Par . Si vous êtes novice à la batterie, vous êtes probablement impatient d'apprendre de nouveaux morceaux. Ce recueil comprend 50 tubes ludiques et accessibles et vous offrira le meilleur de la pop et du rock des dernières décennies de The Police à Alicia Keys et d'Adele à Van Halen. Titres inclus : Billie Jean · Blinding Lights · Can't Stop the Feeling! · Circles · Crazy in Love · Fifty Ways to Leave Your Lover · Happy · Juice · Levitating · Livin' La Vida Loca · Only Wanna Be with You · Separate Ways (Worlds Apart) · Smooth · Uptown Funk · et bien d'autres. / Date parution : 2023-03-11/ Recueil / Batterie

Music from the Netflix Original Series. Par KYLE DIXON. If you can only take one songbook with you to the Upside Down, make sure it's our matching folio to Stranger Things! Featuring the iconic theme music and other works from composers Kyle Dixon and Michael Stein, this collection also includes 13 pop songs heard throughout the first four seasons of the wildly successful Netflix series. Songs include: Africa · Every Breath You Take · Master of Puppets · Psycho Killer · Running up That Hill · Separate Ways (Worlds Apart) · Stranger Things Main Title Theme · Time After Time · and more! / Date parution : 2022-12-12/ Tablatures / Guitare

Medley incl. Don't Stop Believin' - Separate Ways (Worlds Apart) - Open Arms - Any Way You Want It-In the early '80s the group Journey (featuring the distinctive vocal style of Steve Perry) was a vital part of the music scene. Now thanks to continued airplay video games and the hit TV series Glee they are back on top again. Featuring Don't Stop Believin' Separate Ways (Worlds Apart) Open Arms and Any Way You Want It this medley is sure to be a hit with all audiences.

Learn to play five songs from the American rock band Journey with the help of professional session guitarist Michael Casswell.This 2 DVD set covers five songs from Journey's 'golden period' - Any Way You Want It Stone In Love Mother Father Separate Ways and the classic Don't Stop Believin'.As well as showing guitarists how to master these hits Lick Library: Learn To Play Journey gives advice on a range of related topics such as pop/rock song construction and the ways in which melodic Guitar playing can be coupled with speed and advanced Guitar techniques.

La collection Guitar Play-Along va vous aider à savoir jouer vos morceaux préférés très facilement et en un clin d??il ! Il vous suffit de suivre les tablatures et d?écouter les enregistrements audio fidèles afin de savoir comment la guitare doit sonner, puis de vous accompagner à l?aide des pistes d?accompagnement séparées. L?audio complet est disponible en ligne au téléchargement ou au streaming, de meilleure qualité afin de pouvoir l?ajuster au tempo de votre choix et sans changer de ton ! Les 8 titres sont les suivants : Every Breath You Take ? Heartbreaker ? Hot Blooded ? Jessie's Girl ? Money for Nothing ? Pour Some Sugar on Me ? Separate Ways (Worlds Apart) ? You Give Love a Bad Name. Instrumentation : Guitare Sous-titre : Guitar Play-Along Volume 12

With many full-color photos of the band. Includes: Don't Stop Believin' * Wheel in the Sky * Separate Ways (Worlds Apart) * Lovin', Touchin', Squeezin' and lots more! / Piano/Vocal/Guitare (PVG)

Par DIXON KYLE / STEIN MICHAEL. The popular TV series Stranger Things has reminded us of some of the great songs from the 1980s! With songs supporting key moments in the storyline, here is an emotion-packed medley of classic rock hits along with the iconic theme. Includes: Stranger Things Main Theme, Should I Stay or Should I Go, Master of Puppets, Separate Ways (Worlds Apart), and Running Up That Hill. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie

Bass Play Along Volume 41-The Bass Play-Along Series will help you play your favourite songs quickly and easily! Just follow the tab listen to the CD to hear how the bass should sound and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing or to simply help you follow along. The audio CD is playable on any CD player. For PC and Mac computer users the CD is enhanced so you can adjust the recording to any tempo without changing pitch!

Written for Tim Seelig in celebration of his 20 years as Artistic Director of the Turtle Creek Chorale this inspirational ballad's lyrics capture the many different musical moments choral singers teachers directors andlisteners have experienced in the genre. “Love has always been the reason we sing.” Available separately: SATB solo; StudioTrax CD. Duration: ca. 3:50.

This gentle new song of faith and assurance blends beautifully with the favorite Great Is Thy Faithfulness creating a rich new anthem. The song originally recorded by artist Sara Groves is a soaring ballad which isuseful for all year long.Available separately: SATB Instrumental Pak (Full Orch.) and ChoirTrax CD.

Recorded by hundreds of major artists over the years the classic simplicity of this Irving Berlin song makes it one of our most treasured standards. This expressive a cappella setting for women's voices will create a magicalmoment in performance! Available separately: SSAA. Duration: ca. 2:10.

Opening with a statement of earnest thanks this new Cindy Berry offering moves to a beautiful proclamation of praise. Heartfelt and inspiring it soars to an exciting conclusion. Stirring and unforgettable!Available separately: SATB.

Though conceived as four separate movements my second string quartet has a single motif which is common to them all. This is the three-note 'Muss es sein?' from Beethoven's last quartet Op. 135. But whereas Beethoven's theme is notated G E A flat thus giving it an F minor connotation I have sued an alternative spelling - G E G sharp - which suggests an ambiguous E minor-major. This ambiguity in fact becomes the tonal basis of the whole work only to be resolved at the end of the final movement.Each movement begins with a variant of the basic motif on the cello. The first has the original form of the theme while the second has a 'majorised' version which is alsoexpressed as a chord. The third movement with its 'scherzoid' middle section reverts to the major-minor ambiguity of the first and the finale begins with the 'majorised' version as an ostinato accompaniment on pizzicato cello.The slow movement is sub-titled 'In memoriam DSCH' and concludes with a quotation of Shostakovich's motto - D E flat C B - which is basically the same as Beethoven's with the addition of one note.This is not to imply that the work contains no other thematic material. One important theme a rising fifth and a second is also common to three of the movements and is ultimately derived from my first quartet Op. 1 of 27 years earlier to which this second contribution to the form is in many ways like a sequel. Like the earlier work too this quartet is dedicated to my wife.