Technique Takes Off! for Viola by Mary Cohen. For Viola. Book; String - Viola St...(+)
Technique Takes Off! for
Viola by Mary Cohen. For
Viola. Book; String -
Viola Studies or
Collection; Technique
Musicianship. Faber
Edition. Published by
Faber Music
Viola SKU: HL.244125 For Viola. Composed by Various. Instrumental ...(+)
Viola
SKU:
HL.244125
For
Viola. Composed by
Various. Instrumental
Folio. Children, Disney,
Movies. Softcover. 112
pages. Published by Hal
Leonard (HL.244125).
ISBN 9781540002419.
UPC: 888680707231.
9.0x12.0x0.274
inches.
If you play
an instrument and you're
a Disney fan, you'll love
this collection of 101
favorites to learn and
play! Songs include:
Beauty and the Beast
• Can You Feel the
Love Tonight • A
Dream Is a Wish Your
Heart Makes •
Evermore • Go the
Distance • He's a
Pirate • I See the
Light • Kiss the
Girl • Let It Go
• Mickey Mouse
March • Reflection
• A Spoonful of
Sugar • True Love's
Kiss • We're All in
This Together •
When You Wish upon a Star
• A Whole New World
• You've Got a
Friend in Me •
Zip-A-Dee-Doo-Dah •
and more.
Viola SKU: FG.55011-686-3 Composed by Kalevi Aho. Classical. Book. Fennic...(+)
Viola
SKU:
FG.55011-686-3
Composed by Kalevi Aho.
Classical. Book. Fennica
Gehrman #55011-686-3.
Published by Fennica
Gehrman (FG.55011-686-3).
In spring 2020,
coronavirus began
spreading throughout the
world and in many places
people were subjected to
quarantine. It was then
that Hiyoli Togawa, a
violist, proposed that
the BIS record label
release a viola disc
entitled Songs of
Solitude of short
compositions by different
contemporary composers,
as a sort of reflection
of the present time and
offering comfort to
listeners in their
solitude. Hiyoli asked
Kalevi Aho (b. 1949) to
compose a piece in which
she could play and sing
simultaneously. The
meditative, melancholy Am
Horizont is dedicated to
Hiyoli Togawa and
composed in April 2020.
Duration: c. 5'30''.
Chamber Music VI [Conducteur et Parties séparées] Theodore Presser Co.
(Three Movements for Viola and Double Bass). By Robert Suderburg (1936-). Edited...(+)
(Three Movements for
Viola and Double Bass).
By Robert Suderburg
(1936-). Edited by Lynn
Peters, Sally Peck.
String duet. For Violin,
Contrabass. This edition:
Set of two scores.
Premiered the work at the
Southeastern Center for
the Contemporary Arts,
Winston-Salem, January
30, 1980. Classical. Set
of performance scores.
Standard notation.
Composed 1979. 15 pages
Reflection Alto, Piano [Conducteur et Parties séparées] Faber Music Limited
Reflection by Benjamin Britten (1913-1976). For Viola and Piano. Masterworks; Pa...(+)
Reflection by Benjamin
Britten (1913-1976). For
Viola and Piano.
Masterworks; Part(s);
Score; Solo; String -
Viola and Piano. Faber
Edition. 20th Century;
Masterwork. Published by
Faber Music
Bridal Chorus from Lohengrin. (String Trio - Violin, Viola, Cello). By Richard W...(+)
Bridal Chorus from
Lohengrin. (String Trio -
Violin, Viola, Cello). By
Richard Wagner
(1813-1883). For String
Trio. String. Score and
parts. 20 pages. Schott
Music #ED20376. Published
by Schott Music
Chamber Music Solo Cello SKU: CF.BF128 60 Studies (from Opp. 45, 54, 7...(+)
Chamber Music Solo Cello
SKU: CF.BF128
60 Studies (from Opp.
45, 54, 74). Composed
by Franz Wohlfahrt.
Edited by Richard Hughey.
Arranged by K Aiqouni.
Score and part(s). With
Standard notation. 56
pages. Carl Fischer Music
#BF128. Published by Carl
Fischer Music (CF.BF128).
ISBN 9781491153413.
UPC:
680160910915.
Wohlf
ahrt’s Foundation
Studies have long been
successful tools
forviolinists and
violists in mastering the
technical difficulties of
theirinstruments.
Originally conceived for
a complete comprehension
offirst position on the
violin and viola, Richard
Hughey presents thisnew
edition for cello
students. Transcribing
these etudes for the
cellopresents new
challenges for the
performer. Particular
passages, forexample,
require the student to
make use of the second
and eventhird positions.
The fingerings chosen for
these passages
reflectthese shifting
positions in a coherent
and logical way.
Trainedcomprehensively in
both cello and
conducting, Hughey shares
hiswealth of experience
and knowledge in
Wohlfahrt’s
FoundationStudies for the
Violoncello. The
violin etudes and
exercises of Franz
Wohlfahrt havebeen and
continue to be used by
violin and recently
violateachers the world
over. Franz was the son
of HeinrichWohlfahrt
(1797,
Kößnitz–1883
, Leipzig), a noted
pianoteacher who also
published many studies
for piano thatwere very
successful with younger
students.
Heinrichdeveloped a keen
sense for the pedagogical
development ofchildren
and composed excellent
studies accordingly.
Withthe education of his
sons Robert (1826,
Weimar–deathdate
unknown) and Franz (1833,
Frauenpriesnitz–18
84,Leipzig), he passed
these pedagogical
abilities to the
nextgeneration.In the
preface to his Violin
Studies Opus 45,
FranzWohlfahrt wrote:The
study of the violin
presents certain
difficultiesfor beginners
which are frequently the
cause of a suddendecrease
in the pupil’s
zeal and ambition, even
before he hasmastered the
first fundamentals.The
blame for this is
commonly laid on the
teacher,who is called
incapable or negligent;
losing sight of thefact
that the pupil began his
studies without the
slightestnotion, not
merely of the
difficulties to be
encountered,but also of
the regular and diligent
effort indispensable
forovercoming them.It is
important, therefore, to
smooth these first
severitiesby showing
their usefulness and
making them agreeable;
tothis end my Violin
Method was published and
the presentexercises have
been written, which
latter may be
consideredas forming a
supplement to the
former.If practiced
carefully and
intelligently, they will
serve asa solid
foundation for the
technique of any player
ambitiousto become an
artist.These studies have
been successful tools for
violinistsand violists to
begin to master the
technical difficulties
oftheir instruments.
Clearly conceived for a
more
completecomprehension of
the use of the first
position on the violinand
similarly for the viola,
presenting these etudes
forthe cello presents a
new challenge. As ongoing
violinistsand violists
can use the fourth finger
to play the note ofthe
next higher open string,
this is not possible on
thecello. To perform
these exercises on the
cello,
particularlyreaching the
“E†on the
A-string, requires the
studentto make use of the
second and even third
positions. Thefingerings
chosen for these passages
reflect the necessityof
shifting to these
positions. This is of
great advantage,as a new
set of studies now can be
used by the studentto
practice shifting to and
from those positions and
thusincreases technical
proficiency in the second
and thirdpositions of the
cello.
Violin,
Viola, Cello.
Composed by Anna
Thorvaldsdottir. Music
Sales America. Classical.
Set. Composed 2017. 12
pages. Duration 480
seconds. Chester Music
#CH86790. Published by
Chester Music
(HL.250607).
Reflection
s was written for Nordic
Affect. The first
performance was given on
30 September 2016 in
Reykjavik, Iceland.
Arranged for violin,
viola and cello. Anna
Thorvaldsdottir
frequently works with
large sonic structures
that tend to reveal the
presence of a vast
variety of sustained
sound materials,
reflecting her sense of
imaginative listening to
landscapes and nature.
Her music tends to
portray a flowing world
of sounds with an
enigmatic lyrical
atmosphere. Duration: 8
minutes. LANGUAGE:
English.
Quasi Hoquetus Piano Trio: Instruments de chambre mixtes Sikorski
For Viola, Cello and Piano. Composed by Sofia Gubaidulina (1931-). String...(+)
For Viola, Cello and
Piano. Composed by
Sofia Gubaidulina
(1931-). String Ensemble.
Contemporary, Classical.
Sikorski #SIK8678.
Published by Sikorski
(HL.50600435).
For Flute, Clarinet,
Harp, Vibraphone, violin,
Viola and
Violoncello. Composed
by Vadim Karassikov. In a
folder. Set of parts.
Composed 1995.
6/9/14/9/9/9/9 pages.
Duration 8 minutes, 30
seconds. Baerenreiter
Verlag #BA08294_22.
Published by Baerenreiter
Verlag (BA.BA08294-22).
Piano, Violin, Violoncello SKU: FG.55011-526-2 Composed by Kai Nieminen. ...(+)
Piano, Violin,
Violoncello
SKU:
FG.55011-526-2
Composed by Kai Nieminen.
Score and parts. Fennica
Gehrman #55011-526-2.
Published by Fennica
Gehrman (FG.55011-526-2).
ISBN
9790550115262.
The
poetry of Emily Dickinson
has been one of the
sources of inspiration
for Kai Nieminen (1953-).
Piano trio Reflecting
Landscapes was inspired
by Dickinson's poem A
bird came down a walk, a
same poem that also gave
name to a piece for viola
and piano by Toru
Takemitsu. Takemitsu
being one composer that
Nieminen helds in high
esteem. Especially calm,
meditative athmosphere at
the beginning of the
piano trio has much that
reminds listener from
Nieminen's Japanese
collegue. The tolling
chruch bell -like motives
reminds the composer from
the death of his father,
that occurred at the time
of the composition of the
piece. Later in the
piece, bird song -like
motives emerge, like
birds in the calm summer
night somewhere in the
north. The piece was
commissioned by Trio la
Rue and they gave the
first performance at
Saaksmaki Soi -festival
6th July 2011. The
poetry of Emily Dickinson
has been one of the
sources of inspiration
for Kai Nieminen (1953-).
Piano trio Reflecting
Landscapes was inspired
by Dickinson's poem A
bird came down a walk, a
same poem that also gave
name to a piece for viola
and piano by Toru
Takemitsu. Takemitsu
being one composer that
Nieminen helds in high
esteem. Especially calm,
meditative athmosphere at
the beginning of the
piano trio has much that
reminds listener from
Nieminen's Japanese
collegue. The tolling
chruch bell -like motives
reminds the composer from
the death of his father,
that occurred at the time
of the composition of the
piece. Later in the
piece, bird song -like
motives emerge, like
birds in the calm summer
night somewhere in the
north. The piece was
commissioned by Trio la
Rue and they gave the
first performance at
Saaksmaki Soi -festival
6th July 2011.
First violin, second violin, viola, cello (1. Violin, 2. Violin, Viola, Violonce...(+)
First violin, second
violin, viola, cello (1.
Violin, 2. Violin, Viola,
Violoncello) - Level 3
SKU: BA.BA11543
Composed by Leos Janacek.
Arranged by Kryštof
Maratka. In a folder. Set
of parts. 10/10/10/10
pages. Baerenreiter
Verlag #BA11543_00.
Published by Baerenreiter
Verlag (BA.BA11543).
ISBN 9790260108509. 31
x 24.3 cm
inches.
This piece
reflects
Janácek’s
memories of childhood and
youth in his native
Hukvaldy and the
Augustinian Abbey in
Brno. Kryštof Maratka,
a Czech composer resident
in France and a great
admirer of Janácek,
has arranged the original
version to produce a
welcome addition to the
string quartet
repertoire.
Youth
for wind sextet, is a
masterpiece from
Janácek’s late
period (1924). Maratka
has successfully managed
to transform the concise
winds’ sound that
give this work its unique
flavour into the timbre
of the strings, thereby
creating a “third
string quartet†of
the composer.