| Kember John - Just For
Two - Piano 1 Piano, 4 mains Schott
16 Easy Piano Duets
. For pianists, making music can often be a lonely pleasur...(+)
16 Easy Piano Duets
. For pianists, making music can often be a lonely pleasure. Duets provide a great way for the pianist to enjoy the benefits of ensemble â?? playing with other musicians - and the chance to share the enjoyment of music making.
This set of original works brings together a wide variety of styles, Waltzes and Lullabies, to Jazz to Latin and Folk. The pieces are progressive in order of difficulty, and may be played by the teacher and pupil together, or provide a challenge for two players of equal ability.
16.90 EUR - vendu par Woodbrass Délais: Sur commande | |
| 50 Years Of Itv Piano seul [Partition] - Facile Faber Music Limited
In 2005, ITV celebrated an impressive 50 years of television service, and this c...(+)
In 2005, ITV celebrated an impressive 50 years of television service, and this commemorative set of Piano solos captures some of their best-loved programmes. As the great bastion of local broadcasting, ITV has played a vital role in presenting regional concerns and characteristics across a national and international network. Their series have become synonymous with the places and times they represent... Inspector Morse and Oxford, Emmerdale and rural Yorkshire, Coronation Street and the changing face of Manchester. Furthermore, ITV have been responsible for some thrilling period drama, including Foyle's War , Hornblower and Sharpe , as well as outstanding contemporary presentations such as Cold Feet . Enjoy a nostalgic moment or two, and help celebrate the achievements of this significant organisation with this collection of themes that television fans of all generations will adore! / Niveau : Assez Facile / TV, Film, Comédie musicale / Recueil / Piano
16.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Ragtime Blues Guitar Of
Rev. Gary Davis Guitare (Fingerpick) [Partition + CD] Grossman's Guitar Workshop
Rev. Gary Davis was a musical giant. His ideas spanned a wide range of technique...(+)
Rev. Gary Davis was a musical giant. His ideas spanned a wide range of techniques and styles. His repertoire featured blues, rags, show instrumentals and gospel songs. He played with his thumb and index finger to pick out complex melodies, rhythmic licks and lightning fast single-string runs. In this book, seven of Rev. Davis's blues are presented. These arrangements have been performed and recorded by a host of great artists including Bob Dylan, Taj Mahal, Hot Tuna, David Bromberg, John Renbourn, Bert Jansch and many others. These lessons are for the intermediate to advanced fingerstyle guitarist. The accompanying three CD lessons teach these arrangements phrase by phrase as well as presenting the original recordings. LESSON ONE: Our first lesson highlights two of Rev. Davis's most popular blues arrangements. Hesitation Blues is played in the key of C. Baby, Let Me Follow You Down is played in the key of G. LESSON TWO: The key of C was a favorite for Rev. Davis. In this lesson we explore the party tune Sally Where'd You Get Your Liquor From (made popular by Hot Tuna). Rev. Davis used to joke that he could play Candyman so many different ways that he would be able to play it nonstop for at least 8 hours without repeating himself! We look at two versions of this very popular folk blues with the regular Candyman followed by the Two-Step Candyman. LESSON THREE: 'Raggin' the blues' was a great part of Rev. Davis's repertoire. His Walkin' Dog Blues is a tour de force in a blues in C. All fourteen verses are transcribed here, and we study how this arrangement develops. Buck Rag is a fascinating rag played in the key of C. Single-string runs, counterpoint lines, rhythmic variations and syncopated bass patterns are featured. / Guitare (Fingerpick) / 40 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75
44.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Dvorak A. - String
Quartet N°13 Op.106 -
Set Of Parts Quatuor à cordes: 2 violons,
alto, violoncelle Barenreiter
After working for three years at the NationalConservatory in New York, Dvorak re...(+)
After working for three years at the NationalConservatory in New York, Dvorak returnedhome in 1895 feeling extraordinarily happy. The fruit of this ecstatic periodare thecomposer's last two string quartets. The Quartet in G major, Op. 106, waswrittenimmediately after his return from America. The melodic freshness of the light,airythemes, alternating folk idioms in a temperate, unobtrusive musical allusion,betraysthe composer's maturity and mastery. The editor of this work, published as partof the first Complete Critical Edition of Works by Antonin Dvorak, is FrantisekBartos.
19.60 EUR - vendu par Woodbrass Délais: Sur commande | |
| Elements Of Indian Music
(IYER RADHIKA) Formation musicale - Solfège - Intermédiaire/avancé Mel Bay
The Melakarta System. Par IYER RADHIKA. Elements of Indian Music introduces the ...(+)
The Melakarta System. Par IYER RADHIKA. Elements of Indian Music introduces the Indian melodic system in an accessible manner within the realm of Western music theory. It demonstrates a new archetype in music composition for composers of any genre, as well as composition teachers and anyone interested in ethnomusicology.This book contains a set of 12 etudes for piano and transcriptions for classical guitar. Each etude is about one minute in length and utilizes notes from a particular Indian scale. An intermediate to advanced skill level is required to perform each etude. Practicing and performing these studies is an excellent way to expand one's musical perspective beyond traditional diatonic scales.Indianmusic has intrigued the West for a long time, but hasn't always been accessible because of the absence of a systematic approach to theory and repertoire. Just as the Western harmonic system is well developed, the Indian melodic system is very advanced and equally established. The intermingling of these two worlds can inspire new, exceptional sonic landscapes.Useful literature on the evolution of the Indian melodic system is also included, with notes on how it can be used as a modus operandi by Western musicians who wish to apply Indian scales in Western compositions and improvisations.Includes access to online audio Elements of Indian Music introduces the Indian melodic system in an accessible manner within the realm of Western music theory. It demonstrates a new archetype in music composition for composers of any genre, aswell as composition teachers and anyone interested in ethnomusicology. This book contains a set of 12 etudes for piano and transcriptions for classical guitar. Each etude is about one minute in length and utilizes notesfrom a particular Indian scale. An intermediate to advanced skill level is required to perform each etude. Practicing and performing these studies is an excellent way to expand one's musical perspective beyond traditionaldiatonic scales. Indian music has intrigued the West for a long time, but hasn and rsquo - t always been accessible because of the absence of a systematic approach to theory and repertoire. Just as the Western harmonic system iswell developed, the Indian melodic system is very advanced and equally established. The intermingling of these two worlds can inspire new, exceptional sonic landscapes. Useful literature on the evolution of the Indianmelodic system is also included, with notes on how it can be used as a modus operandi by Western musicians who wish to apply Indian scales in Western compositions and improvisations. Includes access to online audio. / Niveau : 4 / Etudes et exercices / Etude / Tout Instrument
34.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Messe C-Dur Op. 86
(BEETHOVEN LUDWIG VAN) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
Arrangeur: Andrea Campora. Par BEETHOVEN LUDWIG VAN. Beethoven’s sacred works ...(+)
Arrangeur: Andrea Campora. Par BEETHOVEN LUDWIG VAN. Beethoven’s sacred works include two settings of the Mass. The “Mass in C major”, completed and premiered in 1807, has been unjustly described as a preliminary step towards the great “Missa solemnis”. Yet it is a self-contained and, for its time, decidedly modern piece of church music. Drawing on the rich body of sources, Beethoven specialist Barry Cooper suggests practical solutions to the work’s musical and interpretative problems. His deep study of the sources convinced him to include a fully realized organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the sources, the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages. Rounding off this Urtext edition are a Foreword on the work’s genesis and a detailed Critical Commentary. - Score with realization of the organ part - Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) - Idiomatic piano reduction Features of the Barenreiter Urtext edition of Beethoven 's Mass In C Major : Score with realisation of the Organ part Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) Straight-forward Piano reduction Full score and performance material (BA9039) and Vocal score (BA9039-90) available for sale Amongst Beethoven ’s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and, for its time, distinctly modernpiece of sacred music. Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the original sources, the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages. This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary. / Messe / Répertoire / Solistes, Choeur Mixte et Orchestre
98.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| There Is No Rose Of Such
Virtue Chorale SATB Novello & Co Ltd.
There is no rose of such virtue is an anonymous mediaeval text, already well kno...(+)
There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting, the second gives the melody to the tenors and surrounds them with hushed, wordless writing for the other parts, and the third explores a freely canonic relationship between the tenor and soprano lines before carrying the previous verse-endings to a higher, more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse, where the texture of the music attenuates again to four parts, and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence. Francis Pott (b. 1957) began musical life as a chorister at New College, Oxford. He held open music scholarships at Winchester College and at Magdalene College, Cambridge, where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist, Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda's College, Oxford, and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music, University of West London, later leading research across the University's Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in over three dozen countries worldwide, published by four major UK houses and released extensively on CD. Winner of four national composition awards, in 1997 he received first prize in the piano solo section of the S. S. Prokofiev Composing Competition, Moscow. In 2006 and 2011 he was a nominated finalist in the BASCA/BBC Annual Composer Awards. In summer 2012 he was winner of the international composing competition of the Cheltenham Festival, which sought new piano variations on the arioso song Bist du bei mir, well known in the arrangement by J. S. Bach. Francis lives with his wife and two children on the outskirts of Winchester. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. / Choeur Mixte (SATB)
5.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Album Of Violin Pieces
Solo Piano
Violon et Piano [Sheet music] - Intermédiaire Music Sales
This book of violin pieces provides a wide variety of style, color, and characte...(+)
This book of violin pieces provides a wide variety of style, color, and character, including the most noteworthy compositions in musical history, all carefully revised and edited. While the student will find the contents of this book invaluable for recreation and practice, the virtuoso will recognise this set of selections as indispensable to his library. Includes Piano accompaniment. Suitable for intermediate standard (grade 4-5). / Piano
21.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| The King Of Glory
(RODGERS SARAH) Chorale SATB SATB, Orgue Stainer and Bell
Par RODGERS SARAH. Choral settings of ‘Lift up your heads, O ye gates’ from ...(+)
Par RODGERS SARAH. Choral settings of ‘Lift up your heads, O ye gates’ from Psalm 24 are numerous, from that of the sixteenth-century Geneva Psalter of Claude Goudimel to the present day. Unsurprisingly so, as the text has many appropriate liturgical applications. In this jubilant setting, The King of Glory, Sarah Rodgers has provided church choirs of all abilities with a truly celebratory anthem that in its writing for SATB displays many elements of choral craft, from unison and two-part textures to a satisfyingly contrapuntal full harmony. The driving, rhythmic figure in the organ accompaniment underpins and uplifts the voices, and occasional harmonic juxtapositions add delightfully unexpected moments of colour. Importantly, with a proficient organist, the anthem can be prepared with just one or two rehearsals. It is certain to be of great appeal both to choirs and to congregations. / Date parution : 1905-07-10/ Feuillet / SATB et Orgue
4.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Beethoven L.v. - Mass C
Major Op.86 - Vocal Score
Orchestre [Vocal Score] - Avancé Barenreiter
Beethoven?s sacred works include two settings of the Mass. The ?Mass in C major?...(+)
Beethoven?s sacred works include two settings of the Mass. The ?Mass in C major?, completed and premiered in 1807, has been unjustly described as a preliminary step towards the great ?Missa solemnis?. Yet it is a self-contained and, for its time, decidedly modern piece of church music. Drawing on the rich body of sources, Beethoven specialist Barry Cooper suggests practical solutions to the work?s musical and interpretative problems. His deep study of the sources convinced him to include a fully realized organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the sources, the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages. Rounding off this Urtext edition are a Foreword on the work?s genesis and a detailed Critical Commentary. ? Score with realization of the organ part ? Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) ? Idiomatic piano reduction
14.80 EUR - vendu par Woodbrass Délais: Sur commande | |
| Shakespeare Songs Book 9 Piano, Voix [Sheet music] - Intermédiaire/avancé Chester
Like many composers who found themselves in exile during the war years, Castelnu...(+)
Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melody, tonality and texture. His collection of Shakespeare Songs feature settings of verse from across the full range of the Bard's plays, and have proved to be great critical successes still widely performed today. Suitable to be adapted by most voices. the songs are interwoven with complex and thrilling Piano accompaniments that bring colour and energy to the often liberally edited texts. Book nine contains three songs adapted from As You Like It , A Winter's Tale and Much Ado About Nothing / Voix Et Piano
17.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Shakespeare Songs Book 8 Piano, Voix [Sheet music] - Intermédiaire/avancé Chester
Like many composers who found themselves in exile during the war years, Castelnu...(+)
Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melody, tonality and texture. His collection of Shakespeare Songs feature settings of verse from across the full range of the Bard's plays, and have proved to be great critical successes still widely performed today. Suitable to be adapted by most voices. the songs are interwoven with complex and thrilling Piano accompaniments that bring colour and energy to the often liberally edited texts. Book eight contains three songs adapted from A Winter's Tale and Cymberline / Voix Et Piano
17.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Compendium Of Organ
Performance Technique,
Vol.I And II Orgue Barenreiter
These volumes cannot be purchased individually. Our two-volume edition is the fi...(+)
These volumes cannot be purchased individually. Our two-volume edition is the first to offer a reference work on organ technique systematically subdivided into 60 exercise units. It provides an overview of all relevant topics on manual and pedal playing based on the tutors by Marcel Dupré, Fernando Germani, Charles-Louis Hanon and Johannes Brahms as well as on their sequels and supplements. There is also a comprehensive set of exercises to maintain the achieved performance level.This compendium is a tutor for all levels of expertise and training from ambitious semi-professional organists through to fully professional church musicians and conservatory students. Furthermore it is aimed at all of those who teach the organ, whether privately or at academies, colleges, conservatories or universities.- Two-volume reference work on organ technique (Ger/Eng)- Covers all relevant areas of manual and pedal playing- Includes a comprehensive set of exercises - Concise introductory text (Ger/Eng)- Teaching and performance orientated subject as well as keyword indices - For every level of expertise and training / Orgue
105.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Gloria Per 2 S. E C.
Solisti, Coro A 4 Voci
Miste E Orch. Rv 589 Set
Parti Orch. (Malipiero) Matériel D'Orchestre [Partition] Ricordi
Parti Orchestra. Par VIVALDI ANTONIO. The orchestral set contains: 3 copies of V...(+)
Parti Orchestra. Par VIVALDI ANTONIO. The orchestral set contains: 3 copies of Vl I and 3 copies Vl II 2 copies of vla, 2 copies of cello 1 copy of organ, contrabass, trumpet and oboe. Today the Gloria RV 589 (BA 7674) is one of Vivaldi's best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the ; Gloria as a self-contained work in the style of a concertante mass. However, it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Pietà, around 1716. In the twelve movements of the ; Gloria, Vivaldi displays the whole range of his mastery from festive, sublime outer movements to tender, transparently scored solo passages. Thesame mastery has also been applied to the ; Kyrie RV 587 (BA 8950), scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages. Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt, these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward, clearly presented and preserve the character of the works. - Attractive choral pieces which can be combined to form a short mass./ Répertoire / Matériel D'Orchestre
84.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| It's Never Too Late
To Play Showtunes
(WEDGWOOD PAM) Piano seul [Partition] Faber Music Limited
Par WEDGWOOD PAM. A fantastic selection of showtunes arranged by Pam Wedgwood fo...(+)
Par WEDGWOOD PAM. A fantastic selection of showtunes arranged by Pam Wedgwood for her It's Never Too Late to Play... series. Featuring brand new Piano settings of some of the greatest show tunes ever, by one of the UK's foremost composers of educational and recreational music./ Recueil / Piano
12.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Schumann - Brahms -
Kirchner Band 4 Piano seul Schott
With the new Urtext Primo series, the Wiener Urtext Edition wants to close the g...(+)
With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), works by three different composers are selected for each volume of the Urtext Primo series, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.Volume 4 combines works of the German Romanticism by Schumann, Brahms and Theodor Kirchner. Apart from well known pieces from Schumann's 'Album for the Youth' and the easiest waltzes from opus 39 (in the easier version) by Brahms, the selection contains the attractive set of variations from Schumann's first Youth Sonata Op. 118/1 and Brahms' Saraband in A minor WoO 5/1 as well as a number of pleasant pieces by Theodor Kirchner which continue the tonal air of Schumann and Brahms in easy playable pieces. / Piano
21.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Schumann - Brahms -
Kirchner Band 4 Piano seul Wiener Urtext
With the new Urtext Primo series, the Wiener Urtext Edition wants to close the g...(+)
With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), works by three different composers are selected for each volume of the Urtext Primo series, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.Volume 4 combines works of the German Romanticism by Schumann, Brahms and Theodor Kirchner. Apart from well known pieces from Schumann's 'Album for the Youth' and the easiest waltzes from opus 39 (in the easier version) by Brahms, the selection contains the attractive set of variations from Schumann's first Youth Sonata Op. 118/1 and Brahms' Saraband in A minor WoO 5/1 as well as a number of pleasant pieces by Theodor Kirchner which continue the tonal air of Schumann and Brahms in easy playable pieces. / Piano
21.10 EUR - vendu par LMI-partitions Délais: En Stock | |
| Stabat Mater - Op. : 168
(LACHNER FRANZ) Solistes SS, 2 Altos, 2 Violoncelles,
Contrebasse [Partition] Carus Verlag
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, ...(+)
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV 70. 037]; the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Lisztand Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. / Hymnes et chorals / Répertoire / Solistes SS, 2 Altos, 2 Violoncelles, Contrebasse
5.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Stabat Mater - Op. : 154
(LACHNER FRANZ) Chorale SATB SATB/SATB (Double) [Partition] Carus Verlag
Par LACHNER FRANZ. Among his compositions, Franz Lachner, the long-serving Music...(+)
Par LACHNER FRANZ. Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was strictly for a vocal ensemble; the second, op. 168, from 1870 (see p. 5) included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technicaldifficulty in the voice parts./ Répertoire / Choeur SATB/SATB
10.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Stabat Mater - Op. : 168
(LACHNER FRANZ) Solistes SS, 2 Altos, 2 Violoncelles,
Contrebasse [Partition] Carus Verlag
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, ...(+)
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV 70. 037]; the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Lisztand Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. / Hymnes et chorals / Répertoire / Solistes SS, 2 Altos, 2 Violoncelles, Contrebasse
5.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Stabat Mater - Op. : 168
(LACHNER FRANZ) Solistes SS, 2 Altos, 2 Violoncelles,
Contrebasse [Partition] Carus Verlag
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, ...(+)
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV 70. 037]; the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Lisztand Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. / Hymnes et chorals / Répertoire / Solistes SS, 2 Altos, 2 Violoncelles, Contrebasse
3.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Stabat Mater - Op. : 168
(LACHNER FRANZ) Solistes SS, 2 Altos, 2 Violoncelles,
Contrebasse [Partition] Carus Verlag
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, ...(+)
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV 70. 037]; the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Lisztand Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. / Hymnes et chorals / Répertoire / Solistes SS, 2 Altos, 2 Violoncelles, Contrebasse
5.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Stabat Mater - Op. : 168
(LACHNER FRANZ) Solistes SS, 2 Altos, 2 Violoncelles,
Contrebasse [Partition] Carus Verlag
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, ...(+)
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV 70. 037]; the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Lisztand Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. / Hymnes et chorals / Répertoire / Solistes SS, 2 Altos, 2 Violoncelles, Contrebasse
31.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Stabat Mater - Op. : 168
(LACHNER FRANZ) Solistes SS, 2 Altos, 2 Violoncelles,
Contrebasse [Partition] Carus Verlag
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, ...(+)
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV 70. 037]; the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Lisztand Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. / Hymnes et chorals / Répertoire / Solistes SS, 2 Altos, 2 Violoncelles, Contrebasse
5.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Stabat Mater - Op. : 168
(LACHNER FRANZ) Solistes SS, 2 Altos, 2 Violoncelles,
Contrebasse [Partition] Carus Verlag
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, ...(+)
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV 70. 037]; the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Lisztand Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. / Hymnes et chorals / Répertoire / Solistes SS, 2 Altos, 2 Violoncelles, Contrebasse
14.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Stabat Mater - Op. : 168
(LACHNER FRANZ) Solistes SS, 2 Altos, 2 Violoncelles,
Contrebasse [Partition] Carus Verlag
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, ...(+)
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV 70. 037]; the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Lisztand Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. / Hymnes et chorals / Répertoire / Solistes SS, 2 Altos, 2 Violoncelles, Contrebasse
5.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Stabat Mater - Op. : 154
(LACHNER FRANZ) Chorale SATB SATB/SATB (Double) [Partition] Carus Verlag
Par LACHNER FRANZ. Among his compositions, Franz Lachner, the long-serving Music...(+)
Par LACHNER FRANZ. Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was strictly for a vocal ensemble; the second, op. 168, from 1870 (see p. 5) included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technicaldifficulty in the voice parts./ Répertoire / Choeur SATB/SATB
26.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
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