelic and diabolical, and indeed very close to Henry James' 'The Turn of the Screw' which was the direct inspiration for this monodrama. Its growth follows the innumerable sudden changes, turns and contrasts of the unsophisticated spirit. There is hardly any development at all, as each idea gives birth to the next or rejects the previons one, being object to every impulse, every tempest, every flux, every fear and delight. After a dreamlike introduction, in which two simple melodies stand out, comes a sudden awakening, Allegro, stamped all over with lavish and forever regenerating dynamism. A sudden halt leads a kind of outburst from the most simple folklore is singing, in regular, repeated notes. Again the question mark leads us to another melody, Tranquillo, of a sweet tempo, but brilliantly decorated with counter-point, its cursive traits leading this time to a kind of roguish march (Vigoroso). Yet soon there emerges a melancholic chant, Largo, in the Cromorne's timbre, and then, in the highest register of the Trumpet there reappears like a metamorphosed memory, the theme of the second movement. Passing other episodes, we come to Tempo giusto, insistent and glorious, interrupted by other passionate figures, cut off by unsettling silent moments and taken up again in always accelerating volleys./ Répertoire / Orgue
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