by Joe Carr. For flatpick and plectrum guitar. Texas Music and Video. Western swing, western/swing. Level: Beginning-Intermediate. Book/CD Set. Method. Size 8.75x11.75. 48 pages. Published by Mel Bay Pub., Inc.

Piano - Intermediate

SKU: MB.626671

16 Compositions for Piano. Composed by Olexandr Moyerer. Solos, Swing, Piano and Keyboard, CD, Blues, Boxed. All styles. CD. 80 pages. Duration 31 minutes. AMA Verlag #626671. Published by AMA Verlag (MB.626671).

ISBN '4018262266719. 5.5X5 inches.

On the audio-CD “Hot Tea Swing“ you will find 16 of the 20 compositions from the book of the same name, “Hot Tea Swing (AMA-No. 610405). The titles reflect the wide range of his compositional creations and invite you on a journey through different musical styles. From the waltz to the polka, swing and blues, you will also find diverse Latin-American inspired pieces such as “Alcodance“ (Cha-Cha-Cha) or “Wooden Doll“ (Tango). The compositions can be labelled as jazz and invite you to relax, while leaving you wanting more.

Guitar - Intermediate

SKU: MB.WBM76M

Saddle-stitched. Country. Book and online audio. Mel Bay Publications, Inc #WBM76M. Published by Mel Bay Publications, Inc (MB.WBM76M).

ISBN 9781736363096. 8.75x11.75 inches.

This comprehensive book contains the solos found in five William Bay guitar solo collections.á The solos range from colorful foot tapping reels, breakdowns, hornpipes, jigs, fiddle tunes and sea chanteys to country and Celtic ballads and waltzes.á Also included are numerous original guitar solos.á All 143 solos in this collection are recorded by the author and online access to the recordings is included. All solos are presented in notation and tablature.

Piano - Intermediate

SKU: MB.610405

20 Compositions for Piano. Composed by Olexandr Moyerer. Saddle-stitched, German Language, Piano and Keyboard, Pop, Solos, Classical, Latin. All styles. Book. 32 pages. AMA Verlag #610405. Published by AMA Verlag (MB.610405).

ISBN 9783899221237. 9 X 12 inches.

In his first book, “Hot Tea Swing”, the Ukrainian composer Olexandr Moyerer published 20 compositions which he composed over the course of 10 years. The titles reflect the wide range of his compositional creations, with each piece being dedicated to a specific dance and style. In “Alcodance“ you will find a Cha-Cha-Cha, in “Wooden Puppet“ a tango and in “Swinguin“ a classic swing dance. But even European styles like the waltz and the polka have not been left out. The playing instructions indicate the mood of the pieces and indicate opportunities for interpretation: the waltzes should be played thoughtfully or tenderly; the swing pieces should be interpreted slowly. In contrast, the Latin American pieces offer a challenge in terms of the rhythm. Each piece must be discovered and worked on by the pianist in their own particular way. This collection is suited to advanced pianists who are looking for new material for concerts or competitions. On the CD (AMA-No. 626671) you will find all pieces recorded by the composer to give an idea of how they could sound. Der aus der Ukraine stammende Komponist Olexandr Moyerer hat in seinem ersten Buch „Hot Tea Swing“ 20 Kompositionen veröffentlicht, die er innerhalb von 10 Jahren komponiert hat. Die Titel geben eine Bandbreite seines kompositorischen Schaffens wieder und jedes Stück ist einem bestimmten Tanz und einer besonderen Stilrichtung gewidmet. So findet sich im „Alcodance“ ein Cha-Cha-Cha, die „Holzpuppe“ tanzt Tango und im „Swinguin“ hat er einen klassischen Swing vertont. Aber auch die europäischen Stile wie Walzer und Polka kommen nicht zu kurz. Die Spielanweisungen geben Rückschlüsse auf die Stimmung der Stücke und die Interpretationsmöglich keiten: so sollen die Walzer nachdenklich oder mit Zärtlichkeit gespielt werden, die Swing-Stücke sollen sehr langsam interpretiert werden. Dafür stellen die Lateinamerikanischen Stücke ihre Herausforderung auf der rhythmischen Ebene dar. Jedes Stück muss vom Pianisten auf seine spezielle Art und Weise entdeckt und erarbeitet werden. Die Sammlung empfiehlt sich für fortgeschrittene Klavierspieler, die nach neuem Spielmaterial für Vorspiele und Wettbewerbe suchen. Auf einer separaten Audio-CD (AMA-Nr. 626671) sind die Stücke alle vom Komponisten eingespielt und geben einen Höreindruck wieder.

(Featuring: We Three Kings / Silent Night / Jolly Old St. Nicholas). Arranged by Ralph Ford. Orchestra. Full Orchestra; Score. Belwin Concert Full Orchestra. Form: Medley; Waltz. Christmas; Jazz; Light Concert; Swing; Winter. Grade 3. 12 pages. Published by Belwin Publishing

(Based on We Three Kings ). Composed by John Henry Hopkins Jr. (1820-1891). Arranged by Michael Story. Concert Band. Concert Band; Part(s); Score. Belwin Young Band. Christmas; Novelty; Sacred; Swing; Winter. Grade 2. 132 pages. Published by Belwin Music

The book contains ten short training melodies for Clarinet students making their first moves into the Jazz playing style. The pieces cover various aspects of Jazz phrasing including large interval leaps, Latin, Rock, Swing andBlues rhythms and the Dorian mode. This updated version includes a free play-along CD recorded by Malcolm Miles, that will allow you to put your new knowledge into practice and develop confidence in your Jazz phrasing

Choral (SSA Choir)

SKU: HL.35031994

Composed by Becki Slagle Mayo and Lynn Shaw Bailey. Shawnee Press. Christmas. Octavo. 12 pages. Published by Shawnee Press (HL.35031994).

ISBN 9781540019448. UPC: 888680725945. 6.75x10.5 inches. Becki Mayo/Lynn Shaw Bailey.

Pierpont's “Jingle Bells” takes a jazzy turn with the addition of original music and lyrics creating a waltz that rings and swings in the holiday season! The piano is a jazz-waltz rhythm setting the mood for festive, three-part or two-part treble vocals. Add the optional sleigh bells for the perfect holiday concert selection.

Arranged by Chuck Israels. For little big band. Swing, Jazz. Difficult. Score and parts. Published by Jazz Lines Publications

By Sammy Cahn And Jule Styne. Arranged by Jo Lund. Female barbershop choir. (women's voices, a cappella). Not suitable for contest. Barbershop, Waltz Swing. Level: medium. Published by Sweet Adelines.

(Recorded by Ted Heath). Edited by Myles Collins. Arranged by Ted Heath. For jazz big band. Swing Waltz. Difficult. Published by Lush Life

Four pieces in popular style for violin and cello using open strings with parts for optional viola and classroom instruments with piano accompaniment, for group music making! The first two pieces 'Nice 'N' Easy' and 'October Rain' have open strings pizzicato. 'Waltz in Jazz-Min Time' uses open strings pizzicato and arco whilst 'Caribbean Dance' uses open strings and first finger, pizzicato and arco. Complete parts comprising: Violin, Viola, cello and Glockenspiel

By Bill Evans. Arranged by Don Sebesky. Jazz Ensemble / Jazz Band. Don Sebesky Series. Swinging Waltz. Grade 5. Score and set of parts. Published by Sierra Music

Flute and piano - easy

SKU: HL.49008199

Easy Jazz and Pop Pieces. Composed by Mike Schoenmehl. This edition: Saddle stitching. Sheet music with CD. Edition Schott. Classical. Edition with CD. 88 pages. Schott Music #ED 8881. Published by Schott Music (HL.49008199).

ISBN 9783795753818. 9.0x12.0x0.27 inches.

'Fun with Jazz Flute' is a series for beginners of any age, a way of complementing traditional teaching material with an introduction to the characteristics of pop and jazz. To help with practicing, the CD contains just the piano part as well as the complete track with both instruments for each piece. Walking by the sea * Two Note Blues * Dreaming of You * Up and Down Boogie * Try It! * The hurdy-gurdy * Singing' in the Church * Love Waltz * Sunset * Waltzin' * Happy reunion * Farewell-Gospel * Happy Talk * Holidays * Folksong * Looking back * Cuba Libre * Recollections of autumn * Hot Stuff * Song for Peace * French Evening * Gangster chase * Flight over the mountains * In the summer meadow * March of the old fogies * Agaric Rag * Notes on Interpretation, Commentary and Tips * Notes on the piano accompaniment * Even and Swing Quavers * Beat * CD-Index.

Orchestra String Orchestra - Grade 3

SKU: CF.CAS7

Composed by Doris Gazda. Edited by Amy Rosen. FS-SWs. Carl Fischer Concert String Orchestra Series. Score and Parts. With Standard notation. 20+24+24+6+15+15+15 pages. Carl Fischer Music #CAS7. Published by Carl Fischer Music (CF.CAS7).

ISBN 9780825847578. UPC: 798408047573. 8.5 X 11 inches. Key: D major.

When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.
When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody.A Red Rock RagA is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.
When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody.A Red Rock RagA is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.
When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.
When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.
When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista.The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color.Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.

Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 448 pages. Published by Hal Leonard.

For C instrument and voice. Format: fakebook (spiral bound). With chord names, vocal melody and lyrics. Jazz. Series: Hal Leonard Fake Books. 448 pages. 9x12 inches. Published by Hal Leonard.

Fakebook for Eb instrument and voice. With vocal melody, lyrics and leadsheet notation. Series: Hal Leonard Fake Books. 448 pages. Published by Hal Leonard.

Alto Saxophone

SKU: BT.9781408105290

Composed by Jonathan Rutland. Abracadabra. Method. Book with CD. Collins Music Publishing #9781408105290. Published by Collins Music Publishing (BT.9781408105290).

ISBN 9781408105290. English.

The perfect book for pupil and teacher

• Tunes you know and want to play
• Technique carefully graded
• Clear fingering diagrams
• Concise theory explanations
• Jazz improvisations andstyles
• New duets
• Fresh new look

Score Only. By Dmitri Shostakovich. Arranged by Johan De Meij. (score). Amstel Concert Bands. Size 8.5x11 inches. 48 pages. Published by Amstel Music.

Composed by John Trotter. Featured Products, Wire bound. Method. Book/CD set. 282 pages. Mel Bay Publications, Inc #610506E. Published by Mel Bay Publications, Inc

Essential Phrases for Swing, Latin, Jazz Waltz, and Blues Styles. By John Valerio. Keyboard Instruction. Size 9x12 inches. 96 pages. Published by Hal Leonard.

compiled by Dr. Ed Whitcomb. For Fiddle. songbook. Canadian. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 224 pages. Published by Mel Bay Publications, Inc.

By David Lovrien. For concert band. A rollicking, swingy German waltz. Waltz. Full score and set of parts. Duration 3:15. Published by Lovebird Music. (113) Level: Grade 3 (Intermediate).