Orchestra - Grade 2.5

SKU: AP.38483

Composed by Almon C. Bock II. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Light Concert. Score and Part(s). 130 pages. Highland/Etling #00-38483. Published by Highland/Etling (AP.38483).

UPC: 038081432397. English.

A sprite is a small or elusive supernatural being such as an elf or pixie. This piece is evocative of just such beings. It is playful in character, portraying images of these beings as they dance about and frolic in their own spaces---be that wood, water, fields, or even in our imagination. These sprites invite you to play with them as you listen to the music.

Orchestra - Grade 2.5

SKU: AP.38483S

Composed by Almon C. Bock II. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Light Concert. Score. 12 pages. Highland/Etling #00-38483S. Published by Highland/Etling (AP.38483S).

UPC: 038081432403. English.

A sprite is a small or elusive supernatural being such as an elf or pixie. This piece is evocative of just such beings. It is playful in character, portraying images of these beings as they dance about and frolic in their own spaces---be that wood, water, fields, or even in our imagination. These sprites invite you to play with them as you listen to the music.

String Orchestra String Orchestra - Grade 2.5

SKU: XC.ISO2302

Composed by Larry Clark. Intermezzo. Set of parts. Excelcia Music Publishing #ISO2302. Published by Excelcia Music Publishing (XC.ISO2302).

9 x 12 inches.

Sprites are imaginary creatures such as elves, pixies, imps, or fairies. Imagine these tiny little creatures having a joyous time frolicking and dancing about. This is the type of feel composer Larry Clark is looking for with this enjoyable little tune that is contrasted by a lush and lyrical B section – stunning!

String Orchestra String Orchestra - Grade 2.5

SKU: XC.ISO2302FS

Composed by Larry Clark. Intermezzo. Score. Excelcia Music Publishing #ISO2302FS. Published by Excelcia Music Publishing (XC.ISO2302FS).

9 x 12 inches.

Sprites are imaginary creatures such as elves, pixies, imps, or fairies. Imagine these tiny little creatures having a joyous time frolicking and dancing about. This is the type of feel composer Larry Clark is looking for with this enjoyable little tune that is contrasted by a lush and lyrical B section – stunning!

Compiled by Josef Gingold. Orchestral excerpt book for violin. Published by International Music Co.

By PDQ Bach. Arranged by Peter Schickele. Concert Band. For 2 Piccolo, 8 Flute, 2 Oboe, 18 Clarinet, 4 Alto Saxophone, 2 Tenor Saxophone, 2 Baritone Saxophone, 2 Bassoon, Contrabassoon, 4 French Horn, 9 Trumpet, 6 Trombone, 4 Baritone, 5 Tuba, Contrabass, 5 Percussion, Timpani. Condensed Score. S. Onesy Twosy. Duration 4:00. Published by Theodore Presser Company.

For Concert Band(S. Onesy Twosy). By PDQ Bach. Edited by Professor Peter Schickele. Concert band/stage band. This edition: complete set. Classical. Score and parts. S Onesy Twosy. 22 pages. Duration 4:00. Published by Theodore Presser Company.

Viola (picc.2.2.2.2. - 4.2.3.1. - timp.perc - hp - str(vc divided))

SKU: BR.EOS-20472-19

No. 2 from the Symphonic Poem My Fatherland. Composed by Bedrich Smetana. Edited by Milan Pospisil. Stapled. Eulenburg Orchestral Series.

Today, it is hard to believe that Bedrich Smetana kept receiving rejections when he tried to get his enormously popular Moldau printed.

Symphonic poem; Romantic. Part. 10 pages. Duration 13'. Breitkopf and Haertel #EOS 20472-19. Published by Breitkopf and Haertel (BR.EOS-20472-19).

ISBN 9790004184974. 10 x 12.5 inches.

What is also amazing is that the first text-critical edition prepared by the Czech Smetana expert Milan Pospisil in 1999, which had entailed an exhaustive evaluation of the sources and been given a full text-critical editorial treatment as a Eulenburg study score, had no resonance of any kind among performers since no performance material had been published. After 15 years, Pospisils edition is finally being completed in a manner suitable for practice: with a conducting score and orchestral parts which will ensure that all future performances are based on a musical text that is as reliable as can be.

The work depicts the course of the river Vltava, beginning with its first two sources, the cold and warm Vltava, and the confluence of the two streams that join to form a single river; then the course of the Vltava through forests and meadows, and through open countryside where a peasant wedding is being celebrated; water-sprites dance by the light of the moon; on the nearby cliffs castles, mansions and ruins rise proudly into the air; the Vltava eddies in the St John's Rapids, then flows in a broad stream as it continues its course towards Prague, where the Vysehrad appears, before the river finally disappears into the distance as it flows majestically into the Elbe.

Vltava (The Moldau), Smetana's best-known and most frequently performed orchestral work, was written between 19 November and 8 December 1874, at a time when Smetana was already completely deaf. The world premiere took place in Prague on 4 April 1875, but the score was not published until 1880.

Woodwinds (picc.2.2.2.2. - 4.2.3.1. - timp.perc - hp - str(vc divided))

SKU: BR.EOS-20472-30

No. 2 from the Symphonic Poem My Fatherland. Composed by Bedrich Smetana. Edited by Milan Pospisil. Folder. Eulenburg Orchestral Series.

Today, it is hard to believe that Bedrich Smetana kept receiving rejections when he tried to get his enormously popular Moldau printed.

Symphonic poem; Romantic. Set of parts. 112 pages. Duration 13'. Breitkopf and Haertel #EOS 20472-30. Published by Breitkopf and Haertel (BR.EOS-20472-30).

ISBN 9790004185001. 10 x 12.5 inches.

What is also amazing is that the first text-critical edition prepared by the Czech Smetana expert Milan Pospisil in 1999, which had entailed an exhaustive evaluation of the sources and been given a full text-critical editorial treatment as a Eulenburg study score, had no resonance of any kind among performers since no performance material had been published. After 15 years, Pospisils edition is finally being completed in a manner suitable for practice: with a conducting score and orchestral parts which will ensure that all future performances are based on a musical text that is as reliable as can be.

The work depicts the course of the river Vltava, beginning with its first two sources, the cold and warm Vltava, and the confluence of the two streams that join to form a single river; then the course of the Vltava through forests and meadows, and through open countryside where a peasant wedding is being celebrated; water-sprites dance by the light of the moon; on the nearby cliffs castles, mansions and ruins rise proudly into the air; the Vltava eddies in the St John's Rapids, then flows in a broad stream as it continues its course towards Prague, where the Vysehrad appears, before the river finally disappears into the distance as it flows majestically into the Elbe.

Vltava (The Moldau), Smetana's best-known and most frequently performed orchestral work, was written between 19 November and 8 December 1874, at a time when Smetana was already completely deaf. The world premiere took place in Prague on 4 April 1875, but the score was not published until 1880.

Violoncello 2 (picc.2.2.2.2. - 4.2.3.1. - timp.perc - hp - str(vc divided))

SKU: BR.EOS-20472-24

No. 2 from the Symphonic Poem My Fatherland. Composed by Bedrich Smetana. Edited by Milan Pospisil. Stapled. Eulenburg Orchestral Series.

Today, it is hard to believe that Bedrich Smetana kept receiving rejections when he tried to get his enormously popular Moldau printed.

Symphonic poem; Romantic. Part. 8 pages. Duration 13'. Breitkopf and Haertel #EOS 20472-24. Published by Breitkopf and Haertel (BR.EOS-20472-24).

ISBN 9790004780039. 10 x 12.5 inches.

What is also amazing is that the first text-critical edition prepared by the Czech Smetana expert Milan Pospisil in 1999, which had entailed an exhaustive evaluation of the sources and been given a full text-critical editorial treatment as a Eulenburg study score, had no resonance of any kind among performers since no performance material had been published. After 15 years, Pospisils edition is finally being completed in a manner suitable for practice: with a conducting score and orchestral parts which will ensure that all future performances are based on a musical text that is as reliable as can be.

The work depicts the course of the river Vltava, beginning with its first two sources, the cold and warm Vltava, and the confluence of the two streams that join to form a single river; then the course of the Vltava through forests and meadows, and through open countryside where a peasant wedding is being celebrated; water-sprites dance by the light of the moon; on the nearby cliffs castles, mansions and ruins rise proudly into the air; the Vltava eddies in the St John's Rapids, then flows in a broad stream as it continues its course towards Prague, where the Vysehrad appears, before the river finally disappears into the distance as it flows majestically into the Elbe.

Vltava (The Moldau), Smetana's best-known and most frequently performed orchestral work, was written between 19 November and 8 December 1874, at a time when Smetana was already completely deaf. The world premiere took place in Prague on 4 April 1875, but the score was not published until 1880.

Violin 1 (picc.2.2.2.2. - 4.2.3.1. - timp.perc - hp - str(vc divided))

SKU: BR.EOS-20472-15

No. 2 from the Symphonic Poem My Fatherland. Composed by Bedrich Smetana. Edited by Milan Pospisil. Stapled. Eulenburg Orchestral Series.

Today, it is hard to believe that Bedrich Smetana kept receiving rejections when he tried to get his enormously popular Moldau printed.

Symphonic poem; Romantic. Part. 10 pages. Duration 13'. Breitkopf and Haertel #EOS 20472-15. Published by Breitkopf and Haertel (BR.EOS-20472-15).

ISBN 9790004184844. 10 x 12.5 inches.

What is also amazing is that the first text-critical edition prepared by the Czech Smetana expert Milan Pospisil in 1999, which had entailed an exhaustive evaluation of the sources and been given a full text-critical editorial treatment as a Eulenburg study score, had no resonance of any kind among performers since no performance material had been published. After 15 years, Pospisils edition is finally being completed in a manner suitable for practice: with a conducting score and orchestral parts which will ensure that all future performances are based on a musical text that is as reliable as can be.

The work depicts the course of the river Vltava, beginning with its first two sources, the cold and warm Vltava, and the confluence of the two streams that join to form a single river; then the course of the Vltava through forests and meadows, and through open countryside where a peasant wedding is being celebrated; water-sprites dance by the light of the moon; on the nearby cliffs castles, mansions and ruins rise proudly into the air; the Vltava eddies in the St John's Rapids, then flows in a broad stream as it continues its course towards Prague, where the Vysehrad appears, before the river finally disappears into the distance as it flows majestically into the Elbe.

Vltava (The Moldau), Smetana's best-known and most frequently performed orchestral work, was written between 19 November and 8 December 1874, at a time when Smetana was already completely deaf. The world premiere took place in Prague on 4 April 1875, but the score was not published until 1880.

Violoncello 1 (picc.2.2.2.2. - 4.2.3.1. - timp.perc - hp - str(vc divided))

SKU: BR.EOS-20472-23

No. 2 from the Symphonic Poem My Fatherland. Composed by Bedrich Smetana. Edited by Milan Pospisil. Stapled. Eulenburg Orchestral Series.

Today, it is hard to believe that Bedrich Smetana kept receiving rejections when he tried to get his enormously popular Moldau printed.

Symphonic poem; Romantic. Part. 8 pages. Duration 13'. Breitkopf and Haertel #EOS 20472-23. Published by Breitkopf and Haertel (BR.EOS-20472-23).

ISBN 9790004184981. 10 x 12.5 inches.

What is also amazing is that the first text-critical edition prepared by the Czech Smetana expert Milan Pospisil in 1999, which had entailed an exhaustive evaluation of the sources and been given a full text-critical editorial treatment as a Eulenburg study score, had no resonance of any kind among performers since no performance material had been published. After 15 years, Pospisils edition is finally being completed in a manner suitable for practice: with a conducting score and orchestral parts which will ensure that all future performances are based on a musical text that is as reliable as can be.

The work depicts the course of the river Vltava, beginning with its first two sources, the cold and warm Vltava, and the confluence of the two streams that join to form a single river; then the course of the Vltava through forests and meadows, and through open countryside where a peasant wedding is being celebrated; water-sprites dance by the light of the moon; on the nearby cliffs castles, mansions and ruins rise proudly into the air; the Vltava eddies in the St John's Rapids, then flows in a broad stream as it continues its course towards Prague, where the Vysehrad appears, before the river finally disappears into the distance as it flows majestically into the Elbe.

Vltava (The Moldau), Smetana's best-known and most frequently performed orchestral work, was written between 19 November and 8 December 1874, at a time when Smetana was already completely deaf. The world premiere took place in Prague on 4 April 1875, but the score was not published until 1880.

Double bass (picc.2.2.2.2. - 4.2.3.1. - timp.perc - hp - str(vc divided))

SKU: BR.EOS-20472-27

No. 2 from the Symphonic Poem My Fatherland. Composed by Bedrich Smetana. Edited by Milan Pospisil. Stapled. Eulenburg Orchestral Series.

Today, it is hard to believe that Bedrich Smetana kept receiving rejections when he tried to get his enormously popular Moldau printed.

Symphonic poem; Romantic. Part. 4 pages. Duration 13'. Breitkopf and Haertel #EOS 20472-27. Published by Breitkopf and Haertel (BR.EOS-20472-27).

ISBN 9790004184998. 10 x 12.5 inches.

What is also amazing is that the first text-critical edition prepared by the Czech Smetana expert Milan Pospisil in 1999, which had entailed an exhaustive evaluation of the sources and been given a full text-critical editorial treatment as a Eulenburg study score, had no resonance of any kind among performers since no performance material had been published. After 15 years, Pospisils edition is finally being completed in a manner suitable for practice: with a conducting score and orchestral parts which will ensure that all future performances are based on a musical text that is as reliable as can be.

The work depicts the course of the river Vltava, beginning with its first two sources, the cold and warm Vltava, and the confluence of the two streams that join to form a single river; then the course of the Vltava through forests and meadows, and through open countryside where a peasant wedding is being celebrated; water-sprites dance by the light of the moon; on the nearby cliffs castles, mansions and ruins rise proudly into the air; the Vltava eddies in the St John's Rapids, then flows in a broad stream as it continues its course towards Prague, where the Vysehrad appears, before the river finally disappears into the distance as it flows majestically into the Elbe.

Vltava (The Moldau), Smetana's best-known and most frequently performed orchestral work, was written between 19 November and 8 December 1874, at a time when Smetana was already completely deaf. The world premiere took place in Prague on 4 April 1875, but the score was not published until 1880.

Violin 2 (picc.2.2.2.2. - 4.2.3.1. - timp.perc - hp - str(vc divided))

SKU: BR.EOS-20472-16

No. 2 from the Symphonic Poem My Fatherland. Composed by Bedrich Smetana. Edited by Milan Pospisil. Stapled. Eulenburg Orchestral Series.

Today, it is hard to believe that Bedrich Smetana kept receiving rejections when he tried to get his enormously popular Moldau printed.

Symphonic poem; Romantic. Part. 10 pages. Duration 13'. Breitkopf and Haertel #EOS 20472-16. Published by Breitkopf and Haertel (BR.EOS-20472-16).

ISBN 9790004184967. 10 x 12.5 inches.

What is also amazing is that the first text-critical edition prepared by the Czech Smetana expert Milan Pospisil in 1999, which had entailed an exhaustive evaluation of the sources and been given a full text-critical editorial treatment as a Eulenburg study score, had no resonance of any kind among performers since no performance material had been published. After 15 years, Pospisils edition is finally being completed in a manner suitable for practice: with a conducting score and orchestral parts which will ensure that all future performances are based on a musical text that is as reliable as can be.

The work depicts the course of the river Vltava, beginning with its first two sources, the cold and warm Vltava, and the confluence of the two streams that join to form a single river; then the course of the Vltava through forests and meadows, and through open countryside where a peasant wedding is being celebrated; water-sprites dance by the light of the moon; on the nearby cliffs castles, mansions and ruins rise proudly into the air; the Vltava eddies in the St John's Rapids, then flows in a broad stream as it continues its course towards Prague, where the Vysehrad appears, before the river finally disappears into the distance as it flows majestically into the Elbe.

Vltava (The Moldau), Smetana's best-known and most frequently performed orchestral work, was written between 19 November and 8 December 1874, at a time when Smetana was already completely deaf. The world premiere took place in Prague on 4 April 1875, but the score was not published until 1880.

Orchestra (picc.2.2.2.2. - 4.2.3.1. - timp.perc - hp - str(vc divided))

SKU: BR.EOS-20472-00

No. 2 from the Symphonic Poem My Fatherland. Composed by Bedrich Smetana. Edited by Milan Pospisil. Softbound. Eulenburg Orchestral Series.

Today, it is hard to believe that Bedrich Smetana kept receiving rejections when he tried to get his enormously popular Moldau printed.

Symphonic poem; Romantic. Full score. 84 pages. Duration 13'. Breitkopf and Haertel #EOS 20472-00. Published by Breitkopf and Haertel (BR.EOS-20472-00).

ISBN 9790004780008. 10 x 12.5 inches.

What is also amazing is that the first text-critical edition prepared by the Czech Smetana expert Milan Pospisil in 1999, which had entailed an exhaustive evaluation of the sources and been given a full text-critical editorial treatment as a Eulenburg study score, had no resonance of any kind among performers since no performance material had been published. After 15 years, Pospisils edition is finally being completed in a manner suitable for practice: with a conducting score and orchestral parts which will ensure that all future performances are based on a musical text that is as reliable as can be.

The work depicts the course of the river Vltava, beginning with its first two sources, the cold and warm Vltava, and the confluence of the two streams that join to form a single river; then the course of the Vltava through forests and meadows, and through open countryside where a peasant wedding is being celebrated; water-sprites dance by the light of the moon; on the nearby cliffs castles, mansions and ruins rise proudly into the air; the Vltava eddies in the St John's Rapids, then flows in a broad stream as it continues its course towards Prague, where the Vysehrad appears, before the river finally disappears into the distance as it flows majestically into the Elbe.

Vltava (The Moldau), Smetana's best-known and most frequently performed orchestral work, was written between 19 November and 8 December 1874, at a time when Smetana was already completely deaf. The world premiere took place in Prague on 4 April 1875, but the score was not published until 1880.

By Robert Buckley. Score and Parts. Fentone Concert Band Score/Set. Grade 4. Softcover

(A Violin Technique Book for Group Classes and Private Instruction). By Kathryn Bird Kinnard. For Violin. String - Violin Studies or Collection. Book. 44 pages. Published by Alfred Publishing.

Piano Solo - Easy-Intermediate

SKU: FP.FLJ14

Composed by Joan Last. Sheet Music and Books. Evocative woodland themed easy pieces by Joan Last, the renowned composer of classic piano music for children and learners. Suggested grade 1-2. Classical. Collection. Forsyths Publications #FLJ14. Published by Forsyths Publications (FP.FLJ14).

ISBN 9790570503810.

For many years a professor at the Royal Academy of Music, Joan Last was widely admired for her skill and vast experience in the teaching of young beginners and adults alike. This album of superb pieces will appeal to all imaginative young pupils with its musical depictions of the scenes and spirits of the woodland.

By Walter Carroll. For Violin and Piano. Easy. Published by Forsyth Publications

(For Concert Band). By PDQ Bach (1935-). Edited by Peter Schickele. Concert Band. For Piccolo I, Piccolo II, Flute I, Flute II, Oboe I, Oboe II, Clarinet I, Clarinet II, Clarinet III, Alto Clarinet (in Eb), Bass Clarinet (in Bb), Bb Contrabass Clarinet, Bassoon I, Bassoon II, Contra Bassoon, Alto Saxophone I, Alto Saxophone II, Tenor Saxop. This edition: full score. Classical. Full Score. Standard notation. Onesy Twosy. 22 pages. Duration 4:00

18 Festival Solos with Piano Accompaniment. Composed by Tyler Arcari and Larry Clark. Solo and Ensemble Music. Solo Performnace Collection. Collection. Wingert-Jones Publications #WB2218. Published by Wingert-Jones Publications

18 Festival Solos with Piano Accompaniment. Composed by Tyler Arcari and Larry Clark. Edited by Diana Traietta. Solo and Ensemble Music. Solo Performnace Collection. Collection. Wingert-Jones Publications #SB2223. Published by Wingert-Jones Publications

18 Festival Solos with Piano Accompaniment. Composed by Tyler Arcari and Larry Clark. Edited by Diana Traietta. Solo and Ensemble Music. Solo Performnace Collection. Collection. Wingert-Jones Publications #SB2226. Published by Wingert-Jones Publications

18 Festival Solos with Piano Accompaniment. Composed by Tyler Arcari and Larry Clark. Solo and Ensemble Music. Solo Performnace Collection. Collection. Wingert-Jones Publications #WB2222. Published by Wingert-Jones Publications

18 Festival Solos with Piano Accompaniment. Composed by Tyler Arcari and Larry Clark. Solo and Ensemble Music. Solo Performnace Collection. Collection. Wingert-Jones Publications #WB2221. Published by Wingert-Jones Publications

18 Festival Solos with Piano Accompaniment. Composed by Tyler Arcari and Larry Clark. Solo and Ensemble Music. Solo Performnace Collection. Collection. Wingert-Jones Publications #WB2220. Published by Wingert-Jones Publications

18 Festival Solos with Piano Accompaniment. Composed by Tyler Arcari and Larry Clark. Solo and Ensemble Music. Solo Performnace Collection. Collection. Wingert-Jones Publications #WB2217. Published by Wingert-Jones Publications

18 Festival Solos with Piano Accompaniment. Composed by Tyler Arcari and Larry Clark. Solo and Ensemble Music. Solo Performnace Collection. Collection. Wingert-Jones Publications #WB2225. Published by Wingert-Jones Publications

18 Festival Solos with Piano Accompaniment. Composed by Tyler Arcari and Larry Clark. Solo and Ensemble Music. Solo Performnace Collection. Collection. Wingert-Jones Publications #WB2223. Published by Wingert-Jones Publications