| Be the Church Piano seul - Intermédiaire/avancé Alfred Publishing
18 Arrangements Inspired by Universal Statements of Faith. Arranged by Albert ...(+)
18 Arrangements Inspired
by
Universal Statements of
Faith. Arranged by Albert
Mendoza. Other Church;
Piano
Collection; Piano
Supplemental; Worship
Resources. Sacred
Performer
Collections. Form:
Prelude.
Communion;
Peace/Brotherhood;
Sacred;
Stewardship. Book. 60
pages.
Alfred Music #00-47784.
Published by Alfred Music
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Statements Peters
Piano, flute, Bb clarinet SKU: PE.EP68391 Composed by Joseph Turrin. Cham...(+)
Piano, flute, Bb clarinet
SKU: PE.EP68391
Composed by Joseph
Turrin. Chamber Trio Full
Score. Edition Peters.
Living Composer. Score
and parts. 68 pages.
Edition Peters
#98-EP68391. Published by
Edition Peters
(PE.EP68391). ISBN
9790300758763. S
tatements consist of five
individual movements.
Each of the three inner
movements features one of
the three instruments in
the ensemble. The two
outer movements combine
the trio as a whole and
are related in musical
material. $75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Guy: Statements II for Double Bass Music Sales
| | |
| Dickinson: Three Statements for Organ Orgue Music Sales
| | |
| Statements Chorale Wilhelm Hansen
((English Text)). By Pelle Gudmundsen-holmgreen (1932-). For Choral (UNIS). Musi...(+)
((English Text)). By
Pelle
Gudmundsen-holmgreen
(1932-). For Choral
(UNIS). Music Sales
America. Choral. 10
pages. Edition Wilhelm
Hansen #WH28967A.
Published by Edition
Wilhelm Hansen
$6.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Northwestern Skies - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS184F
Composed by Alan Lee
Silva. Young String
Orchestra (YAS). Full
score. With Standard
notation. 8 pages. Carl
Fischer Music #YAS184F.
Published by Carl Fischer
Music (CF.YAS184F).
ISBN 9781491151860.
UPC: 680160909360. 9 x 12
inches. Alan Lee
Silva's Northwestern
Skies?is lyrical and
fresh,? with his
signature open and
expressive style. Young
string orchestras will
sound rich and full with
this sweeping
composition. From the opening
fanfare to the final
ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
strings carry the C theme
in m. 49, supported by
tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. MoreA
instrtuments areA added
to the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
stringsA carry the C
theme in m. 49, supported
byA tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The movingA
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in theA violas and then
the violinsA over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. MoreA
instrtuments areA added
to the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
stringsA carry the C
theme in m. 49, supported
byA tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The movingA
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in theA violas and then
the violinsA over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
strings carry the C theme
in m. 49, supported by
tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the opening
fanfare to the final
ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33. The
lower strings carry the C
theme in m. 49, supported
by tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda
section at m. 65 begins
with a variation of the B
melody in the violas and
then the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. Â From
the opening fanfare to
the final ensemble
gesture, Northwestern
Skies is an engaging
musical journey with
expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody.
More instrtuments
are added to the
melody in m. 25, building
to the return of the A
theme in m. 33.The lower
strings carry the C
theme in m. 49, supported
by tutti figures in
the upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The
moving legatolines at
m. 59 and the aggressive
figures at m. 61 propel
the piece to its final
build.The Coda section at
m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Northwestern Skies - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS184
Composed by Alan Lee
Silva. Young String
Orchestra (YAS). Set of
Score and Parts. With
Standard notation.
8+8+2+5+5+5+3+8 pages.
Carl Fischer Music
#YAS184. Published by
Carl Fischer Music
(CF.YAS184). ISBN
9781491151495. UPC:
680160908998. 9 x 12
inches. Key: G
major. Alan Lee
Silva's Northwestern
Skies?is lyrical and
fresh,? with his
signature open and
expressive style. Young
string orchestras will
sound rich and full with
this sweeping
composition. From the opening
fanfare to the final
ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
strings carry the C theme
in m. 49, supported by
tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. MoreA
instrtuments areA added
to the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
stringsA carry the C
theme in m. 49, supported
byA tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The movingA
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in theA violas and then
the violinsA over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. MoreA
instrtuments areA added
to the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
stringsA carry the C
theme in m. 49, supported
byA tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The movingA
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in theA violas and then
the violinsA over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
strings carry the C theme
in m. 49, supported by
tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the opening
fanfare to the final
ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33. The
lower strings carry the C
theme in m. 49, supported
by tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda
section at m. 65 begins
with a variation of the B
melody in the violas and
then the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. Â From
the opening fanfare to
the final ensemble
gesture, Northwestern
Skies is an engaging
musical journey with
expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody.
More instrtuments
are added to the
melody in m. 25, building
to the return of the A
theme in m. 33.The lower
strings carry the C
theme in m. 49, supported
by tutti figures in
the upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The
moving legatolines at
m. 59 and the aggressive
figures at m. 61 propel
the piece to its final
build.The Coda section at
m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| By Lantern's Light - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Finger
Cymbals, Flute, Flute 2,
Horn, Mallet Percussion,
Mark Tree, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal and more. - Grade
2 SKU: CF.YPS249F
Three Persian Folk
Songs. Composed by
Michael J. Miller. Yps.
Full score. 20 pages.
Duration 3 minutes, 29
seconds. Carl Fischer
Music #YPS249F. Published
by Carl Fischer Music
(CF.YPS249F). ISBN
9781491161883. UPC:
680160920563. By
Lantern's Light is a
medley of Persian folk
songs. The songs come
from a collection for
voice and piano by Clair
Fairchild in his Twelve
Persian Folk Songs
published by Novello and
Company, London, 1904.
Fairchild's goal was to
capture the spirit and
ambiance of Persia's
music and musicians.
Fairchild took special
care to preserve their
authenticity by limiting
western harmony. Such is
also the case in this
setting for concert band.
Special attention should
be given to replicate
songlike phrasing of the
melodic lines and the
rhythmic integrity and
style of the
accompaniment. Conductors
are encouraged to take
liberties with dynamics
and articulations to help
performers play
expressively. There are
many inflections that
exist beyond what is
printed on the page. For
example, the reeds might
subtly shape the rhythmic
accompaniment in m. 6-7,
as might the trumpets
with the melody in m. 18.
In. m. 23, the wind
musicians other than the
trumpets are a part of
the rhythm section with
the percussion. These
rhythms should fit
together nicely to create
a steady cadence. The
melodic statements
beginning at m. 35 should
be carefully balanced to
speak evenly throughout
the various voices. If an
oboist is not available,
the solo in m. 57 has
been cued in the alto
saxophone. By
Lantern's Light is a
medley of Persian folk
songs. The songs come
from a collection for
voice and piano by Clair
Fairchild in his Twelve
Persian Folk Songs
published by Novello and
Company, London, 1904.
Fairchild's goal was to
capture the spirit and
ambiance of Persia's
music and musicians.
Fairchild took special
care to preserve their
authenticity by limiting
western harmony. Such is
also the case in this
setting for concert band.
Special attention should
be given to replicate
songlike phrasing of the
melodic lines and the
rhythmic integrity and
style of the
accompaniment. Conductors
are encouraged to take
liberties with dynamics
and articulations to help
performers play
expressively. There are
many inflections that
exist beyond what is
printed on the page. For
example, the reeds might
subtly shape the rhythmic
accompaniment in m. 6-7,
as might the trumpets
with the melody in m. 18.
In. m. 23, the wind
musicians other than the
trumpets are a part of
the rhythm section with
the percussion. These
rhythms should fit
together nicely to create
a steady cadence. The
melodic statements
beginning at m. 35 should
be carefully balanced to
speak evenly throughout
the various voices. If an
oboist is not available,
the solo in m. 57 has
been cued in the alto
saxophone. By
Lantern’s Light is
a medley of Persian folk
songs. The songs come
from a collection for
voice and piano by Clair
Fairchild in his Twelve
Persian Folk Songs
published by Novello and
Company, London, 1904.
Fairchild’s goal
was to capture the spirit
and ambiance of
Persia’s music and
musicians. Fairchild took
special care to preserve
their authenticity by
limiting western harmony.
Such is also the case in
this setting for concert
band. Special
attention should be given
to replicate songlike
phrasing of the melodic
lines and the rhythmic
integrity and style of
the accompaniment.
Conductors are encouraged
to take liberties with
dynamics and
articulations to help
performers play
expressively. There are
many inflections that
exist beyond what is
printed on the page. For
example, the reeds might
subtly shape the rhythmic
accompaniment in m. 6-7,
as might the trumpets
with the melody in m. 18.
In. m. 23, the wind
musicians other than the
trumpets are a part of
the rhythm section with
the percussion. These
rhythms should fit
together nicely to create
a steady cadence. The
melodic statements
beginning at m. 35 should
be carefully balanced to
speak evenly throughout
the various voices. If an
oboist is not available,
the solo in m. 57 has
been cued in the alto
saxophone. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cuico Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé C. Alan Publications
(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Conce...(+)
(Percussion Trio
Feature). Composed by
Gregory Danner. For
Soloist(s) with Concert
Band (Piccolo, Flute 1,
Flute 2, Oboe 1, Bb
Clarinet 1, Bb Clarinet
2, Bb Clarinet 3, Bb Bass
Clarinet, Bassoon, Eb
Alto Saxophone 1, Eb Alto
Saxophone 2, Bb Tenor
Saxophone, Eb Baritone
Saxophone, Bb Trumpet 1,
Bb Trumpet 2, Bb Trumpet
3, F Horn 1/2, F Horn
3/). Band Music. Grade 4.
Score and parts. Duration
14:50. Published by C.
Alan Publications
$150.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| I Am the Bread of Life That Feeds All the World Chorale SATB SATB, Piano - Facile GIA Publications
SATB choir, cantor, assembly, keyboard accompaniment, violin - Early intermediat...(+)
SATB choir, cantor,
assembly, keyboard
accompaniment, violin -
Early intermediate
SKU: GI.G-9630
Composed by Ephrem
Feeley. Ordinary Time 18
B. Choral. Sacred.
Octavo. 8 pages. GIA
Publications #9630.
Published by GIA
Publications (GI.G-9630).
UPC: 785147963004.
English. Text Source:
Vv.: James Quinn, SJ,
1919–2010, Ref.:
Ephrem Feeley. Text by
James Quinn. In the
Gospel of John, there are
a number of times when
Jesus uses the statement
“I Am,†which
his followers would have
automatically linked to
the divine Name. Some of
these
statements—Christ
as the Bread of Life, the
Gateway, the Light of the
World—are
referenced in
Quinn’s text, as
well as the Alpha and
Omega, which is found
three times in
Revelation. A few of
these statements also
appear in the refrain.
The verses may be sung by
a cantor or the choir.
There are a number of
musically effective ways
to use this piece in
liturgy: with the full
choir, as written,
simply, with cantor and
assembly, or with a
two-part refrain, using
only the soprano and
tenor lines. $2.40 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Silent Midwinter's Noel - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Sleigh Bells, Snare
Drum, Suspended Cymbal,
Timpani, Triangle and
more. - Grade 2.5 SKU:
CF.YPS259 Composed by
Michael J. Miller. Set of
Score and Parts. Carl
Fischer Music #YPS259.
Published by Carl Fischer
Music (CF.YPS259).
ISBN 9781491163597.
UPC:
680160922383. Silen
t Midwinter’s Noel
is a fantasia on three
traditional Christmas
tunes. The introduction
of the piece, an
Adagietto, alternates
between melodic
statements of In The
Bleak Midwinter and
Silent Night. The second
main section of the
piece, an Allegro,
primarily juxtaposes The
First Noel and Silent
Night.The tempo markings
throughout the score are
mostly suggestions. The
conductor may choose to
deviate within five to
ten clicks in either
direction on their
metronome. During the
Adagietto, the conductor
may also choose to draw
out harmonic cadences for
increased tension and
resolution.The piece is
scored in Eb and F major
to allow younger
performers to achieve
excellent intonation.
Performers should strive
to produce characteristic
sounds, especially when
playing melodic
statements. The tunes
within this piece are all
carols, and should be
played as such. The
conductor may choose to
teach the performers how
to sing the carols for
added educational value.
Lyrics for the carols are
included below:Silent
NightSilent night! Holy
night!All is calm, all is
brightRound yon virgin
mother and child!Holy
infant, so tender and
mild,Sleep in heavenly
peace!Sleep in heavenly
peace!In the Bleak
MidwinterIn the bleak
midwinterfrosty wind made
moan,earth stood hard as
iron,water like a
stone:snow had
fallen,snow on snow, snow
on snow,in the bleak
midwinter,long ago.The
First NoelThe First Noel
the angel did sayWas to
certain poor shepherdsin
fields as they lay;In
fields as they lay,
keeping their sheep,On a
cold winter's night that
was so deep.Noel, Noel,
Noel, Noel,Born is the
King of Israel. $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Reflections on an Old Japanese Folk Song Orchestre d'harmonie - Avancé Anglo Music
Concert Band/Harmonie (Score) - Grade 5 SKU: HL.44012759 Composed by Phil...(+)
Concert Band/Harmonie
(Score) - Grade 5 SKU:
HL.44012759 Composed
by Philip Sparke. Anglo
Music Concert Band.
Softcover. Composed 2015.
Anglo Music Press
#AMP443140. Published by
Anglo Music Press
(HL.44012759). UPC:
888680610456.
10.75x14.0x0.142 inches.
English-German-French-Dut
ch. Reflections
on an Old Japanese Folk
Song is based on the
tune Suiryo-Bushi,
which comes from the
shamisen tradition and
opens with two
contrasting statements of
the melody followed by
several variations each
in an own style based
uponthe same tune, or
sometimes only fragments
of it. In one of the
variants, the pentatonic
scale is used. The final
section is in the form of
a scherzo, which
eventually forms the
accompaniment to a final
presentation of the folk
tune.
Reflectio
ns on an Old Japanese
Folk Song is
gebaseerd op het liedje
Suiryo-Bushi, dat
afkomstig is uit de
shamisen-traditie en
opent met twee
contrasterende statements
van de betreffende
melodie, gevolgd door
verschillende
variatieshierop, in
diverse stijlen, steeds
gebaseerd op hetzelfde
liedje of fragmenten
eruit. In een van de
variaties wordt de
pentatonische toonladder
gebruikt. Het
slotgedeelte begint met
een scherzo, dat
uiteindelijk de
begeleiding vormt van een
laatsteuiteenzetting van
het
volksliedje.
Das
Stuck Reflections on
an Old Japanese Folk
Song basiert auf der
Melodie des Volksliedes
Suiryo-Bushi, das
in der Tradition des
japanischen
Saiteninstruments
Schamisen steht. Es
beginnt mit zwei
gegensatzlichen
Darstellungen derMelodie,
gefolgt von verschiedenen
Variationen: jede in
einem eigenen Stil, aber
alle auf der gleichen
Melodie oder auf
Fragmenten der Melodie
beruhend. In einer
Variation wird auch die
pentatonische Tonleiter
verwendet. Im
Scherzo,
demSchlussteil des
Stuckes, erklingt das
Volkslied schliesslich
zum letzten
Mal.
Reflection
s on an Old Japanese Folk
Song est base sur la
melodie
Suiryo-Bushi, qui
est issue de la tradition
de shamisen. L'oeuvre
commence par deux
versions differentes de
la melodie, suivies par
plusieurs variations sur
le theme enentier ou en
partie, chacune dans son
propre style. La section
finale est dans la forme
d'un scherzo, qui
prend le role
d'accompagnement a la
fin, lors de la derniere
presentation du theme
folklorique.
Re
flections on an Old
Japanese Folk Song,
basata su un motivo di
Suiryo-Bushi,
originariamente concepito
per shamisen, strumento a
corde tipico della
tradizione musicale
giapponese. La struttura
del brano e del tutto
peculiare, basata
sulladalla reiterazione
melodica di un tema o
frammenti di esso, con
l'inserimento di brevi
variazioni. In una delle
varianti, e usata la
scala pentatonica. La
sezione finale e nella
forma dello scherzo. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Strait of Messina Orchestre d'harmonie - Facile Belwin
Concert Band - Grade 2 SKU: AP.50913S Composed by Roland Barrett. Concert...(+)
Concert Band - Grade 2
SKU: AP.50913S
Composed by Roland
Barrett. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Young Band.
Programmatic. Score.
Duration 3:50. Belwin
Music #00-50913S.
Published by Belwin Music
(AP.50913S). ISBN
9781470667016. UPC:
038081585628.
English. Taking its
name from the narrow and
treacherous channel
separating Sicily from
the Italian mainland, The
Strait of Messina, by
Roland Barrett, features
bold melodic statements
and powerful rhythmic
movement. A short lyrical
middle section provides
excellent contrast and
sets the stage perfectly
for the furious closing
statements. Excellent
teaching and performing
opportunities!
(3:50). $12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Strait of Messina Orchestre d'harmonie - Facile Belwin
Concert Band - Grade 2 SKU: AP.50913 Composed by Roland Barrett. Concert ...(+)
Concert Band - Grade 2
SKU: AP.50913
Composed by Roland
Barrett. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Young Band.
Programmatic. Score and
Part(s). Duration 3:50.
Belwin Music #00-50913.
Published by Belwin Music
(AP.50913). ISBN
9781470667009. UPC:
038081585611.
English. Taking its
name from the narrow and
treacherous channel
separating Sicily from
the Italian mainland, The
Strait of Messina, by
Roland Barrett, features
bold melodic statements
and powerful rhythmic
movement. A short lyrical
middle section provides
excellent contrast and
sets the stage perfectly
for the furious closing
statements. Excellent
teaching and performing
opportunities!
(3:50). $70.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Alleluia! Christ is Risen Chorale SATB SATB, Cuivre(s) - Intermédiaire/avancé Paraclete Press
By Bruce Neswick. For SATB choir, Brass quartet, timpani and organ. Choral, East...(+)
By Bruce Neswick. For
SATB choir, Brass
quartet, timpani and
organ. Choral, Easter.
Medium Difficult. Choral
octavo. Published by
Paraclete Press
$3.60 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Journey to Illyria Orchestre d'harmonie Carl Fischer
Band concert band - Grade 0.5 SKU: CF.PPS53F Composed by Sean O'Loughlin....(+)
Band concert band - Grade
0.5 SKU: CF.PPS53F
Composed by Sean
O'Loughlin. Primer Band
(PPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#PPS53F. Published by
Carl Fischer Music
(CF.PPS53F). ISBN
9781491152652. UPC:
680160910151. Illyr
ia is a region in
southern Europe, and the
name has been used in
books and music
throughout history,
including Shakespearean
plays. Composer Sean
O'Loughlin takes
beginning students on a
musical journey, starting
with broad melodic
statements by the brass,
bold full ensemble
statements, a contrasting
lyrical section, and
concluding with a
relentless finish.
Journey to
Illyria is a
sophisticated musical
presentation that is
still playable by the
youngest of
students. The title
Journey to
Illyria comes out of a
recent internet search
that came up with a
similarly titled book by
an author named Sean
O'Loughlin (no relation).
I'm always fascinated by
how connected and small
this world can seem.
After some further
research, I found that
Illyria is also a name
that appears in some
fantasy fiction books and
even on the TV show
Angel. All of this gets
wrapped into the music
for this piece.It begins
with a broad melodic
statement by the brass.
It develops further at m.
9 and then transitions to
a full statement at m. 25
with plenty of imitation
between upper and lower
voices. A contrasting
slower section follows at
m. 39, which should bring
out the haunting, rich
sound of the ensemble.
The fast section returns
at m. 46 with
progressively building
imitation to bring back
the opening gesture at m.
58. The music then is
relentless to the rousing
end. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Silent Midwinter's Noel Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Sleigh Bells, Snare
Drum, Suspended Cymbal,
Timpani, Triangle and
more. SKU:
CF.YPS259F Composed
by Michael J. Miller.
Full score. 12 pages.
Carl Fischer Music
#YPS259F. Published by
Carl Fischer Music
(CF.YPS259F). ISBN
9781491163993. UPC:
680160922789. Silen
t Midwinter’s Noel
is a fantasia on three
traditional Christmas
tunes. The introduction
of the piece, an
Adagietto, alternates
between melodic
statements of In The
Bleak Midwinter and
Silent Night. The second
main section of the
piece, an Allegro,
primarily juxtaposes The
First Noel and Silent
Night.The tempo markings
throughout the score are
mostly suggestions. The
conductor may choose to
deviate within five to
ten clicks in either
direction on their
metronome. During the
Adagietto, the conductor
may also choose to draw
out harmonic cadences for
increased tension and
resolution.The piece is
scored in Eb and F major
to allow younger
performers to achieve
excellent intonation.
Performers should strive
to produce characteristic
sounds, especially when
playing melodic
statements. The tunes
within this piece are all
carols, and should be
played as such. The
conductor may choose to
teach the performers how
to sing the carols for
added educational value.
Lyrics for the carols are
included below:Silent
NightSilent night! Holy
night!All is calm, all is
brightRound yon virgin
mother and child!Holy
infant, so tender and
mild,Sleep in heavenly
peace!Sleep in heavenly
peace!In the Bleak
MidwinterIn the bleak
midwinterfrosty wind made
moan,earth stood hard as
iron,water like a
stone:snow had
fallen,snow on snow, snow
on snow,in the bleak
midwinter,long ago.The
First NoelThe First Noel
the angel did sayWas to
certain poor shepherdsin
fields as they lay;In
fields as they lay,
keeping their sheep,On a
cold winter's night that
was so deep.Noel, Noel,
Noel, Noel,Born is the
King of Israel. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Journey to Illyria Orchestre d'harmonie Carl Fischer
Band concert band - Grade 0.5 SKU: CF.PPS53 Composed by Sean O'Loughlin. ...(+)
Band concert band - Grade
0.5 SKU: CF.PPS53
Composed by Sean
O'Loughlin. Primer Band
(PPS). Set of Score and
Parts. With Standard
notation.
8+2+8+2+5+2+2+8+2+3+2+6+3
+1+1+2+5+16+2 pages.
Duration 2 minutes, 50
seconds. Carl Fischer
Music #PPS53. Published
by Carl Fischer Music
(CF.PPS53). ISBN
9781491151976. UPC:
680160909476. Illyr
ia is a region in
southern Europe, and the
name has been used in
books and music
throughout history,
including Shakespearean
plays. Composer Sean
O'Loughlin takes
beginning students on a
musical journey, starting
with broad melodic
statements by the brass,
bold full ensemble
statements, a contrasting
lyrical section, and
concluding with a
relentless finish.
Journey to
Illyria is a
sophisticated musical
presentation that is
still playable by the
youngest of
students. The title
Journey to
Illyria comes out of a
recent internet search
that came up with a
similarly titled book by
an author named Sean
O'Loughlin (no relation).
I'm always fascinated by
how connected and small
this world can seem.
After some further
research, I found that
Illyria is also a name
that appears in some
fantasy fiction books and
even on the TV show
Angel. All of this gets
wrapped into the music
for this piece.It begins
with a broad melodic
statement by the brass.
It develops further at m.
9 and then transitions to
a full statement at m. 25
with plenty of imitation
between upper and lower
voices. A contrasting
slower section follows at
m. 39, which should bring
out the haunting, rich
sound of the ensemble.
The fast section returns
at m. 46 with
progressively building
imitation to bring back
the opening gesture at m.
58. The music then is
relentless to the rousing
end. $50.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| By Lantern's Light - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Finger
Cymbals, Flute, Flute 2,
Horn, Mallet Percussion,
Mark Tree, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal and more. - Grade
2 SKU: CF.YPS249
Three Persian Folk
Songs. Composed by
Michael J. Miller. Yps.
Set of Score and Parts.
8+2+4+4+2+2+5+2+2+4+4+4+3
+3+2+3+2+1+2+6+24 pages.
Duration 3 minutes, 29
seconds. Carl Fischer
Music #YPS249. Published
by Carl Fischer Music
(CF.YPS249). ISBN
9781491161326. UPC:
680160919918. By
Lantern's Light is a
medley of Persian folk
songs. The songs come
from a collection for
voice and piano by Clair
Fairchild in his Twelve
Persian Folk Songs
published by Novello and
Company, London, 1904.
Fairchild's goal was to
capture the spirit and
ambiance of Persia's
music and musicians.
Fairchild took special
care to preserve their
authenticity by limiting
western harmony. Such is
also the case in this
setting for concert band.
Special attention should
be given to replicate
songlike phrasing of the
melodic lines and the
rhythmic integrity and
style of the
accompaniment. Conductors
are encouraged to take
liberties with dynamics
and articulations to help
performers play
expressively. There are
many inflections that
exist beyond what is
printed on the page. For
example, the reeds might
subtly shape the rhythmic
accompaniment in m. 6-7,
as might the trumpets
with the melody in m. 18.
In. m. 23, the wind
musicians other than the
trumpets are a part of
the rhythm section with
the percussion. These
rhythms should fit
together nicely to create
a steady cadence. The
melodic statements
beginning at m. 35 should
be carefully balanced to
speak evenly throughout
the various voices. If an
oboist is not available,
the solo in m. 57 has
been cued in the alto
saxophone. By
Lantern’s Light is
a medley of Persian folk
songs. The songs come
from a collection for
voice and piano by Clair
Fairchild in his
“Twelve Persian
Folk Songsâ€
published by Novello and
Company, London, 1904.
Fairchild’s goal
was to capture the spirit
and ambiance of
Persia’s music and
musicians. Fairchild took
special care to preserve
their authenticity by
limiting western harmony.
Such is also the case in
this setting for concert
band. Special
attention should be given
to replicate songlike
phrasing of the melodic
lines and the rhythmic
integrity and style of
the accompaniment.
Conductors are encouraged
to take liberties with
dynamics and
articulations to help
performers play
expressively. There are
many inflections that
exist beyond what is
printed on the page. For
example, the reeds might
subtly shape the rhythmic
accompaniment in m. 6-7,
as might the trumpets
with the melody in m. 18.
In. m. 23, the wind
musicians other than the
trumpets are a part of
the rhythm section with
the percussion. These
rhythms should fit
together nicely to create
a steady cadence. The
melodic statements
beginning at m. 35 should
be carefully balanced to
speak evenly throughout
the various voices. If an
oboist is not available,
the solo in m. 57 has
been cued in the alto
saxophone. $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Spirit Moves In Me Chorale SATB Subito Music
SATB Chorus & Ensemble (SATB Chorus, 2 Violins, 2 Cellos, Piano, Percussion) ...(+)
SATB Chorus & Ensemble
(SATB Chorus, 2 Violins,
2 Cellos, Piano,
Percussion) SKU:
SU.95010020 For
SATB Chorus &
Ensemble. Composed by
Judith Lang Zaimont.
Vocal/Choral, Solo Voice.
Choral. Study Score.
Composed 2007. Duration
13'. Subito Music
Corporation #95010020.
Published by Subito Music
Corporation
(SU.95010020).
SATB Chorus, 2
Violins, 2 Cellos, Piano,
Percussion Duration: 13'
Text: Assembled by the
composer from Belief
Statements of cultures
and religions around the
globe Composed: 2007
Published by: Subito
Music Publishing. $35.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Credo Chorale 3 parties SAB, Piano [Octavo] Heritage Music Press
By Mark Hayes. For SAB choir and piano. Concert. Octavo. Published by Heritage M...(+)
By Mark Hayes. For SAB
choir and piano. Concert.
Octavo. Published by
Heritage Music Press.
(15/2273H)
$2.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Summoning Orchestre d'harmonie - Intermédiaire Belwin
Concert Band - Grade 3.5 SKU: AP.48203 Composed by Roland Barrett. Concer...(+)
Concert Band - Grade 3.5
SKU: AP.48203
Composed by Roland
Barrett. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Concert Band.
Score and Part(s). 292
pages. Duration 5:45.
Belwin Music #00-48203.
Published by Belwin Music
(AP.48203). UPC:
038081559216.
English. Featuring
vividly contrasting
dynamics and style with
an occasional hint of
contemporary notations,
this stunning work was
commissioned by the
Honeove Falls-Lima High
School Wind Ensemble in
New York and their
director Mark Borden.
Opening with four brass
soloists stationed
throughout your
performance area are
interrupted with
thunderous percussion
punctuation. The composer
seamlessly transitions
from vigorous musical
statements to chaotic
motifs resolving to
flowing charismatic
melodies. Certain to
command attention and
arouse the senses.
(5:45). $73.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Psalm 121 (Psaume 121) Chorale SATB SATB [Vocal Score] - Facile Carus Verlag
(Laetatus sum). By Antonio Vivaldi (1678-1741). For SATB Choir, Violin, Viola, B...(+)
(Laetatus sum). By
Antonio Vivaldi
(1678-1741). For SATB
Choir, Violin, Viola,
Basso continuo. RV 607.
Full score available
separately - see item
CA.4001300. Stuttgart
Urtext editions;
Occasions: Praise and
thanks, Psalms, Daily
hours. Level 2. Choral
score. Language: Latin. 8
pages. Duration 4 min
$5.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| What Does the Lord Require of You? Chorale SATB SATB, Clavier [Octavo] - Facile MorningStar Music Publishers
Composed by Robert A. Hobby (1962-). For SATB choir with Keyboard (Piano or Orga...(+)
Composed by Robert A.
Hobby (1962-). For SATB
choir with Keyboard
(Piano or Organ), Flute
or Oboe, or Orchestra.
Commitment/Discipleship.
Moderately Easy. Octavo.
Published by MorningStar
Music Publishers
$2.85 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| There Is a Balm in Gilead Chorale SATB SATB, Orgue MorningStar Music Publishers
By Gerald Near (1942-). For SATB choir and organ. Aureole Editions. Medium-Easy....(+)
By Gerald Near (1942-).
For SATB choir and organ.
Aureole Editions.
Medium-Easy. Published by
MorningStar Music
Publishers
$1.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Holiday Grand Finale (Based on Good King Wenceslas ) Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
Arranged by Michael Story. Concert Band. Concert Band. Belwin Young Band. Christ...(+)
Arranged by Michael
Story. Concert Band.
Concert Band. Belwin
Young Band. Christmas.
Grade 2. Conductor Score
and Parts. 124 pages
$57.00 $54.15 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| They Walked in the Valley of Fire Orchestre d'harmonie - Facile Belwin
Concert Band - Grade 2.5 SKU: AP.44911S Composed by Roland Barrett. Conce...(+)
Concert Band - Grade 2.5
SKU: AP.44911S
Composed by Roland
Barrett. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Young Band. Score.
32 pages. Duration 4:00.
Belwin Music #00-44911S.
Published by Belwin Music
(AP.44911S). UPC:
038081516189.
English. Inspired
by the Valley of Fire
state park in the
southwest United States
that boasts stunning red
sandstone formations
created more than 150
million years ago.
Located in Nevada's
oldest state park in the
Mojave Desert, at certain
times of the day, when
reflecting the sun's
rays, these brilliant
sandstone formations
create the visual
illusion of actually
being on fire. An
emotional composition
that is a perfect for
concert and contest
performances alike.
Juxtaposing bold and
peaceful musical
statements, this
compelling composition
concludes with burning
intensity. (4:00). $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ruby Mountain Serenade Orchestre - Intermédiaire Highland/Etling
Orchestra - Grade 3 SKU: AP.49471S Composed by John Atteberry. Performanc...(+)
Orchestra - Grade 3
SKU: AP.49471S
Composed by John
Atteberry. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland String Orchestra
(HSO). Score. Duration
3:00. Highland/Etling
#00-49471S. Published by
Highland/Etling
(AP.49471S). ISBN
9781470650094. UPC:
038081570877.
English. The
folk-like tune of Ruby
Mountain Serenade may
seem familiar but is in
fact an original tune
from composer John
Atteberry. Beginning in D
major, this graceful tone
poems opens intimately,
with optional soloists
from each section.
Following the
introduction, all
sections of the orchestra
work to guide the music
through statements of the
primary and secondary
themes, leading to a
smooth modulation to F
major and an emotional
climax. A great
opportunity for young
musicians to explore
programmatic music.
(3:00). $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Spirit of the Solitary Defender Orchestre d'harmonie - Intermédiaire Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4406-75 Composed by Galvin. Concert Ba...(+)
Concert band - Grade 3
SKU:
CL.012-4406-75
Composed by Galvin.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR385). Oversized,
spiral-bound score.
Composed 2015. Duration 3
minutes, 57 seconds. Opus
III Wind Orchestra
Publications
#012-4406-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4406-75).
This exciting
piece depicts the many
facets of the
once-endangered jaguar.
The longing opening
statements and animated
main theme transition
into a soloistic,
lonesome melodic section
that offers a haunting
conversation amongst
several key instruments.
An energetic pursuit and
capture of prey is
depicted by several
percussion instruments,
and is followed by a
return to the original
theme with a powerful
finish. Performers will
enjoy working on this
mixed-meter adventure,
which can easily be
incorporated into your
project-based learning
opportunities. $25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Chariton Chronicles Orchestre d'harmonie - Intermédiaire Alfred Publishing
Concert Band - Grade 3 SKU: AP.48134 Composed by Vince Gassi. Concert Ban...(+)
Concert Band - Grade 3
SKU: AP.48134
Composed by Vince Gassi.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Young Symphonic. Score
and Part(s). 266 pages.
Duration 3:35. Alfred
Music #00-48134.
Published by Alfred Music
(AP.48134). UPC:
038081554471.
English. Instantly
captivating and
continually inventive,
Chariton Chronicles is
rich in thematic
statements both lively
and lyrical that capture
the vibrancy of Chariton,
Iowa. This title is
available in MakeMusic
Cloud. (3:35). $70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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