| The Seventh Resolution Orchestre d'harmonie - Facile Belwin
Concert Band - Grade 2.5 SKU: AP.43104 Composed by Roland Barrett. Concer...(+)
Concert Band - Grade 2.5
SKU: AP.43104
Composed by Roland
Barrett. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Young Band. Form:
Overture. Programmatic.
Score and Part(s). 278
pages. Duration 4:30.
Belwin Music #00-43104.
Published by Belwin Music
(AP.43104). UPC:
038081504513.
English. In the
final days of November,
as the nights grew longer
and the vicious North
winds began to pound the
embattled city, the
kingdom was rapidly
nearing its darkest hour.
As enemy forces
threatened from every
side, the exhausted
council gathered in the
great hall for one final
desperate meeting. With
all hope waning, with all
other options exhausted,
and with one last chance
to save his people, the
king summoned all
remaining forces and
invoked The Seventh
Resolution. A
contemporary bold work!
(4:30). $62.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Seventh Resolution Orchestre d'harmonie [Conducteur] - Facile Belwin
Concert Band - Grade 2.5 SKU: AP.43104S Composed by Roland Barrett. Conce...(+)
Concert Band - Grade 2.5
SKU: AP.43104S
Composed by Roland
Barrett. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Young Band. Form:
Overture. Programmatic.
Score. 32 pages. Duration
4:30. Belwin Music
#00-43104S. Published by
Belwin Music (AP.43104S).
UPC: 038081504520.
English. In the
final days of November,
as the nights grew longer
and the vicious North
winds began to pound the
embattled city, the
kingdom was rapidly
nearing its darkest hour.
As enemy forces
threatened from every
side, the exhausted
council gathered in the
great hall for one final
desperate meeting. With
all hope waning, with all
other options exhausted,
and with one last chance
to save his people, the
king summoned all
remaining forces and
invoked The Seventh
Resolution. A
contemporary bold work!
(4:30). $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Squeeze the Keys - Volume 3 1 Piano, 4 mains Schott
Piano 4 Hands (Piano) - difficult SKU: HL.49003294 Series of Graded Pi...(+)
Piano 4 Hands (Piano) -
difficult SKU:
HL.49003294 Series
of Graded Pieces for
Piano Solo or Duet.
Composed by David
Mitchell. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical, Collection,
Contemporary. 35 pages.
Schott Music #ED 12633.
Published by Schott Music
(HL.49003294). ISBN
9790220119460.
9.0x12.0x0.133
inches. More fun
pieces for piano or
keyboard players, with
suggestions for
improvising and
composing. Contents: Deep
Blue * Suspension * Mango
Tango * Count Me In *
Munch * Romanticism *
Sweet Chestnut Tree *
Rhythmaticism * Chicken
Permit * Classicism * La
Siesta * Perpetual Motion
(Duet) * Arabesque *
Resolution * Raw
Nerve. $12.99 - Voir plus => Acheter | | |
| Building Character through Music, Movement and More! Chorale SATB SATB [Partition + CD] Heritage Music Press
(Ten songs and integrated activites focusing on Manners, Helpfullness, Conflict ...(+)
(Ten songs and integrated
activites focusing on
Manners, Helpfullness,
Conflict Resolution and
other character traits).
By Caroline Figiel; Danny
Jones. For unison choir
and
performance/accompaniment
CD. General music
$39.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Regrets And Resolutions Clarinette et Piano Theodore Presser Co.
Chamber Music Clarinet, Piano SKU: PR.114419940 Composed by Gary Schocker...(+)
Chamber Music Clarinet,
Piano SKU:
PR.114419940 Composed
by Gary Schocker. Sws.
Set of Score and Parts.
20+8 pages. Duration
0:08:30. Theodore Presser
Company #114-41994.
Published by Theodore
Presser Company
(PR.114419940). ISBN
9781491133934. UPC:
680160683499. 9 x 12
inches. Responding
to demand from
clarinetists, Schocker
created this adaptation
of his best-loved work,
customizing it for the
clarinet’s
richness of contrasting
registers. Composed as a
recital piece for his own
performances as a
flutist, Gary
Schocker’s Regrets
and Resolutions has been
a standard in that
instrument’s
repertoire for over 30
years. Inspired by an
80-year-old
friend’s birthday,
the composer has written:
“I wrote the
Regrets imagining what it
might be like to look
back over 80 years.
‘What if I’d
made different
choices?’
‘What if
...?’ The
Resolutions is a
forward-thinking
movement, very energetic
and positive, except for
a brief looking-back,
questioning (the 1st
movement is recapped and
grows), after which the
music plunges back into
the rhythmic
finale.â€. $19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Regrets And Resolutions Theodore Presser Co.
Chamber Music Piano, soprano Saxophone SKU: PR.114419950 Composed by Gary...(+)
Chamber Music Piano,
soprano Saxophone SKU:
PR.114419950 Composed
by Gary Schocker. Sws.
Set of Score and Parts.
20+8 pages. Duration
0:08:30. Theodore Presser
Company #114-41995.
Published by Theodore
Presser Company
(PR.114419950). ISBN
9781491133958. UPC:
680160683505. 9 x 12
inches. Responding
to demand from
saxophonists, Schocker
created this adaptation
of his best-loved work,
customizing it for the
instrument’s
colors and registers.
Composed as a recital
work for his own
performances as a
flutist, Gary
Schocker’s Regrets
and Resolutions has been
a standard in that
instrument’s
repertoire for over 30
years. Inspired by an
80-year-old
friend’s birthday,
the composer has written:
“I wrote the
Regrets imagining what it
might be like to look
back over 80 years.
‘What if I’d
made different
choices?’
‘What if
...?’ The
Resolutions is a
forward-thinking
movement, very energetic
and positive, except for
a brief looking-back,
questioning (the 1st
movement is recapped and
grows), after which the
music plunges back into
the rhythmic
finale.â€. $19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Verdant Meadows [Conducteur] - Débutant Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 1
SKU: CF.BAS78F
Composed by Bruce W.
Tippette. Beginning
String Orchestra (BAS).
Full score. With Standard
notation. 8 pages. Carl
Fischer Music #BAS78F.
Published by Carl Fischer
Music (CF.BAS78F).
ISBN 9781491151600.
UPC: 680160909100. 9 x 12
inches. The imagery
of a lush, green meadow
helps set the stage for
Verdant Meadows. This
simple, yet harmonically
adventurous composition
alternates between legato
melodies and staccato
harmonies. Following a
climactic moment, a
peaceful resolution
hearkens back to earlier
material and ends the
piece with a Maestoso
section. Imagine taking a
gentle stroll through a
lush, green meadow,
filled with wildlife and
vegetation. This imagery
helps set the stage for
the melodic content of
Verdant
Meadows. In the key of
G major (and sometimes E
minor), this simple, yet
harmonically adventurous
composition alternates
between soaring legato
melodies and staccato
harmonies. Following the
broadly climactic moment,
a peaceful resolution
hearkens back to earlier
material and ends the
piece with a wonderful
Maestoso section.
. Imagine taking a
gentle stroll through a
lush, green meadow,
filled with wildlife and
vegetation. A This
imagery helps set the
stage for the melodic
content of
Verdant
Meadows. In the key of
G major (and sometimes E
minor), this simple, yet
harmonically adventurous
composition alternates
between soaring legato
melodies and staccato
harmonies. A Following
the broadly climactic
moment, a peaceful
resolution hearkens back
to earlier material and
ends the piece with a
wonderful Maestoso
section. A
. Imagine taking a
gentle stroll through a
lush, green meadow,
filled with wildlife and
vegetation. A This
imagery helps set the
stage for the melodic
content of
Verdant
Meadows. In the key of
G major (and sometimes E
minor), this simple, yet
harmonically adventurous
composition alternates
between soaring legato
melodies and staccato
harmonies. A Following
the broadly climactic
moment, a peaceful
resolution hearkens back
to earlier material and
ends the piece with a
wonderful Maestoso
section. A
. Imagine taking a
gentle stroll through a
lush, green meadow,
filled with wildlife and
vegetation. This imagery
helps set the stage for
the melodic content of
Verdant
Meadows. In the key of
G major (and sometimes E
minor), this simple, yet
harmonically adventurous
composition alternates
between soaring legato
melodies and staccato
harmonies. Following the
broadly climactic moment,
a peaceful resolution
hearkens back to earlier
material and ends the
piece with a wonderful
Maestoso section.
. Imagine
taking a gentle stroll
through a lush, green
meadow, filled with
wildlife and vegetation.
This imagery helps set
the stage for the melodic
content of Verdant
Meadows. In the key of G
major (and sometimes E
minor), this simple, yet
harmonically adventurous
composition alternates
between soaring legato
melodies and staccato
harmonies. Following the
broadly climactic moment,
a peaceful resolution
hearkens back to earlier
material and ends the
piece with a wonderful
Maestoso
section. Imagine
taking a gentle stroll
through a lush, green
meadow, filled with
wildlife and vegetation.
 This imagery helps
set the stage for the
melodic content of
Verdant Meadows. In the
key of G major (and
sometimes E minor), this
simple, yet harmonically
adventurous composition
alternates between
soaring legato melodies
and staccato harmonies.
 Following the broadly
climactic moment, a
peaceful resolution
hearkens back to earlier
material and ends the
piece with a wonderful
Maestoso section.
 .
About Carl
Fischer Beginning String
Orchestra
Series Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
- Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
- Limited
keys and rhythms - only
simple 8th note
patterns
- Limited
independence of
parts
- Playable
after limited study
time
- First
position and natural
bowings
- Piano for
rehearsal and
reinforcement
$6.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Verdant Meadows - Débutant Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 1
SKU: CF.BAS78
Composed by Bruce W.
Tippette. Beginning
String Orchestra (BAS).
Set of Score and Parts.
With Standard notation.
8+2+8+5+5+5+2+8 pages.
Duration 2 minutes, 38
seconds. Carl Fischer
Music #BAS78. Published
by Carl Fischer Music
(CF.BAS78). ISBN
9781491151235. UPC:
680160908738. 9 x 12
inches. Key: G
major. The imagery
of a lush, green meadow
helps set the stage for
Verdant Meadows. This
simple, yet harmonically
adventurous composition
alternates between legato
melodies and staccato
harmonies. Following a
climactic moment, a
peaceful resolution
hearkens back to earlier
material and ends the
piece with a Maestoso
section. Imagine taking a
gentle stroll through a
lush, green meadow,
filled with wildlife and
vegetation. This imagery
helps set the stage for
the melodic content of
Verdant
Meadows. In the key of
G major (and sometimes E
minor), this simple, yet
harmonically adventurous
composition alternates
between soaring legato
melodies and staccato
harmonies. Following the
broadly climactic moment,
a peaceful resolution
hearkens back to earlier
material and ends the
piece with a wonderful
Maestoso section.
. Imagine taking a
gentle stroll through a
lush, green meadow,
filled with wildlife and
vegetation. A This
imagery helps set the
stage for the melodic
content of
Verdant
Meadows. In the key of
G major (and sometimes E
minor), this simple, yet
harmonically adventurous
composition alternates
between soaring legato
melodies and staccato
harmonies. A Following
the broadly climactic
moment, a peaceful
resolution hearkens back
to earlier material and
ends the piece with a
wonderful Maestoso
section. A
. Imagine taking a
gentle stroll through a
lush, green meadow,
filled with wildlife and
vegetation. A This
imagery helps set the
stage for the melodic
content of
Verdant
Meadows. In the key of
G major (and sometimes E
minor), this simple, yet
harmonically adventurous
composition alternates
between soaring legato
melodies and staccato
harmonies. A Following
the broadly climactic
moment, a peaceful
resolution hearkens back
to earlier material and
ends the piece with a
wonderful Maestoso
section. A
. Imagine taking a
gentle stroll through a
lush, green meadow,
filled with wildlife and
vegetation. This imagery
helps set the stage for
the melodic content of
Verdant
Meadows. In the key of
G major (and sometimes E
minor), this simple, yet
harmonically adventurous
composition alternates
between soaring legato
melodies and staccato
harmonies. Following the
broadly climactic moment,
a peaceful resolution
hearkens back to earlier
material and ends the
piece with a wonderful
Maestoso section.
. Imagine
taking a gentle stroll
through a lush, green
meadow, filled with
wildlife and vegetation.
This imagery helps set
the stage for the melodic
content of Verdant
Meadows. In the key of G
major (and sometimes E
minor), this simple, yet
harmonically adventurous
composition alternates
between soaring legato
melodies and staccato
harmonies. Following the
broadly climactic moment,
a peaceful resolution
hearkens back to earlier
material and ends the
piece with a wonderful
Maestoso
section. Imagine
taking a gentle stroll
through a lush, green
meadow, filled with
wildlife and vegetation.
 This imagery helps
set the stage for the
melodic content of
Verdant Meadows. In the
key of G major (and
sometimes E minor), this
simple, yet harmonically
adventurous composition
alternates between
soaring legato melodies
and staccato harmonies.
 Following the broadly
climactic moment, a
peaceful resolution
hearkens back to earlier
material and ends the
piece with a wonderful
Maestoso section.
 .
About Carl
Fischer Beginning String
Orchestra
Series Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
- Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
- Limited
keys and rhythms - only
simple 8th note
patterns
- Limited
independence of
parts
- Playable
after limited study
time
- First
position and natural
bowings
- Piano for
rehearsal and
reinforcement
$48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Solar Flare Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3.5 SKU:
CF.CPS219 Composed by
Tyler Arcari. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
16+4+8+16+4+4+8+4+4+8+8+8
+4+4+4+4+6+6+2+6+8+2+3+2+
4+10+28+4 pages. Duration
4 minutes, 6 seconds.
Carl Fischer Music
#CPS219. Published by
Carl Fischer Music
(CF.CPS219). ISBN
9781491152454. UPC:
680160909957. Solar
Flare, by Tyler Arcari,
depicts the huge
explosion on the Sun that
appears as a sudden
bright flash. The piece
incorporates a whirlwind
of mixed meters to?depict
this phenomenon. Arcari
showcases his fresh,
exciting, and well-scored
compositional style in
this piece. Solar Flare
makes for? an excellent
concert opener. A
solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:
Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 6972 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99115 to the end
of the piece feature a
style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:
Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:
Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:
Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the Work:
Solar Flare began as a
piece with two goals: to
write a space piece in
7/8 and to write a
teaching 7/8 space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work.About the Work:Solar
Flare began as a piece
with two goals: to write
a space piece in 7/8 and
to write a
“teaching
7/8†space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69–72
should be treated as a
transitional fanfare to
the new material at m.
73.Measures 99–115
to the end of the piece
feature a style similar
to the beginning that
helps to transition to m.
115, which is the climax
of the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the “^â€
accent on the final note
is one meant to be played
heavy, and not short. $95.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Solar Flare Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3.5 SKU:
CF.CPS219F Composed
by Tyler Arcari. Concert
Band (CPS). Full score.
With Standard notation.
28 pages. Carl Fischer
Music #CPS219F. Published
by Carl Fischer Music
(CF.CPS219F). ISBN
9781491153130. UPC:
680160910632. Solar
Flare, by Tyler Arcari,
depicts the huge
explosion on the Sun that
appears as a sudden
bright flash. The piece
incorporates a whirlwind
of mixed meters to?depict
this phenomenon. Arcari
showcases his fresh,
exciting, and well-scored
compositional style in
this piece. Solar Flare
makes for? an excellent
concert opener. A
solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:
Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 6972 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99115 to the end
of the piece feature a
style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:
Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:
Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:
Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the Work:
Solar Flare began as a
piece with two goals: to
write a space piece in
7/8 and to write a
teaching 7/8 space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work.About the Work:Solar
Flare began as a piece
with two goals: to write
a space piece in 7/8 and
to write a
“teaching
7/8†space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69–72
should be treated as a
transitional fanfare to
the new material at m.
73.Measures 99–115
to the end of the piece
feature a style similar
to the beginning that
helps to transition to m.
115, which is the climax
of the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the “^â€
accent on the final note
is one meant to be played
heavy, and not short. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Regrets and Resolutions Flûte traversière et Piano [Reduction] Theodore Presser Co.
For Flute and Piano. Composed by Gary Schocker. Solo part with piano reduction. ...(+)
For Flute and Piano.
Composed by Gary
Schocker. Solo part with
piano reduction. With
Standard notation. 28
pages. Duration 8
minutes, 30 seconds.
Theodore Presser Company
#114-40487. Published by
Theodore Presser Company
$21.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mel Bay's Complete Jazz Flute Book
Flûte traversière [Partition] - Intermédiaire Mel Bay
by William Bay. For flute. Complete. Jazz. Level: Intermediate. Book. Method. Si...(+)
by William Bay. For
flute. Complete. Jazz.
Level: Intermediate.
Book. Method. Size
8.75x11.75. 144 pages.
Published by Mel Bay
Pub., Inc.
(3)$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Resolute - Facile Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2 SKU: CF....(+)
Orchestra violin 1,
violin 2, violin 3,
viola, cello, bass -
Grade 2 SKU:
CF.YAS221 Composed by
Todd Parrish. Set of
Score and Parts. Duration
2 minutes, 27 seconds.
Carl Fischer Music
#YAS221. Published by
Carl Fischer Music
(CF.YAS221). ISBN
9781491162699. UPC:
680160921447. Key: G
major. Resolute was
composed to celebrate the
enduring spirit of those
who persevere and
overcome difficult
challenges with fearless
determination. Set in G
major, this triumphant
theme features a strong,
accented melody and
energetic accompaniments
that frequently utilize
double-stops for a
resounding effect. The
shadows of hardship are
heard in a brief shift to
E minor before the
victorious melody returns
with joy that defies
darkness with courageous
hope. The same way we
support each other
through trials, many
melodies and
countermelodies are
doubled between sections
to portray strength and
resolve.Resolute was
premiered by the East
River High School
Orchestra in May of 2022
under the direction of
Mr. Scott Friedberg in
honor of the
orchestra’s 4-year
anniversary, and
dedicated to the
courageous students who
continued to make music
through the pandemic,
demonstrating
determination and
tenacity in their
passionate pursuit of
musical excellence.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Resolute [Conducteur] - Facile Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2 SKU: CF....(+)
Orchestra violin 1,
violin 2, violin 3,
viola, cello, bass -
Grade 2 SKU:
CF.YAS221F Composed
by Todd Parrish. Full
score. 12 pages. Duration
2 minutes, 27 seconds.
Carl Fischer Music
#YAS221F. Published by
Carl Fischer Music
(CF.YAS221F). ISBN
9781491163030. UPC:
680160921782. Key: G
major. Resolute was
composed to celebrate the
enduring spirit of those
who persevere and
overcome difficult
challenges with fearless
determination. Set in G
major, this triumphant
theme features a strong,
accented melody and
energetic accompaniments
that frequently utilize
double-stops for a
resounding effect. The
shadows of hardship are
heard in a brief shift to
E minor before the
victorious melody returns
with joy that defies
darkness with courageous
hope. The same way we
support each other
through trials, many
melodies and
countermelodies are
doubled between sections
to portray strength and
resolve.Resolute was
premiered by the East
River High School
Orchestra in May of 2022
under the direction of
Mr. Scott Friedberg in
honor of the
orchestra’s 4-year
anniversary, and
dedicated to the
courageous students who
continued to make music
through the pandemic,
demonstrating
determination and
tenacity in their
passionate pursuit of
musical excellence.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Break Through [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Gong, Horn, Mallet
Percussion 1, Mallet
Percussion 2, Oboe,
Percussion 1, Percussion
2, Suspended Cymbal,
Timpani, Triangle and
more. - Grade 2 SKU:
CF.YPS257F Composed
by Mark Lortz. Yps. Full
score. 12 pages. Duration
3 minutes, 18 seconds.
Carl Fischer Music
#YPS257F. Published by
Carl Fischer Music
(CF.YPS257F). ISBN
9781491161968. UPC:
680160920648. Break
Through is my musical
representation of one's
struggle to pass through
a barrier or move beyond
an obstacle. This could
be a literal breakthrough
or a metaphorical
achievement. The
composition is centered
around the key of G minor
to achieve a dark,
resonant emotion. The
percussion is the
heartbeat and pulse for
the introduction and
should follow all
dynamics to match the
winds. Soft rolling
mallets should be used
for the bass drum and
gong rolls, creating a
dark timbre without
overpowering the
ensemble. At Rehearsal
13, work to have a
balanced section where
the clarinets can be
heard on the melody and
the tenor sax and horn on
the countermelody.
Rehearsal 21 provides a
fully scored variation of
the theme and should
continue to be as dark as
possible. Rehearsal 29 is
the final musical
struggle before the
Rehearsal 38 'break
through' climax of the
composition. The
resolution of the
relative major of Bb
should be majestic and
triumphant. Finally,
rehearsal 48 transitions
to a recapitulation of
the opening theme, moving
towards a contemplative
ending back to G minor. I
hope you and your
ensemble enjoy
perforinming Break
Through. Break Through
is my musical
representation of
one’s struggle to
pass through a barrier or
move beyond an obstacle.
This could be a literal
breakthrough or a
metaphorical achievement.
The composition is
centered around the key
of G minor to achieve a
dark, resonant emotion.
The percussion is the
heartbeat and pulse for
the introduction and
should follow all
dynamics to match the
winds. Soft rolling
mallets should be used
for the bass drum and
gong rolls, creating a
dark timbre without
overpowering the
ensemble. At Rehearsal
13, work to have a
balanced section where
the clarinets can be
heard on the melody and
the tenor sax and horn on
the countermelody.
Rehearsal 21 provides a
fully scored variation of
the theme and should
continue to be as dark as
possible. Rehearsal 29 is
the final musical
struggle before the
Rehearsal 38 ‘break
through’ climax of
the composition. The
resolution of the
relative major of Bb
should be majestic and
triumphant. Finally,
rehearsal 48 transitions
to a recapitulation of
the opening theme, moving
towards a contemplative
ending back to G minor.I
hope you and your
ensemble enjoy
perforinming Break
Through. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Persistent Memory Violon et Piano Oxford University Press
Violin & piano (Solo) SKU: OU.9780193451551 Composed by Michael Berkeley....(+)
Violin & piano (Solo)
SKU:
OU.9780193451551
Composed by Michael
Berkeley. Violin & Piano.
16 pages. Duration 6'.
Oxford University Press
#9780193451551. Published
by Oxford University
Press (OU.9780193451551).
ISBN 9780193451551. 12
x 8 inches. For
violin and piano The
composer writes:
'Persistent Memory is a
little six minute drama .
. . although the piano
begins as the more
aggressive partner and
triggers the violin into
animation, it is in fact
the piano that finally
provides a note of
resolution, or at least,
partial resolution.'. $16.25 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| On the Beaten Path Jazz Batterie [Partition + CD] Alfred Publishing
(The Drummer's Guide to the Genre and the Legends Who Defined It). By Rich Lacko...(+)
(The Drummer's Guide to
the Genre and the Legends
Who Defined It). By Rich
Lackowski and John
O'Reilly, Jr.. For
Drumset.
Artist/Personality; Book;
CD; Method/Instruction;
Percussion - Drum Set
Method or Collection. On
the Beaten Path. Jazz.
108 pages. Published by
Alfred Music Publishing
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Resilience [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion 1, Mallet
Percussion 2, Oboe,
Percussion 1, Percussion
2, Percussion 3 and more.
- Grade 4 SKU:
CF.SPS93F For
Those Who Continue to
Rise. Composed by
Travis Weller. Full
score. 30 pages. Carl
Fischer Music #SPS93F.
Published by Carl Fischer
Music (CF.SPS93F).
ISBN 9781491159781.
UPC:
680160918379. Adver
sity, in any form at any
point of our lives, can
be absolutely
debilitating mentally,
physically, emotionally
and spiritually. In the
midst of hard times, it
is difficult to imagine
what our lives will look
like on the other side of
the adversity we are
facing. Yet so many of us
carry on, move forward,
and rise above determined
to never be defined by
our circumstances. For
some their personal
faith, support from
family, or relationship
to friends provides the
necessary fuel for the
resilience they need to
rise above adversity. It
is amazing when a group
of people are able to
come together to overcome
a common obstacle. With
this in mind, I put to
music that spirit of
rising above for the
Liberty High School Band
and their director
Michael Summers.
Northeast Ohio has seen
its share of prosperity
and significant times of
hardship along many
different fronts. I still
see resilient leaders,
community members, and
educators like Mike who
continue to fight for
what is best and what is
right. The debut of this
work, like so many other
things, was interrupted
in the spring of 2020.
Now on the precipice of a
new beginning for many
band programs across the
country, all of us in
instrumental music
education must summon
resilience to ensure our
groups recover, grow and
flourish. The rising
major second represents
us all taking the first
step forward in good and
difficult times. The
adversity (tension)
arrives in various ways
harmonically throughout
the work. Tension can
make us lose sense of
where we are on our
journey and rob us of our
ability to imagine
getting through our
current situation. But I
am reminded that not all
tension is bad. Given
enough time and enough
resolution, we can often
make sense of the
adversity. We can
recognize that the
adversity taught us
something about ourselves
we didn't know, or
perhaps challenged us to
grow in a way we didn't
think possible. Either
way, it does not happen
unless we possess
resilience. I thank you
in advance for your
support of this music and
wish you and your group
the very best moving
forward with
Resilience. Adversity,
in any form at any point
of our lives, can be
absolutely debilitating
mentally, physically,
emotionally and
spiritually. In the midst
of hard times, it is
difficult to imagine what
our lives will look like
on the other side of the
adversity we are facing.
Yet so many of us carry
on, move forward, and
rise above determined to
never be defined by our
circumstances.For some
their personal faith,
support from family, or
relationship to friends
provides the necessary
fuel for the resilience
they need to rise above
adversity. It is amazing
when a group of people
are able to come together
to overcome a common
obstacle. With this in
mind, I put to music that
spirit of rising above
for the Liberty High
School Band and their
director Michael Summers.
Northeast Ohio has seen
its share of prosperity
and significant times of
hardship along many
different fronts. I still
see resilient leaders,
community members, and
educators like Mike who
continue to fight for
what is best and what is
right. The debut of this
work, like so many other
things, was interrupted
in the spring of 2020.
Now on the precipice of a
new beginning for many
band programs across the
country, all of us in
instrumental music
education must summon
resilience to ensure our
groups recover, grow and
flourish. The rising
major second represents
us all taking the first
step forward in good and
difficult times. The
adversity (tension)
arrives in various ways
harmonically throughout
the work. Tension can
make us lose sense of
where we are on our
journey and rob us of our
ability to imagine
getting through our
current situation. But I
am reminded that not all
tension is bad. Given
enough time and enough
resolution, we can often
make sense of the
adversity. We can
recognize that the
adversity taught us
something about ourselves
we didn’t know, or
perhaps challenged us to
grow in a way we
didn’t think
possible. Either way, it
does not happen unless we
possess resilience.I
thank you in advance for
your support of this
music and wish you and
your group the very best
moving forward with
Resilience. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Blue Horizons - Intermédiaire Carl Fischer
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
English Horn, Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Piccolo, Trumpet
1, Trumpet 2, Trumpet 3,
alto Saxophone 1 and
more. - Grade 5 SKU:
CF.SPS85 Composed by
Jeremy Martin. Folio.
Sps. Set of Score and
Parts.
4+28+28+14+14+4+14+14+7+2
4+28+28+8+4+8+8+14+8+9+12
+12+8+8+8+8+12+12+9+12+8+
16+4+3+2+6+6+6+7+44
pages. Duration 7
minutes, 8 seconds. Carl
Fischer Music #SPS85.
Published by Carl Fischer
Music (CF.SPS85). ISBN
9781491156421. UPC:
680160914968. 9 x 12
inches. Blue
Horizons is a spirited
tribute to the musical
heritage of the United
States Air Force. The
main theme is a variation
of the U.S. Air Force
Song (Off We Go), with a
secondary theme based on
A Toast to the Host (the
bridge of The Air Force
Song). Throughout the
work, fragments of other
Air Force-related songs
appear: Lord, Guard and
Guide (the Air Force
Hymn), Air Force Blue,
and Those Magnificent Men
in Their Flying Machines.
The original request for
this work was a daunting
task: I was asked to
create an Air Force
companion piece to Robert
Jager's Esprit de Corps
that would mirror the
style and spirit of that
landmark work. The goal
was to use elements of
our various Air Force
tunes in the same way
that Jager incorporated
The Marine's Hymn into
his work - that is, to
weave a musical tapestry
of the Air Force's
musical heritage without
ever becoming a mere
arrangement of the
original material. As a
former student of Robert
Jager at Tennessee
Technological University,
I discussed my plans for
the piece with him,
shared my progress along
the way, and sought his
guidance as I had done so
many times in the past.
He was delighted that I
managed to incorporate a
few Jager-isms into the
music, including one
direct quote from Esprit
de Corps. Although Blue
Horizons was conceived as
a dedication to the Air
Force's musical legacy,
it is also a personal
homage to my teacher and
friend, Robert Jager.
Performance Notes * If
only two flutists are
available, omit the
piccolo part and have
them play Flute 1 and 2;
in this case, Flute 1
should switch over to
piccolo (still playing
from the Flute 1 part) at
m. 81 and back to regular
flute at m. 114. If only
covering the Flute 1 and
2 parts, Flute 2 should
ignore indications to
switch to piccolo and
just play the entire work
on regular flute. * Oboe
1 and 2 parts should be
covered before adding the
English Horn part. * The
clarinet in Eb part
should not be covered
unless there are a
sufficient number of
players on the clarinet
in Bb parts. * The
trumpet cues in mm. 77-80
are only necessary if the
horns need assistance
finishing their soli
phrase with enough
strength to be heard. If
you can hear them without
extra support, leave the
trumpets out. * From mm.
89-95, be sure the wind
players with static
eighth notes do not cover
up the players with
moving lines. * There is
a strong tendency to rush
m. 121. * During the oboe
solo from mm. 157-168,
ensure that the
suspension/resolution
lines in the bassoon and
clarinet parts are heard;
emphasize the importance
of growing into the
suspension with a slight
crescendo. * In the
scherzo section that
begins at m. 217, be sure
that each player knows
how his/her part fits
into the overall sound. I
recommend isolating
different textural items
so the players can hear
those parts on their own.
(The bass line from mm.
243-260, for example, or
the moving inner-voice
line from mm. 251-260.) *
In this same scherzo
section, care should be
taken to not play too
loud and save a little
strength for the climax
fanfare at m. 279. * If
you have an abundance of
tubas, I would recommend
having one or two of them
play up an octave from
mm. 243-271 if the lower
part seems too
heavy. Blue Horizons
is a spirited tribute to
the musical heritage of
the United States Air
Force. The main theme is
a variation of the U.S.
Air Force Song (Off We
Go), with a secondary
theme based on A Toast to
the Host (the bridge of
The Air Force Song).
Throughout the work,
fragments of other Air
Force-related songs
appear: Lord, Guard and
Guide (the Air Force
Hymn), Air Force Blue,
and Those Magnificent Men
in Their Flying
Machines.The original
request for this work was
a daunting task: I was
asked to create an Air
Force “companion
piece†to Robert
Jager’s Esprit de
Corps that would mirror
the style and spirit of
that landmark work. The
goal was to use elements
of our various Air Force
tunes in the same way
that Jager incorporated
The Marine’s Hymn
into his work –
that is, to weave
amusical tapestry of the
Air Force’s
musical heritage without
ever becoming a mere
arrangement of the
original material. As a
former student of Robert
Jager at Tennessee
Technological University,
I discussed my plans for
the piece with him,
shared my progress along
the way, and sought his
guidance as I had done so
many times in the past.
He was delighted that I
managed to incorporate a
few
“Jager-ismsâ€
into the music, including
one direct quote from
Esprit de Corps. Although
Blue Horizons was
conceived asa dedication
to the Air Force’s
musical legacy, it is
also a personal homage to
my teacher and friend,
Robert Jager.Performance
Notes• If only two
flutists are available,
omit the piccolo part and
have them play Flute 1
and 2; in this case,
Flute 1 should switch
over to piccolo (still
playing from the Flute 1
part) at m. 81 and back
to regular flute at m.
114. If only covering the
Flute 1 and 2 parts,
Flute 2 should ignore
indications to switch to
piccolo and just play the
entire work on regular
flute.• Oboe 1 and
2 parts should be covered
before adding the English
Horn part.• The
clarinet in Eb part
should not be covered
unless there are a
sufficient number of
players on the clarinet
in Bb parts.• The
trumpet cues in mm. 77-80
are only necessary if the
horns need assistance
finishing their soli
phrase with enough
strength to be heard. If
you can hear them without
extra support, leave the
trumpets out.• From
mm. 89-95, be sure the
wind players with static
eighth notes do not cover
up the players with
moving lines.•
There is a strong
tendency to rush m.
121.• During the
oboe solo from mm.
157-168, ensure that the
suspension/resolution
lines in the bassoon and
clarinet parts are heard;
emphasize the importance
of growing into the
suspension with a slight
crescendo.• In the
scherzo section that
begins at m. 217, be sure
that each player knows
how his/her part fits
into the overall sound. I
recommend isolating
different textural items
so the players can hear
those parts on their own.
(The bass line from mm.
243-260, for example, or
the moving inner-voice
linefrom mm.
251-260.)• In this
same scherzo section,
care should be taken to
not play too loud and
save a little strength
for the climax fanfare at
m. 279.• If you
have an abundance of
tubas, I would recommend
having one or two of them
play up an octave from
mm. 243-271 if the lower
part seems too heavy. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Five Ensemble Jazz [Conducteur et Parties séparées] - Avancé Jazz Lines Publications
Arranged by Chuck Israels. For little big band. Swing, Jazz. Difficult. Score an...(+)
Arranged by Chuck
Israels. For little big
band. Swing, Jazz.
Difficult. Score and
parts. Published by Jazz
Lines Publications
$50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Break Through - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Gong, Horn, Mallet
Percussion 1, Mallet
Percussion 2, Oboe,
Percussion 1, Percussion
2, Suspended Cymbal,
Timpani, Triangle and
more. - Grade 2 SKU:
CF.YPS257 Composed by
Mark Lortz. Yps. Set of
Score and Parts.
8+2+4+4+2+2+5+2+2+4+4+4+3
+3+3+2+3+1+1+1+4+2+12
pages. Duration 3
minutes, 18 seconds. Carl
Fischer Music #YPS257.
Published by Carl Fischer
Music (CF.YPS257).
ISBN 9781491161500.
UPC:
680160920136. Break
Through is my musical
representation of one's
struggle to pass through
a barrier or move beyond
an obstacle. This could
be a literal breakthrough
or a metaphorical
achievement. The
composition is centered
around the key of G minor
to achieve a dark,
resonant emotion. The
percussion is the
heartbeat and pulse for
the introduction and
should follow all
dynamics to match the
winds. Soft rolling
mallets should be used
for the bass drum and
gong rolls, creating a
dark timbre without
overpowering the
ensemble. At Rehearsal
13, work to have a
balanced section where
the clarinets can be
heard on the melody and
the tenor sax and horn on
the countermelody.
Rehearsal 21 provides a
fully scored variation of
the theme and should
continue to be as dark as
possible. Rehearsal 29 is
the final musical
struggle before the
Rehearsal 38 'break
through' climax of the
composition. The
resolution of the
relative major of Bb
should be majestic and
triumphant. Finally,
rehearsal 48 transitions
to a recapitulation of
the opening theme, moving
towards a contemplative
ending back to G minor. I
hope you and your
ensemble enjoy
perforinming Break
Through. Break Through
is my musical
representation of
one’s struggle to
pass through a barrier or
move beyond an obstacle.
This could be a literal
breakthrough or a
metaphorical achievement.
The composition is
centered around the key
of G minor to achieve a
dark, resonant emotion.
The percussion is the
heartbeat and pulse for
the introduction and
should follow all
dynamics to match the
winds. Soft rolling
mallets should be used
for the bass drum and
gong rolls, creating a
dark timbre without
overpowering the
ensemble. At Rehearsal
13, work to have a
balanced section where
the clarinets can be
heard on the melody and
the tenor sax and horn on
the countermelody.
Rehearsal 21 provides a
fully scored variation of
the theme and should
continue to be as dark as
possible. Rehearsal 29 is
the final musical
struggle before the
Rehearsal 38 ‘break
through’ climax of
the composition. The
resolution of the
relative major of Bb
should be majestic and
triumphant. Finally,
rehearsal 48 transitions
to a recapitulation of
the opening theme, moving
towards a contemplative
ending back to G minor.I
hope you and your
ensemble enjoy
perforinming Break
Through. $65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Blue Horizons [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Chimes, Clarinet, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Chimes, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Crash Cymbals,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Glockenspiel,
Harp, Horn 1, Horn 2,
Horn 3 and more. - Grade
5 SKU: CF.SPS85F
Composed by Jeremy
Martin. Sws. Sps. Full
score. 44 pages. Duration
7 minutes, 8 seconds.
Carl Fischer Music
#SPS85F. Published by
Carl Fischer Music
(CF.SPS85F). ISBN
9781491156438. UPC:
680160914975. 9 x 12
inches. Blue
Horizons is a spirited
tribute to the musical
heritage of the United
States Air Force. The
main theme is a variation
of the U.S. Air Force
Song (Off We Go), with a
secondary theme based on
A Toast to the Host (the
bridge of The Air Force
Song). Throughout the
work, fragments of other
Air Force-related songs
appear: Lord, Guard and
Guide (the Air Force
Hymn), Air Force Blue,
and Those Magnificent Men
in Their Flying Machines.
The original request for
this work was a daunting
task: I was asked to
create an Air Force
companion piece to Robert
Jager's Esprit de Corps
that would mirror the
style and spirit of that
landmark work. The goal
was to use elements of
our various Air Force
tunes in the same way
that Jager incorporated
The Marine's Hymn into
his work - that is, to
weave a musical tapestry
of the Air Force's
musical heritage without
ever becoming a mere
arrangement of the
original material. As a
former student of Robert
Jager at Tennessee
Technological University,
I discussed my plans for
the piece with him,
shared my progress along
the way, and sought his
guidance as I had done so
many times in the past.
He was delighted that I
managed to incorporate a
few Jager-isms into the
music, including one
direct quote from Esprit
de Corps. Although Blue
Horizons was conceived as
a dedication to the Air
Force's musical legacy,
it is also a personal
homage to my teacher and
friend, Robert Jager.
Performance Notes * If
only two flutists are
available, omit the
piccolo part and have
them play Flute 1 and 2;
in this case, Flute 1
should switch over to
piccolo (still playing
from the Flute 1 part) at
m. 81 and back to regular
flute at m. 114. If only
covering the Flute 1 and
2 parts, Flute 2 should
ignore indications to
switch to piccolo and
just play the entire work
on regular flute. * Oboe
1 and 2 parts should be
covered before adding the
English Horn part. * The
clarinet in Eb part
should not be covered
unless there are a
sufficient number of
players on the clarinet
in Bb parts. * The
trumpet cues in mm. 77-80
are only necessary if the
horns need assistance
finishing their soli
phrase with enough
strength to be heard. If
you can hear them without
extra support, leave the
trumpets out. * From mm.
89-95, be sure the wind
players with static
eighth notes do not cover
up the players with
moving lines. * There is
a strong tendency to rush
m. 121. * During the oboe
solo from mm. 157-168,
ensure that the
suspension/resolution
lines in the bassoon and
clarinet parts are heard;
emphasize the importance
of growing into the
suspension with a slight
crescendo. * In the
scherzo section that
begins at m. 217, be sure
that each player knows
how his/her part fits
into the overall sound. I
recommend isolating
different textural items
so the players can hear
those parts on their own.
(The bass line from mm.
243-260, for example, or
the moving inner-voice
line from mm. 251-260.) *
In this same scherzo
section, care should be
taken to not play too
loud and save a little
strength for the climax
fanfare at m. 279. * If
you have an abundance of
tubas, I would recommend
having one or two of them
play up an octave from
mm. 243-271 if the lower
part seems too
heavy. Blue Horizons
is a spirited tribute to
the musical heritage of
the United States Air
Force. The main theme is
a variation of the U.S.
Air Force Song (Off We
Go), with a secondary
theme based on A Toast to
the Host (the bridge of
The Air Force Song).
Throughout the work,
fragments of other Air
Force-related songs
appear: Lord, Guard and
Guide (the Air Force
Hymn), Air Force Blue,
and Those Magnificent Men
in Their Flying
Machines.The original
request for this work was
a daunting task: I was
asked to create an Air
Force “companion
piece†to Robert
Jager’s Esprit de
Corps that would mirror
the style and spirit of
that landmark work. The
goal was to use elements
of our various Air Force
tunes in the same way
that Jager incorporated
The Marine’s Hymn
into his work –
that is, to weave
amusical tapestry of the
Air Force’s
musical heritage without
ever becoming a mere
arrangement of the
original material. As a
former student of Robert
Jager at Tennessee
Technological University,
I discussed my plans for
the piece with him,
shared my progress along
the way, and sought his
guidance as I had done so
many times in the past.
He was delighted that I
managed to incorporate a
few
“Jager-ismsâ€
into the music, including
one direct quote from
Esprit de Corps. Although
Blue Horizons was
conceived asa dedication
to the Air Force’s
musical legacy, it is
also a personal homage to
my teacher and friend,
Robert Jager.Performance
Notes• If only two
flutists are available,
omit the piccolo part and
have them play Flute 1
and 2; in this case,
Flute 1 should switch
over to piccolo (still
playing from the Flute 1
part) at m. 81 and back
to regular flute at m.
114. If only covering the
Flute 1 and 2 parts,
Flute 2 should ignore
indications to switch to
piccolo and just play the
entire work on regular
flute.• Oboe 1 and
2 parts should be covered
before adding the English
Horn part.• The
clarinet in Eb part
should not be covered
unless there are a
sufficient number of
players on the clarinet
in Bb parts.• The
trumpet cues in mm. 77-80
are only necessary if the
horns need assistance
finishing their soli
phrase with enough
strength to be heard. If
you can hear them without
extra support, leave the
trumpets out.• From
mm. 89-95, be sure the
wind players with static
eighth notes do not cover
up the players with
moving lines.•
There is a strong
tendency to rush m.
121.• During the
oboe solo from mm.
157-168, ensure that the
suspension/resolution
lines in the bassoon and
clarinet parts are heard;
emphasize the importance
of growing into the
suspension with a slight
crescendo.• In the
scherzo section that
begins at m. 217, be sure
that each player knows
how his/her part fits
into the overall sound. I
recommend isolating
different textural items
so the players can hear
those parts on their own.
(The bass line from mm.
243-260, for example, or
the moving inner-voice
linefrom mm.
251-260.)• In this
same scherzo section,
care should be taken to
not play too loud and
save a little strength
for the climax fanfare at
m. 279.• If you
have an abundance of
tubas, I would recommend
having one or two of them
play up an octave from
mm. 243-271 if the lower
part seems too heavy. $18.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Meyer K Schostakowitsch - Biographie Schott
(TB BR) SKU: HL.49041722 His Life, his Work, his Time. Composed by...(+)
(TB BR) SKU:
HL.49041722 His
Life, his Work, his
Time. Composed by
Meyer. This edition:
Paperback/Soft Cover.
Paperback. Serie Musik.
Der Autor, Freund des
Komponisten und intimer
Kenner seines Werkes, hat
das Verdienst, eine erste
umfassende Synthese der
widerspruchlichen
Informationen zu geben,
die uns uberliefert sind.
Die andere, entscheidende
Leistung dieser
Biographie ist, das Leb.
608 pages. Schott Music
#SEM8376. Published by
Schott Music
(HL.49041722). ISBN
9783254083760.
4.75x7.5x1.19 inches.
German. Mehr als
jedes andere
kompositorische
Lebenswerk der
Musikgeschichte wurzelt
Schostakowitschs Schaffen
im politischen Umfeld
seiner Epoche. Fast jedes
seiner grosseren Werke
antwortet auf Ereignisse
in seinem Land. Trotz
zahlreicher Kommentare
des Komponisten selbst
und seiner Freunde war
der programmatische
Gehalt der Werke jedoch
lange nicht vollstandig
erhellt. Krysztof Meyer,
ein Freund des
Komponisten und intimer
Kenner seines Werkes, hat
mit diesem Standardwerk,
das nun als uberarbeitete
Neuausgabe vorliegt, eine
erste und umfassende
Synthese der
widerspruchlichen
Informationen gegeben.
Leben und Schaffen
Schostakowitschs werden
dabei in einen
Zusammenhang nicht nur
mit den musikalischen
Stromungen, sondern auch
mit den politischen
Entwicklungen seiner Zeit
gestellt. $29.99 - Voir plus => Acheter | | |
| Resilience - Intermédiaire Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, ...(+)
Band Bass Clarinet,
Bassoon, Bells, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion 1, Mallet
Percussion 2, Oboe,
Percussion 1, Percussion
2, Percussion 3, Piano,
Piccolo, Timpani and
more. - Grade 4 SKU:
CF.SPS93 For Those
Who Continue to Rise.
Composed by Travis
Weller. Set of Score and
Parts.
30+2+12+12+4+12+12+12+4+4
+4+4+4+4+6+6+6+8+9+9+6+9+
6+6+4+2+2+9+4+12+4 pages.
Duration 6 minutes, 10
seconds. Carl Fischer
Music #SPS93. Published
by Carl Fischer Music
(CF.SPS93). ISBN
9781491159774. UPC:
680160918362. Adver
sity, in any form at any
point of our lives, can
be absolutely
debilitating mentally,
physically, emotionally
and spiritually. In the
midst of hard times, it
is difficult to imagine
what our lives will look
like on the other side of
the adversity we are
facing. Yet so many of us
carry on, move forward,
and rise above determined
to never be defined by
our circumstances. For
some their personal
faith, support from
family, or relationship
to friends provides the
necessary fuel for the
resilience they need to
rise above adversity. It
is amazing when a group
of people are able to
come together to overcome
a common obstacle. With
this in mind, I put to
music that spirit of
rising above for the
Liberty High School Band
and their director
Michael Summers.
Northeast Ohio has seen
its share of prosperity
and significant times of
hardship along many
different fronts. I still
see resilient leaders,
community members, and
educators like Mike who
continue to fight for
what is best and what is
right. The debut of this
work, like so many other
things, was interrupted
in the spring of 2020.
Now on the precipice of a
new beginning for many
band programs across the
country, all of us in
instrumental music
education must summon
resilience to ensure our
groups recover, grow and
flourish. The rising
major second represents
us all taking the first
step forward in good and
difficult times. The
adversity (tension)
arrives in various ways
harmonically throughout
the work. Tension can
make us lose sense of
where we are on our
journey and rob us of our
ability to imagine
getting through our
current situation. But I
am reminded that not all
tension is bad. Given
enough time and enough
resolution, we can often
make sense of the
adversity. We can
recognize that the
adversity taught us
something about ourselves
we didn't know, or
perhaps challenged us to
grow in a way we didn't
think possible. Either
way, it does not happen
unless we possess
resilience. I thank you
in advance for your
support of this music and
wish you and your group
the very best moving
forward with
Resilience. Adversity,
in any form at any point
of our lives, can be
absolutely debilitating
mentally, physically,
emotionally and
spiritually. In the midst
of hard times, it is
difficult to imagine what
our lives will look like
on the other side of the
adversity we are facing.
Yet so many of us carry
on, move forward, and
rise above determined to
never be defined by our
circumstances.For some
their personal faith,
support from family, or
relationship to friends
provides the necessary
fuel for the resilience
they need to rise above
adversity. It is amazing
when a group of people
are able to come together
to overcome a common
obstacle. With this in
mind, I put to music that
spirit of rising above
for the Liberty High
School Band and their
director Michael Summers.
Northeast Ohio has seen
its share of prosperity
and significant times of
hardship along many
different fronts. I still
see resilient leaders,
community members, and
educators like Mike who
continue to fight for
what is best and what is
right. The debut of this
work, like so many other
things, was interrupted
in the spring of 2020.
Now on the precipice of a
new beginning for many
band programs across the
country, all of us in
instrumental music
education must summon
resilience to ensure our
groups recover, grow and
flourish. The rising
major second represents
us all taking the first
step forward in good and
difficult times. The
adversity (tension)
arrives in various ways
harmonically throughout
the work. Tension can
make us lose sense of
where we are on our
journey and rob us of our
ability to imagine
getting through our
current situation. But I
am reminded that not all
tension is bad. Given
enough time and enough
resolution, we can often
make sense of the
adversity. We can
recognize that the
adversity taught us
something about ourselves
we didn’t know, or
perhaps challenged us to
grow in a way we
didn’t think
possible. Either way, it
does not happen unless we
possess resilience.I
thank you in advance for
your support of this
music and wish you and
your group the very best
moving forward with
Resilience. $125.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Emotional Accordion Part 1 MDS (Music Distribution Services) (+)
-
Expectation
-
Pleasure
-
Fair Dance
-
Consolation
-
Carefree
-
Petit Morceau
-
Morning Blues
-
Une Belle matinee
-
Revelation
-
Wondering
-
Variations On A Theme
-
Touch
-
Emotion
-
Dance Constance
-
Beat
-
Gypsy Melody
-
Serene
-
Memory
-
Melodie d'un
Saxophone
-
Hopeful
-
Melody
-
La Valse
-
Spirit
-
Forward
-
Compassion
-
Cheerful
-
Resolute
-
Tango d'Esperanza
-
Welcome
-
In Classical Style
| | |
| Complete Johnny Smith Approach to Guitar Guitare [Partition] - Intermédiaire/avancé Mel Bay
by Johnny Smith. For flatpick and plectrum guitar. Complete. All styles, jazz. ...(+)
by Johnny Smith. For
flatpick and plectrum
guitar. Complete. All
styles, jazz. Level:
Intermediate-Advanced.
Book. Technique. Size
8.75x11.75. 256 pages.
Published by Mel Bay
Pub.,
(1)$39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| How to Choose and Use Audio Interfaces Hal Leonard
SKU: HL.269495 The Musician's Guide to Home Recording Series. Musi...(+)
SKU: HL.269495
The Musician's Guide
to Home Recording
Series. Musician's
Guide Home Recordg. Audio
Technology, Education /
Computers & Technology,
Recording/Music Business.
Softcover. 88 pages.
Published by Hal Leonard
(HL.269495). ISBN
9781540024916. UPC:
888680738693.
7.5x9.25x0.21 inches.
Craig Anderton The
Musician's Guide to Home
Recording
Series. Along with
a computer, an audio
interface provides the
all-important hardware
foundation for
computer-based recording.
This book helps musicians
choose, apply, and get
the maximum performance
from all types of audio
interfaces. Written in a
clear, practical,
non-intimidating style,
topics include: * The
significance of different
types of analog and
digital connections and
how you would use them *
Interconnection protocols
(USB, FireWire,
Thunderbolt, PCIe) for
Windows and Mac computers
* Product options from
portable, mobile units up
to sophisticated mixers
that can also serve as
audio interfaces * The
special requirements
involved in recording
guitar * The function of
drivers and accessory
programs (like software
mixers for signal
routing) * Ways to
minimize delays that
occur when using audio
interfaces with computers
* How and why to choose
particular sample rates
and resolutions * The
high-resolution audio
controversy * Microphone
preamps * Using multiple
interfaces * Expanding
existing interfaces for
more inputs *
Understanding
specifications * Various
special features unique
to particular interfaces,
and more Loaded with
illustrations and
featuring the judicious
use of sidebars to give
details on selected
topics for those who want
to know why as well as
how, How to Choose and
Use Audio Interfaces is
essential reading about
one of the most important
elements needed for a
high-quality,
computer-based home or
project studio. $21.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Commitment to Courage Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1104888-010 Composed by Hayat...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1104888-010
Composed by Hayato
Hirose. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2010.
De Haske Publications
#DHP 1104888-010.
Published by De Haske
Publications
(BT.DHP-1104888-010).
9x12 inches.
English-German-French-Dut
ch. Commitment
to Courage is een
eerbetoon aan
brandweerlieden overal
ter wereld. Dagelijks
stellen zij hun leven in
de waagschaal voor het
welzijn van hun medemens.
Het eerste deel
Oath (eed)
beschrijft hoe de
brandweermoedig het vuur
bestrijdt om mensen te
redden. Het tweede deel
Grief (verdriet)
is een requiem voor de
slachtoffers. Het derde
deel Resolutions
spreekt een belofte uit:
ook in de toekomst zal de
brandweer telkens
haaropdracht
vervullen.
Commitm
ent to Courage ist eine
Hommage an die Arbeit der
Feuerwehrleute auf der
ganzen Welt, die
täglich ihr Leben
für die Sicherheit
der Bevölkerung
riskieren. Der erste Satz
Oath (Eid) beschreibt,
wie die Feuerwehr mutig
das Feuer bekämpft, um
Zivilisten zu retten. Der
zweite Satz Grief
(Trauer) ist ein Requiem
für die Opfer. Der
dritte Satz ist mit
Resolutions (Vorsätze)
überschrieben: Auch
in Zukunft wird die
Feuerwehr ihre Mission
erfüllen, damit
alle Menschen in
Sicherheit leben
können.
Comm
itment to Courage est
une œuvre de
commande pour la Musique
de la Brigade des
sapeurs-pompiers de
Nagoya (Nagoya City Fire
Bureau Band - Japon),
pour les festivités
marquant son
cinquantième
anniversaire. La
réalisation de cette
commande a été
rendue possible gr ce au
soutien financier de la
Brigade des
sapeurs-pompiers de
Nagoya (Nagoya City Fire
Bureau).
L’œuvre fut
donnée en création
par la formation
dédicataire, placée
sous la direction de
Masaichi Takeuchi, le 7
février
2009.Commitment to
Courage
(“L’obligati
on de courageâ€) est
une œuvre en trois
mouvements décrivant
les missions que les
pompiers réalisent
pour sauver la vie de
paisiblescivils.I.
Oath - Fighting the Fire
Un serment - Combattre le
feuCe premier
mouvement débute avec
une fanfare jouée par
les cuivres. Les pompiers
bravent les flammes pour
sauver des vies
humaines.II. Grief -
Requiem for the VictimsLe
chagrin - Requiem pour
les victimesLa petite
harmonie (les bois) joue
un requiem pour tous ceux
qui n’ont pas pu
être sauvés.III.
Resolutions - For the
Future Des résolutions
- Pour
l’avenirLa
mission des pompiers
demeurera toujours la
même : sauver la vie
de citoyens ordinaires,
parfois au péril de
leur propre vie.Hayato
Hirose a composé cette
œuvre en hommage aux
soldats du feu, avec
l’espoir
d’un avenir serein
et heureux pour tous. $181.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Commitment to Courage Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1104888-140 Composed by Hayat...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1104888-140
Composed by Hayato
Hirose. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2010. 44
pages. De Haske
Publications #DHP
1104888-140. Published by
De Haske Publications
(BT.DHP-1104888-140).
9x12 inches.
English-German-French-Dut
ch. Commitment
to Courage is een
eerbetoon aan
brandweerlieden overal
ter wereld. Dagelijks
stellen zij hun leven in
de waagschaal voor het
welzijn van hun medemens.
Het eerste deel
Oath (eed)
beschrijft hoe de
brandweermoedig het vuur
bestrijdt om mensen te
redden. Het tweede deel
Grief (verdriet)
is een requiem voor de
slachtoffers. Het derde
deel Resolutions
spreekt een belofte uit:
ook in de toekomst zal de
brandweer telkens
haaropdracht
vervullen.
Commitm
ent to Courage ist eine
Hommage an die Arbeit der
Feuerwehrleute auf der
ganzen Welt, die
täglich ihr Leben
für die Sicherheit
der Bevölkerung
riskieren. Der erste Satz
Oath (Eid) beschreibt,
wie die Feuerwehr mutig
das Feuer bekämpft, um
Zivilisten zu retten. Der
zweite Satz Grief
(Trauer) ist ein Requiem
für die Opfer. Der
dritte Satz ist mit
Resolutions (Vorsätze)
überschrieben: Auch
in Zukunft wird die
Feuerwehr ihre Mission
erfüllen, damit
alle Menschen in
Sicherheit leben
können.
Comm
itment to Courage est
une œuvre de
commande pour la Musique
de la Brigade des
sapeurs-pompiers de
Nagoya (Nagoya City Fire
Bureau Band - Japon),
pour les festivités
marquant son
cinquantième
anniversaire. La
réalisation de cette
commande a été
rendue possible gr ce au
soutien financier de la
Brigade des
sapeurs-pompiers de
Nagoya (Nagoya City Fire
Bureau).
L’œuvre fut
donnée en création
par la formation
dédicataire, placée
sous la direction de
Masaichi Takeuchi, le 7
février
2009.Commitment to
Courage
(“L’obligati
on de courageâ€) est
une œuvre en trois
mouvements décrivant
les missions que les
pompiers réalisent
pour sauver la vie de
paisiblescivils.I.
Oath - Fighting the Fire
Un serment - Combattre le
feuCe premier
mouvement débute avec
une fanfare jouée par
les cuivres. Les pompiers
bravent les flammes pour
sauver des vies
humaines.II. Grief -
Requiem for the VictimsLe
chagrin - Requiem pour
les victimesLa petite
harmonie (les bois) joue
un requiem pour tous ceux
qui n’ont pas pu
être sauvés.III.
Resolutions - For the
Future Des résolutions
- Pour
l’avenirLa
mission des pompiers
demeurera toujours la
même : sauver la vie
de citoyens ordinaires,
parfois au péril de
leur propre vie.Hayato
Hirose a composé cette
œuvre en hommage aux
soldats du feu, avec
l’espoir
d’un avenir serein
et heureux pour tous. $38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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