Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue

The Doors are inextricably linked to '60s counterculture. Taking their name from Aldous Huxley's book The Doors of Perception, the group followed Jim Morrison's dark poetic vision to massive commercial success, making The Doors one of the best-selling bands of all time. This folio contains easy guitar arrangements of 16 of the band's most classic songs, in both notation and TAB. / Guitare

Répertoire International - Style : Rock
Auteur/Interprète : DOORS
Collection : DRUM PLAY ALONG
Instrument : Batterie
Support : Livre CD Partitions batterie de 8 morceaux de The Doors CD audio contenant 2 versions de chaque morceaux : une démonstration complète et une version sans batterie pour vous permettre de jouer accompagné. Les paroles sont incluses sur les partitions.

The Doors, a psychedelic rock group of the 1960s, return in this arrangement featuring three of their biggest and most well known hits, 'Light My Fire,' 'People Are Strange' and 'Hello, I Love You.' An exciting closer for your pop program or spring concert. (4:30) / Orchestre

This Chord Songbook represents the best acoustic songs ever written! Inside there is a massive selection of 70 all-time classics with complete lyrics, guitar chord boxes and chord symbols. It includes acoustic tracks by all your favourite artists such as The Kinks, Stealers Wheel, Van Morrison, Elvis Costello and The Eagles. / Niveau : Assez Facile / Date parution : 2006-08-14/ Recueil / Piano, Chant et Guitare

Ce DVD vous apprendra à écouter et vous montrera comment jouer des chansons des Doors. Regardez, écoutez et apprenez!Chaque chanson commence par une leçon d'un professeur de guitare professionnel. Le professeur joue la chanson complète, vous pouvez choisir par le suite d'enlever la guitare sur l'enregistrement pour jouer seul ou la laisser. Vous pouvez choisir 3 options de vue pour apprendre dont la tablature qui s'affiche à l'écran. / Guitare / niveau : Débutant / Dvd

A generous bumper collection of the greatest songs ever to grace the silver screen, all arranged for Piano, Voice and Guitar. It is impossible to imagine Goldfinger without the huge, rich voice of Shirley Bassey, Midnight Cowboy without Nilsson's lilting country whisper, Alfie without the Pop/Jazz of Cilla Black and Sonny Rollins, and Easy Rider just would not be the same without Steppenwolf. The greatest film songs are synonymous with the movies they embellish, capable of lifting a scene from the screen and into our hearts and minds. These songs will forever evoke memories of our favourite characters and situations, long after the film has ended. Learn to play 100 of the greatest film songs ever written with this great-value songbook, packed to the limits with all the laughs, tears, memories and surprises of the movies - a guaranteed hit no matter what the occasion! / Piano/Vocal/Guitare (PVG)

The tempo of this recognizable rock tune by The Doors is 110 BPM with a written-out piano solo, accessible brass, and easy rhythms. You'll have a hit for any concert setting! (2:49) / Ensemble De Jazz

The Doors are inextricably linked to '60s counterculture. Taking their name from Aldous Huxley's monograph The Doors of Perception, the group followed Jim Morrison's dark poetic vision to massive commercial success, making The Doors one of the best-selling bands of all time. This folio contains 20 of the band's most classic songs, fully transcribed for guitar in notation and TAB. Also included is an in-depth foreword by Jimmy Brown of Guitar World magazine, who writes about guitarist Robby Krieger's integral contributions to the band's sound. / Guitare

Une collection regroupant 72 des plus grands standards de la pop internationale spécialement transcrits pour Piano, voix et diagrammes d'accords guitare.Titres : A Design For Life [Manic Street Preachers] - Black And White Town [Doves] - Bring Me To Life [Evanescence] - Come Away With Me [Jones, Norah] - Country Girl [Primal Scream] - Driftwood [Travis] - Drops Of Jupiter [Train] - Good Souls [Starsailor] - Hallelujah [Buckley, Jeff] - Heartbeats [Gonzalez, Jose] - How To Save A Life [Fray, The] - How You Remind Me [Nickelback] - In The Morning [Coral, The] - Ironic (Acoustic Album Version) [Morissette, Alanis] - Journey From A To B [Badly Drawn Boy] - Lullaby [Mullins, Shawn] - Naive [Kooks, The] - Natures Law [Embrace] - Never Be Lonely [Feeling, The] - Nightswimming [R.E.M.] - Put You Records On [Rae, Corrine Bailey] - Same Jeans [View, The] - Smile [Allen, Lilly] - Smile [Allen, Lily] - Somewhere Only We Know [Keane] - Sophia [Pallot, Nerina] - Speed Of Sound [Coldplay] - Suddenly I See [Tunstall, KT] - Take A Chance [Magic Numbers, The] - The Bucket [Kings Of Leon] - They Can't Buy The Sunshine [Turin Brakes] - Tumble And Fall [Feeder] - Valerie [Zutons, The] - Waterfall [Stone Roses, The] - When You Were Young [Killers, The] - Wherever You Will Go [Calling, The] - Wonderwall [Oasis] - Wonderwall [Oasis] - You Give Me Something [Morrison, James] - You Had Me [Stone, Joss] - Ashes [Embrace] - Cannonball [Rice, Damien] - Crazy (James Michael Mix) [Morissette, Alanis] - Dakota [Stereophonics] - Dream Catch Me [Faulkner, Newton] - Everybody Here Wants You [Buckley, Jeff] - Jenny Don't Be Hasty [Nutini, Paolo] - LDN [Allen, Lily] - Like A Star [Rae, Corinne Bailey] - Love Me Like You [Magic Numbers, The] - One Horse Town [Thrills, The] - Other Side Of The World [Tunstall, KT] - Over My Head (Cable Car) [Fray, The] - Pressure Suit [Aqualung] - Rocks [Primal Scream] - She's Got You High [Mumm-Ra] - Should I Stay Or Should I Go [Clash, The] - Silence Is Easy [Starsailor] - Smokers Outside The Hospital Doors [Editors] - Something To Talk About [Badly Drawn Boy] - Song 4 Mutya (Out Of Control) [Groove Armada] - Take Her Back [Pigeon Detectives, The] - Tender [Blur] - Torn On The Platform [Penate, Jack] - Walk On The Wild Side [Reed, Lou] - Wasted Little DJ's [View, The] - What's The Frequency, Kenneth? [R.E.M.] - Why Does It Always Rain On Me? [Travis] - Why Won't You Give Me Your Love? [Zutons, The] - Worried About Ray [Hoosiers, The] - Yellow [Coldplay] - Young Folks [Moren, Peter] [Eriksson, John] [Yttling, Bjorn] - Your Love Alone Is Not Enough [Manic Street Preachers] / Piano/Vocal/Guitare (PVG)

Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Instruments en Sib

Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Flûte Traversière