The Veil of the Temple is a journey from darkness into light. Care and attention has been given to the key chosen for each anthem and to the voicings, so that these versions are attractive to the broadest possible range of amateur as well as professional singers. The breathtakingly simple Mother Of God, here I stand and the quietly ecstatic Awed by the Beauty are for unaccompanied chorus. The remaining three anthems are scored with Organ accompaniment: the sonorous You mantle yourself in light - the contemplative What God is we do not know and the radiant O Mary Theotokos. / Chant Et Piano / 32 pages / Partition

One of the all-time great film composers, James Horner's output was extensive and memorable, not to mention instantly-recognisable. His musical abilities meant he was able to lend his talent to any genre of film, as the 12 wonderful pieces included in this Ultimate Film Score Collection confirm. All music is arranged for Piano and, where relevant, Voice.The collection of themes and songs included here are representative of James Horner's famous compositions from the beginning of his career to the present day. A selection of his most enduring works are included here, from 'Star Trek II's Theme back in 1982 to Promises/End Titles from 'The Amazing Spider-Man' in 2012. For his oeuvre of over a hundred major scores, Horner received two Academy Awards, two Golden Globe Awards and a body of work that will surely be added to the canon of great scores. This body includes music for 'Avatar' (I See You), 'Braveheart' (For The Love Of A Princess) and the incomparable 'Titanic' (My Heart Will Go On), all of which are included in this Ultimate Collection.The scores in this collection are arranged for Piano and Voice, so you'll be able to learn James Horner's greatest works from one convenient place. These unforgettable themes include those for 'The Perfect Storm', 'Apollo 13' and 'A Beautiful Mind', which were all cinematic successes that boasted such fittingly climactic music. With The Ultimate James Horner Film Score Collection, 12 of his most original and uplifting themes are immortalised for your playing pleasure in what is sure to be a mainstay on your Piano's music stand. / Voix Et Piano

Terry Riley, most commonly associated with the minimalist and experimental schools of music, draws influence from a vast number of sources, including jazz and Indian classical music. In turn, his influence on contemporary composers and music in general is enormous, and with this collection of his Piano Works, you can learn a selection of his fascinating, hypnotic and simply stunning compositions for solo Piano.As one of the founders of western music's minimalist movement, Riley's works have been acclaimed as forays into ever-expanding loops of rhythm and melody, music that, instead of being listened to, immerses and envelops you. His early works, such as 'In C', spearheaded this innovative idea, beginning a career unmatched by other avant-garde composers. With The Piano Works, this collection of Terry Riley sheet music finally brings together some of his best-loved and most acclaimed works for solo Piano, like The Philosopher's Hand and Two Pieces For Piano.Featuring an extensive foreword by Terry Riley himself, this is not just a collection of sheet music, it's almost a work of art: a brilliant publication featuring some beautifully engraved music along with words by a genius composer. Riley gives a vast amount of fascinating biographical and compositional information about his included Piano Works, such as Keyboard Study #1 and #2, Be Kind To One Another (Rag) and The Heaven Ladder Book 7. At times humourous and always eloquent, his foreword tells the story of this composer's journey from humble Piano lessons to masterpieces and an unfathomable influence, it's just great. Finally, at the end of the book, a selection of facsimiles of Riley's own handwritten scores is included, letting you see what the music looks like from the man's own hand.As well as the foreword, there are introductory performance notes for each piece by pianist Sarah Cahill. These expound the techniques, skills and experience necessary to master each piece, but also simply provide some interesting reading before delving into the harmonic and rhythmic rabbit-hole that is Riley's Piano Works. Aside from the theoretical and academic joy that Terry Riley's music affords, the most immediate pleasure is the universal aesthetic beauty of the sounds that will emanate from your Piano as you play these wonderfully whirling and dynamic compositions.As a collection of sheet music, Terry Riley's Piano Works would make a wonderful addition to your music stand. As a book that will bring endless enjoyment to fans not just of Riley himself, but music in general, the foreword and performance notes combined with the magical music make a fantastic edition of a true master's masterpieces. / Piano

Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Score

Peu de groupes se sont construits un public aussi fidèle que celui de Rush au cours de leurs 40 ans de carrière. Ces intronisés au Rock and Roll Hall of Fame étaient parmi les musiciens les plus influents, les plus novateurs et les plus talentueux que ce monde ait jamais connu. Notre coffret de luxe rend hommage à leur héritage pour que tous les fans et musiciens puissent le chérir pour les années à venir. Cette collection à couverture rigide propose des transcriptions complètes de chaque instrument, de chaque note, de chaque parole et de chaque nuance de 40 classiques de Rush. Elle est magnifiquement emballée dans un étui de protection solide. Les chansons comprennent : Animate - Anthem - Bastille Day - The Big Money - Caravan - Circumstances - Closer to the Heart - Distant Early Warning - Driven - Entre Nous - A Farewell to Kings - Fly by Night - Force Ten - Freewill - The Garden - Jacob\'s Ladder - La Villa Strangiato - Lakeside Park - Leave That Thing Alone - Limelight - The Main Monkey Business - Malignant Narcissism - Natural Science - New World Man - One Little Victory - A Passage to Bangkok - Presto - Red Barchetta - Show Don\'t Tell - The Spirit of Radio - Subdivisions - Test for Echo - Time Stand Still - Tom Sawyer - The Trees - 2112- I Overture - 2112-II the Temples of Syrinx - Where\'s My Thing - Working Man - Xanadu - YYZ. / Partitions variété - pop - rock / Variété internationale / Parolesandaccords / HAL LEONARD

Par POLICE THE. This songbook features note-for-note band transcriptions (guitar and bass tab, vocal, chorus and drums) for every note played by Sting, Stuart and Andy on seven top Police tunes. This songbook features note-for-note band transcriptions (guitar and bass tab, vocal, chorus and drums) for every note played by Sting, Stuart and Andy on seven top Police tunes. / Pop & rock / Recueil / Piano, Chant et Guitare

Music from the last movement of the Ninth Symphony. Par BEETHOVEN LUDWIG VAN. The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823. In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers – a vision Beethoven shared with him. In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions – for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for. In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity. The score of this offical anthem is exclusively available from the Schott publishing house./ Répertoire / Concert Band/Harmonie

Orchestral Excerpts for Flute with Piano Accompaniment has transformed the literature and become the standard excerpt book since its release in 1995. The original collection presents excerpts as you'll see them on auditions and orchestra stands, enhanced with Baxtresser's insightful commentaries on preparing each excerpt. Prefatory essays and piano accompaniments add further resources to best prepare for auditions and life as an orchestra player. Orchestral Excerpts for Flute, Volume 2 with Piano Accompaniment provides all the same features for thorough preparation of another 56 excerpts drawn from 27 works including Tchaikowsky ballets, Strauss tone poems, John Williams film scores, and a wealth of essential repertoire from Bach through Stravinsky. DedicationA Letter to my Dear Flutist FriendsNotes for the PianistTo the PianistsWith My AppreciationWhy This New Book?Learning and Studying Excerpts TodayHow to Use This BookFlute Parts – The Music You Will UseLearning to Take a Successful AuditionPersonal PreparationThe Audition – To Win or to LearnPlaying in an OrchestraPlaying in Opera and Ballet OrchestrasAcknowledgmentsAbout Jeanne BaxtresserAbout the Collaborative EditorsBACHJOHANN SEBASTIANMass in B MinorBWV 232Part IVNo. 24Benedictusbars 1-12BARTOKBELAConcerto for OrchestraMvt. Ibars 1-35Mvt. IVbars 1-25Mvt. IVpickup to bar 136 through 151Mvt. Vbars 26-148BEETHOVENLUDWIG VANSymphony No. 7 in A MajorOp. 92Mvt. Ibars 38-88Mvt. IIbars 131-183BERLIOZHECTORSymphonie FantastiqueOp. 14Mvt. I2 bars before [2] through [3]Mvt. I4th bar of [5] through 3rd bar of [6]Mvt. III1½ bars before [37] through 5th bar of [38]GOUNODCHARLESPetite SymphonieMvt. IIbars 1-29Mvt. IIbars 60-89MAHLERGUSTAVSymphony No. 9Mvt. I2 bars before Misterioso through 3rd bar of Nicht mehr so langsamMvt. Ibeat 4 of Sehr zögernd through 3rd bar after Wieder a tempoSymphony No. 10Mvt. Vbars 27-45MOZARTWOLFGANG AMADEUSThe Magic FluteK. 620Act INo. 8Finalebars 1-24 of “Wie stark ist nicht dein Zauberton!”Act IINo. 21Finalebars 1-10PISTONWALTERThe Incredible Flutist“The Flutist,” Lento after [E] through end of soloRIMSKY-KORSAKOVNICOLAIScheherazadeMvt. II3 before [Q] through 13th of [Q]Mvt. IIIpickups to 8 before [B] to 1 before [B]Mvt. IIIpickups to [M] through [N]Mvt. IV4th bar of [T] through Più strettoSCHUMANNROBERTSymphony No. 1“Spring,” Op. 38Mvt. Ibars 14-23Mvt. Ibars 158-193Mvt. IVbars 174-206SHOSTAKOVITCHDMITRISymphony No. 5Op. 47Mvt. I[13][15]Mvt. I[39] through 3rd bar of [41]Mvt. IIpickup to 6 bars before [59]through 8th bar of [60]Symphony No. 6Op. 54Mvt. I[16] through 3rd bar of [18]Mvt. I4 bars before [23] through [26]Mvt. I3 bars before [27] through 7th bar of [27]Symphony No. 15Op. 141Mvt. Ibar 1 through 4 bars after [4]Mvt. I8th bar of [46] through [50]STRAUSSRICHARDDer RosenkavalierOp. 59Act I4 bars before [230] through [233]Act I[251][253]Don JuanOp. 20Bar 1 through [B][K] through 3rd bar of [L]Ein HeldenlebenOp. 406 bars before [14] through [14]3rd bar of [15] through 8th bar of [15]2nd bar before [41] through 11th bar of [41]Symphonia DomesticaOp. 538 bars before [22] through [24]STRAVINSKYIGORThe FirebirdPas de Deux (Firebird and Ivan Tsarevitch)1945 version1 bar before [25] through 4th bar of [33]“Appearance of the Thirteen Enchanted Princesses,” 1910 version4 bars before[52] through 2nd bar of [53]Jeu de CartesVariation IV: [75][79]Symphonies of Wind Instruments2 bars before [6] through [9]3 bars before [14] through 3rd bar of [26][28] to the 3rd bar of [37]TCHAIKOVSKYPETER ILYITCHThe NutcrackerOp. 71Act IIChinese DancecompleteDance of the Mirlitonsbar 1 to [C]Sleeping BeautyOp. 66Act IIINo.25Pas de QuatreSwan LakeOp. 20Act IIINo. 19Pas de Six [32][33]Act IIINo. 19[35][36]WILLIAMSJOHNHarry Potter and the Prisoner of AzkabanSuite for Orchestra“Hagrid’s Friendly Bird,” bars 127-151Star WarsSuite for OrchestraPrincess Leia’s themepickup to bar 15 through bar 33War HorseDartmoor1912bars 1-15Dartmoor1912pickup to bar 131 through bar 144 / Flûte traversière / Theodore Presser Company

20 Romanzen. Par TCHAIKOVSKI PIOTR ILITCH. Continuing our tradition of publishing Russian music, we are proud to present two invaluable volumes of Tchaikovsky's songs. These have been specially compiled by the distinguished piano accompanist Roger Vignoles, who has created new and idiomatic English singing translations to help both performers and students. These can be used for performance, or as a means to understanding the Russian poetry. Original Cyrillic texts are included to help non-Russian speakers wishing to perform the songs in the original language, transliterations are provided in an Appendix. Each volume contains twenty songs - two superb selections, showing many varied facets of Tchaikovsky's writing - fromsorrow to happiness, love and comedy. Singers and pianists are sure to welcome these volumes, which will open the world of the Russian Romance to many non-Russian musicians. Roger Vignoles is one of the best-known of today's piano accompanists, partner to an impressive list of international singes, including: Elisabeth Soederstroem, Dame Kiri te Kanawa, Thomas Allen, Thomas Hampson, Sarah Walker, Brigitte Fassbaender, Elena Obraztosova, Kathleen Battle, Sylvia McNair and many others. An accomplished linguist and coach, he has given masterclasses for singers and their accompanists in Europe, Scandinavia, Canada, the USA, Australia and the Far East. Tchaikovsky's songs are part of a ricj musical and social tradition; the Russian Romance. They are exhilarating to perform and have a speical way of expressing the emotional essence of a poem. This collection of 20 Romances is scored for Medium/Low Voice and Piano accompaniment. The text is printed in both Russian and English. / Répertoire d'Examen / Répertoire / Voix Moyenne ou Basse et Piano

À travers plus de mille pages, l?intégralité des musiques et des textes, entièrement transcrits dans leur version `Rock` des 203 chansons qu?ils ont écrites et enregistrées en tant que Beatles ainsi que neuf autres écrites par d?autres auteurs et qu?ils ont interprétées à leurs débuts. Toutes sont transcrites avec des portées séparées pour les parties vocales, chaque guitare (en tablature et notation standard) et tous les autres instruments...Une collection essentielle des Beatles.

Par MOZART WOLFGANG AMADEUS. Due to numerous customer requests, Bärenreiter will be successively offering vocal scores to major Mozart operas in hardback editions again. This means you now have the choice: perhaps you prefer a lower-priced and slightly lighter soft-cover edition with excellent lay-flat characteristics or you feel that sturdier hardcover editions of important repertoire works are more likely to survive the rigours of a musician's life. Our vocal score to 'Don Giovanni” K. 527 (BA 4550-93) is the first edition we have now published in a hardback version. The vocal score of this ingenious opera by Mozart contains the original Prague version of 1787, which, due to its musical and dramaturgical coherence, should unquestionably be preferred to any hybrid versions. The changes made for the Vienna performances of 1788 are included in the appendix. Based on the research findings published in 2003 in the Critical Commentary to the respective music volume of the 'New Mozart Edition” (Volume II/5/17), the highest musicological standards have been adhered to in this vocal score edition./ Répertoire / Chant et Piano