Comme le principal représentant de la musique tchèque à Vienne du 18e siècle, LeopoldKozeluch (17471818) a été observée principalement comme compositeur, pianiste et professeur de clavier. Ses 50 sonates pour clavier couvrent toute sa carrière et marquent non seulement la transition de la manière clavecin et clavicorde au style fortepiano entièrement idiomatique, mais aussi le développement de la 'sonate classique' qui a duré plusieurs décennies (17731809).Jusqu'à présent, les pianistes ont eu peu de chance de se familiariser avec la gamme complète des sonates de Kozeluch depuis quelques existait dans les éditions modernes. Pour la première fois cette nouvelle édition complète par Christopher Hogwood présente toutes les sonates pour clavier solo. Il y aura quatre volumes au total et les oeuvres seront présentées par ordre chronologique. Volume IV contient également ces sonates qui ne se trouvent que dans les sources manuscrites. La première édition complète de toutes les sonates pour clavier par le compositeur tchèque Leopold Kozeluch Comble une lacune dans le répertoire du répertoire classique tchèque et de l'Europe centrale Convient pour les amateurs et les professionnels idéal pour des fins d'enseignement Comprend une introduction détaillée (Eng / CZ / Ger), commentaire critique (Eng)et facsimilés / Clavier

In 1790, during the lifetime of Mozart and Haydn, Ernst Ludwig Gerber wrote of Ko?eluch in his famous handbook for musicians, 'without opposition, by young and old, (?) generally the best-loved composer alive today?. His works display 'liveliness and grace, the noblest of melodies with the purest of harmonies, and a pleasing organisation of rhythm and modulation.? Until now, pianists have had little chance to acquaint themselves with the complete range of Ko?eluch's sonatas since very few modern editions were available. For the first time, this new complete edition by Christopher Hogwood presents all of Ko?eluch's sonatas for keyboard solo. The four volumes each contain 12 to 13 sonatas, and the works are presented chronologically according to the date of their first publication. Volume IV will contain those sonatas that are found only in hand-written sources.- First complete edition of the sonatas for keyboard by Leopold Ko?eluch- Fills a gap in Czech and Middle-European Classical repertoire- Suitable for amateurs as well as professionals- ideal for teaching purposes- Includes a detailed introduction (Eng/Czech/Ger), critical commentary (Eng) and facsimile pages from the sources / Piano

106 Graded Pieces From Baroque To The 20Th Century. A treasure trove of thoughtfully graded piano pieces from the four traditional classical eras, ranging from Bartók and Turk's most accessible teaching pieces to recital hall repertoire by Rachmaninoff, Bach, and Debussy. Carefully edited so an adult or mature student can progress easily by level, and ideal as a reference tool for piano teachers. Includes style characteristics and easy-to-use table of contents and indexes, and the collection is beautifully comb-bound so pages always stay open! Grading/level is similar to the John Thompson Modern Course for the Piano so progress is quick and assured,/ Recueil / Piano

Baryton Ou Mezzo-Soprano. Par CAIX D'HERVELOIS LOUIS DE. / Répertoire / Voix et Piano (Baryton ou Mezzo-Soprano)

Facile à lire, arrangements simplifiés pour Piano de 25 pièces classiques. Inclut l'Air sur la chaîne ' G ' (Bach), Ode À la joie (Beethoven), Ave Maria (Schubert), choeur des esclaves hébraïques (Verdi) et Prélude Op.28, n o 7 (Chopin). Subperbly organisé par Stephen Duro et convenables pour les pianistes de grade 1-3. / Piano / 48 pages / Partition

The first three movements of Johannes Brahms' E minor Cello Sonata were composed in 1862, the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms' life, however, it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It was notably Robert Hausmann's advocacy of the work which seems to have contributed greatly to its promotion.Of particular value to the editors were the three early performance editions of the Cello Sonata op. 38 by Cornelius van Vliet and Edwin Hughes, Hugo Becker and Carl Friedberg, as well as Julius Klengel. The cellists' van Vliet, Becker and Klengel's fingering and bowing allows for a better understanding of their performance practice. As such, the Bärenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked urtext part.An important part of this edition is the extensive preface. Firstly it informs about the works' origins, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight in Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend: ?Performance Practices in Johannes Brahms' Chamber Music', text booklet BA 9600 / Violoncelle Et Piano

Les cinq livres de cette série présentera 100 chefs-d'oeuvre allant de début-intermédiaire par niveau avancé que les éditeurs croient pianistes en développement devraient étudier et exécuter. Chaque livre contient 20 morceaux choisis parmi les quatre périodes principales des styles ainsi que des suggestions supplémentaires pour le répertoire du 20e siècle. Livre 4 contient les sélections pour début avancés pianistes. / Piano

Compilations regroupant les plus grands titres d'un genre musical spécialement regravées en piano, voix et diagrammes d'accord guitare ou en piano solo en format A4 spiralé afin qu'il reste 'plat' sur le support du piano.Titres : Miserere mei, Deus [Allegri] - Sarabande [Arnold, Malcolm] - Aria from Goldberg Variations [Bach, J.S.] - Badinerie (from Orchestral Suite #2 in B Minor) [Bach, J.S.] - Prelude #11 in F Major (from The Well-Tempered Clavier) [Bach, J.S.] - Solfeggietto in C Minor [Bach, C.P.E.] - Symphony #7 - II. Allegretto [Beethoven] - Two Turtle Doves (from Partridge Pie) [Bennett, R.R.] - Prelude #6 (from Six Preludes) [Berkeley, Lennox] - Prelude from L'Arlésienne [Bizet] - Polovtsian Dances (from Prince Igor) [Borodin] - Wiegenlied (Lullaby) [Brahms] - Violin Concerto #1 - II. Adagio [Bruch] - Piano Concerto #1 - II. Larghetto (Romance) [Chopin] - Prelude in C Minor, Op.28 #20 [Chopin] - Waltz in A-flat Major, Op.69 #1 [Chopin] - Les Baricades Mistérieuses [Couperin] - The Little Shepherd (from Children's Corner) [Debussy] - Sarabande [Einaudi, Ludovico] - Snow Prelude #2 [Einaudi, Ludovico] - Nimrod (Var IX from 'Enigma' Variations) [Elgar] - Homenaje (Le Tombeau de Claude Debussy) [de Falla] - Agnus Dei (from Requiem in D Minor, Op.48) [Fauré] - Sicilienne, Op.78 [Fauré] - The North Pole (from Frozen Planet) [Fenton, George] - Prelude #1 (from Three Preludes For Piano) [Gershwin, George] - Metamorphosis Five [Glass, Philip] - Opening Piece from Glassworks [Glass, Philip] - Piano Concerto, Op.16 - I. Allegro Moderato (opening) [Grieg] - Hornpipe (Alla Danza) (from Water Music) [Handel] - Symphony #94 'The Surprise' - II. Andante [Haydn] - Consolation #5 [Liszt] - Paganini Variations (excerpts) [Lutoslawski, Witold] - Hebrides Overture ('Fingal's Cave') [Mendelssohn] - Overture to The Marriage of Figaro [Mozart] - Piano Concerto #21 in C Major - II. Andante [Mozart] - Promenade (From Pictures At An Exhibition) [Mussorgsky] - Big My Secret (from The Piano) [Nyman, Michael] - Jerusalem [Parry] - Sonata For Flute - 2nd Movement [Poulenc] - Mouvements Perpétuels - #1 [Poulenc] - Nessun Dorma (from Turandot) [Puccini] - Rondeau (from Abdelazer) [Purcell] - Piano Concerto #2 - II. Adagio Sostenuto [Rachmaninoff] - Rhapsody on a Theme of Paganini - Var XI and XVIII [Rachmaninoff] - Vocalise (No.14 from Fourteen Songs, Op.34) [Rachmaninoff] - Pavane (from Mother Goose) [Ravel] - Written On The Sky [Richter, Max] - The Elephant (from The Carnival Of The Animals) [Saint-Saëns] - Sonata in E Major, L.23 K.380 [Scarlatti, Domenico] - Unfinished' Symphony - I. Allegro Moderato [Schubert] - Sicilienne (from Album For The Young) [Schumann] - Prelude, Op.11 #15 [D-flat major] [Scriabin] - Romance in D-flat (No.9 from 10 Pieces for Piano, Op.24) [Sibelius] - The Firebird Suite - Finale [Stravinsky, Igor] - The Lamb [Tavener, John] - 1812 Overture [Tchaikovsky] - Dance of the Sugar Plum Fairy (from The Nutcracker Suite) [Tchaikovsky] - Dies Irae (from Requiem) [Verdi] - Autumn (1st movt) (from The Four Seasons) [Vivaldi] - Ride of the Valkyries [Wagner] - Vltava (The Moldau) (from Má Vlast) [Smetena] / Piano/Vocal/Guitare (PVG)

Unlike some of his other late works, Franck's Violin Sonata (HN 293), composed in 1886, was well-received by the public and critics from the very start. The beautiful arrangement for cello published in January 1888 distinguishes itself from the numerous other arrangements in that Franck expressly authorised it. The cellist Jules Delsart, who had heard a performance of the sonata in Paris in December 1887, was so delighted by it that he asked Franck's permission to make a transcription of the violin part for his own instrument. Delsart remained close to the original- he left the piano part unaltered and transposed the violin part only where necessary and appropriate into the lower register. / Violon

Sonate pour piano n o 11 en si bémol op.22 est maintenant disponible en version individuelle avec un CD d'accompagnement, édité et enregistré par le célèbre érudit Beethoven, Robert Taub. / Piano

Over 100 selections for piano, carefully and progressively graded. Includes music by Bach, Beethoven, Brahms, Chopin, Handel, Massenet, Mozart and many more. / Piano

47 solos pour piano. Fantastique sélection de chansons de spectacle, des classiques de blues et de jazz, des thèmes de film, des morceaux classiques et de grands standards pour le pianiste de niveau intermédiaire