| Toccata en ré mineur
pour orgue BWV 565 (BACH
JOHANN SEBASTIAN / BUSONI
FERRUCCIO)
Piano seul [Partition] G. Henle
Par BACH JOHANN SEBASTIAN / BUSONI FERRUCCIO. Bach/Busoni - cette combinaison fa...(+)
Par BACH JOHANN SEBASTIAN / BUSONI FERRUCCIO. Bach/Busoni - cette combinaison fait battre plus vite le c?ur des pianistes. Car Busoni parvient même à transcrire pour piano les ?uvres de Bach écrites à l?origine sur mesure pour un autre instrument de telle manière que le monde sonore original reste perceptible, sans empêcher le grand piano de concert de faire étalage de tout son potentiel.
Sa transcription de la Toccata pour orgue en ré mineur BWV 565 (laquelle, après une période transitoire d?incertitude, est aujourd?hui de nouveau considérée comme une ?uvre à part entière de Bach) devait, en 1900, aux côtés de la Toccata en Ut majeur BWV 564, conclure la série de ses arrangements de Bach pour les éditions Breitkopf and Härtel. Selon Busoni, une digne conclusion, car ces Toccatas - ainsi qu?il le fit savoir à son éditeur - «constituent, à l?évidence, le meilleur de ce que j?ai réussi à faire dans ce domaine, et je suis persuadé de pouvoir en promettre une forte impression».
Les Éditions G. Henle partagent ce point de vue et présentent la célèbre Toccata et Fugue en ré mineur dans une édition Urtext attrayante, qui prend appui sur l?ensemble des sources et propose des doigtés magnifiquement réalisés par le pianiste d?exception Marc-André Hamelin. / Date parution : 2020-11-23/ Répertoire / Piano
17.00 EUR - vendu par LMI-partitions Délais: En Stock | |
| At The Piano With The
Sons of Bach (AASS LARS /
HINSON MAURICE) Piano seul [Partition] Alfred Publishing
Par AASS LARS / HINSON MAURICE. The stylistic transition from the late Baroque t...(+)
Par AASS LARS / HINSON MAURICE. The stylistic transition from the late Baroque to the Classical period was almost something of a Bach affair. While Johann Sebastian Bach (1685-1750) defined and summed up the Baroque musical language, his sons Willhelm Friedemann, Carl Philipp Emanuel, Johann Christoph Friedrich and Johann Christian, infused with the spirit of innovation, struck new musical paths that opened the way to the Classical and Romantic eras. This piano book celebrates the work of these four sons of Bach with a fascinating and varied collection of pieces for the grade 2-5 player.
**ABRSM selected piece (Piano 2019-2020): Allegro in A / Instrumental Music, Piano Music / Recueil / Piano
11.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Toccata: A hommage to
Dietrich Buxtehude
(HEALEY DEREK) Ensemble de saxophones [Partition] Chili Notes
Par HEALEY DEREK. / Contemporary / Date parution : 2020-10-15/ Répertoire / ...(+)
Par HEALEY DEREK. / Contemporary / Date parution : 2020-10-15/ Répertoire / 8 Saxophones (2S2A2T2B)
54.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Sonate (WOLF PETER) Piano seul [Partition] EMB (Editio Musica Budapest)
Par WOLF PETER. In his Sonata, Péter Wolf puts his style well-known from the ch...(+)
Par WOLF PETER. In his Sonata, Péter Wolf puts his style well-known from the character pieces of his previous piano series (Wolf-temperiertes Klavier, Jazz preludes) in the service of a demanding form. We can recognize the style that can be traced back to jazz and Bartók, the characters that tap like a toccata or swirl like perpetual motion, the singing lyrical melodies or even such playful turns as the baroque musette-like episode of the slow movement. Like Wolf\'s previous piano works, this multi-faceted composition, which sets high standards in terms of instrumental technique, was inspired by the outstanding pianist József Balog and gives the impression of his individuality as a performer. / Date parution : 2022-09-27/ Répertoire / Piano
15.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Orgelwerke Set Band I
(BUXTEHUDE DIETERICH) Orgue [Partition] Breitkopf & Härtel
Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the r...(+)
Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
89.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Orgelwerke Band I/1
(BUXTEHUDE DIETERICH) Orgue [Partition]
Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is ...(+)
Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
49.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Orgelwerke Band II
(BUXTEHUDE DIETERICH) Orgue [Partition] Breitkopf & Härtel
Freie Orgel- und Clavierwerke - BuxWV 162-176, 225. Par BUXTEHUDE DIETERICH. / ...(+)
Freie Orgel- und Clavierwerke - BuxWV 162-176, 225. Par BUXTEHUDE DIETERICH. / Date parution : 2022-10-12/ Recueil / Orgue
44.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Grade 8 Piano Anthology
2023-2024 Piano seul [Partition] - Avancé Peters
Examination Pieces. Par . The Edition Peters Grade 8 Piano Anthology has long be...(+)
Examination Pieces. Par . The Edition Peters Grade 8 Piano Anthology has long been a popular resource for anyone approaching this important milestone examination. In September 2022 Edition Peters will release a new Grade 8 Anthology to support the new (2023/2024) Syllabus and, for the first time, will issue new anthologies to support pianists studying at or preparing for Grades 5, 6 and 7. Also new for this year: a selection of lesser-known additional repertoire suitable for the own-choice piece in the new Performance Exams. The four new Piano Anthologies for Grades 5, 6, 7 and 8 2023/2024 comprise a broad selection of examination pieces from lists A, B and C of the Associated Board syllabus. The anthologies support students preparing for the Practical Exam or for the new Performance Exam. Those preparing for the Performance Exams are aided by Performance Notes by Norman Beedie (Lecturer in Classical Improvisation, Piano and Conducting at the Royal Conservatoire of Scotland), which give advice on technique and interpretation for each piece, and guidance on preparing an effective programme. The pieces in this volume are drawn from the extensive range of piano music in the Edition Peters catalogue ? one of the widest available. With candidates able to offer a free choice work in the Performance Exam, each Anthology contains additional lesser-known repertoire suitable for the exam. / Date parution : 2022-09-27/ Recueil / Piano
25.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Toccata In D Minor (BACH
JOHANN SEBASTIAN) En Français Quintette d'Anches Doubles [Partition] Martin, Robert
reson'anches collection. Par BACH JOHANN SEBASTIAN. / Date parution : 2022-03-0...(+)
reson'anches collection. Par BACH JOHANN SEBASTIAN. / Date parution : 2022-03-08/ Répertoire / Quintette d'Anches Doubles
41.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| TEACHERS' CHOICE EXAM
PIECES 2021-22 GRADES 6-7 Piano seul [Partition] Wells Music Publishers
Par . / Date parution : 2022-12-14/ Recueil / Piano
25.70 EUR - vendu par LMI-partitions Délais: En Stock | |
| Grade 6 Piano Anthology
2023-2024 Piano seul [Partition] - Intermédiaire Peters
Examination Pieces. Par . The Edition Peters Grade 8 Piano Anthology has long be...(+)
Examination Pieces. Par . The Edition Peters Grade 8 Piano Anthology has long been a popular resource for anyone approaching this important milestone examination. In September 2022 Edition Peters will release a new Grade 8 Anthology to support the new (2023/2024) Syllabus and, for the first time, will issue new anthologies to support pianists studying at or preparing for Grades 5, 6 and 7. Also new for this year: a selection of lesser-known additional repertoire suitable for the own-choice piece in the new Performance Exams. The four new Piano Anthologies for Grades 5, 6, 7 and 8 2023/2024 comprise a broad selection of examination pieces from lists A, B and C of the Associated Board syllabus. The anthologies support students preparing for the Practical Exam or for the new Performance Exam. Those preparing for the Performance Exams are aided by Performance Notes by Norman Beedie (Lecturer in Classical Improvisation, Piano and Conducting at the Royal Conservatoire of Scotland), which give advice on technique and interpretation for each piece, and guidance on preparing an effective programme. The pieces in this volume are drawn from the extensive range of piano music in the Edition Peters catalogue ? one of the widest available. With candidates able to offer a free choice work in the Performance Exam, each Anthology contains additional lesser-known repertoire suitable for the exam. / Date parution : 2022-09-27/ Recueil / Piano
20.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Toccata and Fugue BWV
565, for Harpsichord
(BACH JOHANN SEBASTIAN) Clavecin [Partition] Da Vinci Publishing
Par BACH JOHANN SEBASTIAN. / Date parution : 2022-06-08/ Répertoire / Clavecin...(+)
Par BACH JOHANN SEBASTIAN. / Date parution : 2022-06-08/ Répertoire / Clavecin
15.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Suzuki Organ School 6
(SUZUKI SHINICHI) Orgue [Partition + CD] Alfred Publishing
Par SUZUKI SHINICHI. The first classical Organ method for children, the Suzuki O...(+)
Par SUZUKI SHINICHI. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 7 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström and Jeremy Chesman. / Méthode / Méthode / Orgue
33.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
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