Le théâtre musical Essentials série représente la sélection finale des chansons de la scène. Les volumes sont disponibles pour soprano, mezzo-soprano, ténor et baryton / basse, avec ou sans CD d'accompagnement. Listes de chansons uniques sont fournies dans les livres pour chaque gamme vocale, y compris ce volume pour Soprano.Nouvellement édités et gravés avec la ligne vocale et accompagnement au piano, les deux volumes de la soprano Musical Theatre série Essentials offre une occasion en or pour célébrer la musique de la scène, contenant des chansons de comédies musicales classiques tels que: Carousel, Guys and Dolls, The Sound of Musique, Sweeney Todd et Wicked. / Soprano Et Piano

The Gig Book: Showtunes is jam packed with 85 classic songs by the biggest names in musical theatre. Presented in gig-friendly melody line arrangements with complete lyrics, chord symbols and Guitar chord boxes. / Mélodie/Vocal/Guitare (MVG)

Par ORCHESTRA TRANS-SIBERIAN. This is the third and final volume of Trans-Siberian Orchestra's Christmas trilogy, featuring their blend of classical, RandB, Broadway, and hard rock music. Titles: Faith Noel * The Lost Christmas Eve * Christmas Dreams * Wizards In Winter * Remember * Anno Domine * Christmas Concerto * Queen of the Winter Night * Christmas Nights in Blue * Christmas Jazz * Christmas Jam * Siberian Sleigh Ride * What Is Christmas' * For the Sake of Our Brother * The Wisdom of Snow * Wish Liszt (Toy Shop Madness) * Back to a Reason (Part II) * Christmas Bells, Carousels and Time * What Child Is This' * O Come All Ye Faithful * Christmas Canon Rock * Different Wings * Midnight Clear. / Miscellaneous, Scores, Songbooks / Recueil / Piano, Voix, Guitare et Clavier

The Singer's Musical Theatre Anthology - Volume 2. A collection of songs from the musical stage, categorized by voice type. These tenor selections are presented in their authentic settings, excerpted from the original vocal scores. Also with piano accompaniment.

The complete step-by-step guide for the adult beginner - Step-by-step learning in playing and reading, starting from absolute scratch, presented in clearly structured stages- Also suitable for the 'returning beginner'-Performance pieces in a range of styles from classical and folk through to jazz- A helpful and stimulating CD with aural development exercises and recordings of the pieces, many with 'play-along' tracks- Warm-up exercises - Even more performance pieces for each stage which are available as FREE DOWNLOADS from the Universal Edition website together with further advice, information and music theory / Piano

Par IRON AND WINE. Iron and Wine: The Songbook contains songs from albums and EPs by American singer-songwriter Iron and Wine. The artist-approved chord songbook includes lyrics and chords with short picking patterns in tab and notation and is full colour throughout with artwork, photographs and tour posters, a song index and index of first lines. Sam Beam is a singer-songwriter who has been creating music as Iron and Wine for over a decade. Through the course of seven albums, numerous EPs and singles, and the initial volumes of an Archive Series - Iron and Wine has captured the emotion and imagination of listeners with distinctly cinematic songs/ Recueil / Accords de Guitare et Paroles

Par RODGERS / HAMMERSTEIN. Immortalised on the football terraces, You'll never walk alone is an exquisite, moving song in its original form and a highlight of the show Carousel . It is presented here with other all-time greats from the Rodgers and Hasmmerstein musicals Carousel and South Pacific in irresistible arrangements by Gwyn Arch. Part of the Faber Young Voices series and whcich has been devised specially to address the needs of young or newly-formed choirs looking for easy, yet rewarding new repertoire. / Niveau : Facile / Date parution : 1997-01-16/ Feuillet / Choeur

Le théâtre musical Essentials série représente la sélection finale des chansons de la scène. Les volumes sont disponibles pour soprano, mezzo-soprano, ténor et baryton / basse, avec ou sans CD d'accompagnement. Listes de chansons uniques sont fournies dans les livres pour chaque gamme vocale, y compris ce volume pour Soprano.Nouvellement édités et gravés avec la ligne vocale et accompagnement au piano, les deux volumes de la soprano Musical Theatre série Essentials offre une occasion en or pour célébrer la musique de la scène, contenant des chansons de comédies musicales classiques tels que: Carousel, Guys and Dolls, The Sound of Musique, Sweeney Todd et Wicked. / Soprano Et Piano

Par DOBRZYNSKI IGNACY FELIKS. Ignacy Feliks Dobrzynski wrote eight nocturnes for piano. Five of them were published in 1833–1834 in two books as Opp. 21 and 24, while the remainder appeared in various occasional collections issued much later. The Nocturne in A major was written in 1846 and belongs to the group of works composed by Dobrzynski during his tour of German cities. That tour was designed to increase the composer’s popularity and boost his finances. Besides concerts and meetings promoting Dobrzynski’s music, the ‘marketing campaign’ also included the publication of his new salon miniatures in particular cities. This Nocturne appeared in print in Berlin as Op. 52, together with a short mazurka constituting a transcription of the earlier song ‘Gdzie lubi’ (‘A fickle maid’). The form of this piece is based on an A-B-A1 scheme typical of the genre, with a quite elaborate epilogue. In section A, the composer based the melody on a one-bar motif in mazurka rhythm, which he combined with a bass led in widely spread chords, often used in nocturnes. He thus obtained a specifically idyllic mood. The sonorities, the type of melody and texture and, above all, the ornaments that appear as the work progresses bring to mind the early work of Fryderyk Chopin. The chordal section B, of lively expression, in the key of F sharp minor and a uniform triple rhythm, triggers associations with the middle section of Chopin’s Nocturne in A flat major, Op. 32 No. 2. After a short bridge, the reprise comprises a reiteration of the opening part of section A, which then passes into the epilogue, in which the composer splices motifs from both contrasting sections. It is difficult to date the second Nocturne published here and to establish the circumstances surrounding its composition. It was published posthumously (in 1868, in Warsaw), in the Album Pamiatkowe IG.F. Dobrzynskiego (‘Souvenir album of I. F. Dobrzynski’), which also contained two mazurkas, two songs and an excerpt from his incidental music for the play Konrad Wallenrod arranged for four hands. These compositions were not previously published and probably come from private collections. The Nocturne carries a dedication to Miss Wanda Miecznikowska. Determining the principal key of this work is rather problematic, since it falls into two tonally and expressively contrasting sections, divided by a lengthy caesura. An agitated, emotional episode in F minor (in A-B-A1 form, section B in A flat major), ending with a distinct conclusion, is followed, rather unexpectedly, by completely new material in the key of F major; adhering to a slower tempo and of very restrained expression, it serves as a sort of post scriptum, a lengthy and calming musical commentary to the foregoing segment. One may even gain the impression that this Nocturne is essentially a diptych consisting of two separate ‘songs without words’. Judging by its style, which is close to the lyric writing of Franz Schubert, Felix Mendelssohn-Bartholdy or John Field, with elements of the style brillant, this work could have been written earlier than the Nocturne in A major. One may also discern here a certain melodic-rhythmic similarity to the above-mentioned Nocturne in A flat major by Chopin. Both these Dobrzynski mazurkas could make interesting additions to the repertoire of both professional pianists and more advanced amateurs interested in nineteenth-century salon music. They may also enrich the programmes of concerts and broadcasts, particularly those devoted to Polish music, and also be included on the curricula of secondary schools of music. The present edition was based on the first editions. The proposed fingering in both works and the pedalling in the Nocturne in A major are entirely the work of the editors; other editorial performance markings are given in brackets. / Répertoire / Piano

La Bibliothèque du Showtunes est un trésor des plus grandes chansons de plus aimés du monde des spectacles musicaux. Le volume de cette collection s'étend sur plus de 85 ans de comédies musicales de Broadway et du West End. Des classiques pionnières comme Guys and Dolls, Oklahoma! et Sweet Charity aux favoris modernes tels que Le Fantôme de l'Opéra, Wicked et Le Roi Lion, tous les types de spectacle musical est représenté par ce qui est universellement salué comme les plus belles chansons du genre.Pris ensemble, ils constituent rien de moins que l'histoire de la comédie musicale racontée à travers les numéros en circulation qui sont souvent devenus des succès dans leur propre droit, ainsi que la promotion des histoires colorées dit sur ??scène.La comédie musicale sur Broadway est né dans les premières années du 20ème siècle comme un drame où l'histoire et la musique se complétaient. Non plus seulement une série de chansons reliées par un terrain fragile, ces nouvelles comédies musicales avaient substance. Premiers classiques tels que Show Boat et Carousel n'avaient pas peur d'utiliser des matières de source difficile et ils ont ouvert la voie à ce qui allait devenir une forme d'art très populaire en mesure de résoudre n'importe quel sujet et, en fin de compte, être conçu avec autant de succès en Europe comme aux Etats-Unis Etats.Célébration de la puissance passion, d'émotion et dramatique de la comédie musicale, La Bibliothèque du Showtunes est à la fois une célébration joyeuse et un ouvrage de référence durable. / Piano/Vocal/Guitare (PVG)