By Jay Althouse. For Choir. (2-Part). Choral Octavo. Choral Designs. Novelty. Choral Octavo. 12 pages. Published by Alfred Publishing.
Level: Level 1 (grade L1).

Choral (2-Part)

SKU: HL.1070967

Discovery Level 2. By Earth Wind and Fire. By Al McKay, Allee Willis, and Maurice White. Arranged by Roger Emerson. Discovery Choral. Pop. Octavo. Duration 127 seconds. Published by Hal Leonard (HL.1070967).

ISBN 9781705175064. UPC: 196288096498. 6.75x10.5x0.029 inches.

“Sept ember,” performed by Earth, Wind & Fire, holds the honor of being one of the most popular songs of all time. With a limited range and many unison passages, this arrangement is easy to sing and makes a great opener or closer for your ensemble.

By Wolfgang Amadeus Mozart. For nos.1-3:2 violin, 2 viola, violoncello;no.9:clarinet or 2 viola;no.10:horn or 2 violoncello. K.179,46;174,581,Cl or 2Va;407,Hrn or 2Vc. Published by C.F. Peters.

String Quartet (Score)

SKU: HL.14023666

Composed by Michael Nyman. Music Sales America. 20th Century. Score. Composed 1993. 48 pages. Chester Music #CH60851. Published by Chester Music (HL.14023666).

ISBN 9780711932791. 9.0x12.0x0.153 inches.

String Quartet No.2 was commissioned by Shobana Jeyasingh as a solo dance work: Miniatures. It was first performed by her with the Balanescu Quartet on 15 September 1988, London. Duration 22 minutes. Instrumental parts are available on sale.

7 Trio-S0tze von J.S.Bach, Goldberg, Pergolesi, Telemann und G.J. Werner. Edited by Strauch, Alexander. For Violin 1/ Flute, Violin 2, Basso continuo. Nagels Musik-Archiv. Playing Score; Set of Parts. Published by Nagels Musik-Archiv (German import).

Arranged by Deborah Greenblatt. String Quartet. For violin 1, violin 2, viola, cello. This edition: spiral-bound. Score book. 64 pages. Published by Greenblatt & Seay

By Louis Spohr (1784-1859). Arranged by Schwenke. For clarinet (violin 2), violin, viola, cello, double bass ad lib. and piano. Facsimile Editions - Winds, Strings and Piano. Unusual instrumentation, but enjoyable to play and perform. Fine arrangement of Spohr's Octet. Schwenke was a masterful arranger. Classical

(Medley). Arranged by Mark A. Brymer. (2 part). Pop Choral Series. 28 pages. Published by Hal Leonard.

String Quartet (2vl,va,vc)

SKU: BR.KM-2500

Composed by Hanspeter Kyburz. Chamber music; stapled. Kammermusik-Bibliothek (Chamber Music Library).

World premiere: Berlin, (Festspiele), September 9, 2004 (Quatuor Diotima)

Music post-1945; New music (post-2000). Score and parts. Composed 2003/2004. 118 pages. Duration 20'. Breitkopf and Haertel #KM 2500. Published by Breitkopf and Haertel (BR.KM-2500).

ISBN 9790004502730. 9 x 12 inches.

Hanspeter Kyburz works with three fundamental formative principles in his String Quartet. Soloistic, polyphonic and integratively i.e. homogeneously structured tutti runs alternate with one another, whereby the form does not follow a fixed pattern. Multifaceted correspondences and motivic relationships result from the interplay of the individual sections. The work was given its much-applauded first performance on 9 September 2004 at the Berliner Festwochen. The composer radically revised his quartet after the first performances. From January 2005 onwards, all concerts featuring the work will be based on this new version.

World premiere: Berlin, (Festspiele), September 9, 2004 (Quatuor Diotima).

By Sid Wayne, Music By Sherman Edwards. Arranged by Michael Story. For Marching Band. Marching Band. Big and Easy. Pop. Level: 2 (Easy) (grade 2). Conductor Score and Parts. 114 pages. Published by Alfred Publishing.

By Michael Story and Mike Story. Marching Band. Marching Band. Big and Easy. Grade 2. Conductor Score. Published by Alfred Music Conductor Score

By Franz Schubert. For piano, 4 hands. Op.55,Grand Funeral March(c); Op.61,6 Polonaises; Op.63,Divertissement(e); Op.66,Marche Heroique(a); Op.75,4 Polonaises; Op.82,No.1,Variations on a Theme by Herold(C);Op.82,No.2,Vari ations(B|); Op.84,Andantino Varie and Rondeau Brillant on French Melodies. Published by C.F. Peters.

String Quartet (fl,vl,2pno)

SKU: BR.KM-2527

Composed by Adriana Holszky. Chamber music; Folder. Kammermusik-Bibliothek (Chamber Music Library).

World premiere: Monchengladbach, September 14, 1985

Music post-1945; New music (post-2000). Score. Composed 1983. 264 pages. Duration 17'. Breitkopf and Haertel #KM 2527. Published by Breitkopf and Haertel (BR.KM-2527).

ISBN 9790004504406. 11.5 x 16.5 inches.

CD: Klaus-Peter Diller (violin), Yo Washio (flute), Gabor Antalfy und Thomas Blomenkamp (piano)Koch-Schwann 3-1062 2.

For Brass Quintet. By Peter Schickele. Brass quintet. For Trumpet I, Trumpet II, French Horn, Trombone, Tuba. Premiered January 16, 1994 at the Chamber Music America conference in New York City. Score and parts. 24 pages. Duration 18:00. Published by Theodore Presser Company.

2 Pianos, 4 Hands (Parts)

SKU: HL.50600477

For Two Pianos. Composed by Ferran Cruixent. Piano Duet. Classical, Contemporary. Softcover. 64 pages. Sikorski #SIK8807. Published by Sikorski (HL.50600477).

8.0x11.75x0.17 inches.

Ferran Cruixent's “Binary” was commissioned by the ARD International Music Competition. The work is dedicated to a 56k Modem device. The world premiere was given during the course of the competition on 8 September 2015 at the Hochschule für Musik und Theater (University of Music and Performing Arts) in Munich. “Binary” for two pianos is a one-movement work, inspired by the composer's fascination about the dangers in human dependence in technological business, such as the obsession about media in today's mechanized and computerized society. The name Binary refers to a digital representation of text and data, whose unit can take only two possible states. Binary code is a mathematical, technological language, developed by ourselves: an organic language that creates another to be described and discovered for itself. In this piece the players are asked to play in special techniques, such as “Cyber Singing” (introduced 2010 in composer's symphonic work “Cyborg”). “Cyber Singing” introduces a new musical technique: the audio file prepared by the composer himself is played by themusician from his mobile phone, a device commonly used for other purposes. So, it defines a new possibility of interaction between the composer and the musician, attaining genuine communication itself.