One of the greatest blues albums ever recorded by one of the greatest guitarists ever to have lived, every note of Live At The Regal by B. B. King is presented here in staff notation and Guitar tablature so that now you can learn all the details of this legendary performance.Recorded in 1964 at the Regal theatre in Chicago, guitarist B. B. King and his Guitar, Lucille, took to the stage and unleashed one of the most powerful performances in living memory. Blasting through a set of original compositions like Please Love Me and You Upset Me Baby, mixed in with covers of blues standards like Every Day I Have The Blues, King brought his uniquely expressive way of playing to the masses. Now, with this edition of Live At The Regal, you can learn from the greatest, following every sublime lick and expert bend until you've nailed the entire performance.Featuring staff notation and tablature, this book is ideal for the blues-loving guitarist who already knows the basics and wants to sharpen their lead-playing, and what better example to learn from than the King of Blues? The detailed instructions tell you every nuanced technique, such as every time King employs vibrato and sometimes even which pickup to use. At the back of the book there is a useful chart to explain the tablature notation for specific techniques that are used throughout the songbook. To view the complete list of songs included here, please scroll down to the song list.Guitarists like Eric Clapton and John Mayer say that they often listen to this record before their own performances, so if you're looking to follow in the footsteps of the King, don't Worry, Worry, check out Live At The Regal and learn how to get the blues. / Guitare

Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ' a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy'he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book'encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation and pivot, and the application to tunes. The reader will be tempted to stop on every page and compose. I found the Lost Chord, but won't tell you the page number. Bert Ligon Jazz Pianist/Guitarist, Composer, Arranger, Educator, Director of Jazz Studies, University of South Carolina Ever wonder how to move harmony around instead of repeating the same chord voicing over and over' Then Chords in Motion is a must have book for you! Andy has included a ton of information that will open up your comping and should keep you busy with new ideas for a long time! I highly recommend it! Dan Haerle Jazz Pianist, Composer, Author, Educator, Professor Emeritus, University of North Texas Chords in Motion is an essential guide to expanding one's conception of modern Jazz Piano Harmony. Andy LaVerne has managed to outline in a very practical and concise way, modern principles of piano chord voicings, as they pertain to the Jazz Pianist's primary group function of comping. David Hazeltine Jazz Pianist, Composer, Educator, SUNY Purchase College Conservatory of Music Chords in Motion should be fun to take into the practice room to explore new ways of sustaining harmonies over the entire register of the piano. It is encyclopedic and thorough in its content. No stone is left unturned! Stephany Tiernan Pianist, Composer, Educator, Chair, Piano Department, Berklee College Of Music Chords In Motion is an excellent practicing resource that provides a garden of harmonic sonorities for a musician to choose and explore at the piano. I like the way that Andy has made the information accessible to any level of student. I look forward to discovering some different sounds with this book. Phil DeGreg Jazz Pianist, Author, Educator, University of Cincinnati College Conservatory of Music I am delighted to recommend Andy LaVerne's Chords In Motion to aspiring jazz pianists! Andy is a superb pianist, very capable of addressing this topic. Prior to pianists like McCoy Tyner, Herbie Hancock, Bill Evans, and others, most pianists were content to have acquired a small handful of chord voicings, generally with the chord roots on the bottom of the voicings. Though 'rootless voicings' were adopted in later years, they were primarily for the left hand and generally only used the 3rd or 7th on the bottom. But now the serious jazz pianist needs to be able to move his or her voicings in a more diatonic manner, as shown in Andy's book. Jerry Coker Jazz Saxophonist, Author, Educator Andy LaVerne's Chords in Motion is a study of encyclopedic scope on the use of harmonies based on fourth intervals in the context of jazz harmony. There is a wealth of information in terms of voicings, voice leading and chord/scale relationships and their application to common harmonic formulae (ii-V, etc.) and the chord progressions used in blues and common standard tunes. Jazz musicians interested in this vocabulary should find this book to be a useful launching pad for exploring this important corner of the world of jazz harmony. Bill Dobbins Jazz Pianist, Composer, Arranger, Author, Educator, Professor of Jazz Studies, Conductor, Coordinator Jazz Composition and Arranging, Eastman School of Music Chords in Motion is a highly detailed, informative and filling-in-the-gap text. It's an important and welcome addition to the jazz piano literature, which can be applied to any level of proficiency. Stefan Karlsson Jazz Pianist, Educator, Professor/Jazz Studies Division, University of North Texas Fantastic pianist Andy LaVerne has put together an amazing, detailed, and incredibly comprehensive guide for effectively implementing quartal and related voicings. He has honed in on the 'secret' to using these structures musically and creatively: moving the voicings through changes in logical and interesting ways. Clearly presented, extremely thorough, and loaded with information, Chords in Motion is a must-have for any pianist! Martin Bejerano Jazz Pianist, Composer, Educator, Assistant Professor, Jazz Piano, Frost School of Music University of Miami Chords in Motion is an in-depth look at fourth and related voicings that give an atmosphere that you want to improvise on. We play over the voicing, not the chord symbol. Chords in Motion targets that modal atmosphere that horn players love playing over. Love this book - can't wait to start practicing it! Jerry Bergonzi Jazz Saxophonist, Composer, Author, Educator, New England Conservatory I was thrilled when Jazz Piano Great Mulgrew Miller agreed to write a quote for this book. I was deeply saddened to hear of Mulgrew's passing just days before publication. All who loved Mulgrew and his music will sorely miss him, and are grateful for the rich musical legacy he left us. Rest easy, Mulgrew. Andy LaVerne

The Hal Leonard Acoustic Guitar Method uses real songs to teach you all the basics of acoustic guitar in the style of the Beatles, Eric Clapton, John Mellencamp, the Indigo Girls, Robert Johnson, James Taylor and many others. Lessons include: strumming - fingerpicking - using a capo - open tunings - folk, country and bluegrass styles - acoustic blues - acoustic rock - and more. Songs include: Barely Breathing - Dust in the Wind - Here Comes the Sun - Name - and more. In standard notation and tablature. / Guitare

Complete Edition. Par LISZT FRANZ. Supplementary Volume 16 of the New Liszt Edition contains free arrangements and technical exercises. In the first section can be found early versions of three arrangements. The first consists of the first and intermediary versions of a transcription of Die Rose, a song Schubert composed to a poem by Schlegel. The arrangement of the second movement of Berlioz's Harold Symphony also draws on literary inspiration: Lord Byron's (1788-1824) narrative poem Childe Harold's Pilgrimage (1812-18) was a literary experience Liszt shared with Berlioz. The fantasy on themes from Bellini's opera La sonnambula [The Sleepwalker] (here the first version of 1842, and the second version dating from the following decade are given) is important in music history because it was while he worked on this (and other operatic fantasies) that Liszt developed a new concept of the form, which took shape in more complex and more concentrated fantasies than before. Particularly interesting material can be found in the appendix. In addition to sketches and drafts for arrangements of Spanish themes, there are three sources published here for the first time, which shed light on technical aspects of Liszt's piano teaching. These are three sets of exercises: the first written by Liszt himself for Valérie Boissier in 1832, the second a copy in an unidentified hand from the same period or slightly later, and finally the third which was noted down in 1871 by Henri Maréchal in Rome based on the composer's dictation. This latest volume of the New Liszt Edition includes a detailed preface in German, English, and Hungarian containing new research findings, together with five manuscript facsimiles and critical notes. Simultaneously with the cloth-bound Complete Edition, a practical paperback version has been published, the contents of which are identical to those of the hardcover edition, minus the inclusion of critical notes./ Etude / Piano

Buster b. Jones est un maître des solos de fr fingerpicking. Il a combiné les styles et techniques de Chet Atkins, Jerry Reed et Merle Travis pour créer son propre ' fingerstyle '. Dans ce premier volume de ' The hangar à bois pour le Stage ', Buster présente et enseigne 5 solos qu'il a joué au concert de hangar à bois. Chaque morceau a évolué de sa forme fondamentale à un arrangement complexe présentant des variations mélodiques, chromatique de rouleaux et de plans rythmiques qui feront évoluer le jeu de tous les étudiants de niveau intermédiaire à avancé. / Guitare / niveau : Débutant / Dvd

The World'S Loudest Songbook Featuring 45 Headbanging Songs. Shred your axe and thrash your big hair through the air with this jam-packed collection of 45 metal faves in note-for-note guitar trancriptions with tab. Songs include: Ace of Spades - Bark at the Moon - Breaking the Law - Crazy Train - Dying in Your Arms - Enter Sandman - Hail to the King - Iron Man - Master of Puppets - No More Tears - Painkiller - Redneck - Symphony of Destruction - Toxicity - War Pigs (Interpolating Luke's Wall) - Your Betrayal - and more. 430 pages of awesomeness!/ Tablatures / Guitare Tablatures

The smash hit 2005 album by the 1980s hair-rockers is a triumphant return to form, and every song is available here in accurate Guitar Tab. Have A Nice Day sees Bon Jovi brimming with assured confidence, as well as a newfound worldly-wise cynicism that brings their songwriting right up to date. The songs themselves range from trademark stomping rock riffs to country-tinged nods towards Dylan and a duet with Sugarland's Jennifer Nettles. Upon its release, the album smashed all previous Bon Jovi records, soaring straight to the top of the charts through the life-affirming single Have A Nice Day . Every song from the album has been carefully and accurately transcribed in this matching folio, giving you the chance to get your fingers around Richie Sambora's blistering guitar work. / Guitare Tablatures

This anthology is a real success as it contains classic after classic spanning the career of this iconic heavy metal band. All arranged for guitar tab13 steps to nowhere; Becoming; Cowboys from hell; Drag the waters; Fucking hostile; Heresy; I cant hide; I'm broken; Mouth for war; Shedding skin; Strength beyond strength; Suicide note pt II; The great southern trendkill; The underground in America; This love; Walk; War nerve; Where you come from

THE Real Book, une séléction des plus grands thèmes de ces 60 dernières années, arrangés en Sib. 464 pages

New Edition of the Complete Works V/5. Par SCHUBERT FRANZ. In addition to his symphonies, Franz Schubert also wrote and handed down to posterity a total of eight finished concert overtures (two of them in two versions) between ca. 1811 and 1819. With the exception of the “Overture in D” (D 4) to the comedy “Der Teufel als Hydraulicus” (“The Devil as Engineer”) and the “Overture in D” (D 26), whose original title was cut out of the manuscript, they are all compositions which are associated neither with a drama nor a programme. They thus embody the type of the pure concert overture at an astonishingly early point in the history of music and are also in keeping with this terminologically by virtue of explicitly not having any other appellations whatsoever in the title: the epithet common for two works “in the Italian style” was only added posthumously. Our volume sees publication for the first time of the “Italian Overture in C” (D 591) in its two authentic versions, this being in contrast to the performance tradition based on a potpourri of the sources. The widely handed-down but corrupted musical course of the “Overture in D” (D 590) has likewise been rectified for the first time. Overshadowed by his symphonies, Schubert’s overtures have hitherto been largely undervalued both in their reception and in musical practice – including the “Overture in E minor” (D 648), which sees Schubert venturing into radically new spheres of expression to a greater extent than in virtually any other of his works./ Recueil / Orchestre

for String Orchestra. Par GOLDBERG CLEO (Arr.). Shed a Sweet Light, arranged by Cleo Goldberg, celebrates songs from the Jewish celebration of Hanukkah: a time of light, dancing the Horah, eating Latkes (potato pancakes), playing Dreidel (spinning top), and singing happy songs. S_x001A_Vivon literally means spinning or dreidel, while Hanukkah, O Hanukkah is about the traditions of Hanukkah mentioned above. Shed a Sweet Light in E Minor explores mixed meters of 2/4 and 4/4, pizzicato, arco, and slurred 1/16 notes at Level 3. Cleo Goldberg passes the melody around the orchestra as the audience shares in the happiness of Shed a Sweet Light, a wonderful addition to your holiday string orchestra repertoire. / Date parution : 2022-11-29/ Répertoire / Orchestre de Cordes