Arranged For Flûte And Whistle With Guitar Chords. Par MC CASKILL MIZZY. Cette collection de littérature soigneusement sélectionnée représente les joyaux de la musique traditionnelle écossaise. Comprend une grande variété de gigues, bobines, hornpipes, des strathspeys, airs, and ballades arrangés pour les flûte et/ou d whistle avec accompagnement au piano. Tous les morceaux sont écrits dans les clés de D, G, A pour tenir compte de l'éventail des doigtés disponibles pour système simple flutes, D-sifflet et flutes Boehm-style. Cette collections disposées en performance définit avec accompagnement au piano et présente les flûte ornementée et sans fioritures / whistle versions pour chaque pièce. Paroles de la chanson et les accords de guitare suggéré en outre renforcent ces mélodies de pratique ou de la performance. Intermédiaire en difficulté. Inclut un CD de performance qui contient les onze ensembles ornementées dans le livre sur les flûte ou tin whistle. / Niveau : Intermédiaire / Scottish - Solos / Recueil / Flûte Traversière

Commissioned by the sound festival for The Scottish Flute Trio. First performance: November 13 2008. Duff House Banff Scotland. In this work all three players in turn play each of the three instruments - piccolo flute and alto flute - thus giving a contrasted sound to match the character of the four linked movements: hence the title. Sleepy using all three alto flutes begins on the lowest note - G. The mood gradually changes as they introduce higher pitches and faster rhythms as they 'wake up'. In Lyrical a flute introduces the melody which is then shared by a second flute and later by the alto flute. With Mischievous the piccolos arrive on the scene. The first oneincites another piccolo and then the flute to join in. The tempo quickens and after a brief climax the mood quietens leading to Peaceful. In this last movement all three instruments are played. In turn they present a lyrical melody but in different keys so as to suit their individual tessituras.

For Flute And Piano-The composer has drawn from her Scottish background for inspiration in this piece. In the central section of Piper's Dream the music hints at real Scottish folk music. The outer sections are freer and players are encouraged to enjoy the spirit of improvisation. At times the flautist reflects the sound of the bagpipes imitating the instrument's characteristic 'fall' in the closing phrases of the piece. Near the end the music fades as if this Scottish fantasy were just a dream. he interplay between the flute and piano is beautiful the writing showing McDowall's understanding of the qualities of the instruments' Music Teacher MagazineGrade: 7

Book 1 Scottish Jigs-A flexible duet resource. Playable and easy duets for ANY combination of Flute(s) Oboes(s) Clarinet(s) and/or Saxophone(s) with or without Bassoon!

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Adagio (Mozart) * Allegretto (Haydn) * Bouree (Telemann) * Concert Duet in Three Movements (Snell) * Dance (Snell) * Daniel Cowper (English Country Dance) * English Folk Tune (Traditional) * The Hunters of Kentucky (American Traditional) * Intrada (Graupner) * Legend (Snell) * March (Anonymous) * Minuet in G (Bach) * The Music Box (Snell) * Norwegian Folk Song (Traditional) * Red River Valley (American Traditional) * Scottish Folk Song (Traditional) * Sea Shanty (American Traditional) * Serenade (Turk) * Three German Dances (Haydn).

5 Pieces For Flute & Pian-These delightful pieces evoke different moods and lands in song and dance. The collection opens with a thoughtful Moonlight Sarabande followed by a haunting number in a quirky five eight rhythm On the Steps of Montmartre. Roumanian Song transports us to the folk culture of the Transylvanian mountains. A passionate South American Mango Tango gives us the feel of hot lazy afternoons in Buenos Aires. In the final Jigging we are definitely back North of the Border with the swirl of the pipes and the Highland swing of the Scottish fiddle.Cover: Flute Player Spanish Ceramic Tile 18th Century.

These English Scottish and Welsh melodies are especially well suited to performance on the modern flute. They also provide excellent material for developing skills in rapid tonguing extended breath-control and phrasing. Oldfavorites include 'Bunessan ' 'Colonel Bogey ' 'My Eyes are Fully Open ' and a few masterpiece solos by Handel and Purcell. Among the newly re-discovered gems are 'Earl Grey ' 'I Wish You Would Marry Me Now ' 'Kiss Me Quick MyMother Is Coming ' and 'Small Birds Sweetly Singing.' A separate recorder edition is available.

Five short contrasting pieces transporting us from Norway to the Caribbean via Hungary France and Spain.Bryan Kelly was born in Oxford in 1934 and studied at the R.C.M. and in Paris with Nadia Boulanger. He was on the staff of the Royal Scottish Academy of Music then moved to the Royal College in London where he taught Harmony Counterpoint and Orchestration for twenty years. He has also lived and worked in the U.S.A. Eygpt Italy and France. His musical output is copious and includes many works for orchestra solo instruments and voices. He appears regularly as a solo pianist and is co-founder of the Zodiac Ensemble.

Flute 102: Maîtrise des bases poursuit le développement technique, créatif et musical de flûtistes intermédiaires en Etudes d'intégration, répertoire solo, des extraits orchestraux, des duos et des techniques contemporaines dans un programme d'études novateur. Plan de leçon présente, dans une séquence claire et logique, les activités à développer ton, vibrato, technique et sa musicalité. Les guides de phrasé, des suggestions pratiques et des activités de prélude développer l'approche pédagogique utilisée dans Flute 101, faisant Flute 102 un must-have de base - parfait pour une utilisation en studio privé ou à l'université. Flute 102: Maîtrise des bases fonctionnalités: Daily Warm-up Majeures et mineures études d'échelle, des arpèges et plus Les études techniques: articulation, la dynamique, le ton et le vibrato Plus de 40 etudes Considérant répertoire: 15 solos de flûte accompagnés et 2 solos non accompagnés Créer vos propres préludes pour développer musicalité Idée à suivre Flute 101 ou toute autre méthode de flûte d'introduction / Niveau : Intermédiaire / Recueil / Flûte Traversière

Ce livre propose des accompagnements de piano pour une utilisation avec les pièces trouvées dans Flute 102: maîtriser les bases (THP41441208). / Niveau : Intermédiaire / Recueil / Flûte Traversière et Piano

8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic” presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal”, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic” is available in eight formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet, saxophone, recorder or trumpet (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. In addition to the alto recorder part, this edition also contains a part for soprano or tenor recorder. / Niveau : Facile à Intermédiaire / Recueil / Flûte à Bec Alto