Chris Potter has also demonstrated remarkable breadth as a bandleader and composer. While he is, perhaps, best-known as a reed and woodwind multi-instrumentalist of tremendous power and versatility, The Torch-bearer and logical successor, even, to the late, great, Michael Brecker. This is a wonderful opportunity as trumpeters to work through his material in a well thought out manner. As you explore this book you dive head first into the jazz vocabulary of one of the finest musicians alive today.
This book is a summary of exercises and jazz improvisation lines designed to improve contemporary jazz style techniques. The book is divided in scale, arpeggios, chromatic exercises and jazz lines phrases from the great Chris Potter. These exercises should be transposed to all twelve (12) tones, so you can achieve perfect coordination. Major, minor and dominant chords, extended to their highest level, scale wise, arpeggios and chromatic passages. / Partitions jazz&blues / Tous instruments par tonalité / Tous instruments / CHARLES COLIN MUSIC

Instrumentation: piano Edition: score Publisher: Eberhard Mayer OEuvres pour piano/Klaviermusik/Piano Music Edition en 10 recueils/Edition in 10 Bänden/Edition in 10 volumes Volume 1: Femmes de Légende Editor: Eberhard Mayer Item no.: fue 4180 Difficulty: medium ISMN: 979-0-50012-918-9 Contents: Mélisande, Desdémona, Ophelie, Viviane, Ph?bé, Omphale und Salomé The pieces for piano represent a great stylistic variety. One gets the impression that Mel Bonis may have intended to give a summary of musical development, not quoting historic styles but adapting the past through her personal tone and to translate it into contemporary musical language. The first volume includes an original series of musical portraits dedicated to legendary women, where Mel Bonis explores the enigmatic feminine universe. ?Femmes de légende? A collection we have called ?Femmes de légende? contains seven piano pieces by Mel Bonis named after women whose fates have become legendary. They have not always been arranged in this way. The first piece, ?Mélisande?, was published separately by Alphonse Leduc in 1898. In 1909, a collection called ?Trois pièces pour piano? (Three pieces for the piano), dedicated to the composer Paul Locard and which included ?Ph?bé?, ?Viviane? and ?Salomé?, was published by Leduc. In 1913, ?Mélisande? was added to the four last pieces for a final collection called ?Cinq pièces?. ?Omphale? appeared in a Berlin edition ?Signale für die musikalische Welt? in 1910. As to ?Ophélie?, it was never published in Mel Bonis? lifetime and we discovered a manu-script in 1997 without any indication at all of when it was writ-ten. ?Ophélie? was first published by the publishing house Ar-miane in Versailles in 1998. Mélisande (1898) Written before Debussy?s famous opera, Mel Bonis? piano piece ?Mélisande? was also inspired by the poet Maeterlinck (Mélisande, 1893). These short pages of magical harmonies, of radi-ant impressionist colours use music to describe Mélisande?s hair as described by Pelleas: ?your hair and its beautiful light... It escapes everywhere, it shivers, it shakes, it trembles in my hand like a golden bird.? This piece enjoyed quite a success in Mel Bonis? lifetime. She noted of it ?my favourite? in the margin of her hand-written catalogue. Desdémona (1913) The female heroine in Shakespeare?s ?Othello? inspired Mel Bonis to write a nostalgic piece with a fairly easy, rather classical beginning, a kind of romance without words, of great elegance and of a deep and melancholic beauty. Ophélie Ophelia, the lover of Shakespeare?s Hamlet, is a deeply melan-cholic character who goes mad and drowns in mysterious cir-cumstances. Ophelia inspired the poet Rimbaud and the painter Millais ? each of them created a masterpiece. Mel Bonis too evokes images of water, sadness and death in music for a third work of art. With its delicate and chilling beauty and also with its moments of passion, this impressionist piece - the work which owes most to Debussy - calls for great intelligence when performed. Viviane (1909) The figure of the fairy of the lake is musically described here in a well-structured, many-facetted piece; first of all, the initial dancing theme has an air of the ?salon? about it, typical of its time, evoking the fairy?s charm, her smile. Then follow succes-sions of majestic chords and fluent harmonies which represent the underwater castle and the fairy?s power. This piece is easily approachable. Ph?bé (1909) The sister of Phoebus, the sun, symbolises the moon, the night, chastity. The piece creates an impression of night. Steeped in twilight, languor and a sense of immense space, the atmosphere is one of unreality. This feeling of alienation is reinforced by the incoherence of rhythm between the two hands. Salomé (1909) Inspired by the Orient, Mel Bonis creates a very original musical illustration of the biblical character of Salome. She is characterised by shifting moods in which slow syncopes follow light glissandos, and urgent, mysterious psalmodies accompany sensual melopeias, where surprising tempo varia-tions lead to outbreaks of violence. With its relatively difficult beginning, this piece is especially interesting from the viewpoint of research into interpretation. Omphale (1910) The queen of Lydia is a female character from the violent depths of Greek mythology. This powerful female is described here with glittering sensuality and Oriental subtlety. The impressive work shows a complex structure both in harmony and rhythm, it is a lively and rich work which calls for much thought and great virtuosity on the performer?s part. ?Omphale? was awarded a prize for composition by the Berlin magazine ?Signale für die musikalische Welt? in 1910.

Par WINTERSON JULIA / HARRIS PAUL. Rock and Pop Theory: the essential guide offers musicians of all ages and levels a practical and relevant guide to music theory today. With a special focus on popular music, this indispensable guide: - introduces key musical concepts such as pitch, tempo, rhythm, harmony, scales, instruments, musical forms and structure - outlines the conventions governing music notation, applying these specifically to rock and pop music - provides interesting facts and real music examples to contextualise music theory - offers practical tips on how to identify intervals, make up melodies and rhythms, set words to music and much more - includes an introduction and 'theory in practice' notes by renowned educationalist Paul Harris - contains quick-reference tools including an appendix, list of further repertoire examples, table of instruments, periods of music history, table of scales and modes and summary keys and time signatures./ Méthode / Formation Musicale

Encore Violin is the official collection of best-loved ABRSM Violin exam pieces, selected from syllabuses of the past few decades. Violinists will find an appealing mix of repertoire, while teachers can be confident that the perfect balance of content has been selected at every level.Book 1 features 18 popular pieces at Grades 1 and 2. Have fun exploring modern favourites and timeless classics, like Mattachins or Mango Walk. Footnotes provide background information, a summary of the key skills that each piece develops, and new ideas for exploring the music.Whether you're working through our exams, playing informally, or planning a performance, Encore Violin is full of music you'll want to play again and again! / Violon

Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigénie en Aulide (Vocal Score) Tragedy - Opera in three acts Iphigénie en Aulide is the first of six operas that Gluck composed for the Académie Royale de Musique. In keeping with his plans for operatic reform, he sought to create noble, expressive and natural melodies that did justice to every language and every national spirit while eliminating the “ridiculous distinction” between national styles of music. Although the première was coolly received at first by the contemporary press, “Iphigénie” developed into a tremendous success. The onrush of listeners was said to have been so great that the management of the Paris Opéra considered placing guards in front of the theatre. Now Bärenreiter is issuing the carefully revised and corrected vocal score in a new engraving adapted to meet their current standards. - Revised and newly engraved - Detailed foreword (Ger/Fr/Eng) on the work’s genesis and reception history, together with a summary of the plot - Practical, straight-forward piano reduction - Performance material available for hire (BA5849-72) / Date parution : 2022-07-20/ Répertoire / Solistes, Choeur et Orchestre

This book is a summary of exercises and jazz improvisation lines designed to improve contemporary jazz style techniques. It's divided into scale, arpeggios, chromatic exercises and jazz lines phrases from John Coltrane and Michael Brecker.These exercises should be transposed to all twelve tones, so we can achieve perfect coordination. Major, minor and dominant chords, extended to their highest level, scale wise, arpeggios and chromatic passages. / Tout Instrument

Piano Vocal Score and CD with instrumental and vocal versions. Par PUCCINI GIACOMO. Cantolopera is an exceptional new series of book/CD packs from Ricordi that offers a fresh approach to great opera repertoire. The books include versions for voice and piano of the worlds most famous arias. The CDs feature two versions of each aria:one with a 130-piece orchestra providing accompaniments to allow the professional, student or opera fan to practice, and another sung by an established artist for reference. Each volume contains the lyrics of the arias, plus a short plot summary andbackground information on the orchestra and the performers./ Recueil / Chant et Piano

Piano Vocal Score and CD with instrumental and vocal versions. Par VERDI GIUSEPPE. Cantolopera is an exceptional new series of book/CD packs from Ricordi that offers a fresh approach to great opera repertoire. The books include versions for voice and piano of the worlds most famous arias. The CDs feature two versions of each aria:one with a 130-piece orchestra providing accompaniments to allow the professional, student or opera fan to practice, and another sung by an established artist for reference. Each volume contains the lyrics of the arias, plus a short plot summary andbackground information on the orchestra and the performers. This unique and exciting series gives you the chance to learn some of the greatest arias of Giuseppe Verdi with full orchestral backing tracks. A selection of operatic showstoppers have been selected and presented in full notation with concert accompaniments for Piano. Furthermore, a professionally recorded CD is included that features the full-scale orchestral arrangement of each aria so you can experience the power and magic of a grand-scale performance. There's even a version of each featuring an established singer so you can hear the piece in full. An excellent rehearsal tool, or the ideal way to introduce your voice to the wonders and rigors of the Opera./ Recueil / Chant et Piano

For Solo Piano. Par ANDERSON JULIAN. The work may be performed as a complete cycle, in single movements or in combinations chosen by the player. She Hears is a study in listening; Toucher is a celebration in musical texture and colour. Sight Lines is a short, hyperactive study in near chaos. Nuits presents the sounds and perfumes of the night. Alba is a celebration of the sounds and sensations of dawn and the return of sunlight. Finally, Coda is a brief, intimate summary of the harmonic and melodic worlds of the whole cycle./ Répertoire / Piano

Ce troisième volume de La Méthode de piano classique est destiné aux étudiants qui ont terminé Method Book 2, ou pour ceux qui ont déjà une base solide dans le piano et sont de retour à l'instrument. Clairement énoncée et progresser par petites étapes gérables le livre comporte répertoire intéressant, varié et bien connu de l'époque baroque, classique et romantique époques Comprend un enregistrement sur CD de toutes les pièces offrant des performances de modèle pour vous aider à apprendre. Peut être complété par un répertoire supplémentaire, Duo et livres de fitness doigts. / Piano

Une étude approfondie de la langue de rythmes brésiliens et songstyles d'instruments de percussion, rythmes et styles de chants de la musique brésilienne avec leur application sur l'ensemble tambour. / Batterie Et Percussions / Partition Cd