Orchestra SATB vocal soli, SATB choir, flute, oboe, clarinet, horn, bassoon, timpani, 2 violins, viola, cello, contrabass

SKU: CA.2729305

Version for chamber orchestra. Composed by Antonin Dvorak. Edited by Joachim Linckelmann. Arranged by Joachim Linckelmann. Carus sheet music series: Great choral works in small scorings. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Choral Score. Composed 1876/1877. Op. 58. 36 pages. Duration 90 minutes. Carus Verlag #CV 27.293/05. Published by Carus Verlag (CA.2729305).

ISBN 9790007181086. Text language: Latin.

Antonin Dvorak's impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer's sacred works. Some painful experiences - in 1875 his first daughter died, and in 1877 he lost two other children in quick succession - may have led to Dvorak's preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-published arrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation.

Orchestra SATB vocal soli, SATB choir, flute, oboe, clarinet, horn, bassoon, timpani, 2 violins, viola, cello, contrabass

SKU: CA.2729303

Version for chamber orchestra. Composed by Antonin Dvorak. Edited by Joachim Linckelmann. Arranged by Joachim Linckelmann. Carus sheet music series: Great choral works in small scorings. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Vocal score. Composed 1876/1877. Op. 58. 120 pages. Duration 90 minutes. Carus Verlag #CV 27.293/03. Published by Carus Verlag (CA.2729303).

ISBN 9790007171797. Text language: Latin.

Antonin Dvorak's impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer's sacred works. Some painful experiences - in 1875 his first daughter died, and in 1877 he lost two other children in quick succession - may have led to Dvorak's preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-published arrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation.

Unison with descant, cantor, assembly, keyboard accompaniment, flute, violin, guitar - Beginning

SKU: GI.G-10227

Take Up Your Cross / When I Behold the Wondrous Cross. Composed by Peter M. Kolar. Palm Sunday, Good Friday. Choral. Tune Name: Segundo. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #10227. Published by GIA Publications (GI.G-10227).

UPC: 785147022718. English. Text Source: Text I: Charles William Everest, 1814-1877, alt., Text II: Isaac Watts, 1674-1748, alt. Text by Charles C. Everest.

The tune SEGUNDO is intended specifically for hymn texts in long meter (LM, or 88 88) that can benefit from a sense of gravitas. In performance, the entire hymn may be sung by unison choir, or if desired, the beginning stanzas may be sung by one or more soloists or sections allowing the piece to build over its four stanzas, so that the last stanza, with its soaring descant, pours forth rife with emotion.

SAB choir and piano

SKU: LO.45-1646L

Choral collection. Singable Solutions. Sacred Choral, Advent, Christmas, Thanksgiving. Lorenz Publishing Company #45/1646L. Published by Lorenz Publishing Company (LO.45-1646L).

ISBN 9780787790011.

Have you ever shopped for new music, discovered an anthem you really enjoyed, and then realized, â??This piece is just too big for my choir?â? For those of you who responded with an emphatic â??Yes!â? and helped make Vol. 1 (45/1639L) a bestseller, weâ??re excited to bring you Vol. 2 of Sunday Solutions for SAB Choirs. This set features nine anthems particularly appropriate for the Fall season, including arrangements of favorite hymns and carols as well as original works by Lloyd Larson, Brad Nix, Ruth Elaine Schram, and many more of your favorites. A recorded accompaniment is available, and many of the pieces feature the optional inclusion of instrumentalistsâ??from a flute soloist to a small group of handbell ringers to a brass and percussion ensemble. Several also offer the option to stretch to SATB parts or shrink to Two-part Mixed, maximizing the practicality of this must-have resource.

SATB vocal soli, SATB choir, cello/contrabass, organ

SKU: CA.2100305

Composed by Marc-Antoine Charpentier. Edited by Annick Fiaschi. Arranged by Paul Horn. French Sacred Music. German title: Magnificat. Sacred vocal music, Magnificats, Motets, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Choral Score. H. Duration 9 minutes. Carus Verlag #CV 21.003/05. Published by Carus Verlag (CA.2100305).

ISBN 9790007100797. Language: Latin.

Marc-Antoine Charpentier's Magnificat H 78 was composed around 1690 for the Jesuits in Paris. No less than ten works by the composer, in differing vocal and instrumental scoring and form comprise this genre. In the present Magnificat H 78 for five voices (in which alto and bass also have solo roles), two flutes, strings and basso continuo, each of the individual movements contains its own expressive profile in sound. Score available separately - see item CA.2100300.

Choral (digital production kit)

SKU: HL.35028867

Composed by Joseph M. Martin. Harold Flammer Christmas. Advent, Cantata, Christmas. Published by Shawnee Press (HL.35028867).

UPC: 884088888633. 5.25x7.5 inches.

From the composer of Festival of Carols and The Winter Rose comes a cantata that celebrates the legacy of early American carols and hymnody. Composed in the spirit of folk music, the cantata combines traditional sounds with more rustic elements creating a blend that is fresh and pleasing. Popular American carols like Away In a Manger and O Little Town of Bethlehem dance with traditional spirituals such as Children, Go Where I Send Thee and Go, Tell It on the Mountain. Sacred Harp tunes are re-tooled for Advent and stand alongside new versions of Shaker hymns and Appalachian melodies. Thoughtful narration weaves the movements together in a meaningful tapestry of song and Scripture. Two orchestral options are available allowing maximum flexibility in performance. A full line of support products is also available. Available separately: SATB, CD-ROM Full Orchestration (Score & Parts for Flute 1 & 2, alto recorder, Oboe/English Horn, Clarinet 1 & 2, Bassoon, Horn 1 & 2, Trumpet 1-3, Trombone 1 & 2, Bass Trombone/Tuba, Timpani, Percussion, Acoustic Guitar, Banjo, Harp, Piano, Synth, Solo fiddle, Violin 1 & 2, Viola, Cello, Double Bass), Printed Full Orchestration, Appalachian Consort Orchestration (Score & parts for Flute, Violin, Cello, Mandolin, Guitar, Percussion and Piano), StudioTrax CD (accompaniment only), SplitTrax CD, Listening CD, 10-Pack Listening CDs, Preview Pack (Book/CD combo), RehearsalTrax CDs (part predominant, reproducible), Digital Resource Kit (PowerPoint, Choir Devotionals, Poster, Program, Flyers, Children's Program PDFs). Duration: approx. 40 min.

Composed by Pepper Choplin. For SATB choir, piano (with optional flute, guitar, percussion). Sacred Anthem, Christmas. Octavo. Published by Lorenz Publishing Company

Concert Band/Harmonie and Opt. Choir - Grade 2

SKU: BT.DHP-1033337-015

Composed by Jacob De Haan. Musica Sacra. Hymns & Chorals. Set (Score & Parts). Composed 2003. De Haske Publications #DHP 1033337-015. Published by De Haske Publications (BT.DHP-1033337-015).

9x12 inches.

Missa Brevis, written for choir and wind band, was commissioned by the Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX’sbirth in Éguisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible:
1. clarinet choir (from Eb Clarinet to BassClarinet)
2. clarinet choir + saxophones
3. brass (flugelhorns, horns, euphoniums, bass section)
4. brass (2 trumpets / 2 trombones)
5. double reeds (optional + flute, optional + string bass)
6. tutti
7. all winds
8. allbrass
In a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band.
Choral parts available separately.

Mis sa Brevis, geschreven voor koor en blaasorkest, werd gecomponeerd in opdracht van de Conseil Départemental pour la Musique et la Culture de Haute-Alsace (dir. Philippe Pfisterer) in Guebwiller (Frankrijk), ter gelegenheid van het duizendstegeboortejaar van paus Leo IX. In zijn geboorteplaats, Éguisheim (Elzas, Frankrijk), vond op 23 juni 2002 de première van deze mis plaats onder leiding van de componist. Het betrof een live-registratie voor de Franse televisiezender France 2. Demisdelen Kyrie, Gloria, Credo, Sanctus, Benedictus en Agnus Dei lenen zich uitstekend voor zowel de katholieke als de protestantse liturgie. Er zijn voor deze mis diverse uitvoeringsmogelijkheden mogelijk, aangezien er sprake is van eenvariabele bezetting. Een instrumentale uitvoering behoort uitdrukkelijk tot de mogelijkheden, indien het scherp koper de koorpartijen vertegenwoordigt. In deze optie is het wenselijk dat het scherp koper zich separaat opstelt van de rest van hetorkest (bijvoorbeeld op een galerij), zodat het idee van dubbelkorigheid wordt benaderd. Bij een uitvoering voor groot koor werkt het scherp koper zeer goed als ondersteuning. In dat geval kan de dynamiek van het koper iets worden aangepast,aangezien deze in eerste instantie bedoeld is voor een instrumentale versie. Ook kan men ervoor kiezen het scherp koper helemaal weg te laten ten gunste van het koor. Bij begeleiding van kleinere koren kan men kiezen voor een klein ensemble uit hetorkest. Dit kan ook een naar wens samengesteld kwartet zijn. Voor de uitvoering van deze mis ligt het voor de hand een van deze opties te kiezen. Als alternatief is echter ook een uitvoering mogelijk met een combinatie van deze opties (vocaal/instrumentaal) niet slechts vanuit een artistiek motief (afwisseling), maar ook vanuit een praktisch motief, voor het geval dat het koor bijvoorbeeld slechts twee delen heeft ingestudeerd. Bij een volledige bezetting kan de dirigent deinstrumentatie naar believen afwisselen. Hierbij kan ook het scherp koper in de begeleiding een rol krijgen (in plaats van ondersteuning van het koor). Zo zijn de volgende combinaties mogelijk:

1. clarinet choir (van Es-klarinet tot basklarinet)

2. clarinet choir + saxofoons

3. zacht koper (bugels, hoorns, euphoniums, bassen)

4. scherp koper (2 trompetten / 2 trombones)

5. dubbelrieten (eventueel + fluit, eventueel + contrabas)

6. tutti

7. alle hout

8. alle koper

In een uitvoering voor brassband en koor is het in de meeste gevallen aan te bevelen de optie voor scherp koper weg te laten. Het koor zingt zelfstandig, begeleid door een volledige brassband. In een instrumentale uitvoering kunt u denken aan eencombinatiekwartet (twee cornetten en twee trombones) + brassband.Koorpartijen apart verkrijgbaar.

M issa Brevis, geschrieben für Chor und Blasorchester entstand im Auftrag des Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (Frankreich), anlässlich des tausendjährigen Jubiläumsder Geburt von Papst Leo IX in Éguisheim. Der Komponist dirigierte die Uraufführung am 23. Juni 2002. Sie wurde live vom französischen Fernsehen France 2 übertragen. Die Messesätze Kyrie, Gloria, Credo, Sanctus, Benedictus und Agnus Deieignen sich ausgezeichnet sowohl für die katholische als auch die protestantische Liturgie. Diese Messe kann in diversen variablen Spielstärken aufgeführt werden. Eine Instrumentalaufführung ist möglich, wenn das Blech die Chorstimme übernimmt.Um der Idee von zwei Chören in dieser Variante möglichst gerecht zu werden, empfiehlt es sich, das Blechregister getrennt vom Rest des Blasorchesters aufzustellen (beispielsweise auf einer Galerie). In einer Aufführung mit einem großen Chor kann dasBlechregister sehr gut als Unterstützung dienen. In diesem Fall sollten die Dynamikangaben der Blechbläser etwas angepasst werden, da sie ja eigentlich für eine Instrumentalaufführung gedacht sind. Man kann zugunsten des Chors auch völlig auf dasBlech verzichten. Zur Begleitung kleinerer Chöre können Sie ein kleines Ensemble aus dem Blasorchester wählen. Dies könnte auch ein Quartett in beliebiger Zusammensetzung sein. Für die Aufführung dieser Messe bietet sich eine der oben genanntenVarianten an. Eine Kombination dieser Wahlmöglichkeiten (vokal/instrumental) ist jedoch auch möglich und das nicht nur vom künstlerischen Standpunkt aus betrachtet (zur Abwechslung), sondern auch aus praktischen Erwägungen beispielsweise, wennder Chor nur zwei Sätze einstudiert hat. In voller Besetzung kann der Dirigent die Instrumentierung nach Belieben variieren. Dann können die Blechbläser auch eine Rolle in der Begleitung übernehmen (anstatt den Chor zu unterstützen). Die folgendenKombinationen sind möglich:

1. Klarinettenchor (von Klarinette in Es bis Bassklarinette)

2. Klarinettenchor + Saxophone

3. Blech (Flügelhorn, Horn, Euphonium, Bassregister)

4. Blech (2 Trompeten / 2 Posaunen)

5. Doppelrohrblattinstrument e (wahlweise + Flöte, wahlweise + Kontrabass)

6. Tutti

7. Alle Holzbläser

8. Alle Blechbläser

In einer Aufführung mit Brass Band und Chor ist es gewöhnlich ratsam, nicht die erste Option (Chor + Blech + Blasorchester) zu wählen. Der Chor singt unabhängig, begleitet von einer vollständigen Brass Band. In einer Instrumentalaufführung könnenSie sich für ein kombiniertes Quartett (zwei Kornette und zwei Posaunen) + Brass Band entscheiden. Chorstimmen separat erhältlich.

Missa Brevis est une messe pour Orchestre d’Harmonie et Choeur composée la demande du Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir. : Philippe Pfisterer) de Guebwiller en France, l’occasion des célébrations dumillénaire de la naissance du Pape Léon IX Éguisheim. La création mondiale a eu lieu le 23 juin 2002 sous la direction du compositeur, et a été diffusée en direct sur la chaîne de télévision nationale France 2. Les différentes parties de cettemesse (Kyrie, Gloria, Credo, Sanctus, Benedictus et Agnus Dei) conviennent autant la liturgie catholique qu’ la liturgie protestante. Missa Brevis peut être interprétée dans différentes combinaisons instrumentales. Ellepeut être jouée dans une version purement instrumentale, où les cuivres prennent en charge la partie vocale. En tel cas, il est conseillé de placer les cuivres l’écart de la formation (sur une estrade, par exemple) de façon reproduire l’idée dedeux groupes indépendants. Dans le cadre d’une interprétation avec un grand Choeur, les cuivres jouent un rôle de soutien. Leurs nuances doivent alors être adaptées dans la mesure où elles ont été écrites, l’origine, pour une version instrumentale.Il est également possible de ne pas faire intervenir les cuivres et de privilégier le Choeur. Pour accompagner de petits ensembles vocaux, il faut opter pour une formation instrumentale réduite voire même un Quatuor (instrumentation au choix). Pourl’interprét ation de cette messe l’un des choix proposés ci-dessus s’impose. Il existe néanmoins une alternative qui consiste interpréter cette oeuvre en combinant ces options (vocales / instrumentales). Cela peut être bénéfique tant d’un point devue artistique (variante) que pratique dans le cas où le Choeur n’a travaillé que deux mouvements de la messe. Si le chef dispose de deux formations complètes (Choeur et Orchestre d’Harmonie), il peut varier l’instrumentation selon ses préférences. ce moment-l , il peut confier un rôle d’accompagnement et non de soutien aux cuivres de sa formation. Les combinaisons suivantes peuvent être formées :

1. Choeur de Clarinettes (de la Clarinette Mib la Clarinette Basse)

2. Choeur de Clarinettes + Saxophones

3. Cuivres (Bugles, Cors, Barytons / Euphoniums, Basses)

4. Cuivres (2 Trompettes / 2 Trombones)

5. Instruments anches doubles (Fl te et Contrebasse cordes optionnelles)

6. Tutti

7. Tous les Bois

8. Tous les Cuivres

Dans le cadre d’une interprétation par un Brass Band accompagné d’un Choeur, il est préférable de supprimer l’option 1 (Choeur + Cuivres + Orchestre d’Harmonie) car le Choeur étant autonome. Dans une version instrumentale pour Cuivres, il estpossible de former la combinaison suivante : Quatuor (2 Cornets / 2 Trombones) et Brass Band.Partitions pour chœur disponibles séparément.

Parti per coro disponibili a parte.

Choir; orchestra

SKU: HP.C5732C

Composed by Brian Wren and John Hatton. Arranged by Lloyd Larson. Piano Accompaniment with Optional Orchestra. Hymntune, Easter Sunday, Cross of Christ, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C5732C. Published by Hope Publishing Company (HP.C5732C).

UPC: 763628957322. George W. Kitchin, rev. Michael R. Newbolt & Sydney H. Nicholson. John 12:32, Matthew 10:38, Matthew 16:24, Luke 14:27, 1 Corinthians 1:17-24, Galatians 6:14, Philippians 2:8, 1 Peter 2:24, Revelation 1:18, John 3:14-15, Revelation 14:1, Revelation 22:4, Revelat.

Classic hymn This powerful resurrection anthem comes from Lloyd Larson's Easter musical, Lift High the Cross, and features the two Easter hymns, Lift High the Cross and Brian Wren's Christ Is Alive. Additional instruments effectively add to the impact of this Easter celebration. The Orchestration contains a Conductor's Score and parts for: Flute, Oboe, Horn, B-flat Trumpet, Violin, Cello, Bass Guitar, Synth String Reduction, and Percussion.

Choir; orchestra (flute, oboe, horn, B-flat trumpet, violin, cello, bass guitar, synthesizer string reduction, and percussion)

SKU: HP.C5732O

Composed by Brian Wren and John Hatton. Arranged by Lloyd Larson. Piano Accompaniment with Optional Orchestra. Hymntune, Easter Sunday, Cross of Christ, Sacred. Set of Instrumental Parts. Hope Publishing Company #C5732O. Published by Hope Publishing Company (HP.C5732O).

UPC: 763628257323. George W. Kitchin, rev. Michael R. Newbolt & Sydney H. Nicholson. John 12:32, Matthew 10:38, Matthew 16:24, Luke 14:27, 1 Corinthians 1:17-24, Galatians 6:14, Philippians 2:8, 1 Peter 2:24, Revelation 1:18, John 3:14-15, Revelation 14:1, Revelation 22:4, Revelat.

Classic hymn This powerful resurrection anthem comes from Lloyd Larson's Easter musical, Lift High the Cross, and features the two Easter hymns, Lift High the Cross and Brian Wren's Christ Is Alive. Additional instruments effectively add to the impact of this Easter celebration. The Orchestration contains a Conductor's Score and parts for: Flute, Oboe, Horn, B-flat Trumpet, Violin, Cello, Bass Guitar, Synth String Reduction, and Percussion.

By William Runyan. Arranged by Jack Schrader. For Choir. (SATB). Assurance, Confidence, Faithfulness, God's Attributes/Character, Gratefulness, Guidance, Mercy, Promise and Sacred. Print Music Single (SATB). Published by Hope Publishing Company.

Assembly,cantor,SATB choir, keyboard accompaniment, C instrument,keyboard

SKU: GI.G-005858

Composed by Marcy Weckler Barr. Lent 3 Year A, Lent 5 Year A. Tune Name: Were You There And Amazing Grace. Sacred. Octavo. GIA Publications #005858. Published by GIA Publications (GI.G-005858).

UPC: 641151058580.

These two treasured hymns are cleverly set for 4-part choir supported by a gentle keyboard part and flowing flute descant. The last 2 verses feature both hymns sung concurrently. Your choir will enjoy learning and performing this one and the assembly will readily join in. A beautiful, spiritual reflection on how truly amazing is the grace of our Lord‚ suffering and crucifixion.

Chorus and piano (opt. Cello, clarinet, flute, french horn)

SKU: HP.9017

Composed by Joel Raney. Musicals for Adults. Lent, Sacred. Value pack (10 listening CDs). Hope Publishing Company #9017. Published by Hope Publishing Company (HP.9017).

UPC: 763628190170.

A choral Worship Experience for Holy Week Familiar hymns and original music, combined with two narrators reading from scripture, tell the story of Jesus' final days in this new cantata for the Lent & Easter season. Intentionally, written to be accessible to most choirs, and suitable anytime during the Lent & Easter season. Accompaniment can be provided by piano, or piano plus flute, clarinet, French horn, and cello. Performance time is 30 minutes, so this will fit nicely into a worship service.

Chorus and piano (opt. Cello, clarinet, flute, french horn)

SKU: HP.9015

Composed by Joel Raney. Musicals for Adults. Lent, Sacred. Instrumental parts. Hope Publishing Company #9015. Published by Hope Publishing Company (HP.9015).

UPC: 763628190156.

A choral Worship Experience for Holy Week Familiar hymns and original music, combined with two narrators reading from scripture, tell the story of Jesus' final days in this new cantata for the Lent & Easter season. Intentionally, written to be accessible to most choirs, and suitable anytime during the Lent & Easter season. Accompaniment can be provided by piano, or piano plus flute, clarinet, French horn, and cello. Performance time is 30 minutes, so this will fit nicely into a worship service.

Chorus and piano (opt. Cello, clarinet, flute, french horn)

SKU: HP.9019

Composed by Joel Raney. Musicals for Adults. Lent, Sacred. Listening CD. Hope Publishing Company #9019. Published by Hope Publishing Company (HP.9019).

UPC: 763628190194.

A choral Worship Experience for Holy Week Familiar hymns and original music, combined with two narrators reading from scripture, tell the story of Jesus' final days in this new cantata for the Lent & Easter season. Intentionally, written to be accessible to most choirs, and suitable anytime during the Lent & Easter season. Accompaniment can be provided by piano, or piano plus flute, clarinet, French horn, and cello. Performance time is 30 minutes, so this will fit nicely into a worship service.

Chorus and piano (opt. Cello, clarinet, flute, french horn)

SKU: HP.9013

Composed by Joel Raney. Musicals for Adults. Lent, Sacred. Accompaniment CD. Hope Publishing Company #9013. Published by Hope Publishing Company (HP.9013).

UPC: 763628190132.

A choral Worship Experience for Holy Week Familiar hymns and original music, combined with two narrators reading from scripture, tell the story of Jesus' final days in this new cantata for the Lent & Easter season. Intentionally, written to be accessible to most choirs, and suitable anytime during the Lent & Easter season. Accompaniment can be provided by piano, or piano plus flute, clarinet, French horn, and cello. Performance time is 30 minutes, so this will fit nicely into a worship service.

Chorus and piano (opt. Cello, clarinet, flute, french horn)

SKU: HP.9018

Preview Pack. Composed by Joel Raney. Musicals for Adults. Lent, Sacred. Book & CD. Hope Publishing Company #9018. Published by Hope Publishing Company (HP.9018).

UPC: 763628190187.

A choral Worship Experience for Holy Week Familiar hymns and original music, combined with two narrators reading from scripture, tell the story of Jesus' final days in this new cantata for the Lent & Easter season. Intentionally, written to be accessible to most choirs, and suitable anytime during the Lent & Easter season. Accompaniment can be provided by piano, or piano plus flute, clarinet, French horn, and cello. Performance time is 30 minutes, so this will fit nicely into a worship service.

Chorus and piano (opt. Cello, clarinet, flute, french horn)

SKU: HP.9014

Composed by Joel Raney. Musicals for Adults. Lent, Sacred. Accompaniment CD. Hope Publishing Company #9014. Published by Hope Publishing Company (HP.9014).

UPC: 763628190149.

A choral Worship Experience for Holy Week Familiar hymns and original music, combined with two narrators reading from scripture, tell the story of Jesus' final days in this new cantata for the Lent & Easter season. Intentionally, written to be accessible to most choirs, and suitable anytime during the Lent & Easter season. Accompaniment can be provided by piano, or piano plus flute, clarinet, French horn, and cello. Performance time is 30 minutes, so this will fit nicely into a worship service.

Chorus and piano (opt. Cello, clarinet, flute, french horn)

SKU: HP.9012

Composed by Joel Raney. Musicals for Adults. Lent, Sacred. Listening CD. Hope Publishing Company #9012. Published by Hope Publishing Company (HP.9012).

UPC: 763628190125.

A choral Worship Experience for Holy Week Familiar hymns and original music, combined with two narrators reading from scripture, tell the story of Jesus' final days in this new cantata for the Lent & Easter season. Intentionally, written to be accessible to most choirs, and suitable anytime during the Lent & Easter season. Accompaniment can be provided by piano, or piano plus flute, clarinet, French horn, and cello. Performance time is 30 minutes, so this will fit nicely into a worship service.

SATB vocal soli, SATB choir, cello/contrabass, organ

SKU: CA.2100311

Composed by Marc-Antoine Charpentier. Edited by Annick Fiaschi. Arranged by Paul Horn. French Sacred Music. German title: Magnificat. Sacred vocal music, Magnificats, Motets, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Cello/Double Bass. Composed 1695. H. 4 pages. Duration 9 minutes. Carus Verlag #CV 21.003/11. Published by Carus Verlag (CA.2100311).

ISBN 9790007197674. Language: Latin.

Marc-Antoine Charpentier's Magnificat H 78 was composed around 1690 for the Jesuits in Paris. No less than ten works by the composer, in differing vocal and instrumental scoring and form comprise this genre. In the present Magnificat H 78 for five voices (in which alto and bass also have solo roles), two flutes, strings and basso continuo, each of the individual movements contains its own expressive profile in sound. Score and part available separately - see item CA.2100300.

ST vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola and basso continuo

SKU: CA.9125603

Hymnus de Nativitate Domini nostri Jesu Christi. Composed by Aemilian Rosengart. Edited by Andreas Traub. Coppenrath Series. Sacred vocal music, Hymns. Reduction for organ. 8 pages. Duration 3 minutes. Carus Verlag #CV 91.256/03. Published by Carus Verlag (CA.9125603).

ISBN 9790007129392. Language: Latin.

As a contemporary of Haydn and Mozart, Rosengart reveals great stylistic diversity in his works. This Hymnus , in two sections, reveals his ability as a baroque composer, who concentrated on the musical embellishment of the liturgy. Christe redemptor omnium was performed to the glory of God in the monastic church at Ochsenhausen. Score available separately - see item CA.9125600.

ST vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola and basso continuo

SKU: CA.9125614

Hymnus de Nativitate Domini nostri Jesu Christi. Composed by Aemilian Rosengart. Edited by Andreas Traub. Coppenrath Series. Violoncello/double bass. Sacred vocal music, Hymns. Single Part, Cello/Double Bass. 2 pages. Duration 3 minutes. Carus Verlag #CV 91.256/14. Published by Carus Verlag (CA.9125614).

ISBN 9790007234690. Language: Latin.

As a contemporary of Haydn and Mozart, Rosengart reveals great stylistic diversity in his works. This Hymnus , in two sections, reveals his ability as a baroque composer, who concentrated on the musical embellishment of the liturgy. Christe redemptor omnium was performed to the glory of God in the monastic church at Ochsenhausen. Score and part available separately - see item CA.9125600.

ST vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola and basso continuo

SKU: CA.9125613

Hymnus de Nativitate Domini nostri Jesu Christi. Composed by Aemilian Rosengart. Edited by Andreas Traub. Coppenrath Series. Viola. Sacred vocal music, Hymns. Single Part, Viola. 2 pages. Duration 3 minutes. Carus Verlag #CV 91.256/13. Published by Carus Verlag (CA.9125613).

ISBN 9790007234683. Language: Latin.

As a contemporary of Haydn and Mozart, Rosengart reveals great stylistic diversity in his works. This Hymnus , in two sections, reveals his ability as a baroque composer, who concentrated on the musical embellishment of the liturgy. Christe redemptor omnium was performed to the glory of God in the monastic church at Ochsenhausen. Score and part available separately - see item CA.9125600.

ST vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola and basso continuo

SKU: CA.9125649

Hymnus de Nativitate Domini nostri Jesu Christi. Composed by Aemilian Rosengart. Edited by Andreas Traub. Coppenrath Series. Organ. Sacred vocal music, Hymns. Single Part, Organ. 4 pages. Duration 3 minutes. Carus Verlag #CV 91.256/49. Published by Carus Verlag (CA.9125649).

ISBN 9790007234713. Language: Latin.

As a contemporary of Haydn and Mozart, Rosengart reveals great stylistic diversity in his works. This Hymnus , in two sections, reveals his ability as a baroque composer, who concentrated on the musical embellishment of the liturgy. Christe redemptor omnium was performed to the glory of God in the monastic church at Ochsenhausen. Score and part available separately - see item CA.9125600.

ST vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola and basso continuo

SKU: CA.9125611

Hymnus de Nativitate Domini nostri Jesu Christi. Composed by Aemilian Rosengart. Edited by Andreas Traub. Coppenrath Series. Violin 1. Sacred vocal music, Hymns. Single Part, Violin 1. 4 pages. Duration 3 minutes. Carus Verlag #CV 91.256/11. Published by Carus Verlag (CA.9125611).

ISBN 9790007234669. Language: Latin.

As a contemporary of Haydn and Mozart, Rosengart reveals great stylistic diversity in his works. This Hymnus , in two sections, reveals his ability as a baroque composer, who concentrated on the musical embellishment of the liturgy. Christe redemptor omnium was performed to the glory of God in the monastic church at Ochsenhausen. Score and part available separately - see item CA.9125600.

ST vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola and basso continuo

SKU: CA.9125612

Hymnus de Nativitate Domini nostri Jesu Christi. Composed by Aemilian Rosengart. Edited by Andreas Traub. Coppenrath Series. Violin 2. Sacred vocal music, Hymns. Single Part, Violin 2. 2 pages. Duration 3 minutes. Carus Verlag #CV 91.256/12. Published by Carus Verlag (CA.9125612).

ISBN 9790007234676. Language: Latin.

As a contemporary of Haydn and Mozart, Rosengart reveals great stylistic diversity in his works. This Hymnus , in two sections, reveals his ability as a baroque composer, who concentrated on the musical embellishment of the liturgy. Christe redemptor omnium was performed to the glory of God in the monastic church at Ochsenhausen. Score and part available separately - see item CA.9125600.

ST vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola and basso continuo

SKU: CA.9125600

Hymnus de Nativitate Domini nostri Jesu Christi. Composed by Aemilian Rosengart. Edited by Andreas Traub. This edition: Paperbound. Sacred vocal music, hymn. German title: Christe redemptor omnium. Sacred vocal music, Hymns. Full score. Duration 3 minutes. Carus Verlag #CV 91.256/00. Published by Carus Verlag (CA.9125600).

ISBN 9790007094591. Language: Latin.

As a contemporary of Haydn and Mozart, Rosengart reveals great stylistic diversity in his works. This Hymnus , in two sections, reveals his ability as a baroque composer, who concentrated on the musical embellishment of the liturgy. Christe redemptor omnium was performed to the glory of God in the monastic church at Ochsenhausen.

ST vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola and basso continuo

SKU: CA.9125605

Hymnus de Nativitate Domini nostri Jesu Christi. Composed by Aemilian Rosengart. Edited by Andreas Traub. Coppenrath Series. Sacred vocal music, Hymns. Choral Score. Duration 3 minutes. Carus Verlag #CV 91.256/05. Published by Carus Verlag (CA.9125605).

ISBN 9790007130145. Language: Latin.

As a contemporary of Haydn and Mozart, Rosengart reveals great stylistic diversity in his works. This Hymnus , in two sections, reveals his ability as a baroque composer, who concentrated on the musical embellishment of the liturgy. Christe redemptor omnium was performed to the glory of God in the monastic church at Ochsenhausen. Score available separately - see item CA.9125600.

ST vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola, basso continuo

SKU: CA.9125619

Hymnus de Nativitate Domini nostri Jesu Christi. Composed by Aemilian Rosengart. Edited by Andreas Traub. Complete orchestral parts. Sacred vocal music, Hymns. Set of Orchestra Parts. Duration 3 minutes. Carus Verlag #CV 91.256/19. Published by Carus Verlag (CA.9125619).

ISBN 9790007234706. Language: Latin.

As a contemporary of Haydn and Mozart, Rosengart reveals great stylistic diversity in his works. This Hymnus , in two sections, reveals his ability as a baroque composer, who concentrated on the musical embellishment of the liturgy. Christe redemptor omnium was performed to the glory of God in the monastic church at Ochsenhausen. Score and parts available separately - see item CA.9125600.