Composed by Linda Spevacek. For unison voices (with optional signing). Sacred Anthem. Octavo. Published by Triune Music Inc

SATB Choir

SKU: HL.14016413

Composed by Gordon Jacob. Music Sales America. Sacred. Book [Softcover]. 4 pages. Music Sales #NOV401228. Published by Music Sales (HL.14016413).

6.75x9.75x0.012 inches.

SATB a capella.

By Joleen G. Meredith/K. Newell Dayley. Arranged by Wilson Brown. For SATB choir. Previously published as Supplication Quodlibet. Sacred, hymns. Octavo. Duration 3:30. Published by Jackman Music Corporation

SATB choir, organ - Beginning

SKU: MN.50-9076

Composed by Raymond H Haan. Advent, 21st Century, Commitment/Discipleship. Octavo. MorningStar Music Publishers #50-9076. Published by MorningStar Music Publishers (MN.50-9076).

UPC: 688670590764. Scripture: Matthew 8:8.

Brief, uncomplicated anthem. Quiet devotional intensity. Alleluia! Jesus, Alleluia! text by composer for General and Advent. Supplication text based on Matthew 8:8 has theme of Trust and Faith.

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication� � (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

Unison voices, cantor, assembly, keyboard accompaniment, flute 1, flute 2, oboe, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, violin 1, violin 2, guitar - Early intermediate

SKU: GI.G-10401

Composed by Peter M. Kolar. Easter Vigil. Ritual Prayer. Sacred. Octavo. With guitar chord names. 20 pages. GIA Publications #10401. Published by GIA Publications (GI.G-10401).

UPC: 785147040118. English. Text Source: The Roman Missal

Composer Peter Kolar has provided a stunning, metered setting of the traditional ritual text that cleverly blends contemporary and classically-inspired treatment. Easy, intuitive assembly responses are surrounded by rich textures and adventuresome harmonies to create a memorable prayer of supplication culminating in a breathtaking finish.

Composer Peter Kolar has provided a stunning, metered setting of the traditional ritual text that cleverly blends contemporary and classically-inspired treatment. Easy, intuitive assembly responses are surrounded by rich textures and adventuresome harmonies to create a memorable prayer of supplication culminating in a breathtaking finish.

Violin

SKU: OT.22090

Composed by Daniel Akiva. For violin solo. Classical. Score. OR-TAV Music Publications #22090. Published by OR-TAV Music Publications (OT.22090).

ISBN 9789655050738. 8.27 x 11.69 inches.

Daniel Akiva's Partita for violin solo consists of six movements based loosely on music of the Sephardic Jews. It was written for students as performance material, and dedicated to them.
Contents:
Liturgical Song
Prayer
Supplication
Dance
Kaddish
Supplication
Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. For many years, he headed the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-2019. As part of his work at WIZO High School, he has developed a method for teaching free improvisation that has been incorporated into the music program at the school.
Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014.
A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shamash, Rivka Miriam, and Avner Peretz.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-0991575-140

Composed by Hector Berlioz. The Great Classics. Score Only. Composed 1999. De Haske Publications #DHP 0991575-140. Published by De Haske Publications (BT.DHP-0991575-140).

Berliosz sagte einst: 'Mein Leben ist ein Roman, der mich sehr interessiert'. Ereignisse aus seinem persönlichen Leben hinterließen einen großen Eindruck in seinen Kompositionen. Auch die Symphonie Fantastique von 1830 ist autobiographisch; das Werk trägt den Untertitel 'Episode aus dem Leben eines Künstlers'. Die Sinfonie handelt von seinen Gefühlen für eine Schauspielerin. Den Marche au Supplice fasste er in folgende Worte: Der Künstler träumt, seine Geliebte sei gestorben und ihn, zum Tode verurteilt, führe man zum Schaffot..

(Symphonie Fantastique). By Hector Berlioz (1803-1869). Arranged by Christiaan Janssen. For Concert Band. Grade 5. Full score and set of parts. Duration 5:30. Published by Baton Music

Choir

SKU: ST.EC45

Composed by Robert Fayrfax. Edited by Roger Bray. Library Volumes. Edited by Roger Bray. First published in 2004. Pages: 176. Format: Hardback. Dimensions (mm): 325 x 246 x 23. Choral Score. Stainer & Bell Ltd. #EC45. Published by Stainer & Bell Ltd. (ST.EC45).

ISBN 9790220221248.

Both large-scale masses by Robert Fayrfax included in this volume are believed to be late works. O quam glorifica, in particular, was composed in 1511 for his supplication for the degree of Doctor of Music at Oxford, and in it the composer comprehensively explores the possibilities of extended structural planning. A feature of this edition is the restoration of the metrical character of the original, distorted in all surviving copies. Probably predating O quam glorifica, Tecum principium exhibits a simpler form, and is remarkable for the stylistic feature of unprepared dissonant fourths in the final section of the Agnus dei.

SATB choir, piano - Intermediate

SKU: MN.50-9084

Composed by Raymond H Haan. 21st Century, Praise/Thanksgiving. Octavo. MorningStar Music Publishers #50-9084. Published by MorningStar Music Publishers (MN.50-9084).

UPC: 688670590849.

Israe li melody. Accompaniment imparts color and strength to emotions expressed in text (quiet assertion/supplication to forthright praise).

Sacred Solos for Service and Celebration. Composed by Kevin A. Memley. Pavane Secular. General Worship, Praise, Thanksgiving. Softcover. Pavane Publishing #P4034. Published by Pavane Publishing

By Ernest Bloch. Arranged by Hans Kindler. Cello (Cello/Piano). Size 9 X 12. Published by Carl Fischer.

By Larry Pugh. Unison, 2-part mixed, SAB. Sacred. Level: Easy. Choral collection. Published by Lorenz Publishing Company.

Choral (SATB and Soli)

SKU: HL.49044369

SATB or Soloists and Organ. Composed by Carl Friedrich Zelter. Edited by Hermann Max. This edition: Saddle stitching. Sheet music. Choral. Classical, Contemporary, General Worship, Sacred. Octavo. 20 pages. Schott Music #ED 21914. Published by Schott Music (HL.49044369).

ISBN 9790001199551. UPC: 841886024540. 9.0x12.0 inches. Latin.

Discover two motets by Carl Friedrich Zelter in the 'Schatze der Chormusik' [Treasures of Choral Music] series: 'Dignare Domine' (a hymn of praise and supplication) can be sung on various occasions. 'Tenebrae factae sunt' is suitable for the Good Friday liturgy.

Organ - Medium

SKU: JK.01589

Composed by Various. Arranged by Brent Jorgensen. Difficulty Medium, Organ Chains, Organ Postludes, God the Father, Jesus Christ - Savior, Joy, Love, Peace, Prayer, Sacrament, Supplication. Christian, Inspirational. Jackman Music Corporation #01589. Published by Jackman Music Corporation (JK.01589).

Fifteen favorite closing hymns arranged for organ prelude in a continuous medley, allowing you to begin anywhere and end anywhere.
Titles included in this volume:
God Be With You
Lord We Ask Thee Ere We Part
Sing We Now at Parting
Thy Spirit Lord Hath Stirred
Before Thee Lord I Bow My Head
As Shadows Falls
Lord Dismiss Us
Come Let Us Sing an Evening Hymn
Abide With Me
Father This Hour Has Been One of Joy
We Have Partaken of Thy Love
Great God to Thee
The Lord Be with Us
Now the Day is Over
Composer: Various
Arranger: Brent Jorgensen
Difficulty: Medium.

Piano, Guitar, Vocal - medium - difficult

SKU: JK.02012

Composed by Various. Arranged by Various. Difficulty Medium, Instrumental Cello, Comfort, Jesus Christ - Savior, Supplication. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #02012. Published by Jackman Music Corporation (JK.02012).

UPC: 093285020122. Luke 24:29 (13-32).

For the first time, eight of the most beloved songs about our Savior can be found in one vocal solos book, complete with beautiful piano accompaniment and guitar chords. This book is for high voice (range: C4 to A5); this series is also available for medium and low voice. These Christ-centered pieces are perfect for sacrament meetings, baptisms, funerals, firesides, at-home enjoyment, and more.

CLICK HERE to see the High, Medium, and Low books.

Pieces included in this volume:
Come Unto Him (with optional C instrument)
Consider the Lilies
The Day the Savior Came
His Hands
I Heard Him Come (with optional duet)
Peace
This Is the Christ
A Window to His Love
Come Unto Him - C Instrument Part
Composers and Arrangers: Various
Difficulty: Medium to Medium Hard.

SATB chorus and piano - Medium-difficult / medium-difficult acc.

SKU: JK.00264

Composed by Ann Kapp Andersen. Choral SATB, Difficulty Medium Hard, Piano Choir, God the Father, Jesus Christ - Savior, Prayer, Supplication. Christian, Inspirational. Jackman Music Corporation #00264. Published by Jackman Music Corporation (JK.00264).

Original anthem for mixed chorus (SATB) and piano accompaniment.
Compose r: Ann Kapp Andersen
Lyricist: Arliene K. Dunn
Difficulty: Medium-difficult / medium-difficult acc.

Composed by Nick Strimple (1946-). Pavane Choral. Anthem, General Worship, Sacred. Octavo. 8 pages. Pavane Publishing #NS0017. Published by Pavane Publishing (HL.209868).

Composed by Kevin A. Memley. Pavane Secular. Concert, Thanksgiving. Octavo. 12 pages. Pavane Publishing #JR1119. Published by Pavane Publishing

Arranged by Darwin Wolford. For Piano Solo. Medium. Collection. Published by Jackman Music Corporation

(Children's Choir And Band). By Henk van Lijnschooten. For Fanfare Band. Band with (Solo) Voice / Original Works Light Music Repertoire. Solo and Band Series. Grade 2. Score and Parts

Composed by Jeremy Arden. Playing score. Edition HH Music Publishers #HH504-SOL. Published by Edition HH Music Publishers

(Blessing For The Road). Composed by Shulamit Ran (1949-). For mixed quartet: clarinet, violin, cello, piano. Set of parts. 28 pages. Duration 6 minutes. Published by Theodore Presser Company

Concert Band/Harmonie - Grade 5

SKU: BT.DHP-1043740-140

Composed by Jan Hadermann. Sovereign Series. Concert Piece. Score Only. Composed 2004. De Haske Publications #DHP 1043740-140. Published by De Haske Publications (BT.DHP-1043740-140).

English-German-French- Dutch.

Guernica, a peaceful town in the Basque region of Spain, was reduced to ruins on the 26th of April 1937 by Nazi bombers. It was a totally unexpected attack that happened while the crowded open-air market was in progress. Over 1600 innocent citizens were killed.This was one of the most senseless and abhorrent war crimes in history. In this new work by Jan Hadermann the music of the Basque region can clearly be heard, with street musicians adding lustre to the open-air market with dance music. Spring is in the air when suddenly from behind the mountaintops, the death squad appears and all hell breaks loose. The work ends with an intense plea to never let anything like this happenagain. A moving and contemplative new work for concert band.

Guernica, een vredig stadje in het Spaanse Baskenland, werd op 26 april 1937 door nazi bommenwerpers volledig in puin gelegd. Die aanval vond totaal onverwacht plaats terwijl de drukbezochte openluchtmarkt volop aan de gang was. Meerdan 1600 onschuldige burgers werden gedood. Dit is een van de meest zinloze en weerzinwekkende oorlogsmisdaden uit de geschiedenis. In het stuk Guernica van Jan Haderman horen we hoe de Baskische muziek klinkt: straatmuzikantenluisteren de openluchtmarkt op met dansmuziek. Het is lente. Dan duikt plotseling vanachter de bergtoppen het doodseskader op en barst de hel los. Het werk eindigt met een intense smeekbede zoiets nooit meer te laten gebeuren. Eenontroerend nieuw werk voor harmonieorkest.

Gu ernica, eine friedliche, strategisch eher bedeutungslose Stadt im Baskenland in Spanien, ist durch einen furchtbaren Blitzangriff von Nazibombern im Jahr 1937 zum Symbol für die Sinnlosigkeit und Grausamkeit von Kriegsverbrechen und Terror geworden. Im Stück Guernica ist die fröhliche Musik der Basken herauszuhören, bevor die Hölle des Angriffs losbricht. Das Werk endet mit der eindringlichen Bitte, so etwas nie wieder geschehen zu lassen. Ein eindrucksvolles Werk mit einer nach wie vor aktuellen Botschaft.

Le 26 avril 1937, la paisible ville de Guernica dans le Pays basque espagnol est anéantie par les bombardiers de l’aviation nazie. Plus de mille six cents civils sont tués. La ville br le pendant trois jours. Guernica de Jan Hadermann se développe aux sons de la musique basque. La place du marché est pleine de monde. L’atmosphère est douce, le printemps s’éveille sur un air de danse joué par des musiciens de rue quand surgit par dessus les montagnes, l’escadron de la mort. L’enfer commence Guernica. L’œuvre se conclut dans une intense expression de supplication pour qu’une telle folie ne se reproduise plus.

By Lloyd Larson. For SAB choir and piano. Holy Communion, Sacred. Octavo. Published by Exaltation Publications. (10/3409L)

Composed by Joachim Stutschewsky (1891-1992). Published by OR-TAV Music Publications (OT.12027).

By Cecilia Mcdowall. For SSA choir, a cappella. This edition: NH35. Upper Voices. New Horizons. Sacred Choral Leaflet. Vocal score. 8 pages. Duration 2'