As the name suggests, the 'Missa Popularis? has its musical roots in folk music.This becomes clear in the very first bars of the Kyrie, where the violin plays amelody in the style of a Swedish folk tune above a bass ostinato. The musical charm of the Mass derives from the combination of choir [SSA(TB)] and string quartet.The choral parts enable performances by female choir or mixed choir. In the latter case the string quartet is reinforced by a double bass.The version for female choir was premièred in Poznan on 25 April 2015, with Alicja Szeluga conducting the Skowroniki Girls Choir.(Level of difficulty: moderate) / Choeur SSA Et Piano

Par SUZUKI SHINICHI. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 3 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. / Méthode / Méthode / Orgue

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Austrian Dance (Traditional) * The Carman's Whistle (Byrd) * The Carnival (Snell) * Crystal Waltz (Snell) * Ecossaise (Beethoven) * Evening Song (Snell) * Little Song (Bach) * March (Snell) * One and Two and... (Snell) * Processional (Snell) * Rigaudon (Daquin) * Round (Byrd) * Six Fanfares and Flourishes (Snell) * Swedish Folk Song (Traditional) * Swiss March (Traditional) * Ten Easy Duets for Trumpet (Snell) * Toccata (Snell).

Grand Nordic Tune. Par OLSEN VADSTEN OYSTEIN. 'Storslått' or in English ?Grand Nordic Tune? is one of many original pieces written by composer Øystein Olsen Vadsten. 'Slått' is a general term for music played to traditional Norwegian dances. ?Grand Nordic Tune? was a commissioned work for the Rælingen Musikklag's 70-year anniversary concert in 2022, where the piece was premiered. They wanted something a little pompous, and preferably something in the style of Nordic folk music, which the composer is known for. The title in Norwegian then was obvious, 'Storslått', which in Norwegian has a double meaning, both a big tune and, in a double meaning, pompous or magnificent. As usual, the starting point is a traditional Nordic dance form, and this time the choice fell on the distinctive Swedish 'polska', which is played in ¾. The dance, despite its name, reportedly has no connection to Poland, but is entirely of Scandinavian origin. It has been danced for centuries, and has also been called the devil's dance, because it had a hypnotizing effect on people, so that they could not stop, but danced themselves to death. Hence people thought that it must have been the devil who caused it. Traditionally, there is a lot of repetition in this type of music, which contributes to this hypnotic effect. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie

Fatigué des arrangements vieux mêmes ? Vous voulez donner à vos élèves quelque chose de simple pourtant gratifiant de jouer ? Carol Barratt crée des pièces faciles qui sont créatifs, idiomatique, simple pourtant faire plaisir à jouer et qui auront vraiment élèves écoute et effectuant musicalement, dès le début. Les pièces de ' Bravo ! Flûte ' prendre l'élève progressivement par le biais de l'école élémentaire. Ils consistent principalement du matériel original, avec quelques arrangements trop - certains bien connues, certaines plus inhabituel. Ces pièces sont destinées à encourager les étudiants à effectuer - plutôt que de simplement jouer - chaque fois que l'occasion se présente. Trop souvent, les premières étapes de l'apprentissage l'instrument peuvent être un processus solitaire. Dans la mesure du possible, ces pièces devraient être joués avec leurs accompagnements de clavier. Audition des parties de clavier donnera lieu à une sensibilisation et l'appréciation des différents styles musicaux et un sentiment d'harmonie, la mélodie non seulement. En outre, jouant avec un accompagnement développe la capacité de l'élève pour maintenir son o... / Flûte Traversière Et Piano