Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimenting with all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New straightforward Piano reduction (BA4863-90) with:- Violin solo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer J. Joachim S. Franko E. Ysaÿe M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimenting with all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New straightforward Piano reduction (BA4863-90) with:- Violin solo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer J. Joachim S. Franko E. Ysaÿe M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimenting with all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New straightforward Piano reduction (BA4863-90) with:- Violin solo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer J. Joachim S. Franko E. Ysaÿe M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.

/ Maître De Chapelle (Tenor), Choeur Mixte (SATBB) Et Echo-Chor (SA) (1 Voix Ad Libitum) / Partition

Sancta Maria Mater Dei K.273 scored for mixed choir (SATB) Strings and Organ.Written in Salzburg in September 1777 it was most likely composed as an offertory motet for the Feast of the Blessed Virgin Mary on the 12th September.Full score Vocal score and performance material (BA4751) is available for sale.

In the Stone Got to Get You into My Life After the Love Has Gone September-Earth Wind & Fire was formed by jazz drummer Maurice White whose aim was to mix various music styles to produce a unique sound. Combined with excellent song writing and fine performances this sound made Earth Wind & Fire one of the most influential soul groups of the seventies. In subsequent decades they experienced varying success but this medley reflects the heyday of this legendary group. In his job as staff arranger with the Royal Marine Band of the Dutch Navy Peter Kleine Schaars wrote many top class arrangements. The talent of the musicians in the band made it possible to write in such a way that they closelyresembled the original works. Consequently this medley shines just like the original versions by Earth Wind & Fire. Four famous songs have been used: 'In the Stone' 'Got to Get You into My Life' 'After the Love Has Gone' and 'September'.

Symphonic Poem-In late September 1874 shortly after losing his hearing Smetana started work on â??VyÅ¡ehradâ? the first symphonic poem in what would become a six-part cycle with the title â??Má vlastâ? (My Country). It tells the eventful history of this fort in Prague.â??VyÅ¡ehradâ? was published by Urbánek together with â??Vltavaâ? (The Moldau) the next part in the cycle in a version for piano duet in December 1879. The full score and parts proofread by the composer followed in February 1880. Hugh Macdonald has corrected many errors in this first edition. He draws on the autograph and first print of the orchestral version and also refers to the autograph and printed piano duet version.In late September 1874 shortly after losing his hearing Smetana started work on â??VyÅ¡ehradâ? the first symphonic poem in what would become a six-part cycle with the title â??Má vlastâ? (My Country). It tells the eventful history of this fort in Prague.â??VyÅ¡ehradâ? was published by Urbánek together with â??Vltavaâ? (The Moldau) the next part in the cycle in a version for piano duet in December 1879. The full score and parts proofread by the composer followed in February 1880. Hugh Macdonald has corrected many errors in this first edition. He draws on the autograph and first print of the orchestral version and also refers to the autograph and printed piano duet version.

Sancta Maria mater Dei K.273 scored for mixed choir (SATB) Strings Organ. Written in Salzburg in September 1777 it was most likely composed as an offertory motet for the Feast of the Blessed Virgin Mary on the 12th September. - Urtext of the New Mozart Edition - Full score & performance material (BA4751) and vocal score (BA4751-90) for sale

In the Stone Got to Get You into My Life After the Love Has Gone September-Combiné avec des textes à l?écriture excellemment travaillée et des prestations scéniques grandioses le son d?Earth Wind & Fire devient emblématique des années 1970. Pour ce medley aussi pétillant et proche du son unique du groupe Peter Kleine Schaars a choisi quatre incontournables du répertoire : In the Stone Got to Get You into My Life After the Love Has Gone et September.