The Library Of Baroque Music is an enormously expansive collection of the greatest works produced during that prolific period that flourished between the Renaissance and Classical eras. All arranged for solo Piano, this volume features works drawn from all the major Baroque composers, including some of the greatest pieces of music ever composed. The progression and development of music during the Baroque period can be heard in these pieces, providing you not only with a window into musical history, but also many exciting additions to your repertoire. The retrospective 'Baroque' label was applied to a diverse range of European compositions-often combining a spirit of experimentation with elaborate new musical structures. Dominated primarily by the Harpsichord and Organ, this period also saw the rise and development of larger-scale forms such as the concerto and oratorio. This superb volume is comprised of Keyboard and ensemble works from all the major Baroque composers, arranged for Piano. Featuring Arne, Boyce, Buxtehude, Corelli, Couperin, Gibbons, Lully, Pachelbel, Purcell, Rameau and Vivaldi, the composers here include some of the most respected and revered figures in musical history. The Library Of Baroque Music spans compositions of many of these masters, ranging from Frescobaldi in the early 1600s to Pergolesi a century later, and the famous three - J.S. Bach, Handel and Domenico Scarlatti.Baroque music, so called for its ornateness, was characterised by a bold exploration of counterpoint and new harmonic possibilities. This was variously expressed through the work of perhaps fifty or so major European composers. By the time Baroque began to segue into a new Classical period around 1750 it had already irrevocably changed and expanded the possibilities of music. The works that precipitated this change are available to play in this single volume, perfect for pianists looking to expand their repertoire with both challenging and exciting music.In this thoroughly enjoyable Library Of Baroque Music, the triumphant progression of this period is illustrated in the best possible way - through the compositions themselves, forming the definitive Baroque collection for solo pianists. / Piano

Even for Ralph Vaughan Williams the prospect of two world premieres within 24 hours must have been something of a rarity. Such was the case however on the first two days of June 1953, when his now classic arrangement of The Old Hundredth Psalm was sung at the Coronation of Elizabeth II in Westminster Abbey, being preceded the evening before by the premiere of 'Silence and Music', fourth of ten partsongs of A Garland for the Queen, commissioned from leading British composers by the Arts Council of Great Britain to honour the new monarch. Long unavailable except as separate items from individual publishers, this historic collectionis now reissued complete by Stainer & Bell in its original single-volume format, allowing conductors and singers to choose from a rich collection of choral music with which to mark the Queen's Diamond Jubilee and, in 2013, the 60th anniversary of the Coronation itself. In addition to VW's contribution, A Garland for the Queen includes important settings by Bax, Berkeley, Bliss, Finzi, Howells, Ireland, Rawsthorne, Rubbra and Tippett. The collection moreover draws on the work of poets whose names likewise feature prominently in the annals of mid-century British literary talent: Clifford Bax, Edmund Blunden, Paul Dehn, Christopher Fry, Christopher Hassall, James Kirkup, Louis MacNeice, Walter de la Mare, Henry Reed and Ursula Wood. Intended as a counterpart to The Triumphs of Oriana of 1601, the celebrated madrigal volume published in praise of Elizabeth I by Thomas Morley, A Garland for the Queen emulates its distinguished predecessor in its variety of moods and vocal combinations. There is material here to fit every aspect of celebration, from the airy five-part ensemble of Bax's 'What is it like to be young and fair?', and the soprano solo with SATB of Rawsthorne's Canzonet, to the lustrous contrasting of male and female timbres in Bliss's Aubade, and the rapturous eight-part setting of/ Recueil / Voix Mixtes

GREATER IN MAJOR. Par . Playing piano is great ' and not just in minor but also, of course, in major keys as well! High time for the publication of the companion to our bestseller Toll in Moll [Finer in Minor] (EB 9410) to complete now the long missing other half. With a selection of beautiful original works, easy to moderate in difficulty, these collections include both familiar but above all not so familiar pieces from a repertoire varying in terms of era and style. Just by listening to them, these pieces will inspire you to want to play piano more and more. When pianists musically are en route to the large wonderful works of piano literature have the opportunity to delve more deeply into the special aspects of piano music from different epochs with Greater in Major and Finer in Minor, two piano books that pianists of all ages can always return to and enjoy over many years. / Date parution : 2022-02-15/ Recueil / Piano

Par BAY WILLIAM. This collection contains 100 favorite Gospel songs and hymns for trumpet and guitar. Inside you will find rousing camp meeting songs, sentimental expressions from a deep-rooted faith, and Gospel oriented hymns with an old-time music flavor. In preparing this collection I felt the sincere and solid faith of America's 'revivalist era”, staunchly embedded in the rural and Southern regions of America, but also in the dedicated inner city missions founded in sprawling urban centers. These solos will bring joy, exuberance, nostalgia and a renewed sense of commitment to any worship celebration. They serve as a vehicle for and witness to the Christian faith. / Gospel / Recueil / Trompette et Guitare

This authoritative edition presents full-score reproductions of three of Liszt?s best-known symphonic poems. Les Preludes (Symphonic Poem No.3) grew out of the composer?s unpublished choral setting of Joseph Autran?s poem ?The Four Elements?, blending stirring martial music and lovely pastoral themes to make this work the most popular of the symphonic poems. Mazeppa (Symphonic Poem No.6) evokes Victor Hugo?s portrayal of the Cossack leader and the symbolic triumph that comes only after defeat: ?He runs, he flies, he falls, and he stands up king!? Heroide Funebre (Symphonic Poem No.8) is the last vestige of the monumental Revolutionary Symphony, planned but never completed, suggesting universal brotherhood: a fine, heroic, dignified funeral march. In these richly sonorous works, Liszt explored the concept of the one-movement ?transformation of themes,? an approach to composition that Wagner would carry forward in his development of the leitmotif. Liszt?s expanding chromaticism would be no less influential, anticipating the twentieth century?s embrace of atonality. Frequently performed favourites of audiences around the world, these three works are reprinted from the original Breitkopf & Härtel edition.

Par YEO HELEN. This book is a piano adventure for musical awareness and to enhance the musical skills. It also promotes visualisation with music and compositional creativity. It is aimed to build the skills, coordination, agility and musicianship of the early elementary (pre-grade 1) pianists. Theory exercises are included, for the pianist to make a practical/theory connection. / Methods and Tutors / Recueil / Piano

Oratorio in two parts Rome 1707. Par HAENDEL GEORG FRIEDRICH. With his “La Bellezza ravveduta nel trionfo del Tempo e del Disinganno” (“Beauty Reformed in the Triumph of Time and Enlightenment”), HWV 46a, the 22-year-old Handel notched up one of his greatest successes in this genre right at the very beginning of his oratorio oeuvre. Composed in Rome in 1707, the work was for a long time known as “Il trionfo del Tempo e del Disinganno” (“The Triumph of Time and Enlightenment”). In keeping with the Halle Handel Edition, however, the title is that of the name given in the primary source. In many cases inspired by the melodically rich ideas of Reinhard Keiser (1674–1739), the work is unsurpassed by any other oratorio by Handel. At the end of an impressive sequence of truly captivating arias, duets and quartets, Bellezza’s reformation in favour of living a life pleasing to God is accompanied in incisive E major by her overwhelmingly beautiful, impossibly sad closing aria “Tu del ciel ministro eletto”, the consummate pinnacle of dramatic irony in Handel’s output. By virtue of its flawless dramatic structure as well – unlike many other oratorios and all operas of the Baroque period, the story never goes off at a tangent and all arias revolve around the dispute of the four dramatic personae – the oratorio has enjoyed long runs of widely acclaimed, mostly staged performances in the last few years./ Répertoire / Opéra

Clarinet. 15 timeless and familiar classical themes in arrangements perfect for budding instrumentalists. It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound then play along and sound like a pro! Includes: Blue Danube Waltz (Strauss) - Can Can (from Orpheus in the Underworld) (Offenbach) - Jesu, Joy of Man's Desiring (J.S. Bach) - Morning Mood (from Peer Gynt) (Grieg) - Ode to Joy (from Symphony No. 9) (Beethoven) - William Tell Overture (Rossini) - and more./ Recueil / Clarinette

Flute. 15 timeless and familiar classical themes in arrangements perfect for budding instrumentalists. It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound then play along and sound like a pro! Includes: Blue Danube Waltz (Strauss) - Can Can (from Orpheus in the Underworld) (Offenbach) - Jesu, Joy of Man's Desiring (J.S. Bach) - Morning Mood (from Peer Gynt) (Grieg) - Ode to Joy (from Symphony No. 9) (Beethoven) - William Tell Overture (Rossini) - and more./ Recueil / Flûte Traversière

Trombone. 15 timeless and familiar classical themes in arrangements perfect for budding instrumentalists. It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound then play along and sound like a pro! Includes: Blue Danube Waltz (Strauss) - Can Can (from Orpheus in the Underworld) (Offenbach) - Jesu, Joy of Man's Desiring (J.S. Bach) - Morning Mood (from Peer Gynt) (Grieg) - Ode to Joy (from Symphony No. 9) (Beethoven) - William Tell Overture (Rossini) - and more./ Recueil / Trombone

Trumpet. 15 timeless and familiar classical themes in arrangements perfect for budding instrumentalists. It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound then play along and sound like a pro! Includes: Blue Danube Waltz (Strauss) - Can Can (from Orpheus in the Underworld) (Offenbach) - Jesu, Joy of Man's Desiring (J.S. Bach) - Morning Mood (from Peer Gynt) (Grieg) - Ode to Joy (from Symphony No. 9) (Beethoven) - William Tell Overture (Rossini) - and more./ Recueil / Trompette

Cello. 15 timeless and familiar classical themes in arrangements perfect for budding instrumentalists. It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound then play along and sound like a pro! Includes: Blue Danube Waltz (Strauss) - Can Can (from Orpheus in the Underworld) (Offenbach) - Jesu, Joy of Man's Desiring (J.S. Bach) - Morning Mood (from Peer Gynt) (Grieg) - Ode to Joy (from Symphony No. 9) (Beethoven) - William Tell Overture (Rossini) - and more./ Recueil / Violoncelle

Par . Designed to supplement the Older Beginner Piano Course Level 1. The arrangements are accessible to the beginning pianist, and the timeless appeal of these well-known themes will provide hours of enjoyment for the pianist.Arranged for piano by James Bastien. / Date parution : 2023-03-28/ Recueil / Piano

I Can't Get No Satisfaction' - the release of this international hit of the Rolling Stones was the official birth of rock music which started its loud and hard triumph in the clubs and stadiums of the world. The fact that the Stones and their wild heirs can also write beautiful ballads is proven by our successful author Dirko Juchem with this new volume in the popular 'Saxophone Lounge' series in which he has arranged a selection of the best known rock melodies in a new and surprisingly lounge-like manner. All fresh and easily playable arrangements on the accompanying CD have been performed by the author himself. / Saxophone Alto Et Piano