Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Suites, Sonatas, Capriccios, Variations qui a été écrite pourPiano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 263. / Piano / Chanson En Séparée

Five Miscellaneous Suites-Five Miscellaneous Suites edited and annotated by Richard Jones.

Easy pieces to play together. Duets for Fun contains original compositions from the Renaissance, Baroque and Modern eras. The band is aimed at recorder players who have sound basic knowledge. As supporting repertoire, the pieces train the sense of style and the interpretation of the music of the different eras. All aspects of duo playing are supported, such as voice leading, sound balancing, and intonation. These original pieces are also very well suited for concerts, auditions and competitions. / Niveau : Facile à Intermédiaire / Recueil / 2 Flûtes à Bec

Compilations regroupant les plus grands titres d'un genre musical spécialement regravées en piano, voix et diagrammes d'accord guitare ou en piano solo en format A4 spiralé afin qu'il reste 'plat' sur le support du piano.Titres : Miserere mei, Deus [Allegri] - Sarabande [Arnold, Malcolm] - Aria from Goldberg Variations [Bach, J.S.] - Badinerie (from Orchestral Suite #2 in B Minor) [Bach, J.S.] - Prelude #11 in F Major (from The Well-Tempered Clavier) [Bach, J.S.] - Solfeggietto in C Minor [Bach, C.P.E.] - Symphony #7 - II. Allegretto [Beethoven] - Two Turtle Doves (from Partridge Pie) [Bennett, R.R.] - Prelude #6 (from Six Preludes) [Berkeley, Lennox] - Prelude from L'Arlésienne [Bizet] - Polovtsian Dances (from Prince Igor) [Borodin] - Wiegenlied (Lullaby) [Brahms] - Violin Concerto #1 - II. Adagio [Bruch] - Piano Concerto #1 - II. Larghetto (Romance) [Chopin] - Prelude in C Minor, Op.28 #20 [Chopin] - Waltz in A-flat Major, Op.69 #1 [Chopin] - Les Baricades Mistérieuses [Couperin] - The Little Shepherd (from Children's Corner) [Debussy] - Sarabande [Einaudi, Ludovico] - Snow Prelude #2 [Einaudi, Ludovico] - Nimrod (Var IX from 'Enigma' Variations) [Elgar] - Homenaje (Le Tombeau de Claude Debussy) [de Falla] - Agnus Dei (from Requiem in D Minor, Op.48) [Fauré] - Sicilienne, Op.78 [Fauré] - The North Pole (from Frozen Planet) [Fenton, George] - Prelude #1 (from Three Preludes For Piano) [Gershwin, George] - Metamorphosis Five [Glass, Philip] - Opening Piece from Glassworks [Glass, Philip] - Piano Concerto, Op.16 - I. Allegro Moderato (opening) [Grieg] - Hornpipe (Alla Danza) (from Water Music) [Handel] - Symphony #94 'The Surprise' - II. Andante [Haydn] - Consolation #5 [Liszt] - Paganini Variations (excerpts) [Lutoslawski, Witold] - Hebrides Overture ('Fingal's Cave') [Mendelssohn] - Overture to The Marriage of Figaro [Mozart] - Piano Concerto #21 in C Major - II. Andante [Mozart] - Promenade (From Pictures At An Exhibition) [Mussorgsky] - Big My Secret (from The Piano) [Nyman, Michael] - Jerusalem [Parry] - Sonata For Flute - 2nd Movement [Poulenc] - Mouvements Perpétuels - #1 [Poulenc] - Nessun Dorma (from Turandot) [Puccini] - Rondeau (from Abdelazer) [Purcell] - Piano Concerto #2 - II. Adagio Sostenuto [Rachmaninoff] - Rhapsody on a Theme of Paganini - Var XI and XVIII [Rachmaninoff] - Vocalise (No.14 from Fourteen Songs, Op.34) [Rachmaninoff] - Pavane (from Mother Goose) [Ravel] - Written On The Sky [Richter, Max] - The Elephant (from The Carnival Of The Animals) [Saint-Saëns] - Sonata in E Major, L.23 K.380 [Scarlatti, Domenico] - Unfinished' Symphony - I. Allegro Moderato [Schubert] - Sicilienne (from Album For The Young) [Schumann] - Prelude, Op.11 #15 [D-flat major] [Scriabin] - Romance in D-flat (No.9 from 10 Pieces for Piano, Op.24) [Sibelius] - The Firebird Suite - Finale [Stravinsky, Igor] - The Lamb [Tavener, John] - 1812 Overture [Tchaikovsky] - Dance of the Sugar Plum Fairy (from The Nutcracker Suite) [Tchaikovsky] - Dies Irae (from Requiem) [Verdi] - Autumn (1st movt) (from The Four Seasons) [Vivaldi] - Ride of the Valkyries [Wagner] - Vltava (The Moldau) (from Má Vlast) [Smetena] / Piano/Vocal/Guitare (PVG)

Treasury of piano music by great Norwegian composer, including the perennial favorites, Peer Gynt Suites Nos. 1 and 2 and the Holberg Suite, as well as a rich selection of other pieces: Vier Stucke, Op. 1, Humoresker, Op. 6, Sonata in E Minor, Op. 7, and many others. Content :
Four Pieces [Vier Stücke], Op. 1 (dedicated to E. F. Wenzel)
I. Allegro con leggerezza
II. Non Allegro e molto espressivo
III. Mazurka
IV. Allegretto con moto
Poetic Tone-Pictures [Poetiske tonebilleder], Op. 3 (dedicated to Benjamin Feddersen)
I. Allegro, ma non troppo
II. Allegro cantabile
III. Con moto
IV. Andante con sentimento
V. Allegro moderato
VI Allegro scherzando
Humoresques [Humoresker], Op. 6 (dedicated to Rikard Nordraak)
I. Tempo di Valse
II. Tempo di Menuetto ed energico
III. Allegretto con grazia
IV. Allegro alla burla
Sonata in E Minor, Op. 7 (dedicated to Niels W. Gade)
Allegro moderato
Andante molto
Alla Menuetto, ma pocco più lento
Finale
Concerto in A Minor, Op. 16, Arranged for Solo Piano (dedicated to Edmund Neupert)
Allegro molto moderato
Adagio
Allegro moderato e molto marcato
Four Album Leaves [Fire albumblade], Op. 28 (dedicated to Minna Petersen)
I. Allegro con moto
II. Allegretto espressivo
III. Vivace
IV. Andantino serioso
Two Elegiac Melodies [Zwei elegische Melodien], Op. 34 (dedicated to Heinrich von Herzogenberg. arrangement of a work for string orchestra based on the songs Op. 33, nos. 3 and 2)
I. Heart's Wounds [Herzwunden]
II. Last Spring [Letzter Frühling]
From Holberg's Time [Fra Holbergs tid. Holberg Suite], Op. 40 (dedicated to Erika Lie-Nissen)
I. Praeludium
II. Sarabande
III. Gavotte
IV. Air
V. Rigaudon
Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (I), Op. 41
I. Lullaby [Wiegenlied]
II. Little Haakon [Klein Haakon]
III. I Love Thee [Ich liebe dich]
IV. She Is So White [Wenn einst sie lag an meiner Brust/Sie ist so weiss]
V. The Princess [Die Prinzessin]
VI. To Springtime [An den Lenz]
Peer Gynt Suite No. 1, Op. 46 (arrangement of orchestral work)
I. Morning Mood [Morgenstimmung]
II. Åse's Death [Åses Tod]
III. Anitra's Dance [Anitras Tanz]
IV. In the Hall of the Mountain King [In der Halle des Bergkönigs]
Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (II), Op. 52
I. A Mother's Grief [Mutterschmerz]
II. The First Meeting [Erstes Begegnen]
III. The Poet's Heart [Des Dichters Herz]
IV. Solvejg's Song [Solvejgs Lied]
V. Love [Liebe]
VI. The Old Mother [Die alte Mutter]
Two Melodies [Zwei Melodien], Op. 53 (dedicated to Franz Neruda. arrangement of a work for string orchestra based on the songs Op. 33, no. 12, and Op. 21, no
I. Norwegian [Norwegisch]
II. The First Meeting [Erstes Begegnen]
Peer Gynt Suite No.2, Op 55 (arrangement of orchestral work)
I. Ingrid's Lament [Ingrids Klage]
II. Arabian Dance [Arabischer Tanz]
III. Peer Gynt's Return Home [Peer Gynts Heimkehr]
IV. Solvejg's Song [Solvejgs Lied]
Moods [Stimmungen], Op. 73
I. Resignation
II. Scherzo-Impromptu
III. Night Ride [Natligtridt]
IV. Folksong [Folketone]
V. Study [Studie] (Hommage à Chopin)
VI. Students' Serenade [Studenternes serenade]
VII. The Mountaineer's Song [Lual?t]
Nordraak's Funeral March [Sörgemarsch over Rikard Nordraak], WoOp.
Three Piano Pieces [Drei Klavierstückel], WoOp.
I. White Clouds [Hvide skyer]
II. Gnomes' Tune [Tusselsl?t]
III. The Dance Goes On [Dansen går]

Bach for the Banjo is a collection of some of Bach's best-known pieces transcribed for the five-string banjo. Several pieces appear in tablature for banjo with a second part for guitar: Inventions 1 8 13 and 14; March; Minuetin G; Polonaise in G minor; Minuet in G minor; and Musette. Others appear in notation and tablature for solo banjo: Prelude from Partita No.III for Solo Violin; Bouree II from Suite IV for Solo Cello; Menuets I & II from Suite IIfor Solo Cello; Courante from Suite I for Solo Cello; Gavotte en Rondeau from Partita No.III for Solo Violin; and Prelude from Suite I for Solo Cello. Finally Bauerntanz is offered as a banjo duet in tablature only. Thesetranscriptions are taken from the recordings 'The Classical Banjo' and 'Bach on the Banjo' which take Bach's classic pieces to new heights.BauerntanzBourée II/Suite IV for Solo Cello Courante/Suite 1 forSolo Cello Gavotte en Rondeau/Partita No. III for Solo Violin Invention #1 Invention #13 Invention #14 Invention #8 March Menuets I & II/Suite II for Solo Cello Minuet in G Minuet in G Minor Musette Polonaise in G Minor Prelude/Partita No. III for Solo Violin Prelude/Suite 1 for Solo Cello

/ 2 Flûtes A Bec Alto (Ou Flûtes Traversières Et Hautbois Ou Violons) Et Basse Continue Violoncelle (Ou Viole De Gambe) Ad Libitum

World Famous Classicscontient seize mélodies mondialement célèbres, extraites du répertoire de la musique classique. Certaines mélodies vous sont familières, d'autres sont à découvrir à travers ce voyage dans l'histoire de la musique (Henri VIII, Bach, Mozart, Rossini, Offenbach, Tchaïkovski, etc.) / [CD inclus - version intégrale + play-along]. / Flûte A Bec / Partition + Cd

of Jean-Baptiste Miroglio. Eighteenth century France was the center of mandolin composition in Europe, especially of mandolin music for amateurs. Jean-Baptiste Miroglio's Suites des Amusemens des Dames are typical of mandolin duets of this timeâ'challenging, but not too difficult, while rich in feeling and musicality. Intended for mandolin, violin or pardessus de viol, these pieces provide a delightful introduction to the musical life of the 18th century mandolin. Novice to expert players will find something to enjoy and explore in this collection of 21 pieces for two mandolins.Eighteenth century France was the center of mandolin composition in Europe, especially of mandolin music for amateurs. Jean-Baptiste Miroglio's Suites des Amusemens des Dames are typical of mandolin duets of this time-challenging, but not too difficult, while rich in feeling and musicality. Intended for mandolin, violin or pardessus de viol, these pieces provide a delightful introduction to the musical life of the 18th century mandolin. Novice to expert players will find something to enjoy and explore in this collection of 21 pieces for two mandolins. / Niveau : Intermédiaire à Avancé / Classique / Date parution : 2019-05-27/ Recueil / 2 Mandolines

Comprised of works from Volumes 1, 2 and 3 of the Suzuki Violin School, which have been arranged for string quartet by violinist/arranger Joseph Knaus. With lower string parts providing melodic and rhythmic counterpoint to set off the simple melodies (which match the Suzuki Method® repertoire), these quartets are nevertheless simple enough for beginning level players ready for their first chamber music experience. String Quartets for Beginning Ensembles are sold in sets including full score and one part book per instrument. Volume 3 contents are: Gavotte (P. Martini) * Minuet, BWV Anh. II 114/Anh. III 183/Anh. II 115 (J.S. Bach) * Gavotte in G Minor, Gavotte en Rondeau from Suite in G Minor for Klavier, BWV 822 (J.S. Bach) * Humoresque, Op. 101, No. 7 for Piano (A. Dvorák) * Gavotte (J. Becker) * Gavotte from Orchestral Suite No. 3 from Overture in D Major, BWV 1068 (J.S. Bach) * BourrEe, BourrEes I and II from Suite III in C Major for Violoncello, BWV 1009 (J.S. Bach).