The Lark In The Clear Air is a traditional Irish air. Since the 1800s it has been associated with a poem by the Irish writer Sir Samuel Ferguson (1810-1886) one of the founding fathers of the Irish literary revival. It has been arranged here by Edgar M. Deale for TBarB Three-part Male Voice Chorus with Piano accompaniment. It makes a perfect recital item for any Male Voice Choir. Edgar M. Deale (1902-1999) was a twentieth century Irish composer. A former chorister at Christ Church Cathedral Dublin he was largely self-taught as a composer. His output was limited to a few dozen original works and arrangements but hiscontribution to Irish music is gradually achieving the recognition it deserves.

8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic” presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal”, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic” is available in eight formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet, saxophone, recorder or trumpet (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. In addition to the alto recorder part, this edition also contains a part for soprano or tenor recorder. / Niveau : Facile à Intermédiaire / Recueil / Flûte à Bec Alto

The Lark In The Clear Air is a beautiful traditional Irish Air based on the text by Sir Samuel Ferguson and arranged here by Phyllis Tate for Unison Voices with Piano accompaniment.

51 Traditional Pieces. Par . Cellist Ben Davis presents a collection of pieces for solo cello drawn from the rich tradition of Irish folk music. The collection covers a range of styles including Jigs, Reels, Hornpipes and Marches. The volume includes notes on the tunes, and is accompanied by recordings of all tunes. German and French translations of all texts are available as PDF downloads from the Schott Music website. Suitable for players of grades 3-8. / Niveau : Intermédiaire-Avancé / Date parution : 2023-08-12/ Recueil / Violoncelle

Par . If you've been playing the Irish tinwhistle for a little while, you are probably eager to learn some Celtic songs. Complied by L.E. McCullough, a world-renowned authority on the tinwhistle and traditional Irish music, this book includes: The Banks of Lough Gowna · Boys of Blue Hill · Danny Boy · The Donegal Reel · Finnegan's Wake · The Foggy Dew · The Green Glens of Gweedore · Joy of My Life · Lark in the Morning · Minstrel Boy · Morrison's Jig · The Parting Glass · The Rocky Road to Dublin · The Sally Gardens · Sligo Maid · Tabhair Dom Do Lamh · Wexford Carol · and more. / Date parution : 2021-11-03/ Recueil / Tin Whistle

63 Traditional Pieces. Par BOWMAN PETER. Irish Folk Tunes for Descant Recorder is a collection of 63 arrangements for descant recorder, of traditional tunes including a range of styles such as Reels, Hornpipes, Jigs and more. Experienced recorder player and co-author of English Folk Tunes for Descant Recorder, the Baroque Recorder Anthology series, and Fun and Games with the Recorder series amongst others, Peter Bowman provides notes on all of the styles covered, as well as individual pieces. German and French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for players of grades 3-8. The volume contains recordings for download in order to get a sound impression of the stylistic and technical features of the pieces. / Niveau : Facile / Recueil / Flûte à Bec

Charles Villiers Stanford was an Irish composer music teacher and conductor. Stanford composed a substantial number of concert works including seven symphonies but his best-remembered pieces are his choral works for church performance chiefly composed in the Anglican tradition. Admitted to Queens College Cambridge with an Organ scholarship Stanford had written a substantial number of compositions including vocal music both sacred and secular and orchestral works before getting involved with the university’s Musical Society. While still an undergraduate Stanford was appointed organist of Trinity College Cambridge.Part of the‘Four Intermezzi Op. 189’ Intermezzo On An Irish Air for Organ is based on the melody of the well-known ‘Londonderry Air’. The traditional Irish tune was first collected in the mid 19th century by Jane Ross and is recognised all around the world by the Irish Diaspora. Duration ca. 6:20.

A tuneful way to introduce students to the lyrical style and rollicking feel of traditional Scottish/Irish music. The 'Air' is the melody from Gilderoy and is set with a contemporary harmonic palette that concludes with an exciting climax before transitioning to the jig. 'The Jig of Slurs' is a traditional Irish dance with a melody and feel that is infectious! (2:30) 'Air and Jig? correlates to Book 2, Level 2 of Sound Innovations for Concert Band. / Concert Band

Piano Solos Of Traditional Irish Folk Music. Par VOSS RICHARD. Irish folk song ' est le terme générique qui désigne ballades, chansons rebel, chants de travail, berceuses, lamentations et chansons à boire. Beaucoup de chansons folk irlandais développé à partir des événements historiques et de la mythologie celtique et comprennent des airs, polkas, jeu de danse, longtemps dances, turluttes, diapositives, slip jigs, hornpipes et bobines. Environ 200 tunes de la grande harpiste irlandaise Turlough O'Carolan ont survécu aussi par le biais de la tradition phonétique. Cette collection contient 38 tunes représentant un vaste échantillon représentatif du folk irlandais qui ont été pris pour piano solo intermédiaire. En outre, les chansons sont utilisables comme matériel d'enseignement, comme des pièces de récital ou comme de la musique pour la danse. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Solos / Recueil / Piano

24 Traditional Folk Songs for Intermediate Level Piano Solo-This delightful collection of Celtic favorites for the intermediate level Pianist features 24 traditional Irish folk songs as well as notes on the songs illustrations and even a map of Ireland!Songs include As I Walked Out One Morning • Ballinderry • Carrickfergus • The Cliffs of Doneen • Down by the Salley Gardens • Follow Me Up to Carlow • The Gartan Mother's Lullaby • I'll Tell My Ma • Kitty of Coleraine • The Londonderry Air • Rocky Road to Dublin • Slieve Gallion Braes and more.

Irish Folk Tunes for Guitar is a collection of arrangements of traditional and contemporary tunes including jigs, reels, airs and more. Most of the pieces are arranged for solo guitar, with several also offered with accompaniments.Experienced folk guitarist, and author of Scottish Folk Tunes for Guitar (ED 13359), and English Folk Tunes for Guitar (ED 13491) Hugh Burns provides notes on all of the pieces, as well as playing tips, and technical advice. The volume is accompanied by a CD with a recording of all tunes performed by Hugh. German and French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for players of grades 3-8. / Guitare

Arrangeur: David Overton. Par GALWAY JAMES. This collection of songs were written and arranged for Sir James Galway as concert pieces by David Overton, his longtime arranger. They are all based to some extent on traditional Irish Melodies. The first three are contrasting tunes: 'Spinning Song,” the beautiful slow melody 'She moved through the fair,” and the more up-tempo 'Star of the County Down.” These were so successful in the original flute and piano version, as printed here, that Overton was requested to write versions for strings and for orchestra, which were equally successful and have formed a regular part of Galway's concert repertoire. 'Badinereelerie” is more light-hearted work, first written for Sir James Galway in 1984. Since then, he has played it countless times as printed here, and in a version for flute and orchestra. The surprising mixture of Bach (and Handel and others) with reels and Irish traditional tunes, and even a few English traditional tunes thrown in for good measure, has delighted audiences all over the world. The piece's rousing conclusion includes an optional switch to penny whistle, a practice that Galway writes, 'I have always taken advantage of.”/ Recueil / Flûte Traversière et Piano