“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)

Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth, this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London, where itreceived its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of “Camille Saint-Saëns - Complete Edition of the Instrumental Works”. This performing Urtext edition is based on volume BA 10303 from that series. - First scholarly-critical edition of this famous symphony based on “Camille Saint-Saëns – Complete Edition of the Instrumental Works”- Now with separate parts for all winds- Orchestral parts in a large format (25. 5 cm x 32. 5 cm) ; In this work I gave everything I had to give. [… ] What I did here I will never do again. Camille Saint-Saë ns was justifiably proud of his Symphony No. 3 in C minor Op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called ; Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marksthe launch of a large-scale project: the publication of Camille Saint-Saë ns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saë ns & Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25. 5 cm x 32. 5 cm) / Niveau : 5 / Répertoire / Orchestre

Piano Reduction-The solo part and piano reduction are now available for this demanding work. A tremendous addition to the repertoire for euphonium. Concert Band or Symphony Orchestra parts available for rental. Duration ca. 12 minutes.

“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)

?In this work I gave everything I had to give. [?] What I did here I will never do again?. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven?s Ninth this so-called ?Organ Symphony? was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns ? Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)

?In this work I gave everything I had to give. [?] What I did here I will never do again?. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven?s Ninth this so-called ?Organ Symphony? was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886.In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected.The edition of Symphony No.3 marks the launch of a large-scale project: thepublication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series.First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns Complete Edition of the Instrumental WorksNow with separate parts for all windsOrchestral parts in a large format (25.5 cm x 32.5 cm)

Based on the Henle Complete Edition of the Works of Joseph Haydn.Orchestral parts available in a large format (25.5 x 32.5 cm).Haydn?s Symphony No.26 received its nickname Lamentazione during his lifetime though it is unclear whether this stems directly from the composer. This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn?s day it was customary to play individual movements in church services and it may be assumed that these two movements were performed and possibly composed independently from each other.Continuing thecollaboration between Bärenreiter and the Henle publishing company in the areas of large-scale choral works operas and symphonies Haydn?s Symphony No.26 is appearing based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several of Haydn?s Sturm und Drang symphonies and all of the London and Paris symphonies has already been published.

Based on the Henle Complete Edition of the Works of Joseph Haydn.Orchestral parts available in a large format (25.5 x 32.5 cm).Haydn?s Symphony No.26 received its nickname Lamentazione during his lifetime though it is unclear whether this stems directly from the composer. This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn?s day it was customary to play individual movements in church services and it may be assumed that these two movements were performed and possibly composed independently from each other.Continuing thecollaboration between Bärenreiter and the Henle publishing company in the areas of large-scale choral works operas and symphonies Haydn?s Symphony No.26 is appearing based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several of Haydn?s Sturm und Drang symphonies and all of the London and Paris symphonies has already been published.

Haydn's Symphony #26 received its nickname 'Lamentazione? during his lifetime, though it is unclear whether this stems directly from the composer.This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn's day it was customary to play individual movements in church services, and it may be assumed that these two movements were performed, and possibly composed, independently from each other.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large-scale choral works, operas and symphonies, Haydn's Symphony #26 is appearing, based on the Henle Complete Edition of the 'Works of Joseph Haydn?. The complete performance material for several of Haydn's 'Sturm und Drang? symphonies and all of the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the 'Works of Joseph Haydn?- Orchestral parts available in a large format (25.5 x 32.5 cm) / Alto