The eclectic and versatile Mexican acoustic Guitar duo have taken the world by storm with their fiery blend of a rock and heavy metal sensibility, a Flamenco flavour and a near-telepathic virtuoso partnership on duelling classical Guitars. This songbook features standard notation and TAB for six of their best songs, as well as professionally-recorded demonstration and backing tracks, so you truly can Play Guitar With Rodrigo Y Gabriela.Featuring six of the duo's best-loved songs, this songbook is a unique opportunity for a serious Rodrigo Y Gabriela fan to join the band, or for an aspiring guitarist to explore a very idiosyncratic style of playing. Whether it's the heavily percussive rhythms of Diablo Rojo, the beautiful palm-muted melody of Tamacun or those sumptuously strummed chords of The Soundmaker, with this sheet music songbook you can learn every single note and chord exactly as this Latin-influenced rock band play them.Each song is transcribed in standard notation and TAB, with Gabriela's punchy chord rhythms outlined, including where she hits the body of the Guitar or the strings. The chord symbols are included throughout, with chord boxes at the beginning of each song so that you always know exactly what to play. Rodrigo's brilliant solos are also represented, featuring every meticulous Latin-infused note for your sheer playing pleasure. This is not just a mere songbook, though. After you've learned every chord and every note, while listening to the demonstration tracks to make sure you have every part right, you can use the backing tracks to isolate either track. This means you can quite literally take the place of either member, strumming Gabriela's intense chords or picking Rodrigo's lightning-fast solos.Featuring a great lineup of songs from different stages of Rodrigo Y Gabriela's career, the songbook lets you learn the songs but the accompanying Dropcard gives you instant online access to 18 separate professionally-recorded tracks to put you in the shoes of either member, making this truly Rodrigo Y Gabriela Y Tú! The book also includes an explanation of how to use Guitar Tablature, as well as a guide to using your innovative download card. One of the most standout features of this innovative and interesting band is the intricacy and creativity that goes into their compositions. This has made it difficult for guitarists of all levels to learn their tunes because an accurate transcription is hard to find. Now, with this unique songbook and brilliant Download Card, you can learn their songs exactly as they played them, and even take the place of one of the members, letting you for the first time Play Guitar With Rodrigo Y Gabriela. / Guitare

Of Scott Joplin James Scott and Joseph Lamb-The great ragtime pieces of the early 20th century were written mostly for Piano but many translate superbly for the Guitar and David Laibman will show you how.Here's a mystery: if the great ragtime pieces of the early 20th century were not written for Guitar and if they weren't player on the Guitar at all (until some of us started doing so half a century ago) then why do they work so will on Guitar?Well thumb vs. three fingers on the right hand (we'll leave out thepinky for now) creates that subtle antagonism between steady bass and syncopated melody - the 'twinkle in the eye' of Ragtime. There is a theory that the original borrowing actually went in the other directed from three-finger Banjo to Piano. Who knows? But I'm finding that the 'educated thumb' is only one neat thing about ragtime Guitar. Classic rags are very expressive with moods and tempers hills and valley. You can capture some of this with left-hand notes (slides hammer-ons pull-offs) with right-hand brushes rolls nail strokes with clever use of open strings and natural harmonics. This works. It is it's own story - not an imitation of a Piano or of a dixieland or jazz band. It is simply - ragtime Guitar.In these lessons I have tried for the most part to meet two goals. First to create versions of some of the most beautiful classical rags that 'lay down' well on Guitar so when you play them you are working with the instrument not fighting it. I have tried to pitch and arrange the pieces so that a lot of the action is in first position rather than high up on the neck and to keep left hand gymnastics to a minimum. Second I didn't want these arrangements to sound like 'student' arrangements too elementary to be believable. It is all about striking a balance. I am generally pleased with the result and I hope

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

A New Edition Revised and Edited by the Composer. Par VILLA-LOBOS HEITOR. An exciting assortment of Piano works that are musically and technically rewarding as study pieces, and appealing in recital. The music is on a level with that of the 18th and 19th century masters. This edition has been edited by the composer. Contents: ALMA BRASILEIRA - CHOROS NO.5 BACHIANAS BRASILEIRAS NO.4 - Suite 1. Preludio - Introdução - (Prelude) 2. Coral - Canto Do Sertão (Song of the Jungle) 3. Aria - Cantiga (Song) 4. Dansa - Miudinho (Dance) CAIXINHA DE MUSICA QUEBRADA (The Broken Little Music Box) CARNAVAL DAS CRIANCAS BRASILEIRAS - Suite 1. A Manhã Da Pierrete (Pierrette's Hands) 2. O Chicote Do Diabinho (The Devil's Whip) CICLO BRASILEIRO - Suite 1. Plantio Do Caboclo (Native Planting Songs) 2. Impressões Seresteiras (Mistrel Impressions) 3. Festa No Sertão (Jungle Festival) 4. Dansa Do Indio Branco (Dance of the White Indian) GUIA PRATICO - Album 1 - Five Pieces 1. Acordei De Madrugada (Dawn) 2. A Maré Encheu (Full Tide) 3. A Roseira (The Rose-Bush) 4. Manquinha (Little Lame Girl) 5. Na Corda Da Vióla (On the Strings of a Viola) GUIA PRATICO - Album 8 - Seven Pieces 1. O Limão (Oh, Lemon) 2. Carambola (Goodness!) 3. Pobre Céga (Poor Blind Woman) 4. Pai Francisco (Father Francisco) 5. Xô Passarinho! (Fly! Little Bird) 6. Sinh' Aninha (Farmers' Daughters) 7. Vestidinho Branco (Little White Dress) GUIA PRATICO - Album 9 - Six Pieces 1. Laranjeira Pequenina (The Little Orange Tree) 2. Pombinha, Rolinha (Little Dove, Tiny Dove) 3. O Ciranda, O Cirandinha (Circle Dance) 4. A Velha Que Tinha Nove Filhas (The Old Woman That Had Nine Daughters) 5. Constante (Constant) 6. O Castelo (The Castle) POEMA SINGELO (Simple Song) PROLE DO BEBE - #1 - Suite 1. Moreninha (The Little Paper Doll) 2. Mulatinha (The Little Rubber Doll) 3. O Polichinelo (Clown) SIMPLES COLETANEA - Three Pieces 1. Valsa Mistica (Valse Mystique) 2. Em Um Berço Encantado (Dans Un Berçeau Féerique) 3. Rhodante (Circle Dance) SUITE FLORAL - Op.97 - Three Pieces 1. Idilio Na Rede (Summer Idyll) 2. Uma Camponeza Cantadeira (A Singing Country Girl) 3. Alegria Na Horta (Joy In The Garden) / Niveau : Intermédiaire à Avancé / Répertoire / Piano

'Brice Catherin a cellist and a composer exploring the notion of the one-man-band concept commissionedthis work; this composition was subsequently the result of our collaboration. My aim has been to create awork where the cellist produces sounds using his full body: his hands (employing a variety of extendedtechniques on the Cello and external objects) his feet his mouth (singing and playing the harmonica andflexible tube) and even his face on one occasion to muffle the strings.There are two central themes in the work: virtuosity and theatre both strong frequent features of mycompositional oeuvre. After several meetings andexperimentation with Brice I chose a setup thatenhances the musical scope without visually cluttering the stage. I am also using a rather unusualscordatura that not only changes the timbre of the instrument itself but also helps create uniquesoundscapes that blend together with the sounds from the spring drums the human voice (whistling groans and other effects) a singing bowl a harmonica and a flexible tube among others.The work is entitled Emmelia and there are two reasons for this: Emmelia derives from the prefix en (in) and the noun melos (harmony) thus meaning in harmony. The composition is structured and developed in clearly defined sections (noisy harmonious distorted etc.) based on information revealed by a spectral analysis of an F1 spectrum on the cello (tuned a fifth below low C) played and recorded using a variety ofattacks and triggering objects and methods.Emmelia is also the name of my baby daughter who has been my constant inspiration since she was born.' - Evis Sammoutis

Bass & Percussion parts-Includes Bass And Percussion Parts. 'Includes Full Score. 1. Morning Has Broken (Hmb139A)- Organ Hp Picc 2Fl 2Ob E.Hn 2Bb Clr B. Clr 2Bsn 4Hn 3Bbtpt 3Tb Tuba Strings Perc Timp.Interlude: Organ Perc Hp Picc Fl Ob E.Hn Clr B. Clr Bsn 2Hn 2Tbn Tuba Strings.2. Praise To The Lord The Almighty (Hmb139B)- 3Bbtpt 4Hn 3Tnb Tuba Vln I A-B Vln Ii A-B Viola A-B Cello A-B Bass Hp Perc Timp Picc 2Fl 2Ob E.Hn 2Cl B. Cl 2Bsn.Interlude: Organ Picc Fl Ob E.Hn Cl B. Cl Bsn 2Hn Perc Timp Strings.3. This Is My FatherS World (Hmb139C)- Strings 2Fl Ob 2Hn 3Tpt 3Tbn Tuba Perc Hp.Interlude: Org Picc Fl Ob E. Hn B. Cl Bsn Strings Perc Hp4. In Thee Is Gladness (Hmb139D)- Organ Strings 2Hn Fl Ob 2Bb Cl B. Cl HpInterlude- Organ Fl Ob E. Hn Cl B. Cl 2Hn Strings.Includes Bass And Percussion Parts. Includes Full Score. 1. Morning Has Broken (Hmb139A)- Organ Hp Picc 2Fl 2Ob E.Hn 2Bb Clr B. Clr 2Bsn 4Hn 3Bbtpt 3Tb Tuba Strings Perc Timp.Interlude: Organ Perc Hp Picc Fl Ob E.Hn Clr B. Clr Bsn 2Hn 2Tbn Tuba Strings.2. Praise To The Lord The Almighty (Hmb139B)- 3Bbtpt 4Hn 3Tnb Tuba Vln I A-B Vln Ii A-B Viola A-B Cello A-B Bass Hp Perc Timp Picc 2Fl 2Ob E.Hn 2Cl B. Cl 2Bsn.Interlude: Organ Picc Fl Ob E.Hn Cl B. Cl Bsn 2Hn Perc Timp Strings.3. This Is My FatherS World (Hmb139C)- Strings 2Fl Ob 2Hn 3Tpt 3Tbn Tuba Perc Hp.Interlude: Org Picc Fl Ob E. Hn B. Cl Bsn Strings Perc Hp4. In Thee Is Gladness (Hmb139D)- Organ Strings 2Hn Fl Ob 2Bb Cl B. Cl HpInterlude- Organ Fl Ob E. Hn Cl B. Cl 2Hn Strings.5. Fairest Lord Jesus (Hmb139E)- Organ Hp 3Tbn Tuba 4Hn Fl Ob Cl B. Cl Bsn Strings.Interlude - Hp Picc Fl Ob E.Hn 2Cl B. Cl Bsn 2Hn 2Tpt 2Tbn Tuba Perc Timp Strings.6. How Firm A Foundation (Hmb139F)- Organ Picc 2Fl 2Ob E.Hn 2Bb Cl B. Cl 2Bsn 4Hn 3Bbtpt 3Trb Tuba Perc Timp Strings.Interlude- Organ Hp Picc Fl Ob E.Hn 2Cl B. Cl Bsn 2Hn 3Tpt 3Tbn Tuba Perc Timp Strings.7. When I Survey The Wondrous Cross (Hmb139G)- Organ Hp Picc Fl Ob E.Hn 2Cl B.Cl Bsn 2Hn 3Tpt 3Tbn Tuba Perc Timp StringsInterlude- Picc Fl Ob E.Hn 2Cl B.Cl Bsn 2Hn 3Tpt 3Tbn Perc Timp Strings.8. Christ The Lord Is Risen Today (Hmb139H)- Organ Hp Picc 2Fl Ob E.Hn 2Cl B.Cl Bsn 2Hn 3Tpt 3Tbn Tuba Perc Timp Strings9. When The Saints Go Marching In (Hmb139I)- Strings 3Tpt 3Tbn Tuba Pno Perc Trap.10. Morning Has Broken- Finale (No Number Assigned)- Organ Hp Picc 2Fl 2Ob E.Hn 2Bbcl B.Cl 2Bsn 4Hn 3Bbtpt 3Tbn Tuba StringsPerc Timp.Instrumentation: 3Bbtpt 4Hns 3Tbns Tuba Vlni A-B Vlnii A-B Viola A-B Cello A-B Bass Harp Perc Timp Picc 2Fl 2Ob E.Horn 2Cl 2B.Cl 2Bsn.Instrumentation For Interlude Between Praise To The Lord And This IsMy FatherS World: Organ Picc Fl Ob E.Hn Cl Bsn 2Hn Perc TimpStrings.Hymn Tune Name: Terra P

The The Little Black Book Of Acoustic Songs For Ukulele is a bumper songbook, packed to the limits with sheet music for over 70 acoustic songs from the biggest names in rock and pop, arranged specifically for the Ukulele. From the folk-tinged classics of Joni Mitchell and Bob Dylan to the pure pop perfection of Bruno Mars, Coldplay and Blur, you will never again be stuck for that special song - no matter what the occasion. Each song in the The Little Black Book Of Acoustic Songs For Ukulele has been carefully arranged for Voice and Ukulele in the same key as the original recording, with complete lyrics and a handy chord-box reference sheet. / Paroles Et Accords

Solo parts for Mignon - Papillons by the Danish composer Bent Sørensen scored for Piano and Strings.

This superb 2CD collection of 40 masterpieces by 10 great composers features performances by the world's leading soloists and orchestras, including The Royal Philharmonic Orchestra and the National Philharmonic Orchestra. The audio CDs are accompanied by a specially produced book containing the same pieces for solo piano. Here is an opportunity to enjoy some of the world's most beautiful classical music, and to then sit down at the Piano and play them yourself using the accompanying folio. So if you're one of those people who feel like playing as well as listening, this is the collection for you! / Piano

This latest addition to the popular series presents another 101 superb songs in easy melody, chords and lyrics arrangements. Songs included range from classics by The Beatles, Bob Marley, Elton John and The Clash through to contemporary hits from acts such as Snow Patrol, The Killers, Vampire Weekend and Duffy. / Piano/Vocal/Guitare (PVG)