Piano Solo

SKU: YM.GTP01101942

Game Music. Score. Yamaha Music Media #GTP01101942. Published by Yamaha Music Media (YM.GTP01101942).

ISBN 9784636115994. 12 x 9 inches.

This is a collection of easy piano solo arrangements featuring memorable masterpieces FINAL FANTASY series of games I to XIII, which have fans all over the world. The best album includes iconic tracks such as Chocobo Theme and Aerith's Theme from the early games, as well as classic pieces like Eyes On Me and Because You're Here..

Music from the Netflix Limited Series. Composed by Carlos Rafael Rivera. Piano Solo Songbook. Movies, Tv. Softcover. 64 pages. Duration 310 seconds. Published by Hal Leonard

(Piano Solos). Composed by Koji Kondo, Toru Minegishi, Kenta Nagata, Asuka Ohta, and Hajime Wakai. For Piano Solo. This edition: Piano Solos. Book; Piano Collection; Piano Supplemental. Video Game. Early Advanced; Late Intermediate. 80 pages. Published by Alfred Music

Composed by Various. Easy Piano Songbook. TV, Movies, Video Games, Children. Softcover. 160 pages. Published by Hal Leonard

A Songbook for Easy Guitar with Notes and Tab. Composed by Various. Easy Guitar. Video Games. Softcover. With guitar tablature. Published by Hal Leonard

Unison/2-part children's choir, piano accompaniment

SKU: WD.080689904127

Composed by Daniel Semsen. Arranged by Daniel Semsen. Choral, cantatas. WordKidz. Christmas. Accompaniment CD (split). Duration ca. 38 minutes. Word Music #080689904127. Published by Word Music (WD.080689904127).

UPC: 080689904127.

Chris ty Semsen and Daniel Semsen - the groundbreaking creative team who brought you The Agape League and We Three Spies - are back again...this time better than ever! Isaiah Jones and the Seekers of the Lost Christmas Treasure delivers action and adventure galore as your Kids Choir is transported into a video game world of mystery, intrigue, and adrenaline-generating Christmas fun!

Join in the excitement as our young hero, along with his friends and companions, search for the Lost Christmas Treasure, navigating levels of the video game as they go. Cheer them on through challenge after challenge as they follow the shooting star that guides their way on a suspense-filled journey, leading them to their greatest discovery...the real Treasure of Christmas is Jesus!

Unison/2-part children's choir, piano accompaniment

SKU: WD.080689510090

Composed by Daniel Semsen. Arranged by Daniel Semsen. Choral, cantatas. WordKidz. Christmas. Accompaniment video. Duration ca. 38 minutes. Word Music #080689510090. Published by Word Music (WD.080689510090).

UPC: 080689510090.

Chris ty Semsen and Daniel Semsen - the groundbreaking creative team who brought you The Agape League and We Three Spies - are back again...this time better than ever! Isaiah Jones and the Seekers of the Lost Christmas Treasure delivers action and adventure galore as your Kids Choir is transported into a video game world of mystery, intrigue, and adrenaline-generating Christmas fun!

Join in the excitement as our young hero, along with his friends and companions, search for the Lost Christmas Treasure, navigating levels of the video game as they go. Cheer them on through challenge after challenge as they follow the shooting star that guides their way on a suspense-filled journey, leading them to their greatest discovery...the real Treasure of Christmas is Jesus!

Unison/2-part children's choir, piano accompaniment

SKU: WD.080689798726

Composed by Daniel Semsen. Arranged by Daniel Semsen. Choral, cantatas. WordKidz. Christmas. Bulk CD (10-pak). Duration ca. 38 minutes. Word Music #080689798726. Published by Word Music (WD.080689798726).

UPC: 080689798726.

Chris ty Semsen and Daniel Semsen - the groundbreaking creative team who brought you The Agape League and We Three Spies - are back again...this time better than ever! Isaiah Jones and the Seekers of the Lost Christmas Treasure delivers action and adventure galore as your Kids Choir is transported into a video game world of mystery, intrigue, and adrenaline-generating Christmas fun!

Join in the excitement as our young hero, along with his friends and companions, search for the Lost Christmas Treasure, navigating levels of the video game as they go. Cheer them on through challenge after challenge as they follow the shooting star that guides their way on a suspense-filled journey, leading them to their greatest discovery...the real Treasure of Christmas is Jesus!

Unison/2-part children's choir, piano accompaniment

SKU: WD.080689873225

Composed by Daniel Semsen. Arranged by Daniel Semsen. Choral, cantatas. WordKidz. Eastertide. Listening CD. Duration ca. 38 minutes. Word Music #080689873225. Published by Word Music (WD.080689873225).

UPC: 080689873225.

Chris ty Semsen and Daniel Semsen - the groundbreaking creative team who brought you The Agape League and We Three Spies - are back again...this time better than ever! Isaiah Jones and the Seekers of the Lost Christmas Treasure delivers action and adventure galore as your Kids Choir is transported into a video game world of mystery, intrigue, and adrenaline-generating Christmas fun!

Join in the excitement as our young hero, along with his friends and companions, search for the Lost Christmas Treasure, navigating levels of the video game as they go. Cheer them on through challenge after challenge as they follow the shooting star that guides their way on a suspense-filled journey, leading them to their greatest discovery...the real Treasure of Christmas is Jesus!

Unison/2-part children's choir, piano accompaniment

SKU: WD.080689353970

Composed by Daniel Semsen. Arranged by Daniel Semsen. Choral, cantatas. WordKidz. Christmas. Teacher's resource kit. Duration ca. 38 minutes. Word Music #080689353970. Published by Word Music (WD.080689353970).

UPC: 080689353970.

Chris ty Semsen and Daniel Semsen - the groundbreaking creative team who brought you The Agape League and We Three Spies - are back again...this time better than ever! Isaiah Jones and the Seekers of the Lost Christmas Treasure delivers action and adventure galore as your Kids Choir is transported into a video game world of mystery, intrigue, and adrenaline-generating Christmas fun!

Join in the excitement as our young hero, along with his friends and companions, search for the Lost Christmas Treasure, navigating levels of the video game as they go. Cheer them on through challenge after challenge as they follow the shooting star that guides their way on a suspense-filled journey, leading them to their greatest discovery...the real Treasure of Christmas is Jesus!

Instrumental Play-Along(r) Series. Composed by Various. Instrumental Play-Along. Video Games. Softcover Audio Online. 24 pages. Published by Hal Leonard

Instrumental Play-Along(r) Series. Composed by Various. Instrumental Play-Along. Video Games. Softcover Audio Online. 24 pages. Published by Hal Leonard

Instrumental Play-Along(r) Series. Composed by Various. Instrumental Play-Along. Video Games. Softcover Audio Online. 24 pages. Published by Hal Leonard

Instrumental Play-Along(r) Series. Composed by Various. Instrumental Play-Along. Video Games. Softcover Audio Online. 24 pages. Published by Hal Leonard

Instrumental Play-Along(r) Series. Composed by Various. Instrumental Play-Along. Video Games. Softcover Audio Online. 24 pages. Published by Hal Leonard

Instrumental Play-Along(r) Series. Composed by Various. Instrumental Play-Along. Video Games. Softcover Audio Online. 24 pages. Published by Hal Leonard

Instrumental Play-Along(r) Series. Composed by Various. Instrumental Play-Along. Video Games. Softcover Audio Online. 24 pages. Published by Hal Leonard

Instrumental Play-Along(r) Series. Composed by Various. Instrumental Play-Along. Video Games. Softcover Audio Online. 24 pages. Published by Hal Leonard

The Best Step-by-Step Guide to Start Playing. Do It Yourself. Instruction, Method. Softcover Media Online. 128 pages. Published by Hal Leonard

Instrumental Play-Along(r) Series. Composed by Various. Instrumental Play-Along. Video Games. Softcover Audio Online. 24 pages. Published by Hal Leonard

For Fingerstyle Guitar. Composed by Various. Guitar Solo. Video Games. Softcover Audio Online. With guitar tablature. 72 pages. Published by Hal Leonard

Original Music from the HBO Television Series. Composed by Ramin Djawadi. Piano Solo Songbook. TV. Softcover. 40 pages. Published by Hal Leonard

Original Music from the HBO Television Series. Composed by Ramin Djawadi. Guitar Solo. Movies, TV. Softcover. With guitar tablature. 48 pages. Published by Hal Leonard

Concert Band (Score) - Grade 3

SKU: HL.4005393

Composed by Ramin Djawadi. Arranged by Jay Bocook. Young Concert Band. Concert, Movies. Softcover. Published by Hal Leonard (HL.4005393).

UPC: 888680719715. 9.0x12.0x0.107 inches.

The award-winning series Game of Thrones is now firmly entrenched in pop culture. Jay Bocook has created a masterful symphonic setting that features the prominent musical themes including the main title, The Rains of Castamere and The Winds of Winter.

A Workbook. By Quincy C. Hilliard. For Workbook. Sounds Spectacular - The Development of Skills In The Language of Music. Text. 24 pages. Published by Carl Fischer.

Orchestra Piano

SKU: PR.11641861SP

Composed by William Kraft. Part. 35 pages. Duration 21 minutes. Theodore Presser Company #116-41861SP. Published by Theodore Presser Company (PR.11641861SP).

UPC: 680160685202.

What? ! - my composer colleagues said - A concerto for the piano? It's a 19th century instrument! Admittedly we are in an age when originally created timbres and/or musico-technological formulations are often the modus operandi of a piece. Actually, this Concerto began about two years ago when, during one of my creative jogs, the sound of the uppermost register of the piano mingled with wind chimes penetrated my inner ear. The challenge and fascination of exploring and developing this idea into an orchestral situation determined that some day soon I would be writing a work for piano and orchestra. So it was a very happy coincidence when Mona Golabek phoned to tell me she would like discuss the Ford Foundation commission. After covering areas of aesthetics and compositional styles, we found that we had a good working rapport, and she asked if I would accept the commission. The answer was obvious. Then began the intensive thought process on the stylistic essence and organization of the work. Along with this went a renewed study of idiomatic writing for the piano, of the kind Stravinsky undertook with the violin when he began his Violin Concerto. By a stroke of great fortune, the day in February 1972 that I received official notice from the Ford Foundation of the commission, I also received a letter from the Guggenheim Foundation informing me I had been awarded my second fellowship. With the good graces of Zubin Mehta and Ernest Fleischmann, masters of my destiny as a member of the Los Angeles Philharmonic, I was relieved of my orchestral duties during the Hollywood Bowl season. Thus I was able to go to Europe to work and to view the latest trends in music concentrating in London (the current musical melting pot and showcase par excellence), Oslo, Norway, for the Festival of Scandinavian Music called Nordic Days, and Warsaw, Poland, for its prestigious Autumn Festival. Over half the Concerto was completed in that summer and most of the rest during the 72-73 season with the final touches put on during a month as Resident Scholar at the Rockefeller Foundation's Villa Serbelloni in Bellagio, Italy. So much for the external and environmental influences, except perhaps to mention the birds of Sussex in the first movement, the bells of Arhus (Denmark) in the second movement and the bells of Bellagio at the end of the Concerto. Primary in the conception was the personality of Miss Golabek: she is a wonderfully vital and dynamic person and a real virtuoso. Therefore, the soloist in the Concerto is truly the protagonist; it is she (for once we can do away with the generic he) who unfolds the character and intent of the piece. The first section is constructed in the manner of a recitative - completely unmeasured - with letters and numbers by which the conductor signals the orchestra for its participation. This allows the soloist the freedom to interpret the patterns and control the flow and development of the music. The Concerto is actually in one continuous movement but with three large divisions of sufficiently contrasting character to be called movements in themselves. The first 'movement' is based on a few timbral elements: 1) a cluster of very low pitches which at the beginning are practically inaudibly depressed, and sustained silently by the sostenuto pedal, which causes sympathetic vibrating pitches to ring when strong notes are struck; 2) a single powerful note indicated by a black note-head with a line through it indicating the strongest possible sforzando; 3) short figures of various colors sometimes ominous, sometimes as splashes of light or as elements of transition; 4) trills and tremolos which are the actual controlling organic thread starting as single axial tremolos and gradually expanding to trills of increasingly larger and more powerful scope. The 'movement' begins in quiescent repose but unceasingly grows in energy and tension as the stretching of a string or rubber band. When it can no longer be restrained, it bursts into the next section. The second 'movement,' propelled by the released tension, is a brilliant virtuosic display, which begins with a long solo of wispy percussion, later joined in duet with the piano. Not to be ignored, the orchestra takes over shooting the material throughout all its sections like a small agile bird deftly maneuvering through nothing but air, while the piano counterposes moments of lyricism. The orchestra reaches a climax, thrusting us into the third 'movement' which begins with a cadenza-like section for the piano. This moves gently into an expressive section (expressive is not a negative term to me) in which duets are formed with various instruments. There are fleeting glimpses of remembrances past, as a fragmented recapitulation. One glimpse is hazily expressed by strings and percussion in a moment of simultaneous contrasting levels of activity, a technique of which I have been fond and have utilized in various fixed-free relationships, particularly in my Percussion Concerto, Contextures and Games: Collage No. 1. The second half of the third 'movement; is a large coda - akin to those in Beethoven - which brings about another display of virtuosity, this time gutsy and driving, raising the Concerto to a final climax, the soloist completing the fragmented recapitulation concept as well as the work with the single-note sforzando and low cluster from the very opening of the first movement.