| The Little Black Book Of
Rock Classics Paroles et Accords Amsco Wise Publications
Over 70 timeless rock classics in a pocket-sized collection that will fit straig...(+)
Over 70 timeless rock classics in a pocket-sized collection that will fit straight into your Guitar case.The Little Black Book Of Rock Classics boasts a huge number of songs, all presented with full lyrics and chords. / Paroles Et Accords
21.70 EUR - vendu par LMI-partitions Délais: En Stock | |
| All About Guitar Guitare [Partition + Accès audio] - Facile Hal Leonard
Have you struggled through tedious lessons and boring instruction books in your ...(+)
Have you struggled through tedious lessons and boring instruction books in your desire to learn to play the Guitar? If you wish there was a fun and engaging way to motivate you in your Guitar playing quest, then All About Guitar is it.Whether it's learning to read music, playing in a Rock band, finding the right instrument, or all of the above, this enjoyable guide will help you to finally start playing your favourite songs in many different styles. Plus, learn interesting titbits on Guitar gear, care and maintenance, and other fun stuff about the Guitar.This fun-filled, easy-to-use guide includes:An introduction to Guitars.Step-by-step music reading instruction.Background on various styles of music, including dozens of favourite songs.Performing tips.25 songs, including Come as You Are, Iron Man, Pride and Joy, Sultans of Swing, Sweet Child O' Mine and many more. / Guitare
34.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Bass Rifftionary, The -
Chord Songbook Basse electrique [Partition] Faber Music Limited
Le Rifftionary pour basse comporte plus d'une centaine des plus célèbres riffs...(+)
Le Rifftionary pour basse comporte plus d'une centaine des plus célèbres riffs de basse. Vous y retrouverez des artistes comme Marvin Gaye, Pink Floyd, Radiohead, Nirvana, James Brown, Pantera, The Temptations, Green Day et encore plein d'autres. En plus des riffs, vous pourrez lire les faits marquants de la chanson, les paroles, le nom du bassiste et une citation de sa part sur la chanson. Tout ceci en anglais./ Tablatures / Guitare Basse Tablatures
20.60 EUR - vendu par LMI-partitions Délais: En Stock | |
| The Ultimate Christmas
Fake Book - 6th Edition Ligne De Mélodie, (Paroles) et
Accords [Fake Book] Hal Leonard
for Piano, Vocal, Guitar, Electronic Keyboard
46.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| 100 études,
exercises et phrases
tonales Vol. 2 (LENS
NICHOLAS) Piano seul Schott
pour piano. Par LENS NICHOLAS. The Belgian composer Nicholas Lens presents extre...(+)
pour piano. Par LENS NICHOLAS. The Belgian composer Nicholas Lens presents extremely varied etudes, exercises and simple phrases with wonderfully telling titles from poetry and everyday world for children and adults. For the most part the studies are tonal and simple and have no constructed line. They are not based on any educational concept but leave the musical dramatization to the pupils and teachers: 'Notes and rhythms are just notes and rhythms, they do not have that many rules, they do not have any pretension, they are just tools for you to use to express what you want to share'. / Date parution : 2016-11-20/ Etude / Piano
65.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Ponzol Peter - Saxophone
Workshop - Pocket Guide Saxophone Jamey Aebersold Jazz
Imagine someone who has worked as an international saxophonist, an educator, a t...(+)
Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.
6.40 EUR - vendu par Woodbrass Délais: Sur commande | |
| Hal Leonard Classical
Guitar Method - Book 2
(HENRY PAUL) Guitare [Partition + Accès audio] Hal Leonard
An Intermediate-Level Guide with Step-by-Step Instructions. Par HENRY PAUL. The ...(+)
An Intermediate-Level Guide with Step-by-Step Instructions. Par HENRY PAUL. The Hal Leonard Classical Guitar Method is designed for anyone just learning to play classical guitar. This comprehensive and easy-to-use guide by renowned classical guitarist and teacher Paul Henry uses the music of the master composers to further develop your understanding of the classical style and technique. Book 2 includes: tone-coloring techniques; dynamics; dampening; sixth string tuned to D; notes above open position; left-hand shifting; grace notes, slides, and articulations; natural and artificial harmonics; natural and artificial harmonics; full and partial barres; trills and mordents; two-octave scales; vibrato; counterpoint; left- and right-hand technique review; slur exercises; and more! This book also includes access to more than 50 audio tracks for demonstration and play-along. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-07-23/ Méthode / Guitare
20.60 EUR - vendu par LMI-partitions Délais: En Stock | |
| The Christmas Carols Book Guitare [Sheet music] - Facile Hal Leonard
A classic collection of 120 traditional Christmas carols arranged at the easy le...(+)
A classic collection of 120 traditional Christmas carols arranged at the easy level for all guitarists to enjoy. / Guitare
21.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Jakob Lenz (RIHM
WOLFGANG) Piano, Voix Universal Edition
Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera...(+)
Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera.” On the same scale as chamber music is to the symphony, it is rather the other way of talking onstage. The movable apparatus permits sophisticated voice-leading. A large ensemble demands simple conception to achieve the complexity it perhaps intends; this can be formulated more sharply and nuanced in a chamber ensemble. Therefore it is the subject which this type of presentation must sustain – or, better, provoke.
Büchner’s Lenz
is a description of the conditions within a process of collapse, moments of destruction already occurred but not yet accepted, evident in the points of contact with the environment. And it was those points of contact which Michael Fröhling attempted to reconstruct onstage. Lenz’s distraught state is always the same; only the proximity of the environment to that distraught state grows and ebbs.
The musical consequence
An hour of extreme chamber music results from this description: always bound for the main character – actually, not a commentary, but the main character himself as a multilayered level of action. Although Lenz acts on many levels – or tries to or believes he is – he has no room to manoeuvre. That is why he is also tightly interwoven in his sonic surroundings; the voices which only he hears are just as much himself as the two men with whom he foregathers (the liberal pragmatist Oberlin and the alert merchant who always “does the right thing” in every situation) – they evoke responses which he deeply desires. Omnipresent Friederike is just as much his inner world as Nature is – Nature, which he can no longer perceive unless it is personified, enlivened or dead.
Therefore, the music’s task is both to motivate the “situation” (atmospherically) and to be the psychological constant (via a network of entangled references per se) in an action as it is played out.
The compositional process
December 1977 to June 1978 – a period identical to the stepwise understanding of an existence as that of Jakob Lenz. Yet the more the historical figure became precisely attendant in my intellect in terms of data and atmosphere, the more it retreated in favour of a cipher of disturbance as I began to understand Lenz.
Thence the explanation for the failure of the attempts to approach him – including my attempt to interpret him via musical representation – because, essentially, Lenz himself is the failure. Only the naked stages of that failure remain portrayable, i.e. including the failure of those who wish to “help” Lenz, for example, while Lenz himself is already trapped inextricably in a state of complete destruction. I tried to compose my way into that situation as far as possible; the insistence of several rhythmic and harmonic configurations is the palpable expression of the main character’s ever-recurring rigidity. One sound pervades the entire work.
The musical stage
For me, this is a place where very magical and very human things take place. In Jakob Lenz, the human aspects often switch to magical ones, since the realism of a self-suasive, unhinged soul takes on surreal traits – or we simply cannot understand that otherwise except as not being real. A character like Jakob Lenz on the stage is complex due to the fact alone that it harbours many stages within itself, and music must represent those constantly present stages.
I have tried to do so in the most direct way – by not cleanly separating the musical layers, but keeping them constantly in evidence until they must break forth, each in accord with its own dramaturgy. In an overview, the large form takes on aspects of a rondo, performed in overlapping layers – a type of rondo relief, since perspectives of psychological proximity and distance are indeed formulated musically as atmospheric relations.
Above all: the thread on which Jakob Lenz hangs is the current onto the listeners’ hearts.
Wolfgang Rihm (January 1979)/ Répertoire / Chant et Piano
116.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| My Song Diary (DICKBAUER
KLAUS) Clarinette [Partition + CD] Universal Edition
Twelve easy to intermediate songs. Par DICKBAUER KLAUS. Whether together with th...(+)
Twelve easy to intermediate songs. Par DICKBAUER KLAUS. Whether together with the professional Play Along MP3-CD or the available piano accompaniment, the collection of twelve original compositions by Klaus Dickbauer and Martin Gasselsberger grooves from the first to the last note. The solo pieces are within the easy to intermediate degrees of difficulty, and are stylistically based on jazz, world, cinema and pop genres. Their interpretation is perfectly complemented by the accompanying CD, on which the complete versions are recorded at a high-quality level.
The entertaining pieces already stimulate the most diverse imaginations through their attractive titles. In ?Your Fairy Tale? or in ?The Story of the Angry Rabbit?, for example, you can enter fairy tale worlds, it becomes thoughtful in ?Melancholia?, lively and cheerful in ?Joyful Dance? and ?Come and Show your Bright Side!? ?Tricky 7? incorporates the 7/4 time into its brisk tempo with rhythmic demands, while the ?Wedding Waltz? tirelessly turns in circles. Dickbauer's ?Let the Cat In? shows that a cat has no patience.
At many points in the twelve character pieces there is room for improvisation and creativity, which should encourage the listener to develop their own ideas. Harmonies or scales are noted in the score. The chord symbolism is generally completed in the clarinet part above the melody. A notated piano part is available for download, but can also be purchased as a print edition (UE 38046). An ideal volume to achieve fun and audience appeal.
Twelve easy to intermediate songs without words for clarinet
Characterful compositions spanning jazz, world, cinema and pop
Professionally recorded CD featuring a variety of instruments with full demonstration performances and play-along tracks
The piano accompaniment is available as either a free printout or as a printed edition (UE 38046)/ Recueil / Clarinette
23.90 EUR - vendu par LMI-partitions Délais: En Stock | |
| The Oxford Book Of Carols
(DEARMER PERCY / VAUGHAN
WILLIAMS RALPH) Chorale SATB [Partition] Oxford University Press
Par DEARMER PERCY / VAUGHAN WILLIAMS RALPH. Un favori ferme avec des choeurs pen...(+)
Par DEARMER PERCY / VAUGHAN WILLIAMS RALPH. Un favori ferme avec des choeurs pendant de nombreuses années, il s'agit d'une collection classique des chants traditionnels. Au cours des cinquante années écoulées depuis sa mort, Vaughan Williams est venu à être considéré comme l'un des meilleurs compositeurs britanniques du 20e siècle. Il dispose d'un catalogue particulièrement vaste d'oeuvres, y compris les oeuvres chorales, symphonies, concertos et opéras. Ses recherches et son imagination visionnaire, combiné avec une flexibilité dans l'écriture pour tous les niveaux de la création musicale, a signifié que sa musique est aussi populaire aujourd'hui qu'il l'a jamais été./ Recueil / Chant
41.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Disney For Teen Singers -
Young Women's
Edition Voix d'Enfants, Piano [Partition] Hal Leonard
35 classic and contemporary Disney songs arranged specifically for teen singers....(+)
35 classic and contemporary Disney songs arranged specifically for teen singers.Disney For Teen Singers - Young Women's Edition features the songs: Alice, Anything Can Happen, Beauty and the Beast, Belle (Reprise), Beyond My Wildest Dreams, Can You Feel the Love Tonight, Candle on the Water, A Change in Me, Colors of the Wind, A Dream Is a Wish Your Heart Makes, Feed the Birds, For the First Time in Forever, God Help the Outcasts, Home, I See the Light, I Won't Say (I'm in Love), Into the Open Air, Le Festin, Let It Go, Once Upon a Dream, Part of Your World, Practically Perfect, Reflection, The Second Star to the Right, So This Is Love (The Cinderella Waltz), Someday (Esmeralda's Prayer), A Spoonful of Sugar, Touch the Sky, True Love's Kiss, Watch What Happens, When There Was Me and You, When Will My Life Begin, When You Wish upon a Star, With a Smile and a Song, The World Above. / Voix Et Piano
34.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| About A Boy - Movie
Selections (BADLY DRAWN
BOY) Piano, Voix et Guitare [Partition] I.M.P.
Par BADLY DRAWN BOY. De la motion picture, ' Pour un garçon ' vient cette corre...(+)
Par BADLY DRAWN BOY. De la motion picture, ' Pour un garçon ' vient cette correspondance folio accompagnant l'album de Damon Gough de musique qui parfaitement donne le ton du film. Basé sur le roman de Nick Hornby, le film avec Hugh Grant, Nicholas Hoult, Toni Collette et Rachel Weisz. / TV, Film, Comédie musicale / Recueil / Piano, Chant et Guitare
24.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Interludes Orgue Boosey and Hawkes
Album for organ solo from the composer of the much-recorded 'Miroir?. The album ...(+)
Album for organ solo from the composer of the much-recorded 'Miroir?. The album consists of four pieces of between 2½ and 4 minutes' duration respectively. 'Play it cool!? was composed as the mandatory test piece in the 2012 First Breda International Organ Competition, with the Grote Kerk's four-manual Flentrop/Van den Heuvel instrument in mind. As the title suggests, the piece makes great play on syncopated, jazz- and rock-inflected figures. Suitable for advanced standard performers. 'The Messenger on the Hill?, while similarly syncopated and witty, is within easy reach of intermediate standard players. Laid out for two-manual instrument it features an almost continuous oscillating left-hand figure with right-hand melody and a very simple pedal part. 'Rejoice!? is an arrangement of a work for saxophone and organ, made at the request of, and in collaboration with, Thomas Trotter. A duo for contrasting manuals, with a simple, syncopated bass part in the pedals. Suitable for advanced standard performers. 'Passacaglia?, also for two-manual instrument, is composed almost entirely for the white notes. The simple passacaglia theme is repeated throughout on the pedals. Above this, melodic material derived from the theme is played in the right hand against a sustained, chordal left-hand accompaniment. Later on, there is dialogue between the hands, with some optional ornamentation in the right hand. Suitable for intermediate standard performers. / Orgue
17.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Half A Sixpence (DREWE
ANTHONY) Piano, Voix [Partition] Faber Music Limited
Musical numbers that one after another hit the jackpot. Par DREWE ANTHONY. This ...(+)
Musical numbers that one after another hit the jackpot. Par DREWE ANTHONY. This is the official songbook for the brand new stage version of Half a Sixpence. The show opened to rave reviews and is currently playing at the Noël Coward Theatre, London. This musical adaptation of H.G. Wells's semiautobiographical novel 'Kipps: The Story of a Simple Soul', is a completely fresh adaptation which reunites Julian Fellowes (creator of Downton Abbey) with George Stiles and Anthony Drewe, the musical team that co-creator Cameron Mackintosh first put together to create the hit stage adaptation of Mary Poppins. The score is inspired by and features several of composer David Heneker's exhilarating songs from the original production, including Flash Bang Wallop, Money to Burn and Half A Sixpence./ Recueil / Chant et Piano
32.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| The Novello Book Of Hymns Chorale SATB Novello & Co Ltd.
The Novello Book Of Hymns is a collection of 50 favourite hymns, inspiringly and...(+)
The Novello Book Of Hymns is a collection of 50 favourite hymns, inspiringly and engagingly written for SATB Choirs. Edited by David Hill, all the arrangements in this book are designed to be singable by congregations without music, and can be used in any church or school service.As well as providing uplifting versions of hymns, these arrangements also work well as easy anthems, enabling church and school choirs to learn an often striking and dramatic piece of music quickly and easily.The hymns have been arranged by a range of well-loved composers including Richard Lloyd, John Bertalot, David Hill, Stephen Jackson, Philip Moore, Christopher Robinson and many others.Editor of the collection David Hill is a Choral Advisor to Novello. He is Chief Conductor of the BBC Singers, Musical Director of the Bach Choir, Chief Conductor of the Southern Sinfonia, Associate Guest Conductor of the Bournemouth Symphony Orchestra, Music Director of Leeds Philharmonic Society, and Professor of Choral Conducting at Yale University. / Choeur Mixte (SATB)
33.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Controle Des 4 Membres A
La Batterie En Français Batterie [Partition + CD] Play Music Publishing
Cet ouvrage a pour objectif de vous faire travailler le contrôle des quatre mem...(+)
Cet ouvrage a pour objectif de vous faire travailler le contrôle des quatre membres à la batterie. Ce n?est en effet que grâce à un parfait contrôle de ses membres (mains et pieds, gauches et droits) que le batteur peut avoir accès à tous les types de grooves, breaks ou soli, et ce dans tous les styles de musique. Ce qui rend le travail proposé ici tout à fait primordial... Divisée en deux parties, cette méthode aborde aussi bien le contrôle horizontal (supérieur et inférieur) que le contrôle vertical (gauche et droit), qui permettent de relier les mains et les pieds et ainsi d?appréhender plus facilement les multiples combinaisons rythmiques que propose la batterie. Mais plutôt que d?enchaîner des tas d?exercices techniques les uns derrière les autres, sans en distinguer la finalité musicale, l?accent est avant tout mis ici sur la pratique, avec un travail spécifique sur des grooves et des breaks de tous styles. Ainsi, chaque partie commence par quelques inévitables exercices de préparation, avant d?enchaîner sur des applications purement musicales à jouer sur des playbacks. Pour chacune de ces applications musicales, sont disponibles cinq enregistrements différents sur le CD'MP3 joint, répartis de la façon suivante : la batterie seule, au tempo normal puis ralenti, la même partie de batterie jouée cette fois sur son playback, et enfin le playback seul, là encore au tempo normal puis ralenti... pour que chacun puisse apprendre et jouer à son rythme, selon son niveau et ses capacités. Soit près de 4 heures de musique en tout !
15.00 EUR - vendu par Woodbrass Délais: Sur commande | |
| Energize Your Fingers
Every Day - Book 2A Piano seul FJH
Use Energize Your Fingers Every Day to develop correct technique from the very b...(+)
Use Energize Your Fingers Every Day to develop correct technique from the very beginning. The books in this series by Helen Marlais with Timothy Brown are filled with short, patterned exercises with explicit 'how to? tips that will help you to build technical skills that can be used with all Piano methods.Each technical goal is written under the title of each 4-8 measure piece i.e. balance between the hands, weight transfer, flexible wrists, strong fingers, etc. The key signatures of C, G, F and D major appear throughout the book with suggestions for transposition. The appealing art and brevity of each day's exercise will result in tension-free technique for any student. / Piano
12.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Tio On Tour (STRECKE
KERSTIN) Piano seul [Partition] Breitkopf & Härtel
Abenteur Im Erweiterten Tonraum. Par STRECKE KERSTIN. Little Tio 'on Tour' means...(+)
Abenteur Im Erweiterten Tonraum. Par STRECKE KERSTIN. Little Tio 'on Tour' means that he wanders across the meadows, whistles a few melodies, runs into grasshoppers, birds, caterpillars, even bears and snakes, and in no time at all he's compiled a collection of 40 new pieces. 'Tio on Tour' also means: the piano has many more keys than the notes within the interval of a fifth. So let's go! We move our hands by following Tio, stretch them and explore the keys little by little. We master them from above and below, use the (right) pedal ... and realize that we can also go 'on tour' for a little recital with Tio and these catchy pieces. Applause, applause!/ Recueil / Piano
20.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| 100 Christmas Carols Ukulele Hal Leonard
Take the uke along when you go Christmas caroling this year! This massive collec...(+)
Take the uke along when you go Christmas caroling this year! This massive collection includes 100 of your favorite carols: Angels We Have Heard on High - Away in a Manger - The Boar's Head Carol - Coventry Carol - Deck the Hall - The First Noel - Go, Tell It on the Mountain - The Holly and the Ivy - I Heard the Bells on Christmas Day - It Came upon the Midnight Clear - Joy to the World - Masters in This Hall - O Little Town of Bethlehem - Pat-A-Pan - Rise Up, Shepherd, and Follow - Silent Night - The Twelve Days of Christmas - What Child Is This? - and more. / Ukulélé
21.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Favourite Hymns - Easy
Keyboard Library Ligne De Mélodie, (Paroles) et
Accords [Partition] - Facile Faber Music Limited
A collection of favourite Hymns arranged for easy Keyboard. Each hymn features m...(+)
A collection of favourite Hymns arranged for easy Keyboard. Each hymn features melody line, vocals, chord displays, suggested registrations and rhythm settings. Includes 'Abide With Me', 'All Things Bright And Beautiful', 'We Plough The Fields' and 'When I Survey The Wondrous Cross'. / Niveau : Facile / Recueil / Clavier Electronique et Ligne Mélodique
16.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Toots And Twiddles
American Tunes Tous Les Instruments [Partition] Faedoq
Une sélection d'airs américains arrangé pour être adapté à tous les instru...(+)
Une sélection d'airs américains arrangé pour être adapté à tous les instruments, avec les accords de guitare simples.
Vous voulez quelques airs honnêtes à la bonté facile? Vous êtes un débutant sur ??votre instrument choisi? Peut-être que vous avez appris dans le passé, abandonné et sont prêts à essayer de faire la musique à nouveau. Peut-être que vous êtes à la recherche d'un bon nombre de grands airs qui sont simples à lire et à jouer.
Toots and Twiddles sont faites en pensant à vous-là une richesse de mélodies, certains vous le savez, certains vous n'aimez pas, arrangé pour jouabilité avec une gamme limitée de billets et plus facile des clés. / Tout Instrument / 40 pages / niveau : Facile / Partition
11.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Christmas Story, The
(Childrens Cantata) (LEGG
PAT) Voix d'Enfants [Partition] Faber Music Limited
Par LEGG PAT. The Christmas Story aims to involve a whole community - whether sc...(+)
Par LEGG PAT. The Christmas Story aims to involve a whole community - whether school, music centre, workshop or club. It is ideal for a simple staging so children can be involved in all aspects of a musical production. The instrumentation is completely flexible: it will work successfully with anything from piano or guitar and voices right up to the full scoring suggested including strings, melody instruments, bass instruments and mixed percussion.You will find the pieces easy to learn, full of memorable tunes, and above all, fun - ideal for the hectic Christmas period in a busy school or community./ Répertoire / Orchestre Scolaire
23.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| 10 Fugues For String
Quartet - Book 2 (BACH
JOHANN-SEBASTIAN) Quatuor à cordes: 2 violons,
alto, violoncelle [Conducteur et Parties séparées] Spartan Press
10 Fugues For String Quartet Vol. 2. Par BACH JOHANN-SEBASTIAN. The idea for the...(+)
10 Fugues For String Quartet Vol. 2. Par BACH JOHANN-SEBASTIAN. The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets', Op. 20. The spirit and influence of J.S. Bach, in particular his Well Tempered Clavier, Book II, courses through these three miraculous Haydn fugues. Like the viol consort, the string quartet suits this kind of composition (the fugue), with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments, so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content, telling you something about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations, there's little fugal writing for string quartet, at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire and ndash - lightness of sound and rhythmic fluidity, for example - will be very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces, mostly fast, bright and in major keys, show Bach at his most playful, funny and mischievous, composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues, written by my favourite composer - a violinist and violist himself, but above all a master / Classique / Date parution : 2018-05-04/ Répertoire / Quatuor à Cordes
31.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| 10 Fugues (BACH
JOHANN-SEBASTIAN) Quatuor à cordes: 2 violons,
alto, violoncelle [Conducteur et Parties séparées] Spartan Press
For String Quartet Volume 1. Par BACH JOHANN-SEBASTIAN. The idea for these arran...(+)
For String Quartet Volume 1. Par BACH JOHANN-SEBASTIAN. The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets', Op. 20. The spirit and influence of J.S. Bach, in particular his Well Tempered Clavier, Book II, courses through these three miraculous Haydn fugues. Like the viol consort, the string quartet suits this kind of composition (the fugue), with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments, so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content, telling you something about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations, there's little fugal writing for string quartet, at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire and ndash - lightness of sound and rhythmic fluidity, for example - will be very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces, mostly fast, bright and in major keys, show Bach at his most playful, funny and mischievous, composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues, written by my favourite composer - a violinist and violist himself, but above all a / Classique / Date parution : 2018-05-04/ Répertoire / Quatuor à Cordes
31.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
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