| Piano Trio (in 9 Short Movements) Piano Trio: piano, violon, violoncelle [Conducteur] Peters
Piano Trio (in 9 short movements) by Henry Cowell (1897-1965). Piano Trios. For ...(+)
Piano Trio (in 9 short
movements) by Henry
Cowell (1897-1965). Piano
Trios. For Violin, Cello,
Piano. Modern. Performing
score. Duration 19
minutes. Published by
Edition Peters
$47.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Short Suite in Trio Form, Op. 67 Leduc, Alphonse
Bassoon; Clarinet; Oboe SKU: HL.48181188 For Oboe, Clarinet and Bassoo...(+)
Bassoon; Clarinet; Oboe
SKU: HL.48181188
For Oboe, Clarinet and
Bassoon. Composed by
Eugene Bozza. Leduc.
Classical. Alphonse Leduc
#AL20462. Published by
Alphonse Leduc
(HL.48181188). UPC:
888680907389.
9.0x12.0x0.179
inches. Composed by
Eugène Bozza in 1947,
Short Suite in Trio Form,
Op. 67 is a piece for
oboe, clarinet and
bassoon. This edition
features the parts for
the three instruments and
a full score. This
four-movement work is
quite difficult and would
be perfect for advanced
players. A great piece
for recitals, it is also
really interesting to
play for each of the
three instruments. The
four movements are
Allegro moderato, which
starts with the oboe,
Allegro vivo, Adagio
espressivo and Allegro
vivo, and the piece lasts
approximatively 10
minutes. Eugène Bozza
won different prizes at
the Conservatoire de
Paris such as the First
Prizes for the Violin,
conducting and
composition, as well as
the Grand Prix de Rome.
He composed several
operas, chamber works and
ballets among others. $41.30 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 27 Miniature for String Tio Trio à cordes Barenreiter
For two Violins and Cello or Violin, Viola and Cello. Composed by George A. ...(+)
For two Violins and Cello
or
Violin, Viola and Cello.
Composed by George A.
Speckert. Edited by
George
A. Speckert. This
edition:
anthology. Stapled. Ready
to
Play. Performance score
and
parts. 28/12/12/12/12
pages.
Baerenreiter Verlag #BA
10647. Published by
Baerenreiter Verlag
$22.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Trois Trolls Trapus Trio de Flûtes: 3 flûtes - Intermédiaire FLEX Editions
Chamber Music, Trio Flute Trio: 3 Flutes - Grade 3 SKU: FL.FX074265 Compo...(+)
Chamber Music, Trio Flute
Trio: 3 Flutes - Grade 3
SKU: FL.FX074265
Composed by Pascal
Proust. Original
Composition. Classical,
Educational. Score and
Set of Parts. FLEX
Editions #FX074265.
Published by FLEX
Editions (FL.FX074265).
3 short
movements for an audition
or classroom work, from 4
years of instrument
practice. - Pascal PROUST
; Instruments:Flute Trio:
3 Flutes; Difficuly
Level: Grade 3; Duration:
2 mn 10 s; Musical Style:
Classical, Educational;
Category: Original
Composition; Composer:
Pascal PROUST. $11.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Sonatas 1-6 for Three Trombones Volume 1 3 Trombones (trio) - Avancé Cherry Classics
Trombone Trio - advanced SKU: CY.CC2784 Composed by Henry Purcell. Arrang...(+)
Trombone Trio - advanced
SKU: CY.CC2784
Composed by Henry
Purcell. Arranged by
Ralph Sauer. English
Baroque. Coil bound score
& booklet parts.
Published by Cherry
Classics (CY.CC2784).
Purcell's Trio
Sonatas of 1683 are a
blend or hybrid of French
and Italian Baroque 17th
Century musical styles.
The six Sonatas of Volume
1 alternate between major
and minor keys. Each work
consists of several short
movements, ranging
between melancholy and
joyous.
Especial
ly delightful are the
dissonances that the
composer intersperses
throughout each work.
Each Sonata is about 6-7
minutes in length and
they are an absolute
delight to
perform.
For
advanced performers. $37.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sonatas 7-12 for Three Trombones Volume 2 3 Trombones (trio) - Avancé Cherry Classics
Trombone Trio - advanced SKU: CY.CC2793 Composed by Henry Purcell. Arrang...(+)
Trombone Trio - advanced
SKU: CY.CC2793
Composed by Henry
Purcell. Arranged by
Ralph Sauer. English
Baroque. Coil bound score
& parts. Published by
Cherry Classics
(CY.CC2793).
Purcell's Trio
Sonatas of 1683 are a
blend or hybrid of French
and Italian Baroque 17th
Century musical styles.
The six Sonatas of Volume
2 alternate between major
and minor keys. Each work
consists of several short
movements, ranging
between melancholy and
joyous. Volume 2 is a
continuation of the six
sonatas from volume one,
with more surprises and
enjoyment for performers
and listeners
alike.
Especiall
y delightful are the
dissonances that the
composer intersperses
throughout each
work.
Each
Sonata is about 6-7
minutes in length and
they are an absolute
delight to
perform.
For
advanced performers. $37.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Trois Trolls Trapus 3 Clarinettes (trio) - Intermédiaire FLEX Editions
Chamber Music, Trio 3 Bb Clarinets - Grade 3 SKU: FL.FX074262 Composed by...(+)
Chamber Music, Trio 3 Bb
Clarinets - Grade 3
SKU: FL.FX074262
Composed by Pascal
Proust. Original
Composition. Classical,
Educational. Score and
Set of Parts. FLEX
Editions #FX074262.
Published by FLEX
Editions (FL.FX074262).
3 short
movements for an audition
or classroom work, from 4
years of instrument
practice. - Pascal PROUST
; Instruments: 3 Bb
Clarinets; Difficuly
Level: Grade 3; Duration:
2 mn 10 s; Musical Style:
Classical; Category:
Original Composition;
Composer: Pascal
PROUST. $11.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Short Trio Movements Flûte à bec Alto, Piano Schott
Piano; Recorder SKU: HL.49005896 Performance Score. Composed by Ge...(+)
Piano; Recorder SKU:
HL.49005896
Performance Score.
Composed by Georg Philipp
Telemann. Arranged by
Willi Draths. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Score and
Parts. 32 pages. Schott
Music #ED5910. Published
by Schott Music
(HL.49005896). ISBN
9790001063852. UPC:
884088051419.
9.0x12.0x0.157
inches. Descant and
treble recorder and piano
(harpsichord),
violoncello ad lib. $19.99 - Voir plus => Acheter | | |
| Six trio sonatas, Op. 1 vol.2 Edition HH
Two violins, violoncello & basso continuo SKU: HH.HH585-FSP Composed by F...(+)
Two violins, violoncello
& basso continuo SKU:
HH.HH585-FSP Composed
by Frederich Ernest
Fisher. Edited by Michael
Talbot. Full score and
parts. Edition HH Music
Publishers #HH585-FSP.
Published by Edition HH
Music Publishers
(HH.HH585-FSP). ISBN
9790708213000. Stan
ley Sadie’s
opinion, expressed in
1963, that the two of the
twelve trio sonatas by
Frederick Ernest
Fisher(1711/12–176
0), divided equally
between Op. 1 (c.1751)
and Op. 2 (c.1761), were
‘among the finest
of their time’
while some of the others
were ‘remarkably
inventive and
original’ almost
sells this composer
short. Every single one
of these works, scored
for two violins, cello
and harpsichord, is
masterly and deserves a
permanent place in the
repertoire. Born in or
near Kassel, Fisher spent
several years in Holland,
teaching music from 1741
to 1745 at the university
of Leiden, before
emigrating to England.
After spending about two
years in London he
settled permanently in
Cambridge, where he
taught music to members
of the local music
society. His Op. 1 set,
dedicated to the same
society, epitomizes the
‘social’
character of the trio
sonata genre, where
individual virtuosity
yields its place to
amicable interaction
between the players.
Fisher was a cellist as
well as a violinist, and
this background is
brought out by the rare
eloquence of his bass
lines. The diversity of
movement types in these
ordinarily three-movement
sonatas is very
attractive. They include
powerful fugues,
expansive movements in
sonata form, languorous
middle movements
reminiscent of those in
operatic overtures and a
selection of dance
movements, all of which
mix baroque, galant and
classical elements in a
convincing synthesis. $49.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Six trio sonatas, Op. 1 vol.1 Edition HH
Two violins, violoncello & basso continuo SKU: HH.HH584-FSP Composed by F...(+)
Two violins, violoncello
& basso continuo SKU:
HH.HH584-FSP Composed
by Frederich Ernest
Fisher. Edited by Michael
Talbot. Full score and
parts. Edition HH Music
Publishers #HH584-FSP.
Published by Edition HH
Music Publishers
(HH.HH584-FSP). ISBN
9790708185994. Stan
ley Sadie’s
opinion, expressed in
1963, that the two of the
twelve trio sonatas by
Frederick Ernest
Fisher(1711/12–176
0), divided equally
between Op. 1 (c.1751)
and Op. 2 (c.1761), were
‘among the finest
of their time’
while some of the others
were ‘remarkably
inventive and
original’ almost
sells this composer
short. Every single one
of these works, scored
for two violins, cello
and harpsichord, is
masterly and deserves a
permanent place in the
repertoire. Born in or
near Kassel, Fisher spent
several years in Holland,
teaching music from 1741
to 1745 at the university
of Leiden, before
emigrating to England.
After spending about two
years in London he
settled permanently in
Cambridge, where he
taught music to members
of the local music
society. His Op. 1 set,
dedicated to the same
society, epitomizes the
‘social’
character of the trio
sonata genre, where
individual virtuosity
yields its place to
amicable interaction
between the players.
Fisher was a cellist as
well as a violinist, and
this background is
brought out by the rare
eloquence of his bass
lines. The diversity of
movement types in these
ordinarily three-movement
sonatas is very
attractive. They include
powerful fugues,
expansive movements in
sonata form, languorous
middle movements
reminiscent of those in
operatic overtures and a
selection of dance
movements, all of which
mix baroque, galant and
classical elements in a
convincing synthesis. $47.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Piano Trio Faber Music Limited
Piano trio SKU: AP.12-0571530826 Composed by Torsten Rasch. Masterworks; ...(+)
Piano trio SKU:
AP.12-0571530826
Composed by Torsten
Rasch. Masterworks; Solo
Small Ensembles; String
Ensemble - Mixed; Trio.
Faber Edition. 20th
Century; Masterwork.
Score and Part(s). Faber
Music #12-0571530826.
Published by Faber Music
(AP.12-0571530826).
ISBN 9780571530823.
English. Formally,
the Trio has a classical
shape. The first movement
is in sonata form, with
an expanded
recapitulation. The
second movement combines
a forceful Presto and an
eerie, unworldly trio
episode, both
recapitulated, and
'squeezed together' in a
short coda. The third
movement is a rather free
Adagio, with the three
players used more as
soloists than elsewhere
in the work. The finale
is a kind of rondo with
variations, in which all
the subsidiary themes are
derived from the
preceding movements.
Thematically and in terms
of tempo, all the
movements are closely
linked. $41.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonata for Short Attention Spans 2 Flûtes traversières, Piano [Conducteur et Parties séparées] Theodore Presser Co.
Composed by Gary Schocker. Score and part(s). With Standard notation. 40 pages. ...(+)
Composed by Gary
Schocker. Score and
part(s). With Standard
notation. 40 pages.
Duration 9 minutes, 30
seconds. Theodore Presser
Company #114-41869.
Published by Theodore
Presser Company
(PR.114418690).
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Trio Violon Subito Music
Violin, Clarinet & Piano for SKU: SU.27040250 For Violin, Clarinet & P...(+)
Violin, Clarinet & Piano
for SKU:
SU.27040250 For
Violin, Clarinet & Piano
for. Composed by
Gregory J. Hutter.
Chamber Music, Piano
Trio, Woodwinds,
Clarinet. Score & Parts.
Subito Music Corporation
#27040250. Published by
Subito Music Corporation
(SU.27040250).
The trio is
cast in three short
movements, all showcasing
a constant bustle of
contrapuntal activity and
angular rhythms. The
harmonic language is
atonal, employing
cellular collections of
pitches. Duration: 10'
Composed: 2001 Published
by: Hutter Music. $41.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Piano Quintet Schott
Piano Quintet (Score & Parts) - difficult SKU: HL.49045531 For string ...(+)
Piano Quintet (Score &
Parts) - difficult
SKU: HL.49045531
For string quartet and
piano. Composed by
Pierre Jalbert. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover.
Composed 2017. 84 pages.
Duration 19'. Schott
Music #ED31291. Published
by Schott Music
(HL.49045531). ISBN
9781495094767. UPC:
888680685058.
9.0x12.0x0.401
inches. My Piano
Quintet consists of four
contrasting movements.
The first movement,
entitled Mannheim Rocket,
is a modern take on the
18th-century musical
technique in which a
rising figure speeds up
and grows louder. Marked
'Furioso', the movement
is gradually filled with
rising scalar figures
which build in volume and
finally 'launch' into
space with ethereal
string harmonics. At this
point, the music becomes
almost static, though the
inner rhythm
continues.The second
movement, entitled Kyrie,
is marked 'Still,
chant-like'. The
principal idea, stated
between first violin and
viola, is a chromatically
transformed chant-like
motive. It also features
a long, lyrical cello
line, made up exclusively
of natural harmonics,
emphasizing the
non-tempered ('out of
tune') 7th and 11th
partials.The third
movement is a scherzo in
which the strings and
piano sometimes alternate
and imitate each other,
reacting to each other's
gestures, and at other
times, combine and
synchronize to produce a
more blended sound. A
short Trio-like section
appears before the return
of the scherzo music.The
last movement, Pulse, is
made up of perpetually
moving 8th notes,
sometimes harmonically
static, but always
pushing forward. The work
is interrupted twice with
short, freer sections,
but always returns to its
pulse-oriented nature.-
Pierre Jalbert. $101.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| String Trio for Violin, Viola and Violoncello op. 75 Barenreiter
Violin, viola, cello (Violin, Viola, Violoncello) SKU: BA.BA11012 Compose...(+)
Violin, viola, cello
(Violin, Viola,
Violoncello) SKU:
BA.BA11012 Composed
by Thomas Daniel Schlee.
Stapled. Score, Set of
parts. Composed 2007.
Opus 75. 26/11/9/9 pages.
Duration 20 minutes.
Baerenreiter Verlag
#BA11012_00. Published by
Baerenreiter Verlag
(BA.BA11012). ISBN
9790006498864. 29 x 21 cm
inches. The French
titles and tempo markings
in this four-movement,
twenty-minute-long trio
point to the
composer’s
particular affinity to
French culture.
The
“Prlude†is
followed by an impressive
“Invocationâ€,
an homage to
Schlee’s highly
regarded former teacher
Olivier Messiaen in
commemoration of the
100th anniversary of his
birth. This movement,
composed somewhat earlier
than the others, was the
departing point for the
work. Amongst
contemporary music one is
not likely to find titles
like those that were
chosen for the final two
movements:
“Allgresseâ€
(exultation, joy) and
“Eglogueâ€
(eclogue – a short
pastoral poem). The
titles give the music a
lasting dramaturgical
quality. They reflect the
lyrical, serene
atmosphere of this
extraordinary
masterpiece.
$48.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Trio for Recorders Forsyth Publications
Descant, treble and tenor recorders - Moderate SKU: FP.FJD01 Composed by ...(+)
Descant, treble and tenor
recorders - Moderate
SKU: FP.FJD01
Composed by David N.
Johnson. Published by
Forsyths Publications
(FP.FJD01). ISBN
979-0-57050-158-8.
The scoring of this
attractive trio in eight
short movements is for
descant, treble and tenor
recorders and it shows
another facet of David
Johnson's talents. The
work has been broadcast
but demands only modest
technical skills. $12.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Charles Weidemann. : Sonata Opus 3 no 3 3 Bassons [Conducteur et Parties séparées] - Intermédiaire Forton Music
By Charles Weidemann. Arranged by Robert Rainford. For bassoon trio. Intermediat...(+)
By Charles Weidemann.
Arranged by Robert
Rainford. For bassoon
trio. Intermediate. Score
and parts. Published by
Forton Music
$12.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Wind Dances - Avancé Schott
Score and Parts flute (also Piccolo), oboe, clarinet in Bb, horn, bassoon and pi...(+)
Score and Parts flute
(also Piccolo), oboe,
clarinet in Bb, horn,
bassoon and piano -
advanced SKU:
HL.49045997 For
Woodwind Quintet and
Piano Score and
Parts. Composed by
Pierre Jalbert. Sheet
music. Edition Schott.
Softcover. Composed 2018.
92 pages. Duration 21'.
Schott Music #ED30173.
Published by Schott Music
(HL.49045997). ISBN
9781540033918. UPC:
888680787004.
9.5x12.0x0.681
inches. Wind Dances
is in seven short
contrasting movements,
each containing
dance-like rhythms, both
slow and fast. Having two
sons who both play the
clarinet, I've heard many
a woodwind quintet, so
I've been wanting to
write for the medium for
quite a while. In this
instance, I also added my
own instrument, the
piano.The work opens with
a fast movement
containing driving
rhythms in the winds,
which are then answered
by the piano. The second
movement features
colorful effects in the
winds and piano (slap
tongue, air sounds, muted
tones) leading to a long
extended lyrical line,
gradually orchestrated to
involve all the winds.
The third movement is a
dynamic scherzo, with a
separate middle section
similar to a traditional
Trio section. The slowly
unfolding fourth movement
is the longest of the
piece and anchors the
middle of the work. The
fifth movement is a kind
of echo of the third
movement, though this
time the dynamic scherzo
is high and light, rather
than low and dark. The
sixth movement is related
to the second movement,
and is basically a solo
cadenza for the clarinet,
with a few
accompanimental gestures
in the piano. The seventh
and final movement
reprises material from
the first movement, this
time with new and driving
dance-like gestures
added.- Pierre
Jalbert. $190.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Color Codas Piano seul Carl Fischer
Chamber Music Piano SKU: CF.PL1061 For Two Pianos. Composed by Pau...(+)
Chamber Music Piano
SKU: CF.PL1061
For Two Pianos.
Composed by Paul Lansky.
Sws. Set of Score and
Parts. 32 pages. Duration
10:58. Carl Fischer Music
#PL1061. Published by
Carl Fischer Music
(CF.PL1061). ISBN
9781491158555. UPC:
680160917167. 9 x 12
inches. The three
movements of Color Codas
can be played
individually or,
preferably, as a set. aIn
the Reda flirts with
extremes in dynamics and
register; aPurple
Passiona wears its heart
on its sleeve; aOut of
the Blue,a well what can
I say... (aOut of the
Bluea is an arrangement
of the fourth movement,
aKeep It Short,a of my
trio for horn, violin and
piano, Etudes and
Parodies.) The work is
written for the wonderful
piano duo, Quattro
Mani. The three
movements of Color Codas
can be played
individually or,
preferably, as a set. In
the Red flirts with
extremes in dynamics and
register; Purple Passion
wears its heart on its
sleeve; Out of the Blue,
well what can I say...
(Out of the Blue is an
arrangement of the fourth
movement, Keep It Short,
of my trio for horn,
violin and piano, Etudes
and Parodies.) The work
is written for the
wonderful piano duo,
Quattro Mani. The
three movements of Color
Codas can be played
individually or,
preferably, as a set.
“In the Redâ€
flirts with extremes in
dynamics and register;
“Purple
Passion†wears its
heart on its sleeve;
“Out of the
Blue,†well what
can I say... (“Out
of the Blue†is an
arrangement of the fourth
movement, “Keep It
Short,†of my trio
for horn, violin and
piano, Etudes and
Parodies.)The work is
written for the wonderful
piano duo, Quattro
Mani. $26.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| String Quartet No. 2 Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music Cello, Viola, Violin 1, Violin 2 SKU: PR.114406980 Vista...(+)
Chamber Music Cello,
Viola, Violin 1, Violin 2
SKU: PR.114406980
Vistas. Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation. 42 +
112 pages. Duration 25
minutes. Theodore Presser
Company #114-40698.
Published by Theodore
Presser Company
(PR.114406980). UPC:
680160010806. Shula
mit Ran’s second
string quartet, subtitled
“Vistas,â€
occupies a large canvas
that is cast in a
traditional fourmovement
mold, where the outer
movements present,
explore, and later return
to the work’s
principal musical
materials, surrounding a
slow movement and
scherzo-type third
movement with a trio. In
addition to tempo-based
titles, the individual
movements have subtitles
that are evocative of
each movement’s
character, as follows: I.
Concentric: from the
inside out II. Stasis
III. Flashes IV.
Vistas. My second
string quartet,
“Vistasâ€, is
a work cast in a
traditional four-movement
formal mold, with the
outer movements,
presenting and later
returning to the
work’s principal
musical materials,
surrounding a slow
movement and a
scherzo-type third
movement.While the four
movements’
“properâ€
names -- Maestoso con
forza, Lento, Scherzo
impetuoso, and
Introduzione; Maestoso e
grande – give some
indication of the general
character of the
individual movements, I
have also subtitled, less
formally, each movement
as follows:Â 1)
Concentric:Â from the
inside out 2)Â
Stasis 3) FlashesÂ
4) Vista. The images
evoked by these titles
tell one, I think, a bit
more about the inner
workings of the
quartet.In the first
movement, a prominently
presented opening pitch
(E) reveals itself, as
the movement unfolds, to
be a center of gravity
from which ever-growing
cycles of activity
gradually evolve.Â
While various important
themes come into being as
the movement progresses,
their impact on the
listener has, I believe,
a great deal to do with
their juxtaposition and
relationship to the
initial central point of
gravity.Stasis is, as the
name implies, a movement
where activity seems, at
times, almost
suspended. Being
also, as Webster’s
Dictionary reminds us,
“a state of static
balance and equilibrium
among opposing tendencies
or forces,†it
develops various
materials, including ones
from the first movement,
without bringing them to
points of
resolution.Flashes is
short and very fast,
evoking in my mind the
quick shimmer of
fireflies, a
“sudden burst of
lightâ€, but also a
“brief
timeâ€. Perhaps,
even, a
“smile�Final
ly, the last movement,
Vista, is not only
“a view or
outlookâ€, but also
“a comprehensive
mental view of a series
of remembered or
anticipated
events.â€Â After
a brief recall of the
opening of the second
movement, this movement
brings back all the
important themes of the
first movement in their
original order. But
just as going back can
never really mean going
back in time, the
movement is much more
than recapitulatory.Â
By cutting through
previously transitory
passages and presenting
the main ideas in a
fashion more direct yet
more evolved, it also
sheds new light on
earlier events, offering
a retrospective, synoptic
view of the first
movement as it brings to
culmination the work as a
whole. “Vistasâ
€ was commissioned by
C. Geraldine Freund for
the Taneyev String
Quartet of what was then
Leningrad. It was the
first commission given in
this country to a Soviet
chamber ensemble since
the 1985 cultural
exchange accord between
the Soviet Union and the
United States. $285.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Easy Quartets / Leichte Quartette EMB (Editio Musica Budapest)
Flexible Ensemble SKU: BT.EMBZ14849 Kammermusikserie mit variabler Bes...(+)
Flexible Ensemble SKU:
BT.EMBZ14849
Kammermusikserie mit
variabler Besetzung.
EMB Ad Libitum.
Educational Tool. Set of
Parts. Composed 2013. 76
pages. Editio Musica
Budapest #EMBZ14849.
Published by Editio
Musica Budapest
(BT.EMBZ14849).
The volumes in
this new series contain
duos, trios and quartets,
their degree of
difficulty ranging from
easy through intermediate
to advanced. Every piece
is a transcription or an
arrangement, since in
editing the volumes our
primary concern was to
provide a collection of
valuable and interesting
compositions, as freely
variable as possible as
regards instrumentation,
for music school students
and also for adults who
make music for their own
pleasure. The range and
pitch of the parts enable
the works to be performed
on any required or
possible combination of
the given instruments. In
the Easy quartets volume,
in addition to
independent movements a
number of works can be
foundthat can be
performed together to
form suites. Thus from
short movements that can
also be used separately
cycles may be formed
which can enliven a
little domestic concert,
an instrument
demonstration or the
programme of a
performance for a festive
occasion. Besides
sequences of Renaissance
dances, arrangements of
Bach chorales, choral
works and classical
dances, the varied
content also includes
Romantic movements
suitable for enjoyable
domestic music-making.
Die Bände der
neuen Serie beinhalten
leichte, mittelschwere
oder fortgeschrittene
Duos, Trios und
Quartette. Bei der
Zusammenstellung lag das
Hauptaugenmerk auf der
höchstmöglichen
Freiheit in der
Kombinierbarkeit der
Instrumente sowie darauf,
dass die Kompositionen
für Musikschüler
und Hobbymusiker
musikalisch interessant
und wertvoll sind. Aus
diesem Grund handelt es
sich bei allen Stücken
um Transkriptionen. Lage
und Tonumfang der Stimmen
sind so gesetzt, dass
sich die Werke allen
denkbaren Umständen
und Ansprüchen
anpassen und entsprechend
in jeder Kombination der
angegebenen
Musikinstrumente
vorgetragen werden
können. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| ARKA - 3 Rituale (Full Score) Voix basse, Piano Peters
Orchestra solo oboe, solo pipa, timpani 4 Pauken, 1 Spieler, percussion, (Crotal...(+)
Orchestra solo oboe, solo
pipa, timpani 4 Pauken, 1
Spieler, percussion,
(Crotali, Glockenspiel,
gr, Trommel,
vibraphonerafon - 1
Spieler), strings (7, 1)
SKU: PE.EP14445
Composed by Bernd Franke.
Full Scores. Edition
Peters. Score. 52 pages.
Duration 00:20:00.
Edition Peters
#98-EP14445. Published by
Edition Peters
(PE.EP14445). ISBN
9790014135041. 297 x 420
mm inches.
German. ARKA
stammt aus dem
Sanskrit und bedeutet so
viel wie Strahl, Blitz,
Sonne, Licht, aber auch
Lied, Feuer und Hymnus,
und entwickelt in meiner
Vorstellung sehr viele
unterschiedliche
Assoziationsfelder. In
ARKA stecken
auch die Worter arc
(beten) und ka (Wasser),
und es kann auch
ubersetzt werden mit:
,,Das Wasser stromt aus
dem heraus, der mehr
weiss. Mein neues
Werk fur Pipa, Oboe,
Pauke, Schlagzeug und
Orchester entstand im
Auftrag der
Kammerakademie Neuss und
auf Anregung des Oboisten
Christian Wetzel. Es
entstanden drei Rituale
mit zum Teil szenischen
Elementen fur die
Solisten und das
Orchester.
Inspirationsquelle in
der Vorbeschaftigung
waren zwei Quellen und
Bucher. Das Daodejing von
Laozi in der
hervorragenden
Neuubersetzung von Viktor
Kalinke, eine der
wichtigsten Quellen
chinesischen Denkens und
der Philosophie dieser
grossen Kulturtradition
und die chinesische
Tradition der
5-Elementelehre und der
Wandlungsphasen. Als
zweites Buch hat mich
,,Die Glut von Roberto
Calasso inspiriert, ein
Buch uber die indischen
Veden in Verbindung mit
den Ursprungen des
Buddhismus und den damit
verbunden Ritualen.
In den letzten 20
Jahren habe ich mich
intensiv mit
ostasiatischer Musik,
Kunst und Philosophie
beschaftigt und habe das
auch durch langere
Studienreisen und
kompositorische Projekte
vertiefen konnen. U.a.
wurde 2012 mein Chorwerk
PRAN in Kolkata in Indien
uraufgefuhrt
(Goethe-Institut),
ebenfalls 2012 ,,in
between VI fur Sho und
Sheng in Tokyo und 2013
,,Mirror and Circle fur
Pipa, Cello und
chinesisches Orchester in
Taipeh/Taiwan
(Auftragswerk der
taiwanesischen
Regierung). Mit der
chinesischen
Pipa-Virtuosin Ya Dong
arbeite ich seit 2000
zusammen und habe fur sie
mehrfach komponiert
(Urauffuhrungen u.a. in
Hannover/EXPO 2000,
Rottweil 2001, Taipeh
2013, Magdeburg 2016).
Auch mit Christian Wetzel
arbeite ich seit uber 20
Jahren zusammen und habe
ebenfalls haufig fur ihn
komponiert (UA u.a. in
Bonn 1999, Hannover/EXPO
2000, Rottweil 2001,
Darmstadt 2004 und
etliche weitere
Projekte). Jedes
dieser drei Rituale hat
eine Lange von ca. 6-7
Minuten und stellt
unterschiedliche
Qualitaten und
Besonderheiten der beiden
Soloinstrumente heraus,
immer in Verbindung mit
der Interaktion zwischen
Soli und Orchester. Die
Besetzung war fur mich
ausserst reizvoll, da
beide Instrumente in
dieser Kombination noch
nie so erklungen sind.
Die Pipa ist ein ungemein
modernes und
ungewohnliches
Instrument, reich an
Farben und vor allem an
perkussiven Effekten. Das
Tonmaterial wurde zum
grossten Teil aus den
Namen der beiden Solisten
gewonnen und ergibt
interessanter zwei
gespiegelte
Viertonmotive. In der
asiatischen Kultur
spielen der Spiegel und
der Kreis eine wichtige
Rolle, und so werden die
Tone, Rhythmen und Formen
eingewoben in diese drei
Rituale, welche am Ende
des dritten Satzes wieder
kreisformig an den Anfang
des ersten Rituals
anknupfen. Ein von den
Streichern und der Pauke
erzeugtes Gerausch,
verbunden mit dem
Rhythmus der grossen
Trommel, welcher einen
Herzschlag symbolisieren
soll. Die drei Untertitel
der Rituale Himmel, Erde
und (atmospharischer)
Raum spielen im vedischen
und chinesischen Denken
eine grosse Rolle und war
fur mich beim Komponieren
ebenfalls eine sehr
starke
Inspirationsquelle. In
vielen meiner
Kompositionen gibt es
Raumeffekte, Annaherungen
an das Publikum, das
Verschieben von
Perspektiven, die
Dekonstruktion und das
Hinterfragen der ublichen
Konzertsituation, so u.a
in meinem Beuys-Zyklus
oder in den Zyklen ,,CUT
und ,,in between.
In ARKA geht
es mir besonders um die
Interaktion zwischen
westlichem und ostlichem
Denken, um das
gegenseitige Durchdringen
dieser auf den ersten
Blick so
unterschiedlichen Denk-
und Lebensweisen, um eine
Verschmelzung scheinbarer
Gegensatze - um
Annaherung! Bernd
Franke. Leipzig,
11.10.2019 W01476|C|Y
0.0000 Sheet Music
_x000D_ 9780193556799 Y
23.50 X556799 357665
9780193556799 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556799 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0 Low
voice & piano Low voice
book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556799
- Young: A babe is
born
- Rutter:
Angels' Carol
-
McDowall: Before the
paling of the stars
- Rutter:
Candlelight Carol
- Rutter: I sing
of a maiden
-
Chilcott: Mid-winter
- Todd: My Lord
has Come
-
Bullard: Scots Nativity
- Quartel: Snow
Angel
- Todd:
Softly
-
Chilcott: Sweet was the
song
- Chilcott:
The Shepherd's Carol
- Quartel: This
endris night
-
McGlade: What child is
this?
for
low voice and piano
This beautiful
collection of 14 songs
for low voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for high voice and
piano. - 14
songs for solo
voice
- Well-loved
composers, including John
Rutter and Bob
Chilcott
- Wide
selection of Christmas
texts
- Accessible
accompaniments
-
Includes backing tracks
downloadable from a
Companion
Website
-
Available in volumes for
high and low
voice
MISC|AU|Y
0.0000 Paperback _x000D_
EP73308R Y 0.00 73308R
P73308R 1 ORCHA 8000 0.00
Hover A (LARGE) BEAMISH
EP73308R GP:ORCHESTRAL
HOVER ONLY RENTAL SALLY
WORKS NONE ORCHA P 303000
EP73308R 0.0000 Sheet
Music _x000D_ EP14437A Y
22.95 14437A P14437A
FRANKE, BERND C
9790014137199 52A1 8000
0.00 AGNI A 9790014137199
AGNI BASS BERND CLARINET
EP14437A FRANKE
PHOTOPRINTS W01476
English / German 00:12:0
Instrumental Score 232 x
303 mm Bass clarinet 20
DETNT NEW PR43 23/04/2021
P 303006 AGNI is the
Hindu god of fire; the
elemental and
transformative force
inherent in
everything: Every
flame, every fire, every
light, every warmth is
AGNI. AGNI is
omnipresent, establishing
everything and ending
everything. AGNI is
often depicted with seven
tongues which represent
different aspects of his
being. These
include: creating,
sustaining, cleansing,
purifying, priestly,
martial, devastating,
destructive, and
consuming. Derived
from Franke's concerto of
the same name, this solo
work for bass clarinet
compositionally traces
the transformative
processes initiated by
the divine fire. The solo
takes seven pieces from
the concerto, presenting
vivid character pieces
exploring the creative
possibilities and wide
tonal range offered by
the bass
clarinet. This
version of AGNI
for bass clarinet solo
was premiered on 4
December 2020 in Leipzig
by Volker Hemken, the
principal bass
clarinetist of the
Gewandhausorchester
Leipzig. EP14437a
convinces with its
excellent and clear
notation, making the
piece a new standard for
bass clarinet.
W01476|C|Y 0.0000 Sheet
Music _x000D_ EP68686 Y
165.00 68686 P68686 LEWIS
C 9790300761299 97 8000
0.00 Ikons A
9790300761299
CONTEMPORARY ENSEMBLE
EP68686 GEORGE IKONS
LEWIS PHOTOPRINTS SMALL
W06652 English 00:14:0
Conductor Score & Parts
303 x 232 mm Fl (A-fl in
F).Cl.Bsn
(Cbsn).Tbn.Perc.Vln.Vlc.C
b 132 NEW PR43 USTNT
21/04/2021 P 303006
Ikons,
commissioned by the
Vancouver Cultural
Olympiad 2010, exists in
two forms. This 14-minute
acoustic version,
premiered by the Turning
Point Ensemble, calls for
an octet of live
musicians to execute
complex rhythms and
quarter-tone
harmonies. The
interactive, electronic
version, created with
visual artist Eric
Metcalfe and designed to
be presented separately,
incorporates samples from
this acoustic version
into a sculptural
environment of seven
pyramidal structures that
respond sonically to the
viewer. W06652|C|Y
0.0000 Sheet Music
_x000D_ EP73531 Y 31.95
73531 P73531 PANUFNIK,
ROXANNA C 9790577020976
61 8000 0.00 Sonnets
without Words A
9790577020976 EP73531
HORN PANUFNIK PHOTOPRINTS
PIANO ROXANNA SHAKESPEARE
SONNETS W03578 WILLIAM
WITHOUT WORDS English
Score & Instrumental
Parts 232 x 303 mm Horn
and piano 28 NEW PR43
UKTNT 21/04/2021 P 303006
Roxanna Panufnik's
Sonnets without
Words is a
contemporary piece for
Horn in F and piano.
Written for horn player
Ben Goldscheider,
Panufnik has reimagined
the lyrical vocal lines
from three of her
previous settings of
Shakespeare's sonnets
(Mine eye, Music to
hear and Sweet
Love Remember'd for
voice and piano) into a
purely instrumental
work. Score and
horn
part. - Contempo
rary work for Horn in F
and
piano
- Settings of
Sheakespeare's Sonnets 8,
24 & 29 in instrumental
form
W03578|C|Y
W06737|LY|N 0.0000 Sheet
Music _x000D_ EP73571 Y
15.95 73571 P73571
MCNEFF, STEPHEN C
9790577021317 20 8000
0.00 Trig for Solo Cello
A 9790577021317 (SOLO)
CELLO EP73571 MCNEFF
PHOTOPRINTS SOLO STEPHEN
TRIG W03150 English
00:07:0 Instrumental
Score 232 x 303 mm Solo
Violoncello 8 NEW PR43
UKTNT 21/04/2021 P 303006
Stephen McNeff's
Trig is a short
7-minute contemporary
work for solo cello,
written to celebrate the
bicentennial of the Royal
Academy of Music in 2022
and in memorium cellist
Mike Edwards
1948-2010. Trig
was premiered by
Henry Hargreaves on 19
March 2021, livestreamed
from the Royal Academy of
Music. - Contemp
orary piece for solo
cello
- Written for
the Royal Academy of
Music's
bicentennial
W03150|C|Y 0.0000 Sheet
Music _x000D_ EP14528 Y
34.95 14528 P14528
SAUNDERS, REBECCA C
9790014136796 3 8000 0.00
to an utterance - study A
9790014136796 (SOLO) AN
EP14528 PHOTOPRINTS PIANO
REBECCA SAUNDERS STUDY TO
UTTERANCE W04191 English
Instrumental Score 420 x
297 mm Piano Solo 16
DETNT NEW PR43 21/04/2021
P 303006 to an
utterance - study
was commissioned by
Klangforum Wien for the
premiere commercial audio
recording on a portrait
CD in 2020 and first
performed by Joonas
Ahonen at the Berlin
Philharmonie on 4th
September 2020 at the
Musikfest Berlin.
W04191|C|Y 0.0000 Sheet
Music _x000D_ EP71880 Y
75.00 71880 P71880
PANUFNIK, ROXANNA C
9790577008332 82 8000
0.00 Spirit Moves for
Brass Quintet A
9790577008332 BRASS
ENSEMBLE EP71880 MOVES
PANUFNIK PHOTOPRINTS
QUINTET ROXANNA SPIRIT
W03578 English 00:15:0
Score & Instrumental
Parts 232 x 303 mm
Trumpet 1 in B flat
(doubling Piccolo
Trumpet), Trumpet 2 in B
flat (doubling Flugel
Horn), Horn in F,
Trombone, Tuba 84 NEW
PR43 UKTNT 21/04/2021 P
303006 Roxanna
Panufnik's Spirit
Moves, for brass
quintet, was commissioned
by the Fine Arts Brass
Ensemble. This 15-minute
piece is scored for two
trumpets in Bb (one
doubling piccolo trumpet
and the other doubling
flugel horn), horn in F,
trombone and tuba. This
brass quintet is so
called because the outer
movements are highly
spirited and the
central one is
spiritual. This product consists of
score and parts.
W03578|C|Y 0.0000 Sheet
Music _x000D_ EP73585 Y
4.00 73585 P73585 369282
WILLIAMS, RODERICK C
9790577021591 1 151 8000
0.00 Eriskay Love Lilt A
9790577021591 (SECULAR)
CHORAL EP73585 ERISKAY
HALSTAN-USA LILT LOVE
RODERICK TRADITIONAL
W05152 WILLIAMS WORKS
English 00:03:0 190 x 272
mm SATB (divisi) and
piano 16 NEW PR30 UKTNT
20/05/2021 P 377788 A
gently flowing 3-minute
arrangement by Roderick
Williams for SATB (with
divisi) with piano
accompaniment that
captures the beauty of
this famous traditional
Hebridean love song. The
song text uses both old
dialect and English, each
verse ending with the
words, 'Sad am I without
thee'. - Commiss
ioned by The Sixteen
choir and recorded on
their 2021 album
'Goodnight
Beloved'
- Roderick
Williams is a
composer/arranger and
also a world-renowned
baritone
- The
arrangement is described
by Williams as 'having a
little nod to Ravel and
Grieg'
W05152|C|Y W04819|LY|N
0.0000 Sheet Music
_x000D_ 9780193556782 Y
23.50 X556782 357665
9780193556782 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556782 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0
High voice & piano High
voice book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556782
- Young: A babe is
born
- Rutter:
Angels' Carol
-
McDowall: Before the
paling of the stars
- Rutter:
Candlelight Carol
- Rutter: I sing
of a maiden
-
Chilcott: Mid-winter
- Todd: My Lord
has Come
-
Bullard: Scots Nativity
- Quartel: Snow
Angel
- Todd:
Softly
-
Chilcott: Sweet was the
song
- Chilcott:
The Shepherd's Carol
- Quartel: This
endris night
-
McGlade: What child is
this?
for
high voice and piano
This beautiful
collection of 14 songs
for high voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for low voice and
piano. - 14
songs for solo high
voice
- Well-loved
composers, including John
Rutter and Bob
Chilcott
- Wide
selection of sacred and
secular Christmas
texts
- Accessible
accompaniments
-
Includes backing tracks
downloadable from a
Companion
Website
-
Available in volumes for
high and low solo
voice
MISC|AU|Y
0.0000 Paperback _x000D_
9780193559066 Y 4.25
X559066 357665
9780193559066 YOUNG C 1
444 8030 0.00 O splendour
of God's glory bright
PAPER 9780193559066
BRIGHT CHORAL GLORY GOD'S
MIXED OF OXFORD SACRED
SPLENDOUR TOBY VOICES
W06576 YOUNG C 00:03:30
SATB & organ Vocal score
254x178 SATB 20 NONE P
355580 9780193559066
for SATB and organ
This energetic
setting of words by St
Ambrose of Milan is a
real showstopper. With
pop-influences and a
sparkling organ part,
Young effortlessly fuses
modern and traditional
sound worlds, while
changes in key and metre
build up to an
invigorating finish.
Perfect for accomplished
choirs looking for
something different.
W06576|C|Y 0.0000
Paperback _x000D_
9780193554399 Y 2.60
X554399 357665
9780193554399 LASSUS,
ORLANDO DE C 1 445 8030
0.00 Oculus non vidit
PAPER 9780193554399
CHORAL DE KEANE LASSUS
MARK NON OCULUS ORLANDO
OXFORD SACRED UPPER VIDIT
VOICES W02750 B 00:01:30
SA unaccompanied Vocal
score 254x178 Upper
Voices - 3 parts or more
4 NONE 10/06/2021 P
355580 9780193554399
for SA unaccompanied
This simple, charming
two-part motet features
long melismatic phrases
that reflect the text (1
Corinthians 2: 9), such
as the rising melodic
line over three bars on
the word 'ascended'
(ascendit).
W02750|C|Y
W06960|E|N 0.0000
Paperback _x000D_
9780193954298 Y 3.35
X954298 357665
9780193954298 TALLIS,
THOMAS C 1 448 8030 0.00
Honor, virtus et potestas
PAPER 9780193954298
CANTICLES DUNKLEY ET
HONOR OXFORD POTESTAS
SALLY SERVICES TALLIS
THOMAS VIRTUS W04705 C
00:06:0 SAATB
unaccompanied Vocal score
MSER00020 SATB 12 NONE
28/05/2021 P 355580
9780193954298 for
SAATB unaccompanied.
This glorious musical
depiction of the honour,
strength, power and
authority of the Holy
Trinity by Thomas Tallis
is the third issue in the
CMS's series of great
English Responds from the
16th century, edited by
Sally Dunkley. Scored for
SAATB, it can be
performed either as a
motet or as a full
Responsory with plainsong
alternating with
polyphony. W04705|C|Y
W01184|E|N 0.0000
Paperback _x000D_ EP73527
Y 6.95 73527 P73527
BEAMISH, SALLY C
9790577020891 50 8000
0.00 The Parting Glass A
9790577020891 (SOLO)
BEAMISH CLARINET EP73527
GLASS PARTING PHOTOPRINTS
SALLY W00306 English
Score 232 x 303 mm
Clarinet 4 NEW PR43 UKTNT
12/12/2020 P 303006
Based on a traditional
Scottish/Irish 'farewell'
song, this short piece is
one of six works written
to express my love of
Scotland. After living
there for nearly half my
life, and raising a
family, I moved back to
England in 2018, and
remarried in 2019.
Of course, there were
many different emotions
attached to the move
south: especially the joy
and excitement of new
beginnings, and
reconnection with friends
from my youth.
But this piece
expresses the wrench I
experienced after a last
family meal in Glasgow,
and the realisation of
all I was about to leave
behind. I have
taken the melody of the
original song, and
expanded it, exploring
the detail of its
patterns, so that it
becomes a timeless
meditation. The
six pieces in the
'farewell' series are for
6 violas, string quintet,
string quartet, trio,
violin and clarinet duo,
and solo clarinet.
The Parting Glass
was composed in 2020
during the coronavirus
lockdown, which
intensified the feeling
of separation from my
Scottish family, as well
as from other musicians.
It was
commissioned by Vittorio
Ceccanti for the
ContempoArtEnsemble.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73516 Y
6.95 73516 P73516
BEAMISH, SALLY C
9790577020747 20 8000
0.00 Maple A
9790577020747 (SOLO)
BEAMISH CELLO EP73516
MAPLE PHOTOPRINTS SALLY
W00306 English 00:06:0
Score 232 x 303 mm
Contemporary cello solo 8
NEW PR43 UKTNT 12/12/2020
P 303006 Seed; Spinning
Seed; Roots, shoots;
Leaves ; Flowers; Tree ;
Autumn ; Cello
Maple arose
from a commission to
write a work for solo
cello, to be performed
alongside readings from
artist John Newling's
collection of letters
entitled 'Dear Nature'; a
poetic manifestation of
our relationship with the
natural world. The
piece is in eight short
sections, to be
interspersed with
readings of groups of the
poems. It may also be
performed as a single
movement. It begins with
a seed - the seed of a
maple tree, as it hangs
on the mature tree, ready
to drop. The seeds are
like propellers,
sometimes travelling more
than a mile before
landing on the ground.
Maple follows
the growth of the tree to
maturity - which in
reality would take at
least a hundred years.
'Roots, shoots' grows
downwards and upwards
from a pedal note, and
the dance-like 'Flowers'
is followed by the
stately 'Tree', and then
the warm, cascading
'Autumn'. Maple is very
often the wood of choice
for the back of a
stringed instrument, and
the last section uses
open strings to explore
the full resonance of the
cello. The piece
starts with a 'seed' of
only five notes, which
grows into different
configurations. It is
intended to be played in
an improvisatory
style.
Maple was
co-commissioned by
Brighton Festival, Ars et
Terra Festival with SACEM
and Ditchling Arts and
Crafts Museum, to be
performed by Margarita
Balanas as part of the
Brighton Festival's 'Dear
Nature' project.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73508 Y
39.95 73508 P73508
DILLON, JAMES C
9790577020648 3 8000 0.00
echo the angelus A
9790577020648 (SOLO)
ANGELUS DILLON ECHO
EP73508 JAMES PHOTOPRINTS
PIANO W01097 English
00:25:0 Score 232 x 303
mm Piano Solo 44 NEW PR43
UKTNT 12/01/2021 P 303006
First performed by
Noriko Kawai for
Huddersfield Contemporary
Music Festival, in a
broadcast from the Radio
Theatre, BBC Broadcasting
House, November
2020. Full of
beautifully crafted,
delicate
tintinnabulations -
Richard Morrison, The
Times This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer. $90.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mixtures and Interludes Edition HH
Chamber orchestra SKU: HH.HH005-FSC Composed by Lawrence Casserley. Chamb...(+)
Chamber orchestra SKU:
HH.HH005-FSC Composed
by Lawrence Casserley.
Chamber Orchestra. Full
score. Duration 10
minutes, 30 seconds.
Edition HH Music
Publishers #HH005-FSC.
Published by Edition HH
Music Publishers
(HH.HH005-FSC). ISBN
9790708024101. Spar
ingly scored, these
miniatures are full of
surprise and delight. The
work consists of nine
short sections played
continuously. In Mixture
1 Incantation, linear
counterpoint for high
woodwind and low strings
is interspersed by
distinctive brass figures
and percussion motives. A
brief Solo for
double bass leads into
Interlude 1 where
harmonic writing is
broken by short woodwind
fragments before Duet
where a simple rhythmic
cell is developed by the
brass instruments.
Mixture 2 Exultation
alternate block chords
with active rhythmic
activity. The Trio for
flute, clarinet and
percussion is followed by
Interlude 2 where
woodwind and string
counterpoint is
interrupted by static
chords. After a short
Quartet for trumpet and
strings, Mixture 3
Apotheosis combines the
techniques of the earlier
movements. An original
and rewarding work. $31.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Mixtures and Interludes Edition HH
Chamber orchestra SKU: HH.HH005-MIN Composed by Lawrence Casserley. Chamb...(+)
Chamber orchestra SKU:
HH.HH005-MIN Composed
by Lawrence Casserley.
Chamber Orchestra.
Miniature score. Duration
10 minutes, 30 seconds.
Edition HH Music
Publishers #HH005-MIN.
Published by Edition HH
Music Publishers
(HH.HH005-MIN). ISBN
9790708024095. Spar
ingly scored, these
miniatures are full of
surprise and delight. The
work consists of nine
short sections played
continuously. In Mixture
1 Incantation, linear
counterpoint for high
woodwind and low strings
is interspersed by
distinctive brass figures
and percussion motives. A
brief Solo for
double bass leads into
Interlude 1 where
harmonic writing is
broken by short woodwind
fragments before Duet
where a simple rhythmic
cell is developed by the
brass instruments.
Mixture 2 Exultation
alternate block chords
with active rhythmic
activity. The Trio for
flute, clarinet and
percussion is followed by
Interlude 2 where
woodwind and string
counterpoint is
interrupted by static
chords. After a short
Quartet for trumpet and
strings, Mixture 3
Apotheosis combines the
techniques of the earlier
movements. An original
and rewarding work. $15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Mixtures and Interludes Edition HH
Chamber orchestra SKU: HH.HH005-IPT Composed by Lawrence Casserley. Chamb...(+)
Chamber orchestra SKU:
HH.HH005-IPT Composed
by Lawrence Casserley.
Chamber Orchestra. Set of
parts. Duration 10
minutes, 30 seconds.
Edition HH Music
Publishers #HH005-IPT.
Published by Edition HH
Music Publishers
(HH.HH005-IPT). ISBN
9790708024705. Spar
ingly scored, these
miniatures are full of
surprise and delight. The
work consists of nine
short sections played
continuously. In Mixture
1 Incantation, linear
counterpoint for high
woodwind and low strings
is interspersed by
distinctive brass figures
and percussion motives. A
brief Solo for
double bass leads into
Interlude 1 where
harmonic writing is
broken by short woodwind
fragments before Duet
where a simple rhythmic
cell is developed by the
brass instruments.
Mixture 2 Exultation
alternate block chords
with active rhythmic
activity. The Trio for
flute, clarinet and
percussion is followed by
Interlude 2 where
woodwind and string
counterpoint is
interrupted by static
chords. After a short
Quartet for trumpet and
strings, Mixture 3
Apotheosis combines the
techniques of the earlier
movements. An original
and rewarding work. $68.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Concerto - Piano And Orchestra - Solo Part Schott
Piano and orchestra - difficult SKU: HL.49046544 For piano and orchest...(+)
Piano and orchestra -
difficult SKU:
HL.49046544 For
piano and orchestra.
Composed by Gyorgy
Ligeti. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Softcover. Composed
1985-1988. Duration 24'.
Schott Music #ED23178.
Published by Schott Music
(HL.49046544). ISBN
9781705122655. UPC:
842819108726.
9.0x12.0x0.224
inches. I composed
the Piano Concerto in two
stages: the first three
movements during the
years 1985-86, the next
two in 1987, the final
autograph of the last
movement was ready by
January, 1988. The
concerto is dedicated to
the American conductor
Mario di Bonaventura. The
markings of the movements
are the following: 1.
Vivace molto ritmico e
preciso 2. Lento e
deserto 3. Vivace
cantabile 4. Allegro
risoluto 5. Presto
luminoso.The first
performance of the
three-movement Concerto
was on October 23rd, 1986
in Graz. Mario di
Bonaventura conducted
while his brother,
Anthony di Bonaventura,
was the soloist. Two days
later the performance was
repeated in the Vienna
Konzerthaus. After
hearing the work twice, I
came to the conclusion
that the third movement
is not an adequate
finale; my feeling of
form demanded
continuation, a
supplement. That led to
the composing of the next
two movements. The
premiere of the whole
cycle took place on
February 29th, 1988, in
the Vienna Konzerthaus
with the same conductor
and the same pianist. The
orchestra consisted of
the following: flute,
oboe, clarinet, bassoon,
horn, trumpet, tenor
trombone, percussion and
strings. The flautist
also plays the piccoIo,
the clarinetist, the alto
ocarina. The percussion
is made up of diverse
instruments, which one
musician-virtuoso can
play. It is more
practical, however, if
two or three musicians
share the instruments.
Besides traditional
instruments the
percussion part calls
also for two simple wind
instruments: the swanee
whistle and the
harmonica. The string
instrument parts (two
violins, viola, cello and
doubles bass) can be
performed soloistic since
they do not contain
divisi. For balance,
however, the ensemble
playing is recommended,
for example 6-8 first
violins, 6-8 second, 4-6
violas, 4-6 cellos, 3-4
double basses. In the
Piano Concerto I realized
new concepts of harmony
and rhythm. The first
movement is entirely
written in bimetry:
simultaneously 12/8 and
4/4 (8/8). This relates
to the known triplet on a
doule relation and in
itself is nothing new.
Because, however, I
articulate 12 triola and
8 duola pulses, an
entangled, up till now
unheard kind of polymetry
is created. The rhythm is
additionally complicated
because of asymmetric
groupings inside two
speed layers, which means
accents are
asymmetrically
distributed. These
groups, as in the talea
technique, have a fixed,
continuously repeating
rhythmic structures of
varying lengths in speed
layers of 12/8 and 4/4.
This means that the
repeating pattern in the
12/8 level and the
pattern in the 4/4 level
do not coincide and
continuously give a
kaleidoscope of renewing
combinations. In our
perception we quickly
resign from following
particular rhythmical
successions and that what
is going on in time
appears for us as
something static,
resting. This music, if
it is played properly, in
the right tempo and with
the right accents inside
particular layers, after
a certain time 'rises, as
it were, as a plane after
taking off: the rhythmic
action, too complex to be
able to follow in detail,
begins flying. This
diffusion of individual
structures into a
different global
structure is one of my
basic compositional
concepts: from the end of
the fifties, from the
orchestral works
Apparitions and
Atmospheres I
continuously have been
looking for new ways of
resolving this basic
question. The harmony of
the first movement is
based on mixtures, hence
on the parallel leading
of voices. This technique
is used here in a rather
simple form; later in the
fourth movement it will
be considerably
developed. The second
movement (the only slow
one amongst five
movements) also has a
talea type of structure,
it is however much
simpler rhythmically,
because it contains only
one speed layer. The
melody is consisted in
the development of a
rigorous interval mode in
which two minor seconds
and one major second
alternate therefore nine
notes inside an octave.
This mode is transposed
into different degrees
and it also determines
the harmony of the
movement; however, in
closing episode in the
piano part there is a
combination of diatonics
(white keys) and
pentatonics (black keys)
led in brilliant,
sparkling quasimixtures,
while the orchestra
continues to play in the
nine tone mode. In this
movement I used isolated
sounds and extreme
registers (piccolo in a
very low register,
bassoon in a very high
register, canons played
by the swanee whistle,
the alto ocarina and
brass with a harmon-mute'
damper, cutting sound
combinations of the
piccolo, clarinet and
oboe in an extremely high
register, also
alternating of a
whistle-siren and
xylophone). The third
movement also has one
speed layer and because
of this it appears as
simpler than the first,
but actually the rhythm
is very complicated in a
different way here. Above
the uninterrupted, fast
and regular basic pulse,
thanks to the asymmetric
distribution of accents,
different types of
hemiolas and inherent
melodical patterns appear
(the term was coined by
Gerhard Kubik in relation
to central African
music). If this movement
is played with the
adequate speed and with
very clear accentuation,
illusory
rhythmic-melodical
figures appear. These
figures are not played
directly; they do not
appear in the score, but
exist only in our
perception as a result of
co-operation of different
voices. Already earlier I
had experimented with
illusory rhythmics,
namely in Poeme
symphonique for 100
metronomes (1962), in
Continuum for harpsichord
(1968), in Monument for
two pianos (1976), and
especially in the first
and sixth piano etude
Desordre and Automne a
Varsovie (1985). The
third movement of the
Piano Concerto is up to
now the clearest example
of illusory rhythmics and
illusory melody. In
intervallic and chordal
structure this movement
is based on alternation,
and also inter-relation
of various modal and
quasi-equidistant harmony
spaces. The tempered
twelve-part division of
the octave allows for
diatonical and other
modal interval
successions, which are
not equidistant, but are
based on the alternation
of major and minor
seconds in different
groups. The tempered
system also allows for
the use of the
anhemitonic pentatonic
scale (the black keys of
the piano). From
equidistant scales,
therefore interval
formations which are
based on the division of
an octave in equal
distances, the
twelve-tone tempered
system allows only
chromatics (only minor
seconds) and the six-tone
scale (the whole-tone:
only major seconds).
Moreover, the division of
the octave into four
parts only minor thirds)
and three parts (three
major thirds) is
possible. In several
music cultures different
equidistant divisions of
an octave are accepted,
for example, in the
Javanese slendro into
five parts, in Melanesia
into seven parts, popular
also in southeastern
Asia, and apart from
this, in southern Africa.
This does not mean an
exact equidistance: there
is a certain tolerance
for the inaccurateness of
the interval tuning.
These exotic for us,
Europeans, harmony and
melody have attracted me
for several years.
However I did not want to
re-tune the piano
(microtone deviations
appear in the concerto
only in a few places in
the horn and trombone
parts led in natural
tones). After the period
of experimenting, I got
to pseudo- or
quasiequidistant
intervals, which is
neither whole-tone nor
chromatic: in the
twelve-tone system, two
whole-tone scales are
possible, shifted a minor
second apart from each
other. Therefore, I
connect these two scales
(or sound resources), and
for example, places occur
where the melodies and
figurations in the piano
part are created from
both whole tone scales;
in one band one six-tone
sound resource is
utilized, and in the
other hand, the
complementary. In this
way whole-tonality and
chromaticism mutually
reduce themselves: a type
of deformed
equidistancism is formed,
strangely brilliant and
at the same time
slanting; illusory
harmony, indeed being
created inside the
tempered twelve-tone
system, but in sound
quality not belonging to
it anymore. The
appearance of such
slantedequidistant
harmony fields
alternating with modal
fields and based on
chords built on fifths
(mainly in the piano
part), complemented with
mixtures built on fifths
in the orchestra, gives
this movement an
individual, soft-metallic
colour (a metallic sound
resulting from
harmonics). The fourth
movement was meant to be
the central movement of
the Concerto. Its
melodc-rhythmic elements
(embryos or fragments of
motives) in themselves
are simple. The movement
also begins simply, with
a succession of
overlapping of these
elements in the mixture
type structures. Also
here a kaleidoscope is
created, due to a limited
number of these elements
- of these pebbles in the
kaleidoscope - which
continuously return in
augmentations and
diminutions. Step by
step, however, so that in
the beginning we cannot
hear it, a compiled
rhythmic organization of
the talea type gradually
comes into daylight,
based on the simultaneity
of two mutually shifted
to each other speed
layers (also triplet and
duoles, however, with
different asymmetric
structures than in the
first movement). While
longer rests are
gradually filled in with
motive fragments, we
slowly come to the
conclusion that we have
found ourselves inside a
rhythmic-melodical whirl:
without change in tempo,
only through increasing
the density of the
musical events, a
rotation is created in
the stream of successive
and compiled, augmented
and diminished motive
fragments, and increasing
the density suggests
acceleration. Thanks to
the periodical structure
of the composition,
always new but however of
the same (all the motivic
cells are similar to
earlier ones but none of
them are exactly
repeated; the general
structure is therefore
self-similar), an
impression is created of
a gigantic, indissoluble
network. Also, rhythmic
structures at first
hidden gradually begin to
emerge, two independent
speed layers with their
various internal
accentuations. This
great, self-similar whirl
in a very indirect way
relates to musical
associations, which came
to my mind while watching
the graphic projection of
the mathematical sets of
Julia and of Mandelbrot
made with the help of a
computer. I saw these
wonderful pictures of
fractal creations, made
by scientists from Brema,
Peitgen and Richter, for
the first time in 1984.
From that time they have
played a great role in my
musical concepts. This
does not mean, however,
that composing the fourth
movement I used
mathematical methods or
iterative calculus;
indeed, I did use
constructions which,
however, are not based on
mathematical thinking,
but are rather craftman's
constructions (in this
respect, my attitude
towards mathematics is
similar to that of the
graphic artist Maurits
Escher). I am concerned
rather with intuitional,
poetic, synesthetic
correspondence, not on
the scientific, but on
the poetic level of
thinking. The fifth, very
short Presto movement is
harmonically very simple,
but all the more
complicated in its
rhythmic structure: it is
based on the further
development of ''inherent
patterns of the third
movement. The
quasi-equidistance system
dominates harmonically
and melodically in this
movement, as in the
third, alternating with
harmonic fields, which
are based on the division
of the chromatic whole
into diatonics and
anhemitonic pentatonics.
Polyrhythms and harmonic
mixtures reach their
greatest density, and at
the same time this
movement is strikingly
light, enlightened with
very bright colours: at
first it seems chaotic,
but after listening to it
for a few times it is
easy to grasp its
content: many autonomous
but self-similar figures
which crossing
themselves. I present my
artistic credo in the
Piano Concerto: I
demonstrate my
independence from
criteria of the
traditional avantgarde,
as well as the
fashionable
postmodernism. Musical
illusions which I
consider to be also so
important are not a goal
in itself for me, but a
foundation for my
aesthetical attitude. I
prefer musical forms
which have a more
object-like than
processual character.
Music as frozen time, as
an object in imaginary
space evoked by music in
our imagination, as a
creation which really
develops in time, but in
imagination it exists
simultaneously in all its
moments. The spell of
time, the enduring its
passing by, closing it in
a moment of the present
is my main intention as a
composer. (Gyorgy
Ligeti). $34.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Trois Trolls Trapus - Intermédiaire FLEX Editions
Chamber Music, Trio Trumpet Trio: 3 Trumpets - Grade 3 SKU: FL.FX074258 C...(+)
Chamber Music, Trio
Trumpet Trio: 3 Trumpets
- Grade 3 SKU:
FL.FX074258 Composed
by Pascal Proust.
Original Composition.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX074258.
Published by FLEX
Editions (FL.FX074258).
3 short
movements for an audition
or classroom work, from 4
years of instrument
practice. - Pascal PROUST
; Instruments:Trumpet
Trio: 3 Trumpets;
Difficuly Level: Grade 3;
Duration: 2 mn 10 s;
Musical Style: Classical,
Educational; Category:
Original Composition;
Composer: Pascal
PROUST. $11.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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