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Par POOT MARCEL. Belgian composer, Marcel Poot (1901-1988) was a professional composer, professor and musician. He studied at the Belgian Conservatory and went on to attain success as an organist and composer. His substantial compositions for wind and brass are still performed to this day, Trio for 3 Clarinets being no exception. In 1925, Poot and several of his contemporaries founded 'The Synthetists', a group to rival 'Les Six' in France. They wished to inject dynamicism in to the conservative Belgian music scene through the composition of modern pieces. Trio for 3 Clarinets reflects this, whilst maintaining recognisablemusical elements. Poot 's Trio is made up of three movements; 1) Allegretto grazioso, 2) Tempo di Barcarola, and 3) Allegro giocoso. For advanced clarinetists, Poot 's Trio for 3 Clarinets is an exciting addition to the ensemble repertoire./ Répertoire / 3 Clarinettes

Clarinet-A new addition to the popular Duets For One series with even more great tunes arranged for very easy clarinet. Choose your part - you will find all the melodies easy (Grade 1+) and the harmony parts easier still (Pre-Grade 1). Then simply put on the CD and you've got an instant duet partner in your own home plus superb backing tracks. Arranged by Heather Cox.

The colourful and richly diverse music of the Balkans became popular in Western Europe during the 1990s resulting in what can only be described as a 'Balkan boom' which still endures today.This selection of arrangements provides the opportunity for clarinettists to become acquainted with well-known traditional songs and dances from Greece Hungary Macedonia Bulgaria Turkey Bosnia-Herzegovina and Dalmatia. Memoires is composed by Hidan Mamudov himself. Presented in an order that reflects their increasing level of difficulty these pieces provide new experiences for intermediate to advanced players.

Spanish clarinettist composer and teacher Antonio Romero y Andia was born in 1815 in Madrid. He made his debut at 14 and later became solo clarinettist and music director of the Royal Court Orchestra. He is now remembered primarily for the Clarinet key system that bears his name as his compositional works though high quality were few in number. From 1849-1876 Romero was the Clarinet Professor at the Madrid Conservatory where he wrote his Complete Clarinet Method. Over 150 years later it is still in popular use by schools and conservatories all over the world.

According to his dating of the autograph Haydn composed the Symphony no. 89 in F major in 1787 just one year after the six so-called Paris symphonies. It was written together with its sister work the G-major Symphony no. 88 for the violinist Johann Tost who sold it to the Parisian publisher Sieber. In both works Haydn continues the compositional achievements of the Paris symphonies: mastery of orchestration richness of musical ideas and details and an idiosyncratic multicoloured use of the wind section (which still makes do without Clarinets). In contrast to the buoyant G-major symphony the F-major symphony possesses a ratherpastoral sweet character which in parts can nevertheless soar to dramatic heights. This study edition reproduces the musical text of the Haydn Complete Edition which is a guarantor of the finest scholarship. An informative preface and a brief critical report make this handy score an ideal companion for all Haydn fans both present and future.