| 101 Hit Songs (Tenor Sax) Saxophone Tenor Hal Leonard
For Tenor Sax. By Various. Instrumental Folio. Softcover. 160 pages. Publishe...(+)
For Tenor Sax. By
Various.
Instrumental Folio.
Softcover. 160 pages.
Published by Hal Leonard
$18.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 2005-2006 Greatest Pop Hits (Tenor Sax) Saxophone Tenor [Partition] - Intermédiaire Alfred Publishing
Collection for solo tenor saxophone. With fingering chart. 44 pages. Published b...(+)
Collection for solo tenor
saxophone. With fingering
chart. 44 pages.
Published by Alfred
Publishing.
(1)$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fun With the Saxophone Saxophone [Partition] - Facile Mel Bay
by William Bay. For Saxophone (All). solos. Fun With. Folk. Level: Beginning. Bo...(+)
by William Bay. For
Saxophone (All). solos.
Fun With. Folk. Level:
Beginning. Book. Size
8.75x11.75. 32 pages.
Published by Mel Bay
Publications, Inc.
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gospel Hymns for Tenor Sax Saxophone Tenor [Partition + Accès audio] Hal Leonard
Instrumental Play-Along. Composed by Various. Instrumental Play-Along. Softco...(+)
Instrumental Play-Along.
Composed by Various.
Instrumental Play-Along.
Softcover Audio Online.
16
pages. Published by Hal
Leonard
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Kenny G: Classics In The Key Of G Saxophone, Partitions de Groupe Hal Leonard
Performed by Kenny G. For voice, saxophones (soprano, tenor), keyboard, guitar, ...(+)
Performed by Kenny G. For
voice, saxophones
(soprano, tenor),
keyboard, guitar, bass
and drum set. Format:
complete score songbook
(includes separate
pull-out saxophone part).
With vocal melody,
lyrics, full score
notation, chord names and
drum notation. Adult
contemporary and pop.
Series: Hal Leonard
Artist Transcriptions.
136 pages. 9x12 inches.
Published by Hal Leonard.
(6)$26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Essential Elements Book 1 - Bb Tenor Saxophone Saxophone Tenor Hal Leonard
| | |
| Jouez Les Grands Themes Du Jazz - Volume 2 Saxophone [Partition + CD] - Intermédiaire Lemoine, Henry
By Michel Pellegrino. For Eb or Bb saxophone. Pop / Jazz. Grade 3. Score and CD....(+)
By Michel Pellegrino. For
Eb or Bb saxophone. Pop /
Jazz. Grade 3. Score and
CD. 64 pages. Published
by Editions Henry Lemoine
$50.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Essential Elements Book 1 - Eb Baritone Saxophone Hal Leonard
| | |
| Solo Performance Collection Saxophone Tenor et Piano [Partition + Accès audio] Wingert-Jones Publications
18 Festival Solos with Piano Accompaniment. Composed by Tyler Arcari and Larry...(+)
18 Festival Solos with
Piano
Accompaniment. Composed
by
Tyler Arcari and Larry
Clark.
Solo and Ensemble Music.
Solo
Performnace Collection.
Collection. Wingert-Jones
Publications #WB2222.
Published by
Wingert-Jones
Publications
$14.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| On Track: 13 Ensemble Works For Key Stage 4 [Conducteur et Parties séparées] University Of York Music Press
Chamber Ensemble SKU: BT.MUSM570209088 On Track. By Sadie Harrison...(+)
Chamber Ensemble SKU:
BT.MUSM570209088
On Track. By Sadie
Harrison. Set (Score &
Parts). 15 pages.
University of York Music
Press #MUSM570209088.
Published by University
of York Music Press
(BT.MUSM570209088).
English. 13
specially commissioned
pieces which aim to
breathe new life into a
largely neglected
component of the GCSE/Key
Stage 4 Music syllabus,
Ensemble Performance. On
Track comes complete with
a CD-Rom containing all
the parts for all the
pieces and transpositions
for any instrument, and
these parts come with a
licence for printing as
many copies as needed,
directly from the CD-Rom.
A separate 'audio' CD
also contains recordings
of every piece. The book
contains scores for each
piece and extended notes
by the composers to aid
in the preparation of the
music: there are 5 pieces
for fixed ensembles and 8
pieces for flexible
ensembles. The editor of
the compilation, Sadie
Harrison, comments:
Playing in an ensemble
with one's peers is
perhaps the most
rewarding and satisfying
thing to do as a young
performer, and it is
crucial to nurture this
element of GCSE courses
to reflect this. On Track
is a fantastic collection
of many different styles,
approaches and sounds.
There is something in
here for everybody, at
whatever level, and on
whatever instrument. This
is what GCSE Music
teachers are crying out
for, and finally here is
something that really
hits the mark. Harrison's
comments are echoed by
recent examiners' reports
from EdExcel, one of the
largest examiners of GCSE
music. They describe how
the music they heard in
examinations demonstrated
'an extreme range of
standards and revealed
evidence of the very wide
range of instruments in
use'. The AQA (Assessment
and Qualification
Alliance) Examiners'
report in 2004 warns
schools against allowing
their students to present
solo music with a piano
accompaniment played by a
teacher or with a CD
accompaniment for the
ensemble performance
component. It continues,
saying that it is of
utmost importance that
the chosen ensemble
allows the candidate to
show rapport with the
other player(s). This is
a significant requirement
with which many
[examination] centres did
NOT comply. Fixed
Ensembles Sadie Harrison
— On the run!for
clarinet in Bb, violin,
'cello, piano Ed Hughes
— Matthew's Mazurkafor
piano duet Jeremy Dale
Roberts — 'Takes
three...' for trumpet,
'cello, piano Matthew
Roddie — Gone Clubbin'
for violin, 'cello Thomas
Simaku — From Across
the Sea for 2 flutes,
clarinet in Bb Flexible
Ensembles David Blake —
Piece for Luis and Justin
for four instruments
Anthony Gilbert — U-GO
for Arirang for four
instruments Jo Kondo —
A Birthday Toast for any
number of instruments
David Lumsdaine — A
tree dances for Orpheus
for three instruments
Paul Mealor — Swing
Slow for two instruments
Robert Saxton — There
and Back for three
instruments John Stringer
— Duo for two
instruments Lu s Tinoco
— Diversion for four
instruments. $28.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Gospel Hymns for Tenor Sax Trombone [Partition + Accès audio] Hal Leonard
Instrumental Play-Along. Composed by Various. Instrumental Play-Along. Softco...(+)
Instrumental Play-Along.
Composed by Various.
Instrumental Play-Along.
Softcover Audio Online.
16
pages. Published by Hal
Leonard
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sax After Midnight: Moonglow Music Sales
| | |
| Signals University Of York Music Press
Oboe SKU: BT.MUSM570362158 By Melinda Maxwell_John Stringer. Classical. B...(+)
Oboe SKU:
BT.MUSM570362158 By
Melinda Maxwell_John
Stringer. Classical. Book
Only. 40 pages.
University of York Music
Press #MUSM570362158.
Published by University
of York Music Press
(BT.MUSM570362158).
English. This
collection of oboe music,
written by living
composers, is an
invaluable resource for
any oboist of Grade 8 and
conservatoire standard
who is curious about
widening their
repertoire, and exploring
the various languages of
modern music. The term
modern music can alienate
many minds who may think
it will be too difficult
technically; aurally
unknown and therefore
unsatisfying; harmful or
damaging to their musical
sensibility. To all these
points this volume has
the answers. Every one of
these pieces requires
challenging technical
skills demanded of any of
the more traditional oboe
repertoire, and
additionally they will
improve technique. Each
piece portrays a
characterand language
that is approachable and
compelling. Far from
damaging musical
sensibility these musical
types will open the ear
and enrich the spirit.
Some are physically
demanding and require
very good breath control,
others need patience in
learning new fingerings
and timbres, and some
travel to extreme
registers. But, in all
cases, the effort will be
rewarding, and not only
that, the knowledge
gained about the oboe and
how it works will be
equally entertaining and
stimulating. $18.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Stranger Orchestre Advance Music
Orchestra SKU: AP.1-ADV40010 For Soprano or Tenor Saxophone, String Or...(+)
Orchestra SKU:
AP.1-ADV40010 For
Soprano or Tenor
Saxophone, String
Orchestra, Harp, and
Percussion. Composed
by Bill Dobbins.
Performance Music
Ensemble; Single Titles;
String Orchestra. Advance
Music. Jazz. Score and
Part(s). Advance Music
#01-ADV40010. Published
by Advance Music
(AP.1-ADV40010). UPC:
805095400106.
English. The
Stranger is titled after
the novel of the same
name by the French
existentialist
philosopher and writer
Albert Camus. The piece
seems to capture some of
the general mood of the
story, with its
underlying feeling of
melancholy and sense of
inevitability. Since the
music is written in an
even eighth-note style,
with either a
contemporary classical or
a Latin rhythmic feeling,
the string section is not
required to phrase in a
jazz or swing style. The
use of light percussion
rather than a drumset
makes the arrangement
ideal for acoustic
performance without
amplification. $151.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Stranger Orchestre Advance Music
Orchestra SKU: AP.1-ADV40011 For Soprano or Tenor Saxophone, String Or...(+)
Orchestra SKU:
AP.1-ADV40011 For
Soprano or Tenor
Saxophone, String
Orchestra, Harp, and
Percussion. Composed
by Bill Dobbins.
Performance Music
Ensemble; Single Titles;
String Orchestra. Advance
Music. Jazz. Score.
Advance Music
#01-ADV40011. Published
by Advance Music
(AP.1-ADV40011). UPC:
805095400113.
English. The
Stranger is titled after
the novel of the same
name by the French
existentialist
philosopher and writer
Albert Camus. The piece
seems to capture some of
the general mood of the
story, with its
underlying feeling of
melancholy and sense of
inevitability. Since the
music is written in an
even eighth-note style,
with either a
contemporary classical or
a Latin rhythmic feeling,
the string section is not
required to phrase in a
jazz or swing style. The
use of light percussion
rather than a drumset
makes the arrangement
ideal for acoustic
performance without
amplification. $18.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Showmusic For Saxophone Music Sales
| | |
| 25 Standards Volume 1 Bb Instruments Book/cd Carisch Edition
Clarinet, Saxophone, Trumpet or Bariton [TC] SKU: HL.14046744 CARISCH - M...(+)
Clarinet, Saxophone,
Trumpet or Bariton [TC]
SKU: HL.14046744
CARISCH - MUSIC SALES.
Jazz. General
Merchandise. Carisch
Edition #ML2569.
Published by Carisch
Edition (HL.14046744).
ISBN
9788850709236. $25.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Ultimate Country Fake Book - 4th Edition
Fake Book [Fake Book] Hal Leonard
Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Publis...(+)
Fake Book (Includes
melody line and chords).
Size 9x12 inches. 568
pages. Published by Hal
Leonard.
(8)$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Best Fake Book Ever - C Edition - 3rd Edition
Fake Book [Fake Book] Hal Leonard
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and
C instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 856
pages. 9x12 inches.
Published by Hal Leonard.
(14)$59.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Pickin' over the Speed Limit Banjo [Partition + CD] Centerstream
(Presented by Todd Taylor, Guinness World Records' Fastest Banjo Player). By Tod...(+)
(Presented by Todd
Taylor, Guinness World
Records' Fastest Banjo
Player). By Todd Taylor.
Banjo. Softcover with CD.
Guitar tablature. 36
pages. Published by
Centerstream Publications
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Best Fake Book Ever - 2nd Edition - Eb Edition
Instruments en Mib [Fake Book] Hal Leonard
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: H...(+)
Fakebook for Eb
instrument. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 864
pages. Published by Hal
Leonard.
(2)$49.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| As If [Conducteur] Carl Fischer
Chamber Music Cello, Recording, Viola, Violin SKU: CF.BE10F For String...(+)
Chamber Music Cello,
Recording, Viola, Violin
SKU: CF.BE10F
For String Trio and
Recording. Composed
by Paul Lansky. Full
score. With Standard
notation. 32 pages.
Duration 19:37. Carl
Fischer Music #BE10F.
Published by Carl Fischer
Music (CF.BE10F). ISBN
9780825891175. UPC:
798408091170. 8.5 x 11
inches. Key: G
major. Commissioned
by the Princeton-Columbia
Electronic Music Center
for Speculum Musicae in
1981. The first movement,
In Preparation, is a
study in tuning and
intonation and is based
on the open strings in
perfectly tuned fifths,
with the violins D string
tuned 294 hertz. The
first moments of the
piece provide opportunity
to tune to the tape part.
(This tuning probably
differs imperceptibly
from a tempered tuning
since the E string of the
violin is only 1/33 of a
semitone sharper then in
a tempered system and the
C strings of the viola
and cello 1/33 of a
semitone flatter.) Most
subsequent pitches in the
movement are either the
open strings or major and
minor thirds above and
below the open strings.
The minor thirds will be
slightly sharp with
respect to equal tempered
tuning about 15 cents or
1/6 of a semitone and the
major thirds will be
slightly flat about 14
cents, or one seventh of
a semitone. Listen to the
tape part as a guide. All
harmonics in this
movement are to be played
as natural harmonics and
open strings are to be
used whenever possible.
In the second movement,
At a Distance, the tape
part largely doubles
selected pitches in the
string parts and should
be thought of as a
backdrop rather then
counterpart. In this and
the remaining movements
equal tempered tuning is
used though it will
probably not be necessary
to retune the instruments
for this reason alone.
The third movement, In
Practice, is a study in
modes of performance
particularly with respect
to rhythmic rigidity and
flexibility. While the
tape part may seem to
bend and sway a great
deal, the string parts
are to be played with as
much rhythmic precision
as possible. At many
points it may be
necessary to delay or
anticipate beats in order
to coincide with the
arrival of beats in the
tape part, though in
general the quarter
equals 120 is accurate.
In the fourth movement,
In Distinction, different
kinds of musical
conceptions are
counter-pointed and
counter-posed. Here the
beat is quite accurate
although the notation of
the synthetic saxophone
part is only approximate.
All the tape parts are
based on computer
reprocessed violin except
for parts of the fourth
movement in which
synthetic saxophone is
used. The tape part was
synthesized on the IBM
3033 and 3081 computers
at Princeton University
and converted at the
Winham Laboratory. The
violin source was
performed by Cyrus
Stevens. Commissioned
by the Princeton-Columbia
Electronic Music Center
for Speculum Musicae in
1981. The first movement,
In Preparation, is a
study in tuning and
intonation and is based
on the open strings in
perfectly tuned fifths,
with the violinas D
string tuned 294 hertz.
The first moments of the
piece provide opportunity
to tune to the tape part.
(This tuning probably
differs imperceptibly
from a tempered tuning
since the E string of the
violin is only 1/33 of a
semitone sharper then in
a tempered system and the
C strings of the viola
and acello 1/33 of a
semitone flatter.) Most
subsequent pitches in the
movement are either the
open strings or major and
minor thirds above and
below the open strings.
The minor thirds will be
slightly sharp with
respect to equal tempered
tuning about 15 cents or
1/6 of a semitone and the
major thirds will be
slightly flat about 14
cents, or one seventh of
a semitone. Listen to the
tape part as a guide. All
harmonics in this
movement are to be played
as natural harmonics and
open strings are to be
used whenever possible.
In the second movement,
At a Distance, the tape
part largely doubles
selected pitches in the
string parts and should
be thought of as a
backdrop rather then
counterpart. In this and
the remaining movements
equal tempered tuning is
used though it will
probably not be necessary
to retune the instruments
for this reason alone.
The third movement, In
Practice, is a study in
modes of performance
particularly with respect
to rhythmic rigidity and
flexibility. While the
tape part may seem to
bend and sway a great
deal, the string parts
are to be played with as
much rhythmic precision
as possible. At many
points it may be
necessary to delay or
anticipate beats in order
to coincide with the
arrival of beats in the
tape part, though in
general the quarter
equals 120 is accurate.
In the fourth movement,
In Distinction, different
kinds of musical
conceptions are
counter-pointed and
counter-posed. Here the
beat is quite accurate
although the notation of
the synthetic saxophone
part is only approximate.
All the tape parts are
based on computer
reprocessed violin except
for parts of the fourth
movement in which
synthetic saxophone is
used. The tape part was
synthesized on the IBM
3033 and 3081 computers
at Princeton University
and converted at the
Winham Laboratory. The
violin source was
performed by Cyrus
Stevens. Commissioned
by the Princeton-Columbia
Electronic Music Center
for Speculum Musicae in
1981. The first movement,
In Preparation, is a
study in tuning and
intonation and is based
on the open strings in
perfectly tuned fifths,
with the violin's D
string tuned 294 hertz.
The first moments of the
piece provide opportunity
to tune to the tape part.
(This tuning probably
differs imperceptibly
from a tempered tuning
since the E string of the
violin is only 1/33 of a
semitone sharper then in
a tempered system and the
C strings of the viola
and 'cello 1/33 of a
semitone flatter.) Most
subsequent pitches in the
movement are either the
open strings or major and
minor thirds above and
below the open strings.
The minor thirds will be
slightly sharp with
respect to equal tempered
tuning about 15 cents or
1/6 of a semitone and the
major thirds will be
slightly flat about 14
cents, or one seventh of
a semitone. Listen to the
tape part as a guide. All
harmonics in this
movement are to be played
as natural harmonics and
open strings are to be
used whenever possible.
In the second movement,
At a Distance, the tape
part largely doubles
selected pitches in the
string parts and should
be thought of as a
backdrop rather then
counterpart. In this and
the remaining movements
equal tempered tuning is
used though it will
probably not be necessary
to retune the instruments
for this reason alone.
The third movement, In
Practice, is a study in
modes of performance
particularly with respect
to rhythmic rigidity and
flexibility. While the
tape part may seem to
bend and sway a great
deal, the string parts
are to be played with as
much rhythmic precision
as possible. At many
points it may be
necessary to delay or
anticipate beats in order
to coincide with the
arrival of beats in the
tape part, though in
general the quarter
equals 120 is accurate.
In the fourth movement,
In Distinction, different
kinds of musical
conceptions are
counter-pointed and
counter-posed. Here the
beat is quite accurate
although the notation of
the synthetic saxophone
part is only approximate.
All the tape parts are
based on computer
reprocessed violin except
for parts of the fourth
movement in which
synthetic saxophone is
used. The tape part was
synthesized on the IBM
3033 and 3081 computers
at Princeton University
and converted at the
Winham Laboratory. The
violin source was
performed by Cyrus
Stevens. Commissioned
by the Princeton-Columbia
Electronic Music Center
for SpeculumMusicae in
1981.The first movement,
In Preparation, is a
study in tuning and
intonation and isbased on
the open strings in
perfectly tuned fifths,
with the violin’s
D stringtuned 294 hertz.
The first moments of the
piece provide opportunity
to tuneto the tape part.
(This tuning probably
differs imperceptibly
from a temperedtuning
since the E string of the
violin is only 1/33 of a
semitone sharper then ina
tempered system and the C
strings of the viola and
‘cello 1/33 of a
semitoneflatter.) Most
subsequent pitches in the
movement are either the
open stringsor major and
minor thirds above and
below the open strings.
The minor thirdswill be
slightly sharp with
respect to equal tempered
tuning about 15 cents
or1/6 of a semitone and
the major thirds will be
slightly flat about 14
cents, or oneseventh of a
semitone. Listen to the
tape part as a guide. All
harmonics in thismovement
are to be played as
natural harmonics and
open strings are to be
usedwhenever possible.In
the second movement, At a
Distance, the tape part
largely doubles
selectedpitches in the
string parts and should
be thought of as a
backdrop rather
thencounterpart. In this
and the remaining
movements equal tempered
tuning is usedthough it
will probably not be
necessary to retune the
instruments for this
reasonalone.The third
movement, In Practice, is
a study in modes of
performance
particularlywith respect
to rhythmic rigidity and
flexibility. While the
tape part may seemto bend
and sway a great deal,
the string parts are to
be played with as
muchrhythmic precision as
possible. At many points
it may be necessary to
delay oranticipate beats
in order to coincide with
the arrival of beats in
the tape part,though in
general the quarter
equals 120 is accurate.In
the fourth movement, In
Distinction, different
kinds of musical
conceptions
arecounter-pointed and
counter-posed. Here the
beat is quite accurate
although thenotation of
the synthetic saxophone
part is only
approximate.All the tape
parts are based on
computer reprocessed
violin except for parts
ofthe fourth movement in
which synthetic saxophone
is used. The tape part
wassynthesized on the IBM
3033 and 3081 computers
at Princeton University
andconverted at the
Winham Laboratory. The
violin source was
performed by
CyrusStevens. $29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| As If Carl Fischer
Chamber Music Cello, Recording, Viola, Violin SKU: CF.BE10 Composed by Pa...(+)
Chamber Music Cello,
Recording, Viola, Violin
SKU: CF.BE10
Composed by Paul Lansky.
Set of Score and Parts.
With Standard notation.
32+18+18+18 pages.
Duration 19 minutes. Carl
Fischer Music #BE10.
Published by Carl Fischer
Music (CF.BE10). ISBN
9780825891168. UPC:
798408091163. Score.
8.5x11, Pts. 9x12 inches.
Key: G major. As If
is Paul Lansky at the
genesis of his computer
music powers. Here he
explores the relationship
between pre-recorded and
live performers, forcing
a re-examination of the
concepts of both
composition and
performance. Lansky
worked with an early IBM
computer (1981) for As
If, a far cry from the
powerful computers and
complex algorithms he
would later create.
Duration:
19'37. Commissioned by
the Princeton-Columbia
Electronic Music Center
for SpeculumMusicae in
1981.The first movement,
In Preparation, is a
study in tuning and
intonation and isbased on
the open strings in
perfectly tuned fifths,
with the violin’s
D stringtuned 294 hertz.
The first moments of the
piece provide opportunity
to tuneto the tape part.
(This tuning probably
differs imperceptibly
from a temperedtuning
since the E string of the
violin is only 1/33 of a
semitone sharper then ina
tempered system and the C
strings of the viola and
‘cello 1/33 of a
semitoneflatter.) Most
subsequent pitches in the
movement are either the
open stringsor major and
minor thirds above and
below the open strings.
The minor thirdswill be
slightly sharp with
respect to equal tempered
tuning about 15 cents
or1/6 of a semitone and
the major thirds will be
slightly flat about 14
cents, or oneseventh of a
semitone. Listen to the
tape part as a guide. All
harmonics in thismovement
are to be played as
natural harmonics and
open strings are to be
usedwhenever possible.In
the second movement, At a
Distance, the tape part
largely doubles
selectedpitches in the
string parts and should
be thought of as a
backdrop rather
thencounterpart. In this
and the remaining
movements equal tempered
tuning is usedthough it
will probably not be
necessary to retune the
instruments for this
reasonalone.The third
movement, In Practice, is
a study in modes of
performance
particularlywith respect
to rhythmic rigidity and
flexibility. While the
tape part may seemto bend
and sway a great deal,
the string parts are to
be played with as
muchrhythmic precision as
possible. At many points
it may be necessary to
delay oranticipate beats
in order to coincide with
the arrival of beats in
the tape part,though in
general the quarter
equals 120 is accurate.In
the fourth movement, In
Distinction, different
kinds of musical
conceptions
arecounter-pointed and
counter-posed. Here the
beat is quite accurate
although thenotation of
the synthetic saxophone
part is only
approximate.All the tape
parts are based on
computer reprocessed
violin except for parts
ofthe fourth movement in
which synthetic saxophone
is used. The tape part
wassynthesized on the IBM
3033 and 3081 computers
at Princeton University
andconverted at the
Winham Laboratory. The
violin source was
performed by
CyrusStevens. $120.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
1 |