The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare

Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

Belles mélodies originales abondent dans toutes les sections, mais les altos et violoncelles vraiment avoir une chance de briller dans cette suite composée de trois mouvements: 'River Hymn', 'Waltz of the Hills' et 'Barn Dance'. In C Major, cette pièce est idéale pour enseigner F et C naturelle. Les mouvements sont brefs et peuvent être réalisées individuellement ou comme une suite. Fidèle à début Americana sensation de la pièce, le dernier mouvement est un optimiste, tune vieux-timey! Corrélée à Sound Innovations Livre 2, Niveau 2. / Orchestre A Cordes

Tim Richards présente - pour la première fois en français ! - les différents aspects harmoniques, rythmiques et mélodiques du blues. L'album se compose de plus de 30 pièces et contient les très célèbres 'Blueberry Hill', 'C-Jam Blues', 'Back in the Alley' et 'See See Rider', auxquels s'ajoutent les compositions à but pédagogique de l'auteur :- d'authentiques patterns et lignes de basse pour la main gauche- voicings professionnels, gammes blues, licks et riffs- exercices de coordination pour les deux mains- suggestions d'écouteChaque chapitre est classé par ordre de difficulté et contient quelques pièces plus difficiles vers la fin du volume. L'improvisation y joue tout le long un rôle important, avec des exercices et des conseils. Tim Richards a enregistré toutes les pièces sur le CD d'accompagnement qui contient aussi une piste play along pour les deux volumes. / Piano

Une collection de poche de plus de 70 Great Hits All-Time présentés en format songbook d'accord, disposés dans les mêmes touches que les enregistrements originaux avec les symboles d'accord, les boîtes d'accord de guitare et paroles complètes. / Paroles Et Accords

for four male voices. Par BRYARS GAVIN. Glorious Hill may be performed by a male choir. Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate. Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at its summer Festival of Voices in Lewes, Sussex, in August 1988. It was the first piece I wrote for the ensemble and I focused on the singers' unique ability to move with ease from early music to tonal music of the present day. There were techniques which I asked for which I hardly needed to notate - the staggered breathing of the two tenors to supply a continuous unbroken held note for example - and the piece moves between passages for solo voices and sections of highly chromatic homophony, almost as if the music were switching between the 12th century of Perotin and the 16th century of Gesualdo. Each of the four voices is given its own solo passage, sometimes accompanied, sometimes quietly supported by the other voices. The title, Glorious Hill comes from the name of the small-town Mississippi setting of Tennessee Williams' Summer and Smoke. I wrote the music for the 1987 production of this play at the Leicester Haymarket Theatre, the first time I had written any incidental music for the stage. Williams makes very specific demands in terms of music and there is one particularly powerful scene, the penultimate one, throughout which music and atmospheric sound effects are continuous. The principle character Alma argues passionately about the vital importance of human choice with the man to whom she has, too late, admitted her love. I watched this section every night throughout the 4 week run of the play watching the different ways in which the actress, Frances Barber, played the scene. There is a powerful emotional and philosophical connection between the imagery of this scene and a passage from the Renaissance philosopher Pico della Mirandola's Oration on the Dignity of Man which forms the text of Glorious Hill. This passage has been described as one of the few passages in Renaissance philosophy to treat human freedom in a modern way. The text, which is sung in Latin, is addressed by God to Adam before the fall from grace. / Répertoire / 4 Voix d'Hommes [Attbar], 2 Altos, Violoncelle et

Etude, Méthode, Exercice, tout est bon pour apprendre et perfectionner son apprentissage musical. A travers, cette partition pour Batterie vous pourrez découvrir l'oeuvre ayant pour titre REAL TIME DRUMS IN MORE SONGS met CD qui a été éditée par la maison d'édition De Haske Publications. / Batterie / niveau : Facile / Partition + Cd

Etude, Méthode, Exercice, tout est bon pour apprendre et perfectionner son apprentissage musical. A travers, cette partition pour Batterie vous pourrez découvrir l'oeuvre ayant pour titre REAL TIME DRUMS IN MORE SONGS / mit CD qui a été éditée par la maison d'édition De Haske Publications. / Batterie / 32 pages / Partition + Cd

The basic principles of blues piano explained for the intermediate-level pianist-The forerunner to the awarded-winning Exploring Jazz Piano books Improvising Blues Piano examines the harmonic rhythmic and melodic aspects of the blues assuming a basic competence of around grade 3.All styles are covered from the 1920s to the present from the early boogie pioneers via swing gospel jump-jive New Orleans Chicago and Kansas City schools to the more sophisticated jazz and funky blues of the current scene. Over 60 pieces including many original compositions by the author together with new arrangements of well-known standarts such as 'Ain't No Sunshine' 'Blueberry Hill' 'Blue Monk' 'Got My Mojo workin' 'Honky Tonk Train Blues' 'How Long Blues' 'Just aCloser Walk with Thee' 'Pine Top's Boogie Woogie' 'St Louis Blues' etc.' Authentic left-hand patterns and bass lines' Professional chord voicings blues scales licks and riffs' Co-ordination exercises for both hands' Suggested listeningEach chapter is graded within itself providing some challenging pieces towards the end. Improvising is encouraged at all stages with assignments giving ideas and guidance.The accompanying CD contains all the pieces including some play-along tracks performed by Tim Richards.A very useful and comprehensive survey of different blues styles. Tim's clear demonstrations on the accompanying CD make this the essential book for all aspiring blues pianists (Jools Holland)This book leaves any possible competition standing at the post. (Brian Priestley Jazzwise Magazine)I highly recommend the book. It's the best I've seen yet... Helpful features include a grat Cd by the London-based Richards who is a top-notch performer recording artist and educator. It's almost like having your own personal instructor. (Blues Review USA)The presentation is immaculate the method is logical and friendly. This book feels good... (MOJO)A brilliant new publication from Schott. Each chapter extends the player's harmonic knowledge and gives clear instructions how to progress... You learn not just how to play the blues but also its history and major exponents.

Les « danses de notre Temps » est une collection unique de nouvelles musiques pour piano solo, comportant un choix kaléidoscopique de répertoire international d'aujourd'hui.

Tous les titres ont été composés pour le projet multimédia Petrushka Project 2012.
/ [Danses de Notre Temps] / Classique / Partition / Broché /