This edition of the Salve Regina by Portuguese composer Diogo Dias Melgás (1638-1700) is the first published version of the work which has previously only been available in a library edition. Suitable for liturgical or concert performance this setting is in four equally active parts throughout each of which takes the initial plainsong motif at the opening. The effectiveness of this moving work lies in the skilful manipulation of simple motivic material through the use of devices such as parallel writing sequences repetition suspensions and hocket. The vocal score is presented alongside detailed performance and editorial notes and an optional bassocontinuo part appears as an appendix.Salve Regina is featured on The Sixteen's CD 'A Goldern Age of Portugese Music' conducted by Harry Christophers (COR16020).

Cantilena Choralis. Par SCHROEDER HERMANN. Ce peu de travail était composé à la suggestion de l'organiste belge Jef Anseeuw, qui a effectué la première mondiale à la Kerk Heilig-Hart à Izegem sur 25 septembre 1982 avec Lieven Vanderwalle sur le violoncelle. La pièce commence avec une paraphrase du motif initial ' Salve Regina ', ce qui est intonated par le violoncelle dans le registre faible. Le violoncelle joue ensuite la mélodie entière de la chanson. L'accompagnement de l'orgue décent est limitée à quelques intermèdes courts dans lequel des motifs de la mélodie grégorienne, comme dans un prélude choral classique, sont jouées à l'avance de manière imitative. La composition lyrique, méditative est idéale pour les services ou les concerts et peut être combinée comme un morceau d'introduction à la composition de l'orgue à grande échelle 'Salve Regina' de l'antienne Schröder' Marianische' (ED 4538)./ Répertoire / Violoncelle et Orgue

Edition : Paris, C. Ballard, 1687Ces motets, assez courts et offrant peu de difficultés, sont une excellente introduction au répertoire vocal français de la seconde moitié du XVIIe siècle. - Présentation de : Philippe Lescat : L'oeuvre de LebègueJean Saint-Arroman : Bibliographie des motets - comparaison des sources Motet pour deux voix de dessus et basse continue : O crux ave (page 11)Tous les autres motets sont écrits pour une voix de dessus et basse continue.Motets dans lesquels la main droite de l'orgue est écrite entre les phrases de chant : Veni Sancte Spiritus (page 1) - O Rex gloriae (page 14) - Parasti in conspectu (page 18) - Vidi speciosam (page 24) - O salutaris hostia (page 35) - Anima Christi (page 39) - Ave verum (page 44) - Salve Regina (page 49) - Regina Coeli (page 56) - Exultet Omnium (page 60) - Domine salvum fac Regem (page 65) - Domine salvum fac Regem (page 68). / Voix Et Basse Continue (1 Ou 2 Voix De Dessus) / 98 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 32.5

Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617, and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments, respectively a flute and a pair of oboes, whereas the instrumentation of the first is confined to strings disposed in a single coro, although a solo violin is employed in three movements. RV 617, preserved in a non-autograph source in Brno, belongs to Vivaldi's first period of sacred music composition at the Pietà (1713-1717), while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements, RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores, prepared by Antonio Frigé, are closely based on those of the Critical Editions by Michael Talbot, published in 1998, 1990 and 1994. / Niveau : Intermédiaire / Classique / Répertoire / Chant et Piano

Par FALCINELLI ROLANDE. Salve Regina (op.43) for organ was composed by Rolande Falcinelli in memory of the organist Denise Raffy and published by Edition Bornemann in 1969. / Date parution : 2022-04-26/ Répertoire / Orgue

Par PART ARVO. Like the Littlemore Tractus, Pärt's setting of the Salve Regina has an extended hymn-like feel to it. Typically, it builds very gradually to a late, majestic climax - unison vocal lines at the outset, broader harmonies later, some intriguing eccentricities in the organ part along the way. It was the wish of Hubert Luthe, Bishup of Essen Cathedral, that this particular text be set in honour of the building's priceless golden Madonna. The premiere was in May 2002, to mark both the Bishop's seventy-fifth birthday and Essen's own 1150th anniversary./ Répertoire / Choeur SATB et Orgue

Par VILLETTE PIERRE. This edition of Salve Regina by Pierre Villette is a version of this Marian hymn for SATB a cappella. It's written with lyrics in Latin and should be sung at a slow tempo (52). The lyrical piece features a long introduction followed by the Soprano solo and a finale. At the end of the solo, the voices alternate between the initial tempo and some slower parts to arrive to the close and finish in harmony. Pierre Villette (1926-1998) was a French composer of choral and instrumental music. Strongly influenced by Catholicism, his musical heritage ran from Faure to Messiaen. / Musique religieuse / Répertoire / Choeur Mixte a Cappella

Cette partition SALVE REGINA de Beffa Karol a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB8511. Cette oeuvre d'une durée de 00:16:00 est idéale pour les musiciens pratiquant Chant/Vocal/Choeur. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Choeurs A 4 Voix Egales Et plus / Partition

Richard Allain presents a beautifully sombre and gentle setting of the Salve Regina for SSAATTBB chorus. Allain's close harmonies are set across a staggered texture creating a seamless continuous halo of sound with each syllable melding into the next. The effect is developed as the density of the music builds allowing each singer a level of metric freedom that allows a series of repeating phrases to blur into an undulating layer of sound against which the lower voices sing. A captivating and hugely atmospheric devout setting.

Par CAVALLI PIER FRANCESCO. Francesco Cavalli's beautiful Salve Regina, arranged here for ATTB Chorus with Keyboard Continuo. This Vocal Score edition has been edited by Raymond Leppard./ Répertoire / Basse, Alto, Ténor et Piano